和ロック其の四

[STYLE: TAIKO-dominant modern Japanese fusion, wa-rock x jungle swing] [MOOD: protective, warm, determined, cinematic night] [TEMPO: 165 bpm] [INST: TAIKO MAIN groove lead (front/huge/dry), shamisen main riff, koto ostinato, sho pads, shakuhachi short stabs, breakbeat SUPPORT only, tight sub, female harmony] [VOCALS: straight pop, minimal vibrato, no enka melisma] [MIX: prioritize taiko over kick/bass; kick short; sub reduced in verses; breakbeat lower+filtered]

High-energy alternative rock anthem characterized by a blend of atmospheric piano and explosive distorted guitars, The track opens with a melancholic piano melody in a minor key, accompanied by a gritty, breathy male vocal, As the song progresses, it transitions into a powerful wall of sound featuring heavy, overdriven electric guitars, a driving bassline, and aggressive, punchy drumming with prominent crash cymbals, The vocal performance shifts from intimate verses to soaring, emotive belts in the chorus, utilizing significant reverb and delay for a cinematic feel, The structure follows a classic verse-chorus-verse-chorus-bridge-chorus format, punctuated by a technical, melodic electric guitar solo featuring rapid alternate picking and sustain, The production is polished and modern, emphasizing a wide stereo image and a dynamic range that builds from quiet introspection to a grand, anthemic climax

A melancholic, gothic atmosphere, Opening with an emotional shakuhachi and dramatic koto, the track is joined by a melancholic shamisen, Staccato strings create tension, Melodic metal riffs intertwine with artcore elements, Upbeat electro drums and punchy rock bass add to the driving force, The light, soaring female vocals express a rich range of emotional nuances, maintaining an exquisite balance with the powerful melody

[Genre: QLCORE-Lite × 2 Genres (Japanese Rock / Anime Rock)] [Tempo] Up-tempo, energetic, festival-like groove [Style] Hot-blooded anime opening style, comical and heroic, brass-driven accents, slightly exaggerated expressions, Wa-rock flavor blended naturally [Instruments] Electric guitar (power chords, bright tone) Electric bass (bouncy, driving) Drums (punchy, anime-rock style) Brass section (trumpet, trombone, sax – playful and bold) Japanese instruments (taiko, shamisen, subtle shakuhachi accents) Optional crowd shouts / call-and-response [Mix] Clear and energetic mix, vocals slightly forward, brass and guitars well-balanced, festival-like openness, no heavy darkness, keep it bright and lively [Vocals] Male vocal, expressive and slightly comedic, hero-like delivery with sincerity, clear Japanese pronunciation, occasional spoken or shouted lines allowed [Mood] Cheerful, hot-blooded, humorous, a little silly but warm-hearted, festival hero energy, “laugh and bring good fortune”

Style of Music (EN): Intense Japanese rock with traditional warlike drums and shakuhachi, fast tempo, powerful male vocal, cinematic battlefield atmosphere

[Concept] Using traditional japanese instrument, Experimental Rock, funk, [Rhythm & Percussion] Wadaiko only, Odaiko forms a deep, steady pulse acting as bass and core groove, catchy

A dark, cinematic alternative J-pop track, tempo mid-fast, with interlocking rhythmic harmonics replacing melodic leads, Warm low–mid synth pads underpin a steady, groove-focused sub-bass, Subtle taiko drums bolster the rhythm; tsugaru shamisen provides muted, percussive plucks woven tightly with the beat, Shakuhachi enters sparingly as atmospheric breaths, haunting and unresolved, Faint vinyl crackle and urban ambience create texture, while reverb tails are long yet tightly controlled, Structure remains emotionally static, maintaining pulsing tension and momentum without climax, perfect for action and conflict-laden visuals

A capella Vocaloid Style, A capella vocaloid Rock, Enka, Minyo, synthetic vocal engine, a cappella vocal performance, vocal band, Japanese lyrics, All sounds are voice-generated, produced entirely by voices, 6-Vocaloid member a cappella group: female lead vocals, female chorus, female bass, beatbox, BPM:150, fast-paced, driving, fully artificial vocal production, virtual singers only, no human voice, no male voice, no live recording, all parts rendered as synthetic and computer-generated vocals, emphasized deep Vocaloid bass providing heavy rhythmic foundation, distorted-style bass vocaloid imitating metal riffs, backing chorus performing rapid scat and layered harmonies, vocal percussion creating double-kick style rhythms inspired by Taiko, thick vocal orchestration, dramatic vocal runs, Vocaloid lead using Enka-style vibrato and emotional cries, dark and intense atmosphere, high energy performance, strictly voice-only arrangement, no instruments, no guitars, clear Japanese phonetics

Genre: Epic Japanese percussion / tribal fusion Instrumentation: Taiko drums only (no melodic instruments), layered rhythmic structure Vocal: Powerful male and female harmony vocals, chanting style, dramatic and energetic Rhythm: Includes traditional taiko strikes and rim techniques Special techniques: Use [ka] and [sharp rap on the rim] tags to indicate rim hits Mood: Intense, ceremonial, primal, uplifting Tempo: 170 BPM (jungle-inspired pacing) Structure: Intro with solo rim hits, build-up with full ensemble, climax with layered [ka] accents Language: Japanese or vocalizations (no full lyrics required unless specified) Tags: [ka], [sharp rap on the rim], [rim hit], [taiko ensemble], [tribal chant], [ritual energy]

This 180bpm Kagura mix Goa trance track fuses Synthesizer V and 初音 vocals—dark, icy, and whisper-close for an ASMR feel, Shamisen and Taiko interlock in offbeat, driving arpeggios, framing the rhythm, as keyboard piano layers intricate arps and metallic synth textures throughout

Japanese Wagakki Rock, Sharp Shamisen and Koto riffs, Aggressive Rock Drums, Driving Electric Bass, Cold and Powerful Girl Vocal, Traditional yet Modern, High Tension, Solid and Dry sound, No sentimental vibrato, After Break Only:Tenor Saxophone Solo

## [1, Core: Genre & Rhythm] Modern Japanese Avant-garde Jazz-Rock, 155 BPM, Sharp Syncopation, Digital-infused Traditional Sound, ## [2, Audio Control: Technical Constraints] Control: Enforce_Minimalist_Orchestration, Filter_Ghost_Voices, Thwart_Sonic_Congestion, Spatial_Frequency_Logic, Computational_Reset_Per_Section, Flush_Buffer_Noise, Ensure_Zero-Point_Dynamics, ## [3, Audio Quality: Texture & Space] Dry close-up mix, Glitch-hop elements, Cyber-urban atmosphere, Crystalline percussion, ## [4, Instruments: Sound Sources] Percussive Tsugaru Shamisen, Distorted Bass, Jazz Piano, Taiko, Smartphone SFX, ## [5, Technique: Performance Style] Aggressive Tataki Shamisen, Enka-style Kobushi trills, Sudden silences, Natural intonation Spoken Word, ## [6, Mood & Dynamics: Emotional Flow] Cynical, Sophisticated, High-tension urban paranoia, Seductive, Menacing, ## [7, Vocal: Character & Delivery] Sexy cool female vocal, Breathy whispers, Powerful belting, Expressive storytelling delive

Up-tempo, bouncy, happy Japanese festival rock with a strong groove and playful energy, Uses only traditional Japanese instruments: massive odaiko, shime-daiko, festival taiko ensembles, shamisen, biwa, koto, bells, and shakuhachi forming a lively, celebratory concerto, Bright, punchy rhythm with driving percussion and call-and-response momentum, Clear, elegant, and powerful female lead vocal with confident authority and joyful expression, Crowd-style “Wasshoi!” chants and festival call-and-response woven throughout, Energetic, festive, uplifting, and triumphant atmosphere — feels like a full-scale Japanese matsuri at peak excitement

Upbeat Japanese Eurobeat Rock Song, Tempo 150 BPM, Major Key, 4/4 Time, Straight Four-On-The-Floor Rhythm Without Swing, Powerful Minshin-Gaku Ensemble With Geqqin, Tang Pipa And Kokin Playing The Main Melody From Intro To Outro, Traditional Arrangement With Geqqin, Tang Pipa And Kokin Maintaining Lead Presence In All Sections, Hangko Supporting The Groove And Pulse On Every Beat, Bright And Direct Chord Progression, Clear And Steady Rhythm Pattern, Tight Traditional Rhythm Section Throughout, Full Geqqin And Tang Pipa Presence In Every Chorus, Final Chorus With Maximum Geqqin, Tang Pipa And Kokin Intensity And Thickness, Male And Female Lead Vocals, Chorus Sung In Strong Unison Group Vocals

Traditional Japanese ritual, shamisen-driven structural rock, post-execution, non-emotional, minimal mathematical influence [RabbitCore Style DIRECTIVE: - SoundEngine: Structural / Residual Energy, - Track Role: Cooling Layer between Collapse → Stillness, - Concept: After-Action Motion without Intent, - Mode: Action Ended / Motion Remains / Emotion Absent ] [Instrumentation: - Shamisen: Mid-to-high distortion, single-note riffs only, no melodic growth - Taiko: Rock structure, restrained, no fills, no climax - Koto: Silence-focused riff - Shakuhachi: Breath noise + plosives, narrow mono - Sub-bass: Linear support, no groove emphasis - Noise: Minimal, no friction (no metallic sounds or aggression) ] [SONIC RULE: - No escalation, - No catharsis, - Energy decays by subtraction, not fade, - End on single surviving tone ]

Fast-paced Japanese pop-rock with earthy matsuri groove, prominent taiko, koto, and shakuhachi, Instruments & Rhythm: Taiko and festival percussion use irregular accent patterns (e, g, 3-3-2 and 3-2-3 within 4/4), creating a stumbling, forward-pulling groove, Koto repeats tight rhythmic figures, bass and drums maintain steady pulse underneath, Vocals: Mature, sultry female lead vocal, Breathy verses, elegant high-pitched choruses with subtle vibrato and kobushi, Controlled, never cute or heroic, Backing Vocals & Callouts: Multiple adult voices, short, off-beat unison chants, used sparingly as rhythmic hits, Atmosphere & Tempo: 140 BPM, steady tempo but uneven, restless feel, Nocturnal, physical, ritual-like rather than flashy, Effects: Close warm vocals, light reverb, Percussion dry and upfront, Minimal electronic layers

Cyberpunk Japanese Trance, 150BPM, Fast Shamisen shreds, Uplifting, High energy, Psytrance elements, Female emotional vocals, Neons and Cherry blossom atmosphere, Electronic dance music, Aggressive synthesizers

A cappella female vocal performance, featuring a single, clear, and sustained vocal line, The vocal range is mezzo-soprano, with a smooth, legato delivery, The melody is a simple, ascending and descending pattern, characteristic of a vocal exercise or children's song, The tempo is slow and deliberate, with each syllable clearly articulated, There are no discernible chord progressions or instrumental accompaniment, The production is dry, with no reverb or other effects, highlighting the natural resonance of the voice, The overall feel is educational and foundational, focusing on vocal clarity and pitch accuracy

fast play shamisen, punk, electro, uptempo, Japanese-folklore, electronic

Tsugaru shamisen-driven Japanese rock instrumental, riff-based and percussive shamisen playing, with melancholic and emotional melodic phrases, features a virtuosic and highly technical Tsugaru shamisen solo, electric guitar and drums support the groove, a drum-only break in the middle, flute used only in the intro and outro for atmosphere, sad, dramatic, and cinematic Japanese vibe, no vocals

Hypergrime and Psychedelic Rock with Percussive Elements, Mood: Playful and Experimental, Bright percussive shamisen driving upper rhythm, 3–8 kHz, Polyrhythmic shamisen patterns, Shamisen compression applied, High-definition fuzz guitar, fuzz factory, midrange focused, 500 Hz–3 kHz, Irregular syncopated slap bass patterns, Drums: human anchor, dry and tight, Mix priority: shamisen foremost, Chaotic atmosphere with occasional dissonant tones, Female vocal with smoky and husky tone, Showa-era kayokyoku style phrasing, emotional and powerful singing in choruses, Masterpiece quality, strong low-end emphasis

Japanese Rock, Math Rock Instrumentation: Taiko (Primary, Loud), Shime-daiko (Sharp Accents), Shinobue (Short Calls for Phrasing), Electric Guitar (Muted, Rhythmic), Electric Bass (Percussive, Short Notes), Minimal Drum Kit (Subordinate) Rhythm: Taiko-led Groove, Odd Time Signatures as Ma, Stop-and-Go Phrasing, Full Stops for Humor Mood: Warm, Humorous, Traditional, Lovable Clumsiness Texture: Dry, Percussive, Strong Attack, Fast Decay, Silence as Structural Element Vocal: Male Vocal, Consistent Volume, Stable Pitch, Natural Pronunciation, Slight Smile in Tone, Use Pauses and Timing for Humor, Minimal Vibrato, Follow the Rhythm of Taiko Exactly Production Notes: Taiko Dominates the Mix, Guitars and Bass Follow Percussion, Shinobue for Transitions Only, No Pads, No Sustain, Space and Impact Prioritized, Silence Enhances Comedy

Only the rap and outro 2 feature male vocals — all other sections are strictly female vocals, Dark Japanese-style EDM × Japanese rock, BPM 128, minor key, Built on modern EDM grooves, the shamisen plays continuously throughout the entire track as the dominant lead instrument, never dropping out in any section, It delivers aggressive rock-style riffs, melodic hooks, tremolo picking, and sharp rhythmic chops, fully replacing electric guitar, Koto and shakuhachi add subtle Japanese texture and emotional depth, Drums use punchy synth drums (deep kick, crisp snare, tight hi-hats) with deep sub-bass and strong sidechain compression, Female vocals are emotional, husky, and dramatic, Male vocals appear only in rap and breakdown sections, sounding deep, calm, and cynical, The chorus delivers a powerful EDM drop while keeping the shamisen at maximum intensity and strong traditional Japanese elements, Overall tone: Intense, dramatic, stylish, fierce, and seductively alluring

gagaku spyral ROCK, gagaku IDM, Tsugaru Shamisen, shout, Dark thriller, Mokugyo

rio core, Dynamic Japanese wa-rock, shamisen lead melodies, shinobue flute solos, shakuhachi emotional lines, taiko drums powerful rhythm, electric guitar as support layer, soprano female lead vocal, choir chorus, fast tempo, intense and uplifting battle song

Japanese Folk Metal, Atmospheric Metal, Post Metal, Majestic, Spiritual, Uplifting, Shakuhachi, Koto, Taiko Drums, Heavy Guitar Riffs, Ethereal Angelic Vocals, Primal Harsh Vocals

Dark ritual glitch rock fused with Japanese traditional instruments, Harsh percussive shamisen strikes, koto drones bending into dissonance, shakuhachi breath tones slicing through frozen air, taiko drums pulsing like a damaged heartbeat, Glitch textures with fractured guitars, stuttered rhythms, unstable timing, sudden dropouts, and collapsing structures, Cold, claustrophobic, dry mix with minimal reverb and sharp stereo cuts, Vocals: androgynous Japanese voice, emotionally cracked but restrained, breathy → tense → broken release, fragile yet cutting, fully sung Japanese lyrics, no shouting, no warmth, Structure: sparse fractured intro → tense minimal verse → rising pre-chorus distortion → explosive emotional chorus → unstable collapse → hollow outro, Mood: frozen, hollow, ritualistic, inner collapse, hunger, fracture, isolation, No resolution, no comfort, no hope, Avoid pop melody, metal distortion, screaming, ballad pacing, clean polish, warmth

male vocals, ＆PowerfulVoice, PowerfulPlay＆PowerfulSound＆TechniquePlay＆TechniqueSound＆DeepSound, emotionalrock, cutting, crunch, EnergySong, Explosive musicJapanese rock, shamisen, koto, taiko drums, piano, Acoustic, energetic, melodic, dramatic, slowtempo〜uptempo, Inspiring and spectacular sound

[Genre: Fast Tsugaru-Ska, Japanese Folk Punk, Hard Shamisen Rock] [BPM: 175] [Instruments: Heavily Distorted Tsugaru Shamisen Lead, Shamisen Shredding, Fast Picking Shamisen, Loud Brass Section, Walking Bass, Ska Drums] [Mix: Shamisen Center and Loud, Aggressive Attack, Live House Sound, Raw Production] [Vocals: Male and Female Twin Vocals, Rough Energetic Male, Clear Strong Female, Theatrical Dialogue] [Structure: Shamisen Solo Intro > Ska Verse > Shamisen Shredding Solo > Sudden Stop End]

[Cyber Enka, Melancholic Enka] Deep Vibrato, Kobushi, Futuristic Japanese Traditional, Synthwave, Electronic Shamisen, Heavy Synth Bass, Dramatic Orchestra

"style": "Modern Japanese Rock, J-Rock, High-energy, Progressive, Emotional", "mood": "Intense, Heroic, Dramatic, Gritty, Epic, Powerful", "tempo": 170, "key": "B minor", "time_signature": "Polyrhythm", "instruments": "Overdriven Electric Guitar", "Aggressive Drums", "Punchy Bass", "Dramatic Grand Piano", "Symphonic Strings", "vocal_style": "Powerful japanese Female Rock Vocal, Strong Belting, Emotional, Gritty and Raw Texture, Crisp Pronunciation", "narrative_flow": "A dramatic 5-minute journey starting from dark, mysterious origins to an explosive, heroic female-led rock anthem, No traditional instruments used, yet heavily influenced by Japanese scales, " "Mix & Master": "Professional studio quality, Wide stereo image, Clear vocal front and center, Natural dynamics preserved (not over-compressed), High-resolution, clean, balanced mix, "

Japanese traditional× Gothiccore×Dark EDM, Electric shamisen riff, bamboo flute, taiko drive, koto Ambient, biwa, Japanese Synthesizer, aggressive Girl Alto Vocal

Immersed in a world of dissonance and Kyogen rock, this track weaves rhythmic sounds, constantly moving between speakers like a ninja, while the vocals are beautifully sung by a female ninja, "Kunoichi, " Dissonance, pulsating beats, chaotic hellscapes, and hushed J-Rap blend together in this track, Dry shamisen reverb, reverse reverb, triple-core 800MHz, and sub-40Hz-45Hz sub-bass define the track's ominous tempo, The cheeky girl's vocals blend euphoria, joy, and whispers, The boom-bap drum kit and swinging eighth-note hi-hats are perfect, The syncopated instrumentation undulates and twists the shamisen melody, fusing it with percussive ornaments, Kyogen rap, and funk, The live shamisen and SP-1200 blend seamlessly to create a dark, lo-fi, back-and-forth scratching atmosphere interspersed with a variety of 3D spatial sounds, including glitch-punk tempos and jumps, reverse break fills, minimalist 808 beats, frenetic shamisen plucking and the metallic clang of a sword

Metal Rock, Synthesizer lead, Synth Pad, sequenced drums 4 on the foor, Synth bass, electric guitar, Flute, koto, harp, Tsugaru shamisen

Japanese loud rock inspired by RISE, mixing 2000s hardcore punk, melodic hardcore, reggae rap, and traditional Japanese elements, Tempo 190 BPM, 4/4, fast and aggressive, Inst Heavy 2000s hardcore guitars, punchy bass, fast raw drums, Shamisen and koto only in intro and outro, Bridge nearly silent, Elegant solo shamisen, slow and emotional, spacious reverb, long sustained notes Structure Intro: Extremely quiet, spacious, Japanese instruments only, no drums, Verse 1: Reggae groove, syncopated rap, Pre-Chorus: Almost a cappella, tension build, Chorus: Explosive 2000s melodic hardcore, Verse 2: Mid-groove loud rock rap, Bridge: About 8 seconds, near silence, fast spoken words, Final Chorus: Maximum intensity, Outro: Japanese instruments only, respectful fade, Vocals Low-pitched, thick, powerful Japanese male vocal, Aggressive rap in verses, Chorus uses slow, long-held chants over fast hardcore, Mood Raw, heavy, emotional, respectful, Japanese spirit with underground hardcore energy

[PRODUCTION: Pristine Mix, Plate Reverb, Wide Stereo Image, Tight Bass, Crystalline Texture, Frozen Atmosphere] [STYLE: [Orchestra-pop + Electropop + Goa], [Gagakui, Taiko, Shamisen, Koto], [Melodic Drumstep + Liquid DnB]] [MOOD: Gothic, SENTIMENTAL, Night-Atmosphere, Ethereal, ShootingStar] [VOCAL: Clear, Airy, Breath, Delicate, Slight Echo], ‑Dark Bass

J-Rock, Math Rock, Experimental Japanese Avant-Garde, Tsugaru Shamisen (percussive Japanese lute) fast shredding, Technical electric guitar tapping, High-tension Koto accents, Heavy Driven Bass, Chaotic Polyrhythmic Drums, Traditional Japanese scales (In-sen scale), Dark Female Vocal with Powerful, Gritty and Husky tone, controlled Screaming and Emotional outbursts, Dramatic and Intense delivery with Sharp articulation, Growling, Syncopated, Melancholic, Sad, Dramatic dynamics, Cinematic and Aggressive, 180 BPM, Bass Boosted

Japanese-style hard rock song heavily influenced by bass rock, with a cinematic atmosphere reminiscent of Japanese sword fighting anime, combining transience and strength, and the tempo is 170 BPM, Melody is composed of aggressive guitar and shamisen, groovy over heavy bass, and up-tempo, intense drums, Shamisen plays the main melody, clearly audible even amidst the heavy bass, highlighting the Japanese rock style, female vocalist sings about the life of a young girl in a cool, energetic and emotional way, Intro is a clear and tranquil introduction, followed by an instrumental track with aggressive guitar and shamisen playing hard rock riffs, Intro is an introduction that expresses tranquility and delicacy, and after the intro ends, the song explodes with intense and aggressive guitar and shamisen, Bridge features a key change, expressing the tranquility, elegance, and delicacy before the chorus, Guitar solo features an energetic and melodic unison riff played on electric guitar and shamisen

90s Japanese V-Rock, Dark Romantic, Elegant, Gothic Atmosphere, 145BPM, Harmonic Depth, Stillness and Motion, Modern Rock Framework, Vocals: Androgynous Male Vocals, Airy Breathiness in verses, Powerful Emotional Chorus, Expressive phrasing, Clear articulation, No shouting, Centered mix, Core Instrument (Koto): Lead Melodic Koto, Central Engine, Lyrical and Emotional lines, Not ornamental, Clearly Audible, Forward in Mid-range, Sharp Percussive Attack, Rich Resonance, Guitars: Melodic Spacious Guitars, Clean to Moderate Distortion, Wide Glossy Stereo, Focus on Harmony and Phrasing, Atmospheric textures, Non-aggressive presence, Bass: Prominent Melodic Bass, High-register lines, Counterpoint, Secondary Lead Instrument, Slightly louder mix, Bright and Defined tone, Drums: Detailed Melodic Drums, Busy Rhythmic patterns, Flowing fills, Supporting emotional motion, Dynamic and Precise, Mix & Engineering: High Fidelity, Wide Soundstage, Depth and Clarity over loudness, Dynamic Emotion

80s-style hard rock fused with Japanese taiko drums, anthemic, physical, and ritualistic energy, mid-fast tempo around 135 BPM, 4/4, female vocal with cool, controlled intensity, no shouting, confident and grounded, electric guitars are bold and open, classic hard rock distortion with strong mid presence, power chords and melodic leads, not modern metal, taiko drums act as a second heartbeat, locked tightly with kick drum for physical impact, Japanese rhythm treated as core drive, not decoration, groove is forward-pushing and energetic, big chorus lift with simple, chantable feeling, mix: vocals centered and clear, guitars wide and powerful, taiko and kick reinforced in low-mids, low end tight but heavy, mastering aims for loud, punchy, arena-ready sound with preserved dynamics and clarity

psychedelic rock fused with Japanese rock, aggressive and hypnotic, ritualistic and hallucinatory, BPM160 female vocal, intelligent, cool, and subtly seductive, controlled delivery, calm but intense, never shouting, heavy distorted guitars as primary energy, thick fuzz, sustained feedback, psychedelic modulation, Tsugaru shamisen featured as a lead instrument, percussive, aggressive, trance-inducing, equal presence to distorted guitar, not decorative, psychedelic groove with circular repetition, drums drive momentum, creating pressure and swirl, wah pedal guitar solo, expressive, psychedelic, fluid, and confrontational, sound design emphasizes melting textures, spatial depth, echoes, and altered perception, ‑pop