
IO - Texture (Commentary)
Experimenting with album commentary because why not! Hope you enjoy
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25 songs
0:46

A male voice speaks in a conversational tone, introducing an album and explaining the concept of adding commentary before each track, The voice is clear and articulate, with a moderate tempo and a friendly, engaging demeanor, There are no discernible musical instruments or background sounds, indicating a spoken word segment, The production is clean, focusing solely on the vocal delivery without any added effects or processing, The speaker's tone suggests a casual, informal setting, akin to a podcast or personal message
0:54

introduction, spoken word, monologue, vintage news broadcast, field recording, damaged tape recording, sound collage
2:30

sound collage, field recordings, plunderphonics, sampling, hypnagogic pop, neo-soul, avant-garde jazz
0:53

introduction, spoken word, monologue, vintage news broadcast, field recording, damaged tape recording, sound collage
3:05

Intricate, clean-toned guitars with two-handed tapping, bright melodic phrasing, and complex rhythms in shifting time signatures, creating a delicate, mathy, Midwest emo texture, chopped and recombined, Sound collage and plunderphonics form jagged found-sound samples and glitchy textures, Percussive blips, soft horns, and airy synths pulse beneath, evolving into an indietronica groove, Progressive structure, abrupt cuts, and fragmented sound collage samples add surprising, unpredictable elements
0:50

news broadcast, spoken word, monologue, vintage field recording, damaged tape recording, sound collage, slam poetry
2:24

This experimental art-pop song opens with a found sound gospel sample, chopped and recombined with sound collage textures, That sample loops throughout the song in the background, The lead vocals merge and fuse with horns, built from circular breathing passed through the horns, Electric piano intersect with avant-garde jazz improvisations, Stuttering drum breaks and crunchy synths create a hypnagogic atmosphere, with samples creating an unpredictable, texturally rich structure
0:48

vintage, slam poetry, spoken word, monologue, news broadcast, damaged tape recording
3:04

A genre-blurring track combining elements of alternative rock, punk, alt-pop, electronic, and Midwest emo built from lo-fi textures, ambient guitar loops, and vocal harmonies, Features raw, unpolished, half-spoken emo vocals that go from fragile to unhinged, blending with a hazy static, field recordings, and lo-fi textures, The mood is dreamy and intimate, like a memory breaking apart as you try to hold onto it
0:46

minimal, AM radio talk show, spoken word, monologue, vintage news broadcast, slam poetry, acoustic
3:15

Where I want to be
v4.5+
A lo-fi, experimental emo folk track that starts with warbly acoustic guitar, tape hiss, and soft ambient textures, The unpolished vocal is delivered with raw vulnerability and melodic fragility, Subtle field recordings and detuned instrumentation add to the worn, dreamlike quality, The mood is intimate, impulsive, and sarcastic, The Drop brings in a more energetic, textured track blending emo-punk, folk, R&B, and electronic elements, Layers of detuned synths and glitchy percussion over a warm, hazy atmosphere, The vocal should feel raw and fragmented, alternating between processed and natural tones with harmonies
0:54

warped record player, introduction, spoken word, monologue, vintage news broadcast, field recording, damaged tape recording, sound collage
3:00

sound collage, field recordings, plunderphonics, sampling, hypnagogic pop, avant-garde jazz
1:03

spoken word, monologue, vintage news broadcast, field recording, damaged tape recording, sound collage, slam poetry
1:02

0:33

introduction, spoken word, monologue, vintage news broadcast, field recording, damaged tape recording, sound collage
1:04

old record player, spoken word, vintage, newscast, monologue, tape recorder, spoken, minimal piano
3:06

A fragmented, lo-fi sound collage blending warped acoustic guitar loops, pitch-shifted vocal fragments, and layered field recordings—distant waves, children playing, a passing seagull, Tape hiss and digital glitches weave through soft horns and warbly Wurlitzer melodies, The mood is nostalgic, surreal, and haunted by fleeting joy—like recovering lost memories from an old cassette left in the sun
0:47

experimental minimal glitchy, warped recording, destroyed tape, voice memo, field recording, spoken word, vintage, newscast, monologue, tape recorder
3:42

Opens with sound collage and plunderphonics, jagged found-sound samples and glitchy textures, then layers in intricate finger-picked Midwest emo guitar, chopped and recombined, Percussive blips and airy synths pulse beneath, evolving into an indietronica groove, Progressive structure, abrupt cuts, and anachronistic sound collage samples push surprising, unpredictable elements
1:04

spoken word, monologue, slam poetry, vintage newscast, field recording, damaged cassette tape, minimal gentle harp experimental
4:10

Pretty, clean-toned guitars with two-handed tapping, bright melodic phrasing, and complex rhythms, creating a delicate, mathy, Midwest emo texture, chopped and recombined, Sound collage and plunderphonics form jagged found-sound samples and glitchy textures, Soft horns, and airy synths pulse beneath, evolving into a mellow indietronica groove, Progressive structure, abrupt cuts, and fragmented sound collage samples add surprising, unpredictable elements, with a dramatic build towards the end



