Myślozbrodnia

The track opens with dramatic piano chords and tight drum fills, joined by distorted guitar riffs and soaring synth layers, Verses shift time signatures with intricate bass and dynamic drumming, while choruses burst with majestic vocals and intensified instrumentation, A bold bridge features virtuosic guitar solos and theatrical orchestral accents, leading to an explosive, multi-layered finale

Polish rock song inspired by classic 1980s Polish rock, Mid-tempo, minor key, Strong narrative focus and anthemic chorus, Verses built on steady bass line, sparse rhythm guitar and controlled, marching-style drums, Chorus with powerful, melodic electric guitars, wide chord voicings and increased dynamics, Clear verse–chorus contrast, Male vocal, strong and emotional, slightly raspy, delivering lyrics with conviction, Arrangement gradually builds tension toward the final chorus, Analog-style rock production, raw and direct, no pop elements, no irony

Wyjście z niewoli drum and bass acoustic rock, emotional buildup, effects: subtle echo, reverb, vocal duet: female and male voice

Very raw underground dark hip-hop, Female aggressive low-pitched rap vocal, dirty, gritty, slightly hoarse, NOT singing, Dominant female presence, controlling energy, Stripper / pole dance theme, female choosing who she dances for, Dark psychedelic boom-bap with deep distorted 808s, hard snares, chaotic hi-hats, Slowed, warped vocal effect, delay and echo on key words, Shouted ad-libs, hypnotic repetition, Cypress Hill inspired dark street rap, Cinematic neon city at night, hallucination, obsession, power dynamic, No pop, no clean vocals, no melody singing, Chaotic, heavy, oppressive atmosphere

Punk Rock, Post-Punk, Protest Song, Vibe: Urgent, angry, rebellious, raw, energetic, frustrated, defiant, Instruments: Distorted electric guitar (powerful riffs), driving bass, fast and punchy drums (heavy snare, crash cymbals), occasional synth pads for atmosphere (post-punk influence), Vocals: Energetic male lead, passionate, sometimes shouting or raw, with gang vocals/chants in the chorus, Production: Raw, garage sound, slight lo-fi feel, powerful dynamics, BPM: 160-180 BPM (Fast tempo)

An alternative song; punchy raegeton groove; fragile male vocal, thin and slightly nasal tone, intentionally imperfect pitch, semi-spoken singing, clarinet and acordion; no any guitars;

rock, futuristic heavy rock, distorted guitars, industrial, metal breakdown, brutal drums, raw male vocals, sertanejo, vocal, electric, low, raw, strong, metal

male vocals, agressive rap, tricky, freedom, emotional

Anti-melodic Industrial Dirge, 85 BPM, heavy, dragging tempo, The kick drum sounds like hydraulic presses and massive metal doors slamming, Bass is a continuous, distorted 50Hz electrical hum drone, reminiscent of an interrogation room, No traditional synthesizers – only glitching credit card terminals and digital static processed into sharp, aggressive stabs, Vocals are cold, detached, half-whispered, half-shouted through a megaphone filter, Chorus features a wall of "non-musical" noise, white noise bursts, and heavy mechanical grinding, The atmosphere is claustrophobic, dirty, and high-pressure, There's no harmony, only the rhythm of a failing, oppressive machine, Production features high-fidelity grit, with all sounds having a metallic and abrasive quality

rap, deep male vocals in raspy tone, strong rhythm, multi-layered harmonies, gentle synthesizers, scratch

boombap, dark background

Dark, socially conscious alternative rock ballad with a gritty, realistic tone, Male lead vocal — deep, raw, slightly hoarse, carrying authority and weariness, as if telling a hard truth without embellishment, Mid-tempo, steady and heavy groove, Minimalist verses with low electric guitar, muted drums and pulsing bass, Pre-chorus builds tension subtly, Chorus strong and grounded, not heroic but firm, with layered male harmonies adding weight, Bridge stripped back, almost spoken, exposing vulnerability before the final chorus hits harder, Mood: realism, inevitability, confrontation, dignity, Theme: addiction destroys everyone equally, regardless of status or power, Modern production, serious, unpolished, emotionally heavy

acoustic shoegaze, acoustic post-rock, ambient post-rock, live performance, concert, live music

Modern street rap track at ~88–94 BPM with a dark, minimalist boom-bap foundation, Hard, dusty drum pattern with heavy kick, sharp snare, subtle swing, no trap hi-hats or 808 slides, Deep, gritty bassline, slightly distorted, following the groove, Sparse, tense melody built from low piano stabs or dark synth pads, minor key, repetitive and hypnotic, Vocals are raw, upfront and dry, aggressive rap delivery with strong articulation, confrontational tone, occasional shouted emphasis, Chorus is chant-like, simple and anthemic, built for crowd response, Overall atmosphere: urban, hostile, rebellious, protest energy, modern mix but old-school street soul, ‑Adlib vocals

A theatrical, dark, and grotesque Industrial Rock / Avant-garde Metal track, Think System of a Down's meets Laibach's, Heavy, marching rhythm, distorted bass, circus-like spooky keyboards, and aggressive guitars, The vocals are extremely expressive: shifting from a low, cynical spoken word to a maniacal, operatic scream, The lyrics are a biting satire on stupidity and propaganda, Complex structure, dramatic pauses, high artistic value

Hip Hop, Oldschool, Calm piano, light cello, emotional sample, not sad, ‑sad, ‑Aggressive

Aggressive rap-punk protest song, Fast tempo, raw energy, rebellious and confrontational, Style: old-school rap verses with tight rhythmic flow + explosive hardcore punk choruses, Male vocal with angry, urgent delivery; occasional shouted gang vocals in the chorus, Minimal melody, focus on rhythm and intensity, Lyrics theme: fear as a product sold by media and power structures, Song opens with a cold spoken dialogue between two beings about what always sells — fear — followed by a loud scream of the word “STRAch”, Verses sound like a list of newspaper headlines: new virus, new crisis, breaking news, alerts, statistics, panic, The word “strach” repeats obsessively like a chant, Chorus is simple, shouted, punk-style: “STRACH! STRACH! STRACH!” Dark, cynical, dystopian atmosphere, No hope, no polish — pure rage and truth, Sound references: rap rock, hardcore punk, protest hip-hop, raw live-band feel, distorted bass, punchy drums

Emotional dark pop / cinematic pop / minimalist drama Tempo: 70–80 BPM (wolne, ciężkie, oddech między frazami) Tonacja: Minor (molowa), melancholijna, napięta Intro (instrumental, 8–12 sekund): Minimalist piano (niski rejestr), ambient hospital-like pad (chłodny, sterylny), subtle distant heartbeat pulse, very soft noise texture (almost silence), no vocals in intro, Vocal style: Female vocal ONLY Polish language, clear pronunciation Intimate, fragile, emotional Soft chest voice in verses Slight breathiness, controlled vibrato No power belting Emotion over volume Voice close to the listener, almost whispered at times Natural vulnerability, restrained pain Chorus vocal delivery: Still intimate, but fuller Layered harmonies very subtle No choir, no epic lift Emotion grows, not loudness Bridge vocal: Almost spoken-sung Very close mic feeling Raw, honest, exposed

This ska punk track launches with choppy, offbeat guitar and booming drums, immediately driven by an energetic, precise brass section—tight trumpets and bold saxes, The verses deliver punchy brass riffs under rapid bass lines, Sarcastic male vocals burst out over manic drum fills, heightening the satirical atmosphere, while gang vocals and brass hits amplify the infectious, rebellious energy

Fast-paced Russian folk song with lively accordion and bright balalaika strumming, creating a crisp, upbeat texture, The female vocal delivers with vibrant energy, The arrangement builds rapidly, leading to an emotional instrumental burst—whirling, layered, infectious

litch pop a cappella, 100% vocals only, NO INSTRUMENTS, professional beatbox 122 BPM, soft, restrained verses, tense, desperate chorus, whispered, broken bridge, stuttering, pitch-shifted vocals, deep vocal bass, metallic vocal percussion, multi-layered, sophisticated harmonies, studio quality recording, crystal clear broadcast quality

metal, pop, violin, piano, apocalypse, female voice

Create a song with four distinct verses and a repeating chorus, - Each verse should be sung by a different lead vocalist, each with a unique tone and emotional character, - The chorus should be performed as a choir, reminiscent of ancient Greek chants, powerful and ethereal, - Style: dark, cinematic, emotional, with subtle metal/folk influences, - Ensure smooth transitions between different vocalists and the choir, - Keep high production quality and clarity for each voice, Produce a high-quality recording with clean, detailed vocals and pristine sound

This punk ballad’s live Dance Hall setting kicks off with the roar of energetic crowd cheers and scattered claps matching a brisk drum intro, Verse features raw guitars and driving bass with steady handclaps, building into choruses filled with audience sing-alongs, Dancing and swaying fuel the vibrant communal atmosphere, peaking with boisterous applause between sections

The dark trap pop/glitchwave hybrid pulses at 132 BPM, driven by hard 808s, sliding subs, sharp hats, and snappy claps, Haunting synth arps and reversed piano thread through airy pads, Vocals are male, distorted and reverbed, doubled by demonic whispers; harmonies lift the chorus, Glitch effects, tape stops, and filtered vocal chops are prominent, The chorus explodes with sub-bass glides, wide synths, and stacked vocals, In the bridge, only a heartbeat bass and eerie hums remain before the final chorus surge, The outro slips away on chopped, stuttering vocals and lo-fi static

Trip-hop atmosphere with a slow, heavy beat, > Layered with church organ chords, distorted liturgical chants (e, g, “Amen”, “Pater Noster”) processed through glitch effects or broken radio static, > The mood is dark, ironic, and suffocating — like a mass held in an abandoned cathedral, > Add subtle cabaret elements (e, g, theatrical bells, grotesque vocal flourishes) to emphasize the absurdity and hypocrisy of the institution, > The sound should feel raw, unsettling, and intimate — as if recorded in a basement beneath the altar, > No grandeur, no pathos — just truth, glitch, and irony

[DJ MUSIC, DJ ACID PURE PROGRESSIVE TRANCE, 3D, FEMALE ONLY, DEEP SMOKY FEMALE CONTRALTO SOLO, AFRICAN ZULU FEMALE CHOIR, RESONANT WOODEN MARIMBA MELODY EVERYWHERE, BRUSH DRUMS, TAIKO DRUMS] 3D, ADDICTIVE, TEXTURED, LAYERED, STRICTLY NO MALE VOCALS, HIGH-QUALITY CLEAR SURROUND SOUND, STUDIO MASTERED, DRIVEN RHYTHMS, DYNAMIC FLOW, ETHEREAL TROPICAL AMBIENT, melodic, progressive, emotional, THE RICH RESONANCE OF MARIMBA BLENDS WITH THE DEEP FEMALE VOCAL, ALL ELEMENTS CREATE A SOFT, SOPHISTICATED, GENTLE UPLIFTING OUTCOME

Create a dark, gritty trip-hop track at 70 BPM, The mood is oppressive, ironic, and raw — like a protest whispered through a broken speaker, Use a slow, heavy beat with deep kick drums and snappy snares, Layer in glitchy textures: distorted radio broadcasts, chopped-up news headlines, and fragments of political speeches, Add a haunting cello line — low, droning, with occasional sharp stabs, Include a catchy, ironic advertising jingle or riff that repeats like a brainwashing loop, Optional: use reversed samples or static noise to create a sense of disorientation, The overall sound should feel like it’s coming from a basement under a government building — intimate, suffocating, and defiant, No grandeur, no heroism — just truth, tension, and resistance

Extra deep male baritone vocals, almost gravelly and hypnotic, slow melancholic 1990s alternative folk style, inspired by Brad Roberts Crash Test Dummies, monotone chanting, minimal acoustic piano, soft fingerstyle guitar, active melodic violins in front, subtle atmospheric trance pads, gentle acoustic drums entering midway for rhythmic drive, soft crescendos, dark yet warm tone, dreamy melancholic ambiance, hypnotic repetitive “Na na na na” phrasing, English lyrics, full adherence to lyric structure with [Intro], [Verse], [Chorus], [Bridge], [Outro], no modern effects, no synths, karaoke-friendly, atmospheric but rhythmic, epic melancholic hypnotic vibe

dubstep, funk, goa trance, vocal duet: female and male voice, effects: subtle echo, reverb

Dark rock ballad, banjo, violin dark choir

ska punk extremely theatrical, cabaret-inspired song, filled with exaggerated joy and playful madness, The music should give the impression of a surreal theatrical performance, humorous and deliberately exaggerated, Use an eccentric, masculine vocal that constantly changes character: recited lines, exaggerated pronunciation, sudden emotional changes, opera-like moments, playful laughter, ironic shouts and funny vocal acrobatics, The vocals should sound grotesque, expressive, and slightly absurd, more like a performance than a polished composition, The rhythm should be lively, bouncy, and danceable, with cabaret swing, unexpected pauses, and dramatic accents, Instrumentation may include playful clarinet, piano, eccentric bass, strange percussion, theatrical accents, circus or vaudeville textures, and surprising musical turns, The overall mood is one of joyful exaggeration, artistic madness, and theatrical freedom

Atmospheric, philosophical Progressive Rock / Art Rock track, Hypnotic bass riff, complex drumming (7/8 time signature), and psychedelic guitar textures, Male vocals are calm, questioning, and slightly echoing, transitioning to powerful, desperate shouts in the chorus, The mood is mysterious, paranoid, and intellectual, Influenced by Pink Floyd's and Tool's, Atmosphere: This isn't a punk-style rebellion song, it's a song of awakening, There has to be mystery to it, The beginning should be trance-like, drawing the listener into this "maze, " Bridge: The moment of doubt ("What if there's no one?") is key, It's a philosophical twist that adds depth – perhaps we are our own prisoners? Closing: The final chorus should sound like a liberation anthem, powerful and sublime

A dark, driving, and rebellious Polish Cold Wave / Post-Punk track, industrial metal, Influenced by Republika and Kult, Repetitive, hypnotic bassline, mechanical drum beat, and sharp, angular guitar riffs, Male vocals are charismatic, spoken-sung, and full of irony and anger, The lyrics compare modern social media algorithms to communist censorship, The mood is paranoid, energetic, and critical, Vocals: The vocalist should emulate Grzegorz Ciechowski's style – precise diction, a light exaltation, and a drawl, This will lend the lyrics intellectual weight, Rhythm: "Zimna Fala" is based on a motoric, trance-like rhythm, The drums and bass must flow perfectly, like a machine