SSC8 日本人参加者リスト　Japanese participant list

J-Pop, Electronic Rock, High-Energy Male Vocals

Japanese Emotional slow Acoustic, Intimate Female Vocal, Solo vocal opening, Vocal starts immediately, Minimal Acoustic, Soft Acoustic Guitar Background, Singer-songwriter demo, Unplugged, Hopeful ending, Bright major chord ending, Resolve to major, Gentle uplifting final chord, Emotional resolution, ‑Instrumental intro, ‑Long intro, ‑Cinematic intro, ‑Epic intro, ‑Full band

Minimalistic, Unpredictable Beats, Glitch, Chopped Vocal, 8-Bit, Dreamy, Experimental, Female Vocal

70s Soul Core, 70s Funk Core, Art Core, ハンドクラップ, TR-909, hammond organ, Leslie speaker, rotary sound, The chirping of birds, The chirping of many little birds

Japanese dramatic festival rhythm, deep taiko drums, heavy sub-bass, low male voice, controlled tension, dark emotional build, Japanese lyrics only, No English words, No spoken intro, Sound Direction: Very deep taiko drums (earthquake-like low resonance) Sub-bass heartbeat around 40–60Hz feeling Low male vocal (baritone range) Verse: minimal instrumentation, drum pulse dominant Chorus: stronger taiko + bass expansion Left-right alternating vocal in verses One beat silence before final “ドクン” End with single deep heartbeat sound No spoken voice, No narration, Melodic singing only, Controlled vocal, No screaming, No shouting, Emotional but restrained, Calm intensity

Violent genre-bending between Hyper-trap and Math-rock, Chaotic structural shifts, Aggressive distorted 808s colliding with clean technical math-rock guitar tapping, High-speed Jersey club drum breaks switching into odd-time signatures (7/8, 5/4), Piercing hyper-pop synths meeting subtle Peruvian Huayno syncopation, No cohesive flow, unpredictable rhythmic jumps, High-fidelity, Crisp high-end, Wide stereo field, Ultra-detailed textures, Professional studio mastering, 4k audio resolution, Cold detached vocals with sudden manic energy shifts, Maximalist experimental production

Cyberpunk midtempo bass, dark electronic, Enka, powerful female Enka vocal, heavy distorted bass, slow BPM, traditional Japanese shamisen, industrial beats, melancholic and epic

GENRE Wabi-Sabi Ambient × Odd Meter Math Rock × Enka/Minyo CONCEPT Four seasons pass while mourning a distant loved one, Japanese instruments flow constantly, A delayed spring letter releases restrained tears, MOOD Melancholic, spacious, restrained to cathartic TEMPO 72–84 BPM METER 7/8 verses, 5/4 reflection, free intro/outro, elastic chorus phrasing STRUCTURE Free intro → 7/8 verse → chorus → 5/4 verse → bridge → final chorus → ambient fade INSTRUMENTATION Continuous shakuhachi breath drone, koto harmonics resonance, subtle shamisen layer; clean delay guitar, light tapping lines, warm bass, soft taiko accents SEASONAL SHIFT Spring airy, Summer rhythmic, Autumn low and deep, Winter minimal VOCAL Expressive Japanese lead, controlled vibrato, gentle kobushi in chorus TEXTURE Deep ma reverb, gradual swell, wind and distant bell fade

Japanese J-rock punk metal, 175 BPM, aggressive distorted guitars, heavy palm-muted riffs, punchy bass, intense live drums, emotional and slightly raspy vocal, explosive chorus with gang shouts, dynamic quiet bridge then massive final chorus, raw energy, stadium live atmosphere, dramatic build-up, modern mix, powerful mastering, emotional climax ending

dark symphonic gothic metal, high tempo fast paced energetic, 180bpm allegro aggressive, dramatic epic theatrical storytelling, middle eastern and spanish medieval influences, powerful theatrical male lead vocals with demonic growls and intense raspy delivery like epic narrator, layered female choir harmonies four voices mixed high soprano and low alto contrasting ranges soaring and haunting, deep dramatic male spoken narration voice heavy resonant authoritative like cinematic storyteller, explosive orchestral strings brass fiery percussion choirs, melancholic ferocious cursed atmosphere, blood red flames stone pavement infernal contract theme, passionate tragic male-female vocal contrast, cinematic dark fantasy high emotional intensity, middle eastern scales fused european symphonic metal, concise tight structure under 4 minutes 30 seconds or more, less than 5 minutes

techno, cinematic, sci-fi

west coast electro-rock, chiptune punk, drum and bass, 174 BPM, immediate drop, chorus at 0:00, hook-first arrangement, tight jungle breaks, chorus with four-on-the-floor kick, bright distorted synth lead, 8-bit square wave stabs, punchy reese bass, female lead vocal, clear bright tone, tight articulation, clear enunciation, pop-forward topline, vocal upfront in mix, bass ducks under vocal, dynamic contrast verse to explosive chorus, clean loud master, ‑choir

Avant-pop, Cyberpunk Bossa Nova, Glitch Pop, Noise Pop (2040s style), Featuring a male vocalist (intimate, whispery, cool, sensual delivery), singing in a mix of Japanese and Portuguese, The song builds from a smooth, fragmented Neo-Bossa Nova into an insane, apocalyptic noise guitar solo, An unpredictable collage of sound, juxtaposing beautiful melodies against violent bursts of atonal noise guitar and beautifully distorted textures, High-fidelity rendering of chaos with extreme stereo panning

A fast-tempo (152 BPM) high-energy female duo track blending toxic bass house energy with French chanson elegance and subtle New Jack Swing grooves, set in a late-night New York subway atmosphere, Driven by distorted gritty bass house drops, deep punchy sub bass, tight four-on-the-floor house kick layered with sharp trap hi-hat rolls, syncopated New Jack Swing-style rhythmic accents, funky percussive swing elements, and elegant minor-key piano and accordion-inspired melodic textures evoking French chanson sophistication, Subtle metallic rail clacks and low train rumble textures are rhythmically integrated into the beat, creating an underground metro drive feeling without overpowering the groove, Two clearly distinguished female vocal performances with dynamic song-sharing: Girl A – slightly husky, aggressive, emotionally intense tone delivering rapid-fire double-time rap verses with sharp rhythmic precision, Girl B – clear, confident, melodic yet powerful tone delivering fast rap secti

jazztronica, experimental, chill out meets AOR, ethereal, precious memories, crying, whisper voice, ephemeral female voice

Philosophical Noise Rock, P-FUNK, Technical Funk Alternative

melodic techno pop, fast bpm but spacious vocals, emotional japanese female vocal, intimate and slightly fragile, clean electronic beats with live drums and bass, warm analog synths, subtle guitar arpeggios and delicate piano accents, nighttime city atmosphere, dreamy, introspective, and subtly anxious mood, quirky melodic movements with unexpected note choices, slightly off-kilter phrasing and emotional contrast, clear hook that feels like a chorus even in the pre-chorus, modern j-pop inspired indie electronic pop, minimal but expressive arrangement, gradual build-up across the song, strong and obvious key change in the final chorus, lifted and brighter harmony after the key change, sudden emotional expansion without increasing lyric density, unpredictable melody turns, modulation up a whole step

Party venue, small-scale venue audience, Audience murmurs, applause, occasional shouts, whistles, Leader's speech, Bootleg, Speed 60's rock, Rock organ, Female band, female clear voice, BPM187, -Clean studio sound

ballad, LUNA SEA

A blistering, high-fidelity kawaii-futurebass x breakcore fusion, Rapid tempo drives a busy, hyper-layered mix: bright supersaw leads syncopate atop dense, distorted kicks and metallic snares, Glitchy vocal chops pulse rhythmically, with rising white noise and sweeps to frenetic drops, Brutal percussion and deep sub-bass explode in a tightly compressed, ultra-wide stereo field, accentuating digital textures and relentless rhythmic momentum, jersey club section

Cyber noir, Jungle, Bebop-inflected Drum and Bass, Breakbeat, Jazz-Flute, [RabbitCore: Cyber Noir × Future DnB × Bebop Breakbeat × Jazz Fragment × Ambient Glitch IDM × Signal Decay LFO × Mutation Orbit Fusion] [SoundEngine: Back Alley Synapse Protocol] [World: Neo-Tokyo underground city, post-observation era, Back alleys layered with residual signals, half-erased rituals, and identities that persist after meaning is stripped away, ] [Instruments: Flute (primary melodic / identity carrier), Jazz-inflected DnB Breaks (bebop timing, unstable swing), Electric / Upright Bass (bebop phrasing, conversational, syncopated), Sub Bass Anchor (gravity reference), Micro Noise & Signal Residue, Sho / Hichiriki / Ryuteki (secondary, spatial discomfort & air — never lead)] [MultiLayered Direction: Vocals layer, Bass layer, SFX/FX Layers, deeply, Immersive 3D Depth, Orbital Motion]

Post-Hardcore × Cyberpunk Trap × Ethnic Mystic Sound Design, mid-fast tempo, heavy 808 sub-bass, tight trap hats, mechanical pulse, post-hardcore anger, loneliness, suppressed despair, futuristic decay, digital afterlife, ethnic-inspired mystical overtones only in instruments, male vocal with harsh shouts, fragile whispers, aggressive rap, sharp English key phrases, themes of dignity loss, digitalized soul, elderly isolation, cold paradise, existential collapse, deep distorted bass, ethnic strings and sitar-like textures, metallic hits, glitch noise, cold pads, machine-breath ambience, dramatic structure: quiet intro → chaotic verse → emotional chorus → intense rap → mystical bridge → apocalyptic final chorus, digital ghost, last resort, neon afterlife, cyber ritual, spiritual decay, dystopian mercy, punchy mastering with dark saturated depth, cinematic harsh clarity, cyber-compressed edge

[avant-garde JAZZ ROCK x ALT HIPHOP/IDM LIVE ILLBIENT NOIR first, PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO COLLAGE SUITE] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [JAPANESE TRADITIONAL DEEP-ORIENTAL DRIVING GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [Super-Evil Glossy Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [TOTAL: 5:55 HARD STOP] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT]

[[ harmonic girls vocal group, sexy female vocals, 3 vocals harmony ]], slow chillstep, shibuya-kei, acoustic glitch rock, grunge metal, eterial wave, jazzy and spacy guitar solo, [ technical fingerstyle guitar ], pedal effecter bass, hard kick drum, hard bass, bright & heavy guitar

hyperpop, lo-fi, detuned synths, autotune female vocal, bright but hollow, cute, distorted, glitchy, trap beat, hazy, washed out, bittersweet, electronic, BPM 138

​[Style: Hyperpop, Electro Swing, 90s-tinged hysteric Hyperpop meets Glitchy Electro Swing, Raw band (acoustic/electric guitars, bass, drums) collides with futuristic electronics (synths, sub-bass, samples, brass), Effortless female vocals (JP/EN mix), melodic, ] ​[Intro] Serene spoken word, futuristic electro swing beat ​[Verse] Groovy electro swing, centered on the interplay of powerful acoustic strumming and a crunchy electric guitar lead, effortless vocals, ​[Pre-Chorus] The organic band sound fractures, Live drums stutter and morph into a heavy electronic beat, Guitars get chopped into glitchy fragments over a swelling synth riser, ​[Chorus] Explosive Hyperpop anthem, energetic layered pitch-shifted vocals, strong harmonies, irresistible groovy bassline, tight heavy drums, scattered glitch textures, orchestral stabs, Cute sound effects, heavy glitch textures, and orchestral stabs are scattered everywhere, creating a catchy and unforgettable hook, [Drop] EDM drop

indie, iindie folk, experimental spoken word, solo cello only, female vocals, whispery voice, alto spoken word, fast lazy delivery, breathy, intimate, sparse arrangement, no drums, no beat, melancholic atmosphere, lo-fi aesthetic, ‑drums, ‑percussion, ‑beat, ‑groove, ‑melody, ‑singing, ‑harmony, ‑chorus, ‑synth, ‑pad, ‑orchestra, ‑upbeat, ‑energy, ‑brightness, ‑high fidelity, ‑male vocals, ‑shouting

150 BPM, a fusion of Art core, hard Techno, Hard core and Baroque music, A worldview that combines Dark fairy tales, Gothic and the alluring splendor of palaces, Melancholic and complex melodies, A dramatic and fantastical structure reminiscent of Visual kei tracks, A solid foundation is created by Polyphonic wave Synthesizers, a thick Bass Kick like an earthquake that will erupt in underground clubs, and an ultra-thick Synth Bass that Vibrates in the 100Hz range, The main live instruments will be Harpsichord, violin, viola, Cello, Lute and piano, Effects include Stutter, Glitch, Panning, Tape effects, Dreamy Granular, and cathedral-like Reverb, Sound effects include Electronic sounds and digital Noise, Long Intros and Outros that leave a lasting impression, Sound design like a Kaleidoscope of sound, Meticulously calculated Production by a World-class producer, Uncompromising Mastering by a Professional Studio, A level of Perfection that will take your breath away, ‑Pop brightness, ‑EDM plastic sheen, ‑trap repetitiveness, ‑cheerful major-key gloss, ‑airy tropical softness, ‑overly bright synthpop shimmer, ‑light house bounce, ‑lo-fi haze that dulls transients, ‑breezy funk looseness, ‑soft rock mellowness, ‑radio-friendly gloss, ‑folk gentleness, ‑upbeat festival energy, ‑cheerful disco glitter, ‑indie dream-pop sweetness, ‑cinematic optimism, ‑orchestral softness without weight, ‑anime sparkle, ‑j-pop sugar tone, ‑melodic rap cadence, ‑vocal-forward presence, ‑warm acoustic intimacy, ‑soulful smoothness, ‑gospel uplift, ‑euphoric trance shine

Multi-National Musical Force [Instrumentation: French Pop Guitarist, Afro Beat Drummer, Indian Groove Bassist, American Rock Guitarist, Japanese Traditional Keyboardist], Heart Beat, Catchy Melody, Deep, dark, minimal R&B pop, BPM 80 → 150 → 80, Chaotic modulations, Canon progression throughout, Ritualistic, unstable, decayed textures, Whisper breaths, glitch fragments, distorted bass, Madness escalating then collapsing, Minimal but emotional, Glitch, Choir, Vocal Unison, Mellow Melodious Dance Anthem, Cyber Techno Rock Opera Ballad, Every section modulates to a new key — constant upward or sideways key changes, with audible breaths and sighs, Psychedelic, Groovy Drumn Bass, Last Hopeful, ‑excessive layering, ‑overlapping piano/guitar, ‑harsh transients, ‑phase smear, ‑distorted saturation, ‑sub-bass overload, ‑overcompression, ‑ong reverb tails, ‑shamisen, ‑scream

Male Low-Pitched-Vocals, [Vocal Styles:Clear, Warm, Melodic, Whispery, Operatic, Raspy, Soulful], [Vocal Styles:Clear, Warm, Melodic, Whispery, Operatic, Raspy, Soulful], [Vocal Tones:Dark, Sweet, Edgy, Smooth, Deep], Neo Funk, Digital Hardcore, Reggae, Glitch Beat, 90's Rock, Seattle-Grunge, Dark Tune, Alternative Rock, Hard Rock, Metal, Shibuya-Kei, Hip Hop, RnB, Groovy, Dreamy, Electric Piano, Soft Drum, Electric Guitar, Soft Bass, [Primary instruments:Electric Piano] [Intro] (very short, instrumental buildup) [Verse] (minimal background music, rhythmic, calm vocals) [Pre-Chorus] (drums and bass gradually increase volume, slightly faster tempo) [Chorus] (mystical, etherial, dream, all instruments, including guitar, increase sound pressure with heavy, repeating riffs, dreamy, wet, high-viscosity tone main vocals with backing vocals) [Bridge] (rhythmic, understated, delicate vocals) [Outro] (lingering end)

World-Scale Post-Nationality Avant-Art Pop × Minimal Post-Rock Atmosphere × Sparse IDM Micro texture × Deconstruction Symphony Pop × Non-Linear Melody Structure × Cinematic But Anti-Climax × Post-National Art Expression × Ambient dub × × Abstract Drum and Bass × Grunge Noise-Ambient Convergence [FOXCore with Breath-Intimacy Engine × Icelandic Experimental Vocal Architecture × Art-Vocal Emotional Fracture × Expressive Deconstruction Frontline × Microtonal Vocal Glide × Breath-As-Rhythm + Synesthetic Inner-Weather Textures × Somatic Breath Conduction × SimTag-Directed Breath/Flow Fusion] [Vocals: Ex+FeDes#PrmCry+GlitchMorph*ArchaTech#VolcHeart#Nullgod“ほぼ独白・ときどき泣き声・小さく裏返る falsetto”] A glacial post-national art pop composition blending Icelandic electro-post-rock atmosphere, IDM micro-architecture, and symphonic harmonic gravity, A large-scale, genre-blending pop form where choir, electronics, orchestral textures, and massive rhythmic structures coexist as a single transforming organism, ‑[Old music]

High-energy J-Pop rock track featuring a driving 4/4 rhythm at 175 BPM, The arrangement is centered around distorted electric guitars playing power chords and syncopated riffs, supported by a prominent, melodic bassline and aggressive acoustic drums with heavy crash cymbal accents, A bright, soaring male tenor vocal delivers an emotional performance with wide vibrato and powerful belts in the chorus, The song structure follows a standard Verse-Pre-Chorus-Chorus-Bridge format, including a technical electric guitar solo with rapid alternate picking and melodic bends, Production is polished with crisp high-end, subtle synth pads for atmospheric depth, and a wide stereo field for the layered guitar tracks, The key is B minor, shifting to D major for the uplifting chorus sections

Ethereal Young Female Vocals, Crystal Clear Voice, Grand Piano Ballad, Electronic Pop Intro, Auto-tuned, Glitchy Textures, Experimental, Noise, Complex Chord Progression, Frequent Modulation, Cinematic Orchestral Climax, Holy Choir, Uplifting Major Key, Art Pop, Storytelling

Gritty, fast-paced J-Rock with alternative rock aggression, Wide-range powerful female vocal, raspy emotional highs, intense delivery, Theme: rebellion against social rules, owning “inferiority, ” creating your own life with bare hands, Band sound: thick distorted guitars, deep bass, fast tight drums, dark cinematic pads, Mood: raw, rebellious, dramatic, determined

Japanese pop ballad with a strong emphasis on emotional female vocals, The song is in a major key, likely C major, and maintains a Very slow tempo is approximately 10 BPM, Very nostalgic and adult and sexy, Features a young, very powerful Japanese female vocalist with deep reverb for an emotionally rich sound, Prioritizing the imagery of the lyrics, Overall, the singing style is relaxed and whispering, The overall image is sweet and vocal-driven, yet possesses a sense of very rich

140 BPM polyrhythmic tribal funk, layered hand percussion and dry frame drums, syncopated rubbery bassline, off-grid hi-hats with subtle swing displacement, alternating 4/4 and 3/4 bars, minimal harmonic movement, chant-style female vocal with cool detached tone, short percussive vocal phrases (“pu-pu”, “imo”) used rhythmically, raw but tight groove, no melodic sweetness, rhythm-driven structure, ZIA’s neutral but sharp presence, slightly mechanical precision with organic percussion energy, ‑cute pop tone, ‑childlike delivery, ‑bright idol chorus, ‑lush chord progressions, ‑emotional belting, ‑EDM build-ups, ‑overly clean quantization, ‑gospel or R&B phrasing

Shiny, triumphant heavy metal, about 5 minutes long, BPM 120–130, Time signature: 4/4 with powerful, driving pulse suitable for aggressive yet uplifting metal, Open the track with a blazing major-key guitar fanfare, bright harmonized leads, wide stereo twin-guitars, and sparkling overtones, Rhythm guitars are tight and articulate, delivering galloping riffs and open-chord accents that emphasize a glorious, radiant major sound, Big, resonant kick drum with a large-diameter feel, deep low end, and noticeable reverb tail; snare is punchy with metallic crack; cymbals shimmer with long decay, Bass is thick, present, and slightly overdriven, doubling the guitars for weight while adding melodic movement in transitions, Add epic choir pads and subtle synth layers to lift the chorus, Structure: intro fanfare → driving verse → explosive major-key chorus → soaring melodic bridge with guitar harmony → triumphant final chorus with double-lead guitars → extended outro with shining sustain and reverb

Uplifting Hard Trance, Fast Tempo 135BPM, Acid Synth Arpeggio, Euphoric Melodic Trance, Heavy Kick, Digital Glitch, High-energy, Female J-Pop Vocal Style, Bright but Distorted

a melancholic J-rock ballad blending alternative rock with orchestral and atmospheric elements, Electric guitars, strings, and reverb-heavy synths create a cinematic, reflective sound, The tempo is moderate (80–90 BPM), allowing emotional phrases to breathe, Verses use clean guitar arpeggios and soft percussion, evoking solitude, while pre-choruses swell with bass and choir pads, hinting at fragile hope, Choruses expand into full-band intensity with distorted guitars, dynamic drums, and soaring vocals expressing sorrow and determination, The bridge softens to piano and cello, offering calm before the final emotional climax, Vocals are controlled yet expressive, conveying longing, pain, and resilience, Overall, the song unfolds like a quiet prayer at dawn, moving from despair toward rebirth beneath a glowing sky

Sophisticated Neo-Soul, contemporary Future R&B, smooth Japanese female vocals, silky and breathy voice, mellow electric piano chords, Rhodes piano sparkles, groovy laid-back bassline, subtle hip-hop beat, mid-tempo 95BPM, chill aesthetic, lush vocal harmonies, warm analog synth pads, crystal clear production, urban atmosphere, romantic and dreamy, occasional jazz guitar licks, hint of lo-fi texture, elegant melodic flow, blooming spring vibes, soft and humid soundscape, emotional yet relaxed, high-fidelity audio, stylish and chic, ‑Ska, ‑punk, ‑heavy metal, ‑brass section, ‑loud trumpet, ‑fast tempo, ‑aggressive drums, ‑shouting, ‑distorted sound, ‑folk, ‑country, ‑dark, ‑gloomy, ‑frantic, ‑high-pitched squeaky vocals, ‑repetitive techno

High-pitched female vocals, PIANO