Song book

Bright Japanese pop duet with male and female vocals trading lines; clean band sound with crisp drums, chiming guitars, and warm piano, First verse stays light and bouncy, pre-chorus lifts with stacked harmonies, chorus bursts open with octave vocals and synth bells, Middle drop pares back to claps and bass before a final full-ensemble chorus that feels like a sunlit graduation scene

Shimmering J-pop band sound, bright electric guitars with chorus sparkle, steady upbeat drums, and warm bass, Male-female duet vocals trading lines, light synth pads under the verses, Choruses burst with stacked harmonies and a lifted key feel on the final hook, ending on a long, hopeful sustain

女性ボーカル, K-POP, 繊細な歌詞に似合う美しいメロディ男性ソプラノボイス抒情的なポップス/ソフトロック季節の変わり目と, 終わりゆく恋のせつなさしっとした雰囲気の曲調ピアノとストリングスを使用

Bright, upbeat J-pop duo piece for mixed male/female vocals; bouncy folk guitar strums lock with a light, syncopated electric piano comp, Verses stay tight and rhythmic with call-and-response lines; chorus blooms with unison hooks and simple hummable melody, Handclap groove led by the crowd, subtle piano riffs between phrases, final chorus up a half-step for a lift and ad-lib smiles

pop, Gentle midtempo K-POP ballad with female vocals, airy synth pads and soft piano over a laid-back groove, Warm sub bass and subtle acoustic guitar give comfort; drums stay light with brushed snares and soft claps, Pre-chorus slowly lifts with shimmering bells; chorus opens into wide reverb, stacked harmonies singing the hook “ふわふわ もふもふ”, Keep the vocal intimate and breathy in verses, then more open and bright in the hook, k-pop

pop, Lyrical J-pop / new music ballad built on warm piano and gentle strings, male vocals in a clear high register, First verse stays intimate with close-miked piano and light pads; chorus lifts with fuller string swells, subtle percussion, and soft backing harmonies, Dynamic arc: quiet, reflective openings blooming into bright, hopeful refrains, then a tender, slightly bittersweet bridge that strips back to piano before a final, luminous chorus, j-pop

Shimmering J-pop duet with male & female vocals in a transparent high register, gentle piano arpeggios and light acoustic guitar, Verses stay intimate with soft pads and distant chimes; pre-chorus adds subtle tom builds and backing “ahh”s, Chorus blooms with bright drums, octave guitars, and layered harmonies; bridge strips back to piano and strings, then final hook hits with stacked unison vocals and a long, airy tail

1980年代のアイドル歌謡曲・ニューミュージック・J-POP/女性ボーカル 透明感と少し影のある雰囲気, 爽やかさとノスタルジーを表現, 初恋の切なさ・はかなさ・純粋さ, 繊細で空気を含んだような歌声, 切ない情景描写, 10代の少女が感じる甘酸っぱくて胸が締め付けられるような言葉にできない感情, 晩秋～冬の空気感

1980年代のアイドル歌謡曲・ニューミュージック・J-POP/女性ボーカル 透明感と少し影のある雰囲気, 爽やかさとノスタルジーを表現, 初恋の切なさ・はかなさ・純粋さ, 繊細で空気を含んだような歌声, 切ない情景描写, 10代の少女が感じる甘酸っぱくて胸が締め付けられるような言葉にできない感情, 晩秋～冬の空気感

Sparkling J-pop with bright band groove and synth bells; upbeat drums and clean guitar drive a fast, breezy tempo, Verses stay light and bouncy, bass walking under playful male/female vocals; chorus explodes with wide-open chords, shimmering pads, and glockenspiel hooks, Add occasional call-and-response ad-libs and stacked harmonies for a sense of teenage excitement and crystalline winter air

Lazy springtime jazz with brushed drums, upright bass walking softly, and warm piano voicings; male or female vocals laid back on the beat, Verses stay intimate and close-mic, chorus opens with airy horns, light ride cymbal, and subtle backing “doo” harmonies, Gentle build toward a sunny middle-eight, then relax back into a soft, content ending

Bouncy Japanese reggae-pop, midtempo skank guitars and warm offbeat keys, soft subby bass, Female vocals, easy singalong hook and call-and-response ad-libs, Verses stay light with playful percussion; chorus opens wide with bright horn stabs and group shouts, Final repeat rides a half-step lift and extra harmonies for a爽快, sky-opening finish

Light, graceful chanson with female vocals; nylon-string guitar and upright bass set a lilting waltz feel, brushed snare and soft accordion weaving in, Verses stay intimate and conversational, close-mic vocal; chorus opens with warmer strings and a gentle lift in tempo and dynamics, Subtle clarinet countermelodies paint the spring scenery; final refrain slows slightly, landing on a tender, airy cadence

Ethereal East-Asian folk ballad with female vocals, built on pentatonic melodies, airy erhu and guzheng lines, and soft taiko-style percussion entering gradually, Verses stay intimate with sparse plucked strings and distant drones; chorus lifts into soaring, sustained high notes with layered harmonies and subtle reverb tail, evoking mountain valleys and flowing water, Final chorus extends the highest notes, then resolves gently with a solo vocal coda over a single held flute tone

Gentle bossa nova with brushed drums, nylon-string guitar, and soft electric piano; female vocals close and breathy, Tempo relaxed but swaying, Verses stay intimate and low, chorus warms up with airy backing harmonies and subtle vibraphone doubles, Bass walks lightly, leaving space for syncopated guitar, End with a hushed, lingering outro, chords hanging under the final vocal line

Light swing jazz trio with brushes on snare, walking upright bass, and crisp piano comping; male vocals with playful scatting in the hook, Starts soft and breezy like first light on the water, then opens into a bouncy, syncopated groove through the chorus, adding muted trumpet fills and tight backing “doo-bah” harmonies, Final chorus pulls energy up then ends on a relaxed, held chord that feels like docking at the pier

音は抑えめ, クールで, 楽しい, 渋谷系シティPOPなデュエット曲を生成してください

Classic enka ballad with female vocals; slow 6/8 feel led by rich shamisen and elegiac strings, sparse piano accents, First verse stays intimate with low-register phrasing and tasteful kobushi, then chorus swells into full-throated emotion, taiko rolls and backing harmonies lifting key lines, Final verse drops dynamics for a hushed confession before one last soaring hook over sustained strings and reverb‑kissed flute

pop female, R&B, 少しテンポを軽く

Bright J-pop with acoustic guitar and warm piano, mid-tempo bounce, Female vocals playful in the verses over light rhythm section; hook explodes with stacked “family choir” harmonies and claps, Second half modulates up a step as the mood shifts to late-night warmth, adding mellow electric piano, soft pads, and brushed drums, then winds down to a gentle lullaby-style outro

日本のニューミュージック歌手・小田和正が「小さな風景」を歌っているような, いなくなってしまった人との懐かしい思い出, そのときには気がつかなかった日常を思い出して, せつなくひとりささやくような, ピアノやストリングスをシンプルに使い, フォークなテンポのミディアムバラードの曲を生成してください

pop, Dreamy K-pop / R&B / synthpop blend, female vocals, Soft bell-like keys and glossy pads in the intro, then a mid-tempo bounce with warm sub, tight clap, and shimmery arps, Verses feel intimate and close-mic, light sidechain pulsing, Chorus blooms with stacked harmonies, bright saw leads, and subtle vocoder doubles, Final hook strips back to vocal and pads for a lingering, nostalgic outro, k-pop, synthpop, r&b

1970s Japanese city pop / fusion; female vocals, Shimmering phased electric piano sets a modulating intro, toggling C major / C minor colors, Tight cutting guitar and crisp percussion drive an airy groove; melodic bass walks under smooth brass pads, Verses cruise in a laid-back pocket, choruses open wider with stacked harmonies and bright strings, Short middle instrumental vamp for highway imagery, then a key-lift for the final hook

Bright summer J-pop rock with tight 16-beat drums, chiming rhythm guitars, and a driving bass line; male vocals powerful yet airy on top, Verses start right in with full band, pre-chorus lifts with rising chords and tambourine, choruses explode with stacked backing vocals and open hi-hats, Short guitar fills answer vocal hooks, bridge drops to half-time with clean arpeggios before a final, key-raised chorus for maximum festival energy

Late-70s style Japanese city pop with female vocals: warm electric piano and silky bass locked into a mid-tempo pocket, wah guitar comps around a tight drum groove, and sultry sax fills between phrases, Verses stay intimate and breathy, pre-chorus adds climbing chords and subtle backing harmonies, chorus lifts with bright strings, layered shouts on the hook line, and a soaring, slightly raspy top register, Overall arc moves from reflective and dreamy to soulfully insistent, ending on a lingering vamp that leaves emotional afterglow

Acoustic Japanese folk ballad with female vocals, intimate fingerpicked guitar intro that slowly blossoms with warm upright bass, soft piano, and subtle brushed snare, Verses stay hushed and storytelling-focused; choruses rise in emotional intensity with lifted vocal lines, delicate backing harmonies, and a gentle swell of strings, Overall a nostalgic, bittersweet arc evoking winter landscapes and unresolved love, with space for breathy phrasing and detailed lyric delivery

Melancholic French film score vibe with female vocals; sweeping strings carry a bittersweet, singable main motif over rich jazz chords and modulations, Harp arpeggios and soft nylon guitar trace the harmony, brushed kit and light 60s-style pop groove lift the choruses, Verses stay intimate and close-mic’d; choruses bloom with wider vibrato, woodwind countermelodies, and a gently soaring string line answering the vocal

Children's singalong pop with a bouncy mid-tempo shuffle, hand-clap rhythm, and playful call-and-response; verse stays sparse with ukulele-like plucks and snare taps, pre-chorus adds rising marimba and claps, chorus opens into bright group vocals with stomps and giggles, Simple lead vocal with childlike doubles, echo replies, and ad-lib chants; uses splashy ear candy, toy chimes, and little risers between sections, Bright, clean, and cheerful mix built for movement and memorability

Bright, bouncy kids’ song in a major key, mid-fast tempo with playful piano, acoustic guitar, and light percussion, Call-and-response between a friendly female vocal leader and a kids’ chorus, with claps and simple body-percussion hits accenting the “ジャッパン ポコポコ ジャッポン プクプク” hook, Each verse shaped for easy hand games and dance moves; chorus opens up with group shouts and unison melody, Short instrumental fills between phrases for gestures and splashes, ending with a humorous spoken-parent line over a gentle cadence

Oldies doo-wop with a bouncy mid-tempo swing, handclaps and walking bass; verse rides tight girl-group harmonies and playful call-and-response, pre-chorus strips to snapped snaps and stacked oohs, chorus opens with bright doo-wop group vocals and catchy unison hooks, Use short echo tails, tambourine fills, and a lifted key change feel on the final chorus, Mix is glossy, warm, and vintage-pop sparkling

次のスタイルにより, 乃木坂46のような「清楚・可憐・都会的」をコンセプトにした, クラシックやジャズの要素を取り入れたポップス曲を生成してください, 基本スタイル： センチメンタルで哀愁を帯びた, 非常にメロディアスな旋律, ピアノとストリングスの多用: きらびやかでクラシック調のピアノスタイルや, 優雅な弦楽器の旋律, ジャンル: 根底にロック, ヒップホップ, ジャズ, ラテンなど様々なジャンルを下地にしつつ, アイドルらしいポップス, 音楽性: リズムは軽快ながらも, 聴く人を優しく包み込むようなエモーショナルなメロディライン, 和声: テンポが速すぎず安定したリズムが特徴で, 大人っぽい「オシャレ」な雰囲気

Acoustic Japanese folk ballad with female vocals, intimate fingerpicked guitar intro that slowly blossoms with warm upright bass, soft piano, and subtle brushed snare, Verses stay hushed and storytelling-focused; choruses rise in emotional intensity with lifted vocal lines, delicate backing harmonies, and a gentle swell of strings, Overall a nostalgic, bittersweet arc evoking winter landscapes and unresolved love, with space for breathy phrasing and detailed lyric delivery, スローテンポで, ウキウキした感じのつぶやくような歌声で

ci noyounaime zide ri ben noshiyu geiza te you no yin nozhong nimai morerugan imerodei to qiu tian nodong woyu gan saseru bai kuxia ndakong qi gan wozhi rijiao zetaqu de bo karuha xi woduo menihan ndauisupa boisu gita nohui dobatsukunoizutorong kehe i merodei hadokomademogan ku qie naiqu wosheng cheng shitekudasai nan xing bo karu ime zi tian yadoru gaxian i toitsuteitabi nu ha qiu tian chu shen nose bai demu dikaranoaruqiu tian mei ren wohui nikaitayounada xue notong qi sheng rong tan woyan ukotogahao kinabi shi ga bi nu tokenkawosurutabini omaenankatian yadoru hegui re toiuto bi nu ha e izi ha inega kokoniotsutazo to namahagenozhen si woshite bi shi noshou gen tsukowotsukamaete hao kuai nida xiao ishinagarakotowoshou meteita zu ye wojian jin nikong ete jiu zhi nonei ding gamoraezu jian woluo tosubi nu nixiang katsute itsumonorong tan woyan ubi shi sonori nixian tsute namahagehachu naimama jie hun demoshiyoukana Hip Hop, Rap, R&B nu gapotsuritoyan u akururi bi nu haqiu tian xin gan xian noho munili chi lie che nicheng riip munodeshita

J-pop feel-good midtempo with a light four-on-the-floor pulse, bouncy bass, acoustic guitar skanks, and handclap percussion; verse walks through vivid city sights, pre-chorus lifts with rising harmony and a small drum fill, chorus opens wide with stacked doubles and a chantable refrain, Add bell accents, reverse swells into section changes, and a brief crowd-like clap break before the final chorus, Bright, glossy, and sunlit with an intimate close-mic lead

Japanese novelty pop with bouncy skip-like syncopation, playful light percussion and handclap groove; verse walks from Yokohama Station toward Minato Mirai with concrete landmark details; pre-chorus tightens into a teasing lift; chorus lands on chantable “タンタタン” patterns and comic call-and-response, Vocals are bright and conversational with stacked doubles on the hook, little ad-lib tags, and a few playful echo throws, Ear candy includes ticket-gate chimes, seaside wind swells, and a tiny crowd chant before each chorus, Mix is crisp, colorful, and punchy with a buoyant, whimsical sheen

Japanese pop-rock with a brisk jogging pulse and light driving percussion; verse rides bouncy guitar and handclaps, pre-chorus narrows to bass and snare lifts, chorus opens wide with stacked unison vocals and short gang shouts, Add bridge with a brief half-time break, then final chorus returns with brighter harmony layers, passing bells, and airy transition swells, Crisp, energetic, road-trip bright mix with close-mic lead vocal and punchy ad-libs

演歌, フォークバラード, 日本のフォーク, 三味線, こぶしのきいた声, 男性ボーカル

J-pop mid-tempo 124 BPM with buoyant 4/4 groove, springy clean piano arpeggios, simple warm electric bass, light kick and soft snare, gentle hats, and a chorus lift with subtle bell or cute pluck accents; verse stays airy and spacious, pre-chorus leans forward with a small rise, chorus opens brighter with light harmonies and a shy smile in the lead vocal, Close-mic young female vocal, breath-forward and natural, with soft consonants and tender doubles on the hook, Delicate risers and tiny chime turns between phrases, polished bright mix that feels clear, warm, and intimate, edm

Math lo-fi hip hop fused with glitch pop, future funk, and new jazz; midtempo swung groove with elastic bass, sparkling Rhodes, chopped turntable scratches, glimmering pads, finger snaps, handclaps, glockenspiel hits, and vinyl texture, Verse rides tight pocket drums and playful bass; pre-chorus opens with filtered chords and rising glitch ticks; chorus pops with stacked chants, cute ad-libs, and a brighter synth lift, Teen female vocal, bouncy and intimate, with doubles on hook words, quick ad-lib swirls, and ear-candy scratch fills into each section, Crisp, glossy, lightly dusty mix, jazz, funk, pop, glitch, lo-fi

Japanese dark pop with a fast tempo, sharp drums, and weighty 808 bass; verses hit with low, commanding female vocals and tight rhythmic phrasing, pre-chorus lifts into suspended tension, chorus opens with airy synth pads and delicate bell tones, bridge narrows to near-silence before the final rise, Vocal production uses close-mic lead, stacked chorus doubles, and short delay throws on key words; ear candy includes reverse swells, bell glints, and sub drops into transitions, Mix is glossy, punchy, and emotionally fragile

J-pop ballad with warm electric piano and string-led intro, gentle piano verses with delicate percussion, rising bass in the pre-chorus, and a full band chorus with layered group harmonies and emotional lift, Verse stays intimate and close-mic; pre-chorus opens with added low-end and suspended chords; chorus blooms wide with doubled lead and soft gang vocals, Outrom returns to sparse piano and a fading string tail, polished and tender with bright, spacious reverb

j-pop ballad, orchestral pop, 72 BPM, whispered female vocals, close-mic intimate vocals, concert harp intro, soft acoustic guitar arpeggios, warm piano chords, upright 静子守歌のような静寂のラブソング, 前半に幻想的なハープメロディー, bass, gentle woodwinds, clarinet countermelody, brushed snare, slow 6/8 sway, moonlit lullaby, tender intimacy, intimate hush, plate reverb, ribbon mic warmth

Minimal ambient radio-pop with slow floating phrasing, mono lo-fi 1930s–40s Japanese broadcast feel; verse drifts in close-mic spoken-sung lines over filtered soft piano and faint guitar, pre-chorus thins to almost only voice and crackle, chorus stays hushed and repetitive like a fragile radio refrain, Constant record crackle and static throughout, narrow midrange, slightly detuned nostalgic tone, brief tuning fade-ins and fade-outs that keep the noise alive, Intimate, dusty, fragile mix with a distant speaker softness, 曲の雰囲気やメロディーライン, 歌い方もまったく変えないで

チルポップ / テンポ：85-90 BPM ボーカル: 全体的にウィスパーボイス気味に, リラックスして歌う, サウンド: 基本はローファイなヒップホップビート, 隠し味に, 名古屋の街の雑踏音や, お茶を点てる「シャカシャカ」という音, エビフライを揚げる音などをサンプリングして入れると, よりキャラクター性が際立つ, セリフ部分: 最初の語りは, チルなバックトラックが流れる中, 非常に真剣に（でもどこかユーモラスに）語ることで, 後の歌唱部分とのギャップを楽しむ構成, 曲の雰囲気やメロディーライン, 歌い方も全く変えないで

澄み切った好悪音, 透明感のある女性ボーカル, シティポップに影響を受けたボーカルのJポップ, BPM 100, 明るいシンセ, ジャジーなコード, グルーヴィーなベース, スムーズなリズムが特徴, 歌詞は楽観主義と穏やかな自己反省で日常の感情的な挫折を描写, リラックスしたメロディックなフレーズはアップビートでありながら内省的なトーンを醸し出し, 夜のルーティンの温かさと静かな回復力を捉えている

Japanese feel-good pop with bouncy mid-tempo four-on-the-floor, handclaps, playful acoustic guitar, light marimba accents, and bright shuffle groove; verse is warm and conversational with close-mic lead and little call-and-response smiles, pre-chorus lifts with stacked harmonies, chorus opens wide with group vocals and chantable repeats; add toy-chime fills, park ambience, and a bubbly bass bounce; mix is bright, glossy, and sunlit, 曲の雰囲気やメロディーライン, 歌い方も全く変えないでください

Acoustic folk ballad with steady fingerpicked guitar throughout, gentle 6/8 sway and restrained tempo; verse stays intimate and narrative, pre-chorus opens into held notes and breathy rise, chorus blooms with harmony doubles and a plaintive refrain, No instrument changes, just subtle dynamic lift, soft fret noise, room tone, and a warm close-mic mix that feels fragile and human, スタイルはできるだけ変更しないで, このまま

J-pop with a gentle bossa-inflected sway, light shuffle groove and playful syncopation; verse starts sparse with soft nylon guitar, upright bass, and brushed percussion, pre-chorus adds handclaps and rising marimba, chorus brightens with gang vocals and cheeky key changes, Close-mic male and female vocals trade lines, with whispered asides, stacked hook doubles, and tiny delay throws on punchlines, Toast crackle, reverse cymbal swells, and a playful glockenspiel lift the transitions; warm, glossy, intimate mix with a smile

J-pop mid-tempo with a gentle 4-on-the-floor pulse and bouncy syncopated bass; verse starts close-mic and tender with brushed percussion, pre-chorus adds toy piano and handclaps as the tension sneaks in, chorus turns playful with stacked doubles and cheeky gang shouts on the menu lines, Tiny noodle slurps, reverse swells into each lift, and a bright glossy mix that feels intimate before popping into comedy, 前半はだんだん険悪なムード, 後半は少しずつウキウキ浮かれ気分なムードにしてください

Japanese indie pop with a cool mid-tempo swing and light four-on-the-floor pulse; verse rides sparse guitar, brushed snare, and airy bass; pre-chorus lifts with handclaps and filtered synth shimmer; chorus opens wider with stacked harmonies and a short chantable hook, Breathy close-mic lead, subtle doubles in key lines, gentle ad-lib echoes, wind chime sparkles and a soft riser into the final lift, Bright, clean, and sun-washed with a crisp summer-air mix, スタイルはそのまま, まったく変更しないでください