3:29

ballad, emo, male vocals, synthwave, ballad, guitar, classical
3:12

A gentle intro with fingerpicked acoustic guitar sets an intimate tone, soon joined by ambient pads and subtle percussion, Verses feature minimalist piano, while lush strings gradually layer in, The chorus expands with warm synths and dynamic drums, creating a textured, emotional arc
3:16

Per questo - Enrico Perelli
v4.5-all
A deep, evocative intro with sparse piano sets the mood, evolving into lush instrumentation for the verses—layered guitars, textured synths, and grooving bass drive the rhythm, The chorus hits with full-band energy and dynamic drums; a bridge adds unexpected harmonic twists, returning for a powerful close
1:44

A punchy indie pop track opens with crisp guitar arpeggios and tight bass, overlayed by snapped percussion, Synth layers build in the pre-chorus, leading into a chorus with soaring melodic hooks and energetic drums, A short bridge features subdued keys before launching back into the infectious groove
2:50

1:12

Io cammino - Enrico Perelli
v4.5-all
Piano solo minimale, Tempo: 55-65
Bpm, Mood: Mysterious
Reverie, male vocals
1:09

1:40

Luce - Enrico Perelli
v4.5-all
A gentle intro of solo piano sets a contemplative tone, quickly joined by subtle atmospheric pads, Light percussion and warm bass enter for the verse, with delicate electric guitar textures weaving in, The chorus opens up with layered harmonies and fuller instrumentation, before the song resolves softly with stripped-back elements for the outro, male vocals
0:54

female vocals, ambient, techno, guitar, techno, piano, female corus
0:53

Nel niente - Enrico Perelli
v4.5-all
male vocals, ambient, techno, guitar, techno, piano, female corus
1:06

1:32

0:46

2:49

Passi sul cuore - Enrico Perelli
v4.5-all
Pianoforte, Soft male vocals, guitar, synth, flute
1:59

Sulla via - Enrico Perelli
v4.5-all
Stile musicale minimale neo classico
come Philip Glass e Max Richter, Tempo: 45-50
Bpm, Genre: meditative music, Mood:
Mysterious, female vocals very calm and chorus, synth
3:48

italian ballad, dramatic, orchestral; male vocals, male vocals
1:59

2:09

Viaggio - Enrico Perelli
v4.5-all
A dramatic pause opens, followed by pulsing synths and crisp electronic drums, The verse layers spacious keys with tight bass, gradually building tension, The chorus bursts with dynamic chords, bold melodies, and textured guitar, before easing into an ambient, minimalist outro, male vocals
3:18

3:29

L'ultimo Calvados di Gurdjieff
v4.5-all
[World, etnica, acustica, ripetitiva, minimale, Bpm 40/50, archi di sottofondo, in crescendo al finale, Voce intensa ma dolce Battiato ]
2:05

2:22

1:58

1:50

3:37

[World, etnica, acustica, ripetitiva, minimale, Bpm 40/50, archi di sottofondo, in crescendo al finale, Voce intensa ma dolce Battiato ]
4:07

Nel Punto Cieco - Enrico Perelli
v4.5-all
[World, etnica, acustica, ripetitiva, minimale, Bpm 40/50, archi di sottofondo, in crescendo al finale, Voce intensa ma dolce Battiato ]
3:37

[World, etnica, acustica, ripetitiva, minimale, Bpm 40/50, archi di sottofondo, in crescendo al finale, Voce intensa ma dolce Battiato ]
3:36

[World, etnica, acustica, ripetitiva, minimale, Bpm 40/50, archi di sottofondo, in crescendo al finale, Voce intensa ma dolce Battiato ]
1:34

Da soli - Enrico Perelli
v4.5-all
female vocals, electronic, elettro pop, indie, new age, BPM 40
2:39

Nella notte - Enrico Perelli
v4.5-all
A gentle piano intro leads into spacious indie rock instrumentation—delicate electric guitars, warm bass, and brushed drums, Verses feel intimate and airy, slowly layering textures, The chorus grows lush with subtle synth pads and driving rhythm, ending with a reflective, fading outro
2:20

Nella notte - Enrico Perelli
v4.5-all
A gentle intro with subtle keys and airy pads leads into flowing verses supported by warm bass and crisp drums, The chorus introduces richer harmonies with layered guitars and vibrant synths, Bridge features a textural shift with inventive percussion, before returning to the hook
0:53

1:05

2:17

1:59

2:14

2:18

2:02

1:55

Amore - Enrico Perelli
v4.5-all
A driving intro with muted guitar and crisp drums lays the groundwork for verse layers of melodic synths and pulsing bass, The chorus bursts open with soaring vocal harmonies and fuller instrumentation, while rhythmic drops and textural changes keep energy high through each transition, male vocals
2:49

3:05

2:31

In ascolto - Enrico Perelli
v4.5-all
Stile / Mood
- “Gregorian chant with ethereal female soloist”
- “Monastic choir + angelic choir”
- “Sacred, mystical, celestial atmosphere”
Voci
- “Female solo voice (soprano), pure and airy”
- “Male monastic choir (tenor/baritone/bass)”
- “Angelic choir pads, soft and shimmering”
Strumentazione
- “A cappella voices + light celestial pads”
- “No percussion, no modern rhythm”
- “Subtle drone tones (organum-style)”
Tempo
- Lento (40–55 BPM)
- “Free chant phrasing, rubato”
Timbro / Effetti
- “Cathedral reverb, long tail”
- “Heavenly shimmer, soft halo effect”
- “Ancient modal scale (Dorian/Phrygian)”
Atmosfera
- “Sacro, contemplativo, ascensionale”
- “Voce femminile come luce che attraversa il coro”
- “Sospeso, luminoso, senza tempo”
3:23

Lei - Enrico Perelli
v4.5-all
ballata acustica lenta, intima, nostalgica chitarre acustiche arpeggiate, fisarmonica morbida, violino melodico, percussioni soft e leggere, male vocals, female vocals
2:49

Style: Irish/Scottish acoustic ballad, folk nordico, Instruments: Acoustic guitars (arpeggi + light strumming), female vocals
2:24

2:18

Ponte - Enrico Perelli (Remix)
v4.5-all
A playful synth-pop track opens with bright arpeggiated keys and tight electronic drums, Verses are subtle with percussive bass and airy pads, building to a hook laden with catchy synth melodies and layered harmonies, A brief instrumental bridge features a quirky sampled texture, male vocals
3:14

Torino
v4.5-all
strumming guitar 12 strings open chords BPM 45, Accordeon in sofly counterpoint, evanescente etniche percussions decise BPM 45, pad string quartet modulation, crescendo in finale : strngs, guitar, accordeon, and piano minimal continuo arpeggio, BPM45
3:44

Assenzio ver. 2 (Enrico Perelli)
v4.5-all
indie pop-folk electronic, BPM 50-60, PAD HAMMOND ORGAN, Clean electric guitar with delay gently strumming and arpeggio, Mood cinematic but not seriously, 3 variations of tuning ( 3 tipe of tonality) during the complete song: intro, Verse, chorus, bridge, Final with vibraphone with delay and liquid phaser minimal gently fast ripetitive ad libitum, NO CRESCENDO, Incisive electric fretless bass, 12 acousting strings guitar open tuning chords ( open guitar tuning DADGAD) in ostinato strumming, Drums, softly, fast but gently percussions and Drum machine, Female angelic voice, harmonizer, and duet with transgender voice
4:42

Cronache dal silenzio
v4.5-all
- Female voice: angelic, sweet, gentle, no octave shifts, no screaming, - Paired with a soft, delicate transgender male or falsetto voice, blending smoothly with the female vocal, especially during the short hook/chorus, - Rhythm and tempo alternate between 4/4 and 5/4 with tune change
- Percussion: light ethnic drums (e, g, tablas), expressive but subtle in the mix, never overpowering 4/4 verse 5/4, - Instruments: acoustic 12-string guitars with open chords and open tuning, continuous light expressive strumming and minimal repetitive arpeggios, - Additional instruments: strings, duduk, Irish flute, accordion, tablas, - No electric or electronic instruments, - Mood and style: atmospheric, ethereal, world fusion, delicate and introspective
- Mix balance: vocals clear and intimate, percussion soft, strings and ethnic instruments warm and present but not dominant, - Tempo: slow to moderate, flowing naturally with gentle dynamics
3:46

I have conquered the Sun
v4.5-all
Create a *soft, hypnotic reggae* track with a calm, round sound palette, The *male lead vocal* should be *gentle*, possibly with a *warm Black male timbre*, sung/spoken with rhythmic phrasing in the verses, During the *chorus (hook/top line)*, add *angelic, soft female backing vocals*, singing in unison to open up the melody, *Instruments*: reggae-style *rhythmic guitar with delay*, soft *percussions*, *fretless bass*, *soprano saxophone*, *accordion*, *harmonica*, and *synth arpeggio with delay* in the background, The sound should be *minimalistic*, *repetitive*, and *hypnotic*, except for the chorus where the melody becomes *catchy and melodic* (but not too pop or cheesy), The *final outro* should be *ad libitum*, *hypnotic*, with an extended *fade out*, *Overall mood*: *nighttime*, introspective, dreamlike

