オオタカ三鷹
@ohtakamitaka
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18K PLAYSSUNOちょっと楽しすぎるよね 🏆2025.5.16 #SOUNDSEASONS-VOL.1 ノミネート「Threadline」🏆2025.5.29 #Sunovision2025 TOP28受賞 「MONSTER」 #ThankYouForListening ♡ #WelcomeRemix
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180-200 bpm, breakbeats, dnb, glitch aggressive piano, The Chicago rap track opens with ambient field sounds, vinyl crackle, and layered frog croaks, Lush Rhodes chords, Juno pads, and chopped, sidechained vocal samples swirl above syncopated UKG drums, swung hats, and deep bass, Fugue-like choral vocals overlap in choruses, with IDM croak patterns, jazz brush drums, disco shakers, agogo, vinyl scratches, minimal funky DX7, and panned orchestral bursts, Soul-jazz piano, walking double bass, clarinet blue notes, and Japanese melodic touches accent, all in a tight, vintage mix enriched with dynamic male/female rap and harmonies
![Image for DepenDream [SSC7, Japan]](https://cdn2.suno.ai/d5fd6b8c-30b6-49c1-9bb2-e8ec6ddac8e4_9ea3467a.jpeg)
all narrative is carried by sound itself, percussion, shaker groove, playful, female vocal, hopeful, 90's disco, new jack swing, jersey club, space, rap, 90s Japanese underground rap, Hardcore hip-hop, Chicago rap, intense, high pitch vocal sample, boom bap, scratch one-shot, social-critique, mad, energetic, extreme, experimental, percussion, shaker groove, playful, female vocal, hopeful, 90's disco, new jack swing, jersey club, space, funky, sparse, agogo bell, scratch, orch hit, chop, trending, panning, y2k, 1987, release-cut piano, dynamic audio, chicago rap, polyphony, dnb, breakbeats, overlapping cuts chorus ad-lib, the track opens with immersive field recordings, vinyl crackle, and layered frog croaks, chopped soul vocals, japanese cyber-pop, experimental electropop, Quirky indie, glitch-hop, digital rock, experimental J-electropop, maximalist glitchcore, cyber-noise groove, back-chorus layering, avant-pop, data overload electronica, hyper syncopated electro punk, urban
This experimental New-HardCore track pulses at 142-152 bpm, math rock, melodic math rock drums and a bouncy New Metal groove, Playful, intense guitar riffs weave into processed synthwave DX7 lines, bold agogo bell accents, shaker grooves, Each chorus adds polyphonic, catchier melodic hooks, funky indie rock vibes, DnB breakbeats, UKG, phonk-inspired chops, jersey club energy, and dynamic, panned androgynous vocals, all moving between spacey textures and sparse, melodious moments
experimental sound effect, ゴーゴーパトレーパー🤖, spoken-word, narrative drive, [Begin with ultra-clear shimmering textures: detuned analog sine pads, modular shimmer fields, low-motion LFO filters, Atmosphere suggests serene orbit, fragile stillness, floating as if in a high-budget sci-fi film, Soundscape must avoid artificial 8-bit references, Spatial FX must feel cinematic—realistic reflections, not synthetic chirps, ] then [Begin with ultra-clear shimmering textures: detuned analog sine pads, modular shimmer fields, low-otion LFO filters, Atmosphere suggests serene orbit, fragile stillness, floating as if in a high-budget sci-fi film, Soundscape must avoid artificial 8-bit references, Spatial FX must feel cinematic—realistic reflections, not synthetic chirps, ] then [Mayday Message" — spoken-word, Insert desperate message with filtered voice via malfunctioning comms: tape wobble]
Female, fast-speak, complex groove, [Modern Quirky indie Japanese], hyper-emotion, transparent highs emphasized by gentle +2 dB shelf above 12 kHz, crest factor around 13 dB to preserve punch and headroom, smooth analog tape saturation for warmth, no harsh brick‑wall limiting, clean transient shaping, soulful female lead supported by tight multi‑layer female harmonies, animated call‑and‑response ad‑libs, uplifting feel‑good dance‑floor anthem that fades with a filtered sweep, [CHORDS: intro(I–vi–IV–V), verse(vi–IV–I–V), chorus(I–V–vi–IV), bridge(IV–V–iii–vi), final chorus(I–V–vi–IV), stable J-pop progressions embedded in collapsing textures, moments of consonance exaggerated for irony]
