3:31

folk, world, acoustic, the song unfolds with polyphonic vocal harmonies and subtle traditional percussion, Modal minor melodies shift throughout, as folk timbres weave with warm modern acoustic guitar, Dynamics rise in swelling, layered vocal sections, blending country nuances
6:38

Opens with a brooding dark cello melody over sparse piano, building tension, Gritty distorted guitars and thunderous drums enter for the verse, while the cello weaves haunting counter-melodies, The chorus swells with layered guitar harmonies and soaring, emotive cello lines
4:59

6:59

The track opens with haunting Armenian duduk melodies doubled by zurna and modal string drones, setting a mystical, ancient mood, Deep frame drum rhythms in compound meter drive the pulse, while folk lutes (such as tar and oud) interlock with slow, ornamented lines, Sparse choral harmonies evoke a ritualistic, timeless atmosphere
3:38

This brutal death metal ballad features dense, detuned guitars roaring through Randall amps, pounding double kicks, and growling bass, Atmospheric synths cast a haunting layer beneath relentless riffs, Acoustic and metal guitars trade riffs, while a minor-key chorus deepens the dark atmosphere, The bridge shifts to half-time with melodic leads and airy textures before a crushing, slow-motion outro delivers maximum intensity
8:17

Blending death metal with Armenian nu metal and folk, the song launches with brutal down-tuned riffs and double kick drums, layered with Armenian duduk and folk percussion, Verses feature guttural growls over syncopated grooves; bridges highlight folk melodies on saz, building to explosive, riff-heavy choruses
8:32

Thunderous, down-tuned guitars anchor the doom metal core, joined by slow, deliberate drums and guttural bass, Traditional Armenian folk instruments—like duduk, zurna and kanun—intertwine with dense riffs, coloring verses with haunting melodies, Dynamic tempo shifts evoke classic heavy metal drama, A powerful fusion of doom and heavy metal, anchoring deep, hardest guitar riffs through Randall heads and thunderous low-tuned bass, Armenian pagan folk infuses the verses with intricate zurna melodies and traditional percussion, Male and female vocals share leads, blending in haunting harmonies, Drums are punchy and dramatic, while interludes highlight modal folk motifs, Studio production ensures every detail is crisp amid the massive, atmospheric wall of sound
7:18

This instrumental fuses Christian white and black metal with symphonic metal and world music, blending down-tuned Jackson guitars (EMG 85X/60X pickups, Marshall DSL 100HR cabs and heads) and Armenian duduk, Acoustic guitars, cinematic strings, choir layers, and dynamic percussion weave intense, emotional textures
3:44

A fusion track combining qanun, kanun, and flute, The intro features interweaving qanun and kanun arpeggios, light percussion entering subtly, Flute introduces a melodic hook over intricate plucked harmonies, Midsection builds energy with syncopated rhythms and a vibrant flute solo, before returning to the delicate interplay for a serene outro
4:04

A death metal track featuring brutally down-tuned Jackson guitars with EMG 85X/60X pickups, driving dense riffs through SLO-100/SLO-30 amps, Relentless blast beats, rapid double kicks, and a growling bassline underpin a tight, punishing, high-fidelity sonic onslaught throughout
4:19

EXIT - ԵԼՔ
v4.5
A punishing blend of war, thrash, brutal death, and Armenian pagan metal, driven by ferocious, down-tuned Jackson guitars with "EMG" "85X/60X " pickups through "Marshall" DSL 100HR cabs, Thunderous double bass and relentless, complex metal drumming power the track, Layered guitars switch from brutal riffs to spiraling Armenian-mode solos, each section intensifying through intricate transitions, culminating in an explosive twin guitar solo finale
3:54

ThrillerBus
v4.5
thrash metal, rap metal, world fusion, Begin with a driving thrash metal riff, joined by an oud intertwining with distorted guitars, Verses feature rap metal vocals over heavy hip hop beats, Dynamic spoken dialogue interludes punctuate the intensity, all captured in pristine studio quality
4:49

deathmetal ballad, romantic song, emotional depth, indie rock
5:19

heavy metal ballad, armenian folk metal, acoustic guitar, duduk, heavymetal guitar riff, metal guitar virtuoso solo, epic guitar solo
5:40

epic, neofolk, armenian neo-pagan folk, classical guitar, shvi, flute
3:54

3:13

This folk-inspired track layers intricate polyphonic vocal harmonies over rich traditional percussion and hand drums, Acoustic guitars and subtle modern acoustic textures create dynamic swells, interwoven with meditative chants and a pulsing new beat that evokes a danceable, hypnotic flow
4:35

punk, Armenian folk, Raw punk energy erupts with distorted guitars and relentless, fast drums anchoring the groove, Female and male vocals alternate, barking and chanting above punk breakdowns, high studio quality
4:48

zurna, punk, glam metal, shvi, Armenian folk
4:57

A relentless brutal death and life metal track powered by double-tracked, palm-muted guitars through Randall amps for crushing lows, Drums explode with rapid double kicks and complex fills, Breakdowns feature haunting, ritualistic synths, while unique low male vocals add chilling depth
4:29

TARAKAN MARAKAN
v4.5+
thrash metal, A fierce Armenian nu metal fusion featuring piercing zurna melodies weaving atop aggressive thrash riffs from Jackson guitars with EMG 85X/89X pickups, driven through Marshall heads, Thunderous bass and relentless double-kick drums energize verses, while bridges drop to dynamic folk percussion, injecting raw Armenian textures throughout, sarkazm
4:32

Ferocious thrash metal and Armenian Hetanos fusion collide: piercing zurna melodies slice through crushing Jackson guitar riffs (EMG 85X/89X into Marshall), thunderous bass, and relentless double-kick drums drive high-octane verses, Bridges burst into kinetic Armenian folk percussion, Male and female vocals interplay with power, elevating the ecstasy, all captured in a dynamic, pristine studio mix merging both worlds
5:00

The track launches with aggressive, palm-muted guitars and frantic double kick drums, merging metalcore breakdowns with death metal blasts, Layered dissonant riffs, guttural growls, and soaring heavy metal leads drive the verses, A dynamic bridge features intricate solos, relentless drumming, and gang-shouted refrains, climaxing in a chaotic, high-intensity outro
4:09

Armenian folk, Armenian Hethanos, arm gong, dhol, epic, shvi, zurna, kanun, warm acoustic guitar, heavy 808, high studio quality
5:39

post metal, sad ballad, epic guitar solo, death metal
3:35

Armenian folk, Armenian instrumental, bluegrass, punk, reggae, dance, power chorus, epic guitar solos, energetic beats
3:47

Opening with frantic blast beats, guttural guitars, and Armenian folk woodwinds weaving into the brutality, Verses drive fierce double kicks and growling vocals, tinged with Rabiz synths and modal melodies, then break into danceable, syncopated folk rhythms with electric saz and handclaps, fusing metal with festive Armenian dance motifs in the chorus
4:26

A fusion of Armenian folk and death metal kicks off with traditional zurna melody over syncopated reggae guitar and deep 808 bass, Verses introduce rapid double-kick drums, intense guitars, and guttural vocals, The chorus explodes with dance rhythms, zurna leads
4:14

The song starts with kanun and brooding cello intertwining above a dark, fingerpicked acoustic guitar, Down-tuned electrics and double-kick drums erupt, propelling the relentless death metal energy, Choirs amplify the scope, Breakdowns intertwine blast beats with haunting, quiet folk interludes
4:44

3:34

Neoclassical metal with guitar solo, fingerpicked acoustic guitar
4:08

6:34

heavy metal ballad, atmospheric, Duduk solo, deep emotional, minor key, mountain vibe, high studio quality
3:43

Armenian folk, atmospheric, slow tempo, Duduk solo, deep emotional, minor key, cinematic, ethereal, mountain vibe
4:55

The song opens with rapid double-kick drumming and twin lead guitars weaving melodic riffs in a power metal style, Folk instruments—like flute and hurdy-gurdy—add texture as the verses alternate harsh growls with soaring clean vocals, The chorus bursts with epic harmonized guitars, layered orchestration, and spirited folk motifs, A mid-song breakdown features intricate acoustic passages, followed by a sweeping solo and triumphant full-band finale
3:11

Armenian Pagan Punk, Production: Happy New Year Song High-quality studio recording, professional mix and master, clear structure, balanced frequencies, wide stereo image, clean but heavy sound, minimal arrangement, no overcrowding, focused on atmosphere and emotional weight, Female funny and comical song
6:01

Dark Folk / Melancholic Doom Metal ballad, Slow tempo, minor key, ancient Armenian modal atmosphere, Acoustic guitar and duduk as the main ancestral voice, expressive and emotional, Slow, heavy, low-tuned distorted guitars with a modern high-gain tone, 7- and 8-string guitars, deep and crushing riffs with long sustain, Powerful, warm, elastic bass supporting the low end, Restrained but thunderous doom metal drumming, slow double bass accents, heavy toms, cinematic dynamics, Vocals: Low male vocal, intimate, close, sorrowful and narrative, rare distant growl accents used sparingly for emotional emphasis, Atmosphere: Cold night wind, snowy plains, solitude, mourning, ancient sorrow, distant and inevitable feeling, Production: High-quality studio recording, professional mix and master, clear structure, balanced frequencies, wide stereo image, clean but heavy sound, minimal arrangement, no overcrowding, focused on atmosphere and emotional weight
3:34

Thrash Metal, Russian Folk, Key & Riffs: Minor key, dark tonality, tight palm-muted tremolo picking, Instrumentation: Low-tuned 6–7 string electric guitars, aggressive bass, extreme metal drums (blast beats, double kick), Guitars: Modern high-gain tone, tight and dry, Clear attack, no mud, Double-tracked rhythm guitars (L/R perfectly tight), Bass: Punchy, slightly distorted, strong mids, Locked tightly with kick drum, Solid low-end without masking guitars, Drums: Very tight and powerful, Clear double kick transients, Sharp snare, controlled cymbals, No room wash, Vocals: Harsh growls/screams, clear articulation, Upfront, lightly saturated, minimal reverb Production: Professional studio quality, Clean, modern metal mix, Wide stereo image, balanced frequencies, Precise EQ separation, controlled compression, Mastering: Loud but clean, no clipping Tight low-end, crisp highs, standard metal master, Ultra-aggressive, polished, high-definition Pure professional Thrash Metal sound
4:02

Folk, acoustic, the song unfolds with polyphonic vocal harmonies and subtle traditional percussion, Modal minor melodies shift throughout, as folk timbres weave with warm modern acoustic guitar, Dynamics rise in swelling, layered vocal sections, Female vocal, airy but powerful, long sustained vowels, emotional cracks allowed
Backing Vocal: Low Famale whisper-chant in choruses (distant, like memory), Lead Instrument: Duduk as ancestral voice — expressive, breathing, answering vocal lines, Instrumentation: Low drone, Dark cello, duduk melodies, sparse piano notes, bowed strings, deep sub bass, distant frame drum hits (slow, heartbeat-like), atmospheric wind textures, Production: Studio quality, wide stereo image, very clean mix, cinematic reverb tail, cathedral reverb, wide space, warm analog tone, soft highs, deep low-end, emotional clarity, no harsh highs, warm low mids, Dynamics: Very intimate verses → ritual rise in bridge → final chorus emotionally overwhelming but not loud
3:32

Modern Alternative rock, Modern Rock Ballad, saxophone, melancholic and aggressive, high studio quality, clean mixing and mastering, balanced voice and sound

