3:16

whisper-whisper kawaii female vocal, ambient, mathrock, pop punk, post-classical, polyrhythm, oddmeter
3:06

whisper-whisper kawaii female vocal, ambient, mathrock, pop punk, post-classical, polyrhythm, oddmeter
2:47

808beats, dnb, ambient, mathrock, chaotic hardcore, post-classical, polyrhythm, oddmeter, slipbeat, whisper kawaii female vocal
3:03

kawaii female vocal, experimental jazz, citypop, lofi, 8bit, glitch techno
3:16

2:56

female vocals, cute, cheerful, J-POP, kawaii future bass, drum and bass
3:41

uptempo, emo, metalcore, mathcore, djent, ‑scream, ‑deathvoice
3:28

male vocal, emo, pop punk, alternative rock, mathrock, experimental, progressive, bpm=175
3:00

contemporary jazz piano, neo-soul, slip beat, metric modulation, odd meter, polyrhythm, male vocal
3:59

female vocal, post-hardcore, mathrock, contemporary jazz, glitch, experimental pop, minimal techno, ‑male vocal
4:24

ambient, music box, post-rock ballad, experimental lofi-pop, slipbeat, polyrhythm, effected kawaii-kawaii female vocal, noise
4:17

State: Static
v4.5
Design a sparse, hyper-detailed sound environment rooted in industrial and glitch aesthetics, Use surgical precision in sound design—fragmented pulses, static bursts, and minimal digital fragments arranged in complex rhythmic grids, The sonic palette should feel cold, abstract, and machine-like, with a reductionist approach to melody and structure, Let silence be part of the composition, This piece should evoke a futuristic, architectural stillness, where each sound feels isolated yet intentional, for the ending section, gradually transition into an ambient soundscape, Let the glitch elements dissolve into ethereal pads, distant echoes, and reverb-heavy textures, The finale should feel spacious, introspective, and emotionally resolved, like the mind finally breathing after suffocating tension, conscious rap
3:15

kawaii future bass, dreamy, glitch, drum and bass, chill, tropical EDM, post-dubstep
5:33

contemporary jazz, piano mathrock, post-rock, ambient, experimental jazz, neo-soul, polyrhythm, drunkbeat, oddmeter, effected male vocal
3:08

kawaii female vocal, experimental j-pop, mathcore, chaotic hardcore, mathrock, 808beats, dnb
3:05

4:24

Emotional piano-driven math rock with complex time signatures, polyrhythms, and intricate slip beats, Expressive piano leads with broken chords and subtle dissonance, accompanied by dynamic and syncopated drumming, Soft, breathy female vocals float over the rhythm, delivering melancholy and introspective tones, almost whisper-like at moments, In the background, spacious ambient textures and natural reverb create a sense of depth and quiet tension, The sound blends delicate piano storytelling with dynamic rhythmic fragmentation, resulting in a dreamy and emotionally intense post-rock atmosphere, Mood: precise, fragile, reflective
3:38

3:29

lo-fi, experimental pop, post-classical, mathrock, post-rock, heartfelt, nostalgic, whisper kawaii female vocal
4:28

Fracture & Flame
v4.5
Modal and melodic guitar riffs that emphasize chord tones with pop punk vibe, It transitions into polyrhythmic, djent meets mathrock-style riffs and grooves, driven by tight syncopation and complex rhythms, The chorus explodes into an emotional, post-hardcore-style clean singalong, packed with heartfelt melodies and raw vocal energy, A fusion-inspired guitar solo adds a technical and expressive flair, bridging chaos and beauty, A bridge that modulates into a drum and bass section, male vocal, odd meter, blast beat, bpm=180, uptempo
3:40

4:37

4:03

chaotic hardcore, contemporary jazz, trap, deathcore, mathrock, progressive metal, alternative rock, glitch, polyrhythm, oddmeter, slip beat, blast beat, 808beat, male vocal
5:03

glitchy bitcrush textures, heavy sub bass, militant hi-hat & snare patterns, chopped & screwed vocal chops, industrial percussion, dark ambient pads, wobble bass modulation, half-time post-dubstep rhythms, minimal melodic stabs, spacious atmospheres, male vocals with gritty edge, dry upfront mix, [progressive rhythmic shifts: variable time signatures, polyrhythms, slip beats, metric modulation], [post-dubstep bass wobbles and half-time grooves], [gentle +2 dB shelving above 12 kHz for clear highs], [midrange de-essing to reduce muddiness], [analog tape saturation for warmth], [high headroom gain staging to avoid clipping], [Neumann U87 through SSL Duality console recording]
3:39

progressive metal, chaotic hardcore, featuring [odd time signatures], [polyrhythms], [slip beats], [blast beats], [double bass drum patterns], syncopated riffs, modal melodic chord riffs, male vocals alternating between bright anthemic hooks, poppy catchy sing-along choruses and brutal growls/screams, include abrupt [jazz-infused interludes] and [R&B-style breakdowns], dry upfront mix, studio-quality 44, 1 kHz high-fidelity audio, recorded with a high-clarity condenser mic in an acoustically treated space, flat EQ for neutral tonal balance, soft-knee multiband compression to gently tame peaks, transparent limiter set at –1 dB ceiling to prevent clipping, maintain at least 8 dB headroom, gentle +2 dB shelving above 12 kHz for clear highs, precise de-essing to eliminate sibilance
6:44

Green Bird
v4.5
[First half]:
[metallic noise textures], [granular glitch fragments], deep sub-bass drones, minimal percussive loops with hypnotic pulse shifts, stark digital reverb tails, subtle field-recording snippets, austere mechanical atmosphere, repetitive evolving rhythmic patterns, [Second half]:
Transitioning gradually into layered, evolving drones and granular textures, saturated analog warmth with subtle tape hiss, glacial pacing with slow tonal modulations, deep cavernous reverb tails, ethereal ambient pads, and [soft, poetic female whisper vocals] gently narrating introspective, poetic lyrics within a meditative, reflective soundscape, [Overall audio-quality improvements]:
High headroom gain staging to avoid clipping, transparent transient shaping for clean attacks, precise EQ shelving for clarity, controlled de-essing, balanced stereo imaging, extended dynamic range
4:28

[funky disco groove] meets [neo-soul R&B] meets [experimental hip-hop] with [jazzy broken-beat rhythms], [glitchy percussion], [intricate polyrhythms], [odd time signatures], [stuttering rhythmic cuts], warm analog bass underpinning [wonky synth textures] and [sparkling electric keys], cute girly female lead vocals with [breathy whisper tones], [playful melodic runs], rich vocal harmonies and layered call-and-response chorus arrangements, subtle [vintage chorus] and [tape saturation], chopped guitar licks, immersive atmospheric pads, modern production polish with spacious reverb tails and gentle side-chain pumping, audio clarity enhancements: [midrange de-essing], [high headroom gain staging], [analog tape warmth], [noise reduction], [smooth transient shaping], overall vibe: laid-back yet cerebral, danceable yet introspective
3:37

君のいない世界で
v4.5
female vocals with [kawaii whisper tone], rich layered vocal harmonies, prominent odd-meter shifts, [2020s math-rock melodic modal complex guitar riffs] driving the main melodies, [super catchy chorus with unforgettable sing-along hooks], [delicate kawaii whispers], [breathy intimate sighs], [soft kawaii exhalations], light vibrato, subtle reverb, airy atmosphere, BPM 180 high-octane drive, pop-punk 2-beat energetic pace, band-centric mix, section-by-section aggressive drumming featuring [2020s progressive-metal style polyrhythms] and powerful double-kick pedal blasts, dynamic bass line with frequent slap techniques, ambient post, handclaps
3:36

Holy Offering
v4.5
A dynamic fusion of [ethereal ambient textures], [djent-inspired palm-muted guitar riffs], [polyrhythms], [odd time signatures], [metric modulations], and [groove-driven drums] shifting between [square 4/4 beats] and [tuplet-based loops]; guitars build dramatic crescendos into fragile, introspective interludes; vocals anchored by a [commanding baritone voice], with seamless transitions into [delicate falsetto], [powerful shouts], and [intimate whispers]; enriched by plate reverb and subtle slapback delay in an acoustically treated room; gain staging peaks below –6 dBFS; parallel drum compression (4:1); stereo-bus glue (2 dB reduction); mixed to –14 LUFS
4:09

Echoform
v4.5
Record a clean male baritone in an acoustically treated booth using a large-diaphragm condenser into a tube preamp, High-pass at 80 Hz, cut –2 dB at 200–400 Hz, boost +2 dB at 3–5 kHz, Layer reverb-soaked guitars with choir-style backing, Open with ambient chords, then add complex, syncopated math-rock piano lines with angular dissonance, Transition into ultra-fast, uptempo sections featuring blast beats and relentless double-bass, interwoven with smooth, soulful R&B vocal runs and a warm, syncopated bass groove, Use shifting time signatures and metric modulation for constant groove variation, Maintain –6 dB headroom; in mastering apply gentle multi-band compression and limiting to preserve wide dynamic contrast
4:23

Kawaii anime-style whisper vocals—ultra-breathy, soft consonants, playful childlike tone; 174 BPM drum & bass with a chopped Amen Break; deep sub-bass rumbling below 90 Hz; warm analog synth pads and airy filtered drone layers; subtle live electric guitar arpeggios and soft bowed string swells; syncopated hi-hats and punchy snares with side-chain compression; frequent stop-and-go drops into near-silence then full-energy returns for dramatic peaks and valleys; a catchy J-pop–style chorus with bright, uplifting chord progression, tight layered vocal harmonies, and a hooky melodic motif; field-recorded ambient textures (distant city hum, soft wind); lush hall reverb, long-tail shimmer delays, tape-hiss overlays for ethereal space; recorded in an acoustically treated booth (RT60 < 0, 5 s) with a large-diaphragm condenser mic; EQ: 90 Hz HPF (48 dB/oct), +2 dB @ 5 kHz (Q 1, 5), +3 dB shelf @ 10 kHz; de-esser @ 6 kHz; limiter at −1 dB peak; vintage compressor for warmth and depth
6:14

Spiral Script
v4.5
Symphonic progressive rock foundation with layered five-part vocal harmonies and airy tenor timbres; intricate polyrhythms (e, g, 3:2 over 4/4 in drums and keys) and shifting odd meters (7/8, 13/8) in verse and chorus; smooth metric modulation transitions that expand groove complexity; dramatic key changes ascending by semitone or whole-tone between sections; clean acoustic and electric guitar interplay with occasional minor interlude detours; warm analog synth pads and Mellotron-style textures underpinning gentle rhythm section; recording with a cardioid condenser mic (e, g, AT2020) in an acoustically treated booth (mineral wool panels behind and to sides) set at 24 bit/96 kHz; EQ focus: low mids (250–500 Hz) clarity, high shelf starting ~8 kHz for air, gentle roll-off below 40 Hz to reduce rumble; spacious production with subtle reverb and natural room resonance
3:59

Chrome Thunder
v4.5
Cute girl rap vocal, slightly pitch-tuned higher, breathy and adorable flow, piano-driven complex math-rock polyrhythms, aggressive live drums with multilayered beats, minimal ambient pads, glitch textures, post-classical decorative chord work
4:54

6:12
v4.5
Focusing on contemporary music, post-classical, and experimental styles, create a fantastical vocal tapestry in which multiple human voices delicately overlap—layering breath-like whispers, soft humming, and wordless choral swells—to evoke an intimate, meditative space, Introduce light, decorative ambient coloration (for example, oboe-like accents or gentle guitar arpeggio motifs) purely as ornaments, ensuring they never overshadow the vocal core, Emphasize extended vocal techniques—subtle pitch bends, slow glissandi, and dynamic breath control—to craft an immersive, otherworldly atmosphere, Additionally, structure all phrases and harmonies in odd-time signatures so they radiate positive energy
4:18

CLARITY
v4.5
Produce a dynamic progressive metal composition where each section shifts dramatically in mood and texture, Start with a dark, syncopated 5/4 intro built on palm- muted 8-string guitar chugs, then transition into a driving, syncopated verse in 7/8, For the pre-chorus, introduce soaring clean guitar arpeggios and a steady 4/4 groove, Chorus: explode into a catchy, pop-inflected melodic hook—bright chord voicings, anthemic vocal melodies delivered by a versatile tenor with crisp, agile delivery and tight harmonies, Bridge sections should pivot into a subdued, atmospheric ambient passage before launching back into an aggressive, djent-style breakdown
4:26

Jittermind
v4.5
Structure: first half clinical/mechanical, morphing into introspective post-dubstep/neo-soul in second half, First Half: mechanized glitch hits, sterile metallic percussion, cold subterranean bass pulses, microscopic granular noise, algorithmic polyrhythms; no tonal leads or pads; dry, narrow-field mix for an antiseptic feel, Second Half: slow LFO-wobble sub-bass, half-time 2-step beats, sparse vinyl crackle; detuned Rhodes-style keys playing minor 9th/11th voicings, low-pass pads, soft reverse-reverb swells; subtle tape saturation; wider stereo image, Vocal: androgynous baritone-tenor hybrid; rapid-fire monotone rap shifting to laid-back spoken-word; clipped consonants; minimal pitch variation; dry up-front with light micro-delay
3:24

またどこかで
v4.5
genre: J-Pop, indie pop;
style: emotional, nostalgic, cinematic;
mood: bittersweet, introspective;
vocal character: soft female vocal, airy, delicate;
instrumentation: lo-fi beats, ambient textures, subtle guitar layers;
recording quality: studio-quality, warm tones;
mixing: balanced, vocals slightly forward;
mastering: smooth, cohesive;
additional features: layered harmonies, ambient pads;
3:20

Veilwalker
v4.5
genre: [Abstract Hip Hop] [Experimental Soul] [Leftfield Electronica];
style: [Surrealist] [Layered] [Beat-driven Glitch Funk];
mood: [Cinematic] [Dreamlike] [Esoteric];
vocals: [Male Spoken Word Rap-Rap, Female Ethereal Harmony, Glitch-processed Layers];
instrumentation: [Asymmetric Drum Programming, Submerged Bass, Detuned Rhodes, Granular Pads, Noise Textures, Live-sampled Fragments];
recording: [Studio Artifacts, Analog Saturation, Controlled Tape Warble];
mix: [Panning Chaos with Focused Center Field, Glitch Reverbs, Sidechained Space];
master: [Dynamic-preserved, Multiband Emphasized, Unsmoothed Transients];
extras: [Polyrhythmic Time Bends, Stereo-hopping Percussion, Spiritual Jazz Ghost Layers, Modular Artifacts, Field-recorded Elements]
3:32

REBORN
v4.5
genre: [Emotional Post-Hardcore Rock];
style: [Dynamic contrast, aggressive riffs, introspective lyrics, Japanese-English mixed vocals];
mood: [Intense, defiant, cathartic, existential];
vocal_character: [Youthful male voice, emotional range from whisper to scream];
instrumentation: [Heavy distorted guitars, double kick drums, ambient synth layers, melodic bass, tight snare];
recording_quality: [Live studio feel, minimal reverb, dry compression];
mixing: [Vocal-forward, aggressive panning, sharp dynamics, raw texture];
mastering: [High clarity, strong mid-high presence, slight tape saturation];
bpm: [170];
features: [Language mix (Japanese/English), breakdown section, emotional build-up, sudden silence effects];
3:50

genre: chill R&B, neo-soul, lo-fi pop;
style: mellow groove, jazzy chords, urban night vibe;
mood: dreamy, intimate, bittersweet;
vocal: cute husky female vocal, soft and expressive;
instrumentation: electric piano, clean electric guitar, warm bass, subtle synths, brushed drums;
recording quality: studio-quality, warm analog feel;
mixing: balanced, emphasis on vocals and groove;
mastering: smooth, cohesive dynamics;
additional features: ambient textures, layered harmonies, minimalistic arrangement;
bpm: 86;



















