他言語

An a cappella-only fantasy vocal piece featuring layered ethereal harmonies, expressive female lead vocals, and organic vocal percussion imitating wind, water, and forest sounds, Deep bass vocal textures form a rich foundation, while whisper-like phrases and echoing call-and-response evoke a mystical woodland atmosphere, full 5-part harmony (Soprano, Alto, Tenor, Bass, Baritone), Includes sections: [Intro], [Verse], [Pre-Chorus], [Chorus], [Bridge], and [Outro], Emotionally lyrical and cinematic in tone, with a slow tempo (around 75 BPM), Inspired by forest spirits and the quiet voices of nature

Powerful Zulu acapella song with traditional African call and response vocals, sung entirely in Zulu, Lead vocals performed by a strong female voice, supported by rich vocal harmonies, unison chanting, and group response vocals, Features enhanced percussive arrangement with deep hand drums, talking drum, shakers, and traditional African percussion, No melodic instruments — the voices and rhythm drive the entire composition, The theme is unity and togetherness — voices rise together, full of strength, pride, and community spirit, Rhythm builds in layers throughout, leading to an emotional and energetic climax with harmonized vocals and intensified percussion

Uplifting and rhythmic African-inspired song sung in Zulu, featuring a strong solo female lead vocalist supported by rich backing harmonies, Upbeat tempo with layered traditional African percussion — including ngoma drums, shakers, hand claps, and talking drum, Includes melodic instruments such as marimba, kalimba, and African kora, creating a vibrant and earthy musical landscape, Energetic call-and-response style in parts, but the solo voice leads the message, The arrangement is spiritual but joyful, blending ancestral reverence with celebration and rhythm, Song builds toward a powerful and rhythmic climax with harmonized chorus and driving percussion

Upbeat African-inspired requiem sung in Zulu, Features a powerful solo female lead with rich harmonies and abundant layered choral backing, The vocal performance is deeply emotional and expressive, conveying both grief and joy through dynamic phrasing and heartfelt delivery, Includes interludes and instrumental breaks, The sound is rooted in traditional South African rhythms, with percussion as the central element, Instruments include ngoma drums, djembe, talking drum, shakers, and hand claps — no melodic instruments like marimba or kalimba, The arrangement starts calm and spiritual, gradually building into a high-energy, joyful celebration of life and ancestral reunion, Themes of remembrance, gratitude, farewell, and transformation are emphasized, with vocal layering used expressively throughout

[Style: Fast-paced LIVE, -Cheers, Tribal African music with intense percussion and chanting] [Mood: Ritualistic, powerful, spiritual, ecstatic] [Tempo: 150-160 BPM, 4/4] [Instrumentation: African drums (djembe, dunun, talking drum), shakers, claps, deep bass, vocal chants, call & response, atmospheric pads] Song structure: - Intro with ritual chanting - Verse with steady tribal rhythm - Powerful Chorus with call & response ("Khuleka! Ezulu!") - Interlude with chanting voices only - Verse 2 with faster layered percussion - Chorus with group vocals - Instrumental Break with only drums, shouts, and claps - Bridge with chant "Thina bantwana bomhlaba" - Final Chorus with ecstatic build-up - Outro fading with prayer chant Lyrics: Use the provided Zulu lyrics ("Isikhuleko Esibhakabhakeni"), Emphasize call & response, chanting, and group energy

LIVE, -Cheers, Fast, tribal African-inspired music with intense percussion and chanting, Mood: powerful, primal, ritualistic, ecstatic, earthy, Tempo: 150-165 BPM, 4/4, Instrumentation: multiple African drums (djembe, dunun, talking drum), shakers, claps, deep bass, group vocals, call & response chants, energetic shouts, Structure: - Explosive intro with heavy drum hits ("Boom! Boom! The Earth is alive!") - Verse with rhythmic chanting, stomping energy - Strong chorus with call & response ("Shaya! Shaya! Heartbeat of the Earth!") - Interlude with heartbeat-like drums and echo voices - Verse 2 with layered percussion and chants of nature - Instrumental break with drums, claps, shouts only - Bridge: chanting "We are children of the Earth" - Final chorus: ecstatic group chanting, thunderous percussion - Outro fading with heartbeat drums ("The Earth is beating like a heart") Lyrics: use provided Zulu or Japanese version, Focus on rhythm, chanting, repetition, group energy

Medium to fast tempo Celtic folk ballad featuring lively traditional bagpipes and energetic rhythmic percussion, Orchestral strings and ambient harp textures add emotional depth, Female vocalist sings in Scottish Gaelic with a soft, expressive, and relaxed style, floating gently over the upbeat, dynamic instrumentation, The mood balances ethereal serenity with uplifting momentum, creating a cinematic, stirring soundscape

An a cappella-only fantasy vocal piece featuring layered ethereal harmonies, expressive female lead vocals, and organic vocal percussion imitating wind, water, and forest sounds, Deep bass vocal textures form a rich foundation, while whisper-like phrases and echoing call-and-response evoke a mystical woodland atmosphere, full 5-part harmony (Soprano, Alto, Tenor, Bass, Baritone), Includes sections: [Intro], [Verse], [Pre-Chorus], [Chorus], [Bridge], and [Outro], Emotionally lyrical and cinematic in tone, with a slow tempo (around 75 BPM), Inspired by forest spirits and the quiet voices of nature

A powerful and dynamic fusion of Mongolian throat singing style and heavy rock with strong instrumental presence, Deep, distorted guitars with thick, crunchy riffs; pounding tribal drums and cinematic percussion driving a relentless rhythm, Primal basslines supporting an intense, epic atmosphere, Male vocals sung entirely in Mongolian, with a commanding, heroic tone, The music is energetic, bold, and evocative of warrior spirit and ancient traditions, Medium tempo with a heavy groove, emphasizing both vocal strength and powerful instrumental layers

Didgeridoo, Aboriginal music, deep rhythmic drums

Didgeridoo, Aboriginal music, deep rhythmic drums, emotional vocal, edm

A powerful and haunting Scottish bagpipe solo opens the track, rich in traditional timbre and expressive melodies, The bagpipe remains the lead instrument throughout, weaving through the arrangement with soulful, intricate phrasing, Gradually, deep tribal drums and pulsating trance synths build beneath the bagpipe, enhancing the energy while keeping the bagpipe front and center, Female vocals are emotional and ethereal, singing in Scottish Gaelic, complementing the bagpipe’s majestic sound, The track flows from a pure bagpipe solo intro into an energetic fusion of tribal rhythms and trance beats, with bagpipe motifs throughout

Live, audience cheering, clapping, chanting in Hindi: "चलों!" (Chalo!), "आओ!" (Aao!), "नाचो!" (Nacho!), call-and-response with the crowd, stage reverb, crowd noise, audience singing main motifs, dhol and tabla accents for energy, dynamic build-ups and drops to trigger cheers, live improvisations on sitar, sax, and electro guitar, fast-paced Hindi vocals with rapid-fire delivery, playful and uplifting tone, quick rhymes for crowd hype, Scratch techno, trance, electro house, minimal, drum & bass, progressive effects, Indian instruments, bongo, violin, flute, organ, classical & bass guitar, saxophone, Indian female vocals, female choir, sonorous stretched vocals, synthesizer, delay, echo, Kaossilator effects, fat bass, orchestral touch: wheeled lyre, piano, metallophone, barrel bass, clarinet, glucaphone, jazz elements: boogie-woogie, twist, blues, jazz sax, electro guitar, slow pace with acceleration, fun, fetish, axis double tempo

Opera + Shamanic Trance + Tribal Rhythms, deep atmospheric intro with low chanting and slow tribal drums, mystical and hypnotic mood, layered voices, gradual build-up of energy, complex percussion patterns, intense beats, powerful drums, dynamic progression from calm and meditative in the first half to wild and explosive in the second half, operatic harmonies in the climax, dramatic tension, echoing shouts, deep voices transitioning into soaring layered choruses, cinematic and ritualistic feel

Epic ritual folk song in German, inspired by ancient Germanic and Norse culture, dark and powerful, with a strong medieval atmosphere, Deep male chanting combined with ethereal female vocals, Long intro with whispering and ritualistic drums, Intense tribal percussion (frame drums, war drums), bowed strings (fiddle, hurdy-gurdy), and ancient instruments like flutes, horns, and lyres, Slow-building tension with hypnotic rhythm, echoing vocals, and deep resonance as if recorded in a stone temple or forest at night, Mysterious, serious, and immersive, evoking old gods and forgotten rituals, Lyrics are sung in German

melodic trance × synthwave × yodeling, soft atmospheric layers, emotional ambient textures, slow build and dreamy pacing, nostalgic arpeggiated synths, gentle sidechain pads, subtle delay, cinematic space, female vocal, clear and high tone, lyrical and flowing vocal lines, minimal percussion, feeling of time drifting, floating through memories and future

High-energy Acid Jazz instrumental with funky grooves, powerful brass riffs (trumpet, saxophone), groovy upright bass, jazzy electric piano, and punchy breakbeat drums, Add lively party atmosphere with crowd noise, energetic shouts, and hip-hop style callouts like “Yeah!”, “Woo!”, “Come on!”, “Alright!”, Include subtle turntable scratches, rhythmic handclaps, and Latin percussion for extra movement, Warm, organic 90s jazz club vibe with a modern twist, BPM around 110, upbeat and fun

Create a long, flowing ambient healing music piece featuring Singing Bowls and Handpan as the main instruments, The atmosphere should be deeply meditative, warm, and spacious—perfect for relaxation, yoga, or mindfulness, Use soft humming and ethereal vocal choruses without meaningful words (use the provided humming lyrics), Keep a gentle tempo with plenty of reverb and natural resonance, highlighting the shimmering metallic tones of the Handpan and the calming vibrations of the Singing Bowls, Layer subtle environmental textures, like distant wind or soft water sounds, to enhance the immersive soundscape, The structure should feel organic and evolving: begin quietly, gradually build to a luminous, peaceful middle section, then slowly fade into silence, The entire piece should be extended in length, evoking a sense of timeless serenity

A traditional Romani gypsy dance song titled “Drom le Romale (The Road of the Roma)”, Fast and passionate Balkan rhythm with violin, tambourine, acoustic guitar, double bass, and handclaps, Vocals in Romani language, soulful and emotional with strong vibrato, Include call-and-response shouts “Heya! Romale!”, Structure: Intro (handclaps + violin), Verse, Chorus, Instrumental (violin solo), Verse 2, Chorus, Final dance (accelerando, ending shout “Romale!”), Mood: fiery, joyful, and free, expressing the wandering Romani spirit, Emphasize violin melodies weaving through vocals, tambourine rolls, and foot-stomping energy, Keep the sound acoustic and organic, with lively festival ambience, Genre tags: Romani Folk, Balkan Dance, Gypsy Music Vocal style: Passionate female or mixed chorus with raw emotion

Live music, no cheering or applause, A powerful, emotive, and passionate Bharatanatyam-inspired track built around dynamic Indian percussion instruments, including the mridangam, thavil, kanjira, and powerful temple bells, Female vocals, Intense rhythmic footwork, fast jati patterns, and fiery, dramatic accents, Deep tanpura drones and bright veena phrases are added to create a sacred yet explosive atmosphere, The music should feel like an awakening ritual: unstoppable, vibrant, and burning with divine energy, The vocals should be full of emotion and spirituality, with expressive gamakas and classical Indian ornamentation, The overall mood should be intense, glorious, sacred, and ecstatic, as if dancing with the eternal flame itself

fast tribal percussion, deep frame drums, taiko impact, ritual trance rhythm, multi-layered chanting choir, strong call & response (“HA-NA!”, “YO-REH!”, “MA-KA-RA!”), breathy shaman solo voice in verses, powerful group chanting in chorus, ancient and sacred atmosphere, primal energy, ceremonial fire-circle mood, male & female mixed tribal vocals, rhythmic breaths, ritual shouts, wide stereo choir, deep low drones, earthy reverb, fast tempo around 120–128 BPM, no modern pop, no electronic synth leads, purely tribal and ritualistic

Style / Mood Instrumental BGM, Amapiano, deep hypnotic groove, minimal, nocturnal, modern Description A slow to mid-tempo Amapiano instrumental driven by an aggressive rolling log-drum bass, syncopated patterns, and tight shakers, The groove is repetitive, loop-based, and dominant, On top of it, a virtuoso grand piano plays fast runs and arpeggios, rhythm-focused and grid-locked, floating above the beat with no swing or jazz phrasing, The piano decorates the groove rather than leading harmony, creating a cinematic night atmosphere, Instrumentation Grand piano, amapiano log drum (prominent), kick, shakers, subtle pads, No vocals, no swing, no jazz harmony, Structure Groove intro → piano enters → intense log-drum-driven section → minimal breakdown → final groove climax → fade-out, Tempo / Feel ~110 BPM, straight rhythm, heavy log drum, laid-back groove with complex piano phrasing

Powerful festive tribal track driven by feral, uncontrollable log drum rhythms, Mixed male and female vocals, Theme: “Isigubhu Sokuvuka – Sivuka Sonke”, Dominant log drum is wild, relentless, syncopated, constantly pushing forward, sometimes overpowering the groove, Heavy African polyrhythms, layered drums, claps, stomps, aggressive call and response, Energetic, celebratory but slightly unhinged, ritual turning into frenzy, Tempo 125–135 BPM, Structure: low chant Intro, Verse with deep male lead, explosive Chorus with shouted mixed voices, Interlude and Instrumental Break focused on chaotic log drum improvisation, Bridge drops to whispers, then sudden violent drum return, Final Chorus feels ecstatic and borderline possessed, Language: isiNdebele lyrics throughout, No modern pop synths; raw rhythm, drums, voices dominate

Synthesized robotic female vocals chanting in a fictional language, solemn atmosphere, ritualistic, prayer-like overlapping vocals with long cathedral-like reverbs, a fusion of the cybernetic and spiritual, ancient rituals meeting cold futuristic technology, deep drum-like percussion combined with low analogue synth drones, minimal yet powerful electronic pulses, slow to medium tempo, dark, sacred, transcendental mood, gradually building, emphasis on atmosphere over catchy melodies, mechanical textures and sound effects subtly woven beneath the vocals

{"mood":["Emotional", "delight", "Uplifting", "Epic"], "style":["Cinematic Melodic Trance, BPM136, Italian, full orchestra dominant, orchestral strings, brass, choir, male operatic tenor, classical technique, vibrato, uplifting"], "Production":["High Dynamic Range, surround, Dolby Atmos"], [Intro:FULL ORCHESTRA ONLY] "Instrument":["strings and brass, cinematic, no drums, "], [Verse1:TRANCE] "Instrument":["trance groove under strings, operatic tenor, "], [Pre-Chorus:TRANCE] "Instrument":["orchestra swell, "], [Chorus:TRANCE] "Instrument":["orchestra leads, trance supports, powerful operatic vocal, "], [Interlude:FULL ORCHESTRA ONLY] "Instrument":["symphonic transition, "], [Verse2:TRANCE+ORCHESTRA] "Instrument":["rhythm and strings, "], [Chorus:TRANCE+ORCHESTRA+EXPANDED] "Instrument":["orchestra and choir louder, "], [Bridge:FULL ORCHESTRA FOCUS] "Instrument":["reduced beat, dramatic opera, "], [Outro:FULL ORCHESTRA DOMINANT] "Instrument":["symphonic finale with choir and tenor"], }