ぷろぐれ～

positive_prompt: [Genre: Progressive Rock], [Style: Experimental / Chamber Rock], [Mood: Cerebral, Tense, Philosophical], [Vocal Character: Male ensemble, contrapuntal delivery, precise articulation], [Instruments: Polyrhythmic drums, distorted organ, fretless bass, woodwinds, clean guitar], [Recording Quality: Studio vintage], [Mixing: Spatial and layered], [Mastering: Warm analog], [BPM: 112], [Additional Features: Complex vocal counterpoint, shifting time signatures, lyrical density, unexpected harmonic turns];

genre: Progressive Rock; style: complex, cinematic rock with 90s analog texture; mood: intense, cerebral, dramatic; vocal character: expressive mid-tenor with emotional delivery; instrumentation: distorted and clean guitars, Hammond organ, Moog synth, technical bass lines, acoustic drums; recording quality: high fidelity with analog warmth; mixing: wide and separated with space for polyrhythmic interaction; mastering: dynamic, analog-tape emulation; bpm: 134; additional features: odd time signatures (7/8, 5/4, 13/8), extended instrumental sections, technical unison passages between guitar and keyboard, dynamic structure shifts;

A dynamic fusion of [ethereal ambient textures], [djent-inspired palm-muted guitar riffs], [polyrhythms], [odd time signatures], [metric modulations], and [groove-driven drums] shifting between [square 4/4 beats] and [tuplet-based loops]; guitars build dramatic crescendos into fragile, introspective interludes; vocals anchored by a [commanding baritone voice], with seamless transitions into [delicate falsetto], [powerful shouts], and [intimate whispers]; enriched by plate reverb and subtle slapback delay in an acoustically treated room; gain staging peaks below –6 dBFS; parallel drum compression (4:1); stereo-bus glue (2 dB reduction); mixed to –14 LUFS

Record a clean male baritone in an acoustically treated booth using a large-diaphragm condenser into a tube preamp, High-pass at 80 Hz, cut –2 dB at 200–400 Hz, boost +2 dB at 3–5 kHz, Layer reverb-soaked guitars with choir-style backing, Open with ambient chords, then add complex, syncopated math-rock piano lines with angular dissonance, Transition into ultra-fast, uptempo sections featuring blast beats and relentless double-bass, interwoven with smooth, soulful R&B vocal runs and a warm, syncopated bass groove, Use shifting time signatures and metric modulation for constant groove variation, Maintain –6 dB headroom; in mastering apply gentle multi-band compression and limiting to preserve wide dynamic contrast

Symphonic progressive rock foundation with layered five-part vocal harmonies and airy tenor timbres; intricate polyrhythms (e, g, 3:2 over 4/4 in drums and keys) and shifting odd meters (7/8, 13/8) in verse and chorus; smooth metric modulation transitions that expand groove complexity; dramatic key changes ascending by semitone or whole-tone between sections; clean acoustic and electric guitar interplay with occasional minor interlude detours; warm analog synth pads and Mellotron-style textures underpinning gentle rhythm section; recording with a cardioid condenser mic (e, g, AT2020) in an acoustically treated booth (mineral wool panels behind and to sides) set at 24 bit/96 kHz; EQ focus: low mids (250–500 Hz) clarity, high shelf starting ~8 kHz for air, gentle roll-off below 40 Hz to reduce rumble; spacious production with subtle reverb and natural room resonance

genre: [Experimental Progressive Rock]; style: [Avant-garde, Math Rock, Polyrhythmic Improvisation]; mood: [Tense, Abstract, Cinematic]; vocal: [Sparse, introspective, spoken-tone delivery with long instrumental passages]; instrumentation: [Chapman Stick, Touch Guitar, Modular Synthesizer, Electro-acoustic Drums]; recording quality: [Studio live session with analog spatiality]; mixing: [Wide stereo imaging, deep instrument layering, ambient separation]; mastering: [Analog warmth with transient precision]; bpm: 147; features: [Multi-part intro, Extended instrumental sections, Asymmetrical phrasing, Glitch textures, Displaced rhythms, Dissonant transitions, Minimalist motifs, Ambient decay in outro];

Genre: [Progressive Metal]; Style: [Dark, Technical, Complex Song Structure]; Mood: [Desperate, Introspective, Cathartic]; Vocal: [Male, intense, dynamic range from whisper to scream]; Instrumentation: [7-string distorted guitars, polyrhythmic drums, fretless bass, ambient synth pads, orchestral stabs]; Recording: [High-fidelity studio, 3D stereo field]; Mixing: [Dry yet punchy, wide stereo spread, low-mid focused]; Mastering: [Aggressive but clean, analog warmth]; BPM: [130]; Features: [Frequent time signature changes, instrumental breaks, sudden dynamic shifts, lyrical themes of addiction, redemption, isolation]

Genre: [Progressive Metal], [Fusion Rock]; Style: [Philosophical], [Atmospheric], [Otherworldly]; Mood: [Detached], [Synthetic], [Transcendent]; Vocal Character: [synthetic male voice with neutral inflection], [formant-shifted midrange], [no vibrato], [robotic delivery with smooth envelope], [clear articulation without breath]; Instrumentation: [Clean electric guitars with modulated tone], [ambient synth pads], [jazz-style drums with minimal swing], [fretless bass], [metallic texture layering]; Recording Quality: [Ultra high-fidelity], [digital precision]; Mixing: [High-end separation], [tight low-end], [air in upper mids]; Mastering: [Minimal compression], [wide dynamic range]; Tempo: [bpm: 95]; Additional Tags: #robotic_voice #flat_tone #emotionless_singing #vocaloid_style #mechanical_delivery #formant_shift #tight_mix #clean_tone #high_clarity #minimal_reverb #v4_cover_mode, ‑emotive singing, ‑expressive vibrato, ‑natural breath sounds, ‑human-like phrasing, ‑warm vocals, ‑soulful delivery, ‑gritty vocals, ‑shouted vocals, ‑excessive reverb, ‑lo-fi textures, ‑analog noise, ‑overly dynamic expression, ‑growls, ‑emotional cries, ‑lush harmony vocals, ‑bluesy inflections, ‑acoustic instrumentation, ‑unprocessed lead vocals, ‑whispery delivery, ‑theatrical tone, ‑raspy texture

[Genre: Progressive Rock / Experimental Electronic], [Style: multi-section progressive structure with evolving tempo (70–120 bpm), irregular meters (7/8, 5/4, 11/8), and long instrumental phases before vocals], [Mood: introspective, futuristic, complex, cinematic], [Vocals: breathy yet articulate male voice, vocoder-layered, emotional and slightly detached, inspired by The Solid State Orchestra], [Instruments: analog synths, clean electric guitar with delay and overdrive transitions, distorted bass riffs, live-sounding complex drums, granular textures, glitch fragments], [Recording: studio clarity, analog warmth], [Mixing: deep stereo field, precise separation, minimal compression], [Mastering: open dynamics with analog coloration], #prog_rock #irregular_structure #modular_ambient #complex_drums #layered_guitars #cyber_prose #soft_robotic_voice #high_clarity #minimal_reverb, ‑[Exclude Styles: 4/4 only beats, ‑EDM leads, ‑trap snares, ‑autotuned vocals, ‑bubblegum synths, ‑overcom

[Genre: Progressive Metal, Experimental Rock, Avant-Brass Fusion] [Mood: intense, chaotic, mystical] [Instruments: 8-string distorted guitars, fretless bass, modular synths, glitch FX, hybrid drums, trumpet, baritone sax, trombone] [Vocal Style: fragmented male vocals, half-sung, half-spoken, dynamic shifts] [Structure: extended instrumental sections, brass counterpoint, complex rhythm, layered build-ups] [Tempo: 160 BPM, with odd-meter modulation] [Mix: #tight_mix, #high_clarity, #minimal_reverb] [Key: D Phrygian Dominant with modal interchange] [Tags: #polyrhythmic, #avant_brass, #through_composed, #complex_harmony, #ambient_interludes] [Language: English]

[Genre: Progressive Rock] [Mood: mystical, cerebral] [Instruments: clean electric guitars, analog synths, organ, fretless bass, flute, layered vocal harmonies] [Structure: non-linear with instrumental transitions] [Beat: alternating 6/8 and 4/4] [Tempo: 110 BPM, with slight shifts] [Key: modal shifts between D major and F Lydian] [Mix: dry and high clarity] [Vocal Style: airy, poetic male lead with harmonized chorus] [Intro: instrumental with flute and clean guitar in 6/8] [Bridge A: instrumental, organ solo + layered textures] [Bridge B: instrumental, flute and synth trade solos] [Breakdown: syncopated rhythm, bass-driven groove] [Outro: gradual fade, ethereal synth loop] [Drums: syncopated fills, soft snare hits] [Chords: modal mixture, suspended voicings] #tight_mix #high_clarity #minimal_reverb #dynamic_structure [end]

[Genre: symphonic progressive rock] [Mood: majestic, uplifting, adventurous] [Instruments: Hammond B3, grand piano, Fender Rhodes, analog polysynth string pads, analog synth flute patch, 12-string acoustic & soaring electric guitars, analog lead synths, fretless & melodic bass, orchestral percussion, live drums, male chamber choir] [Vocals: warm Scandinavian tenor with airy rasp; stacked male harmonies] [Keyboard Focus: forward in mix, lead melodies, lush pads] [Combo: frequent guitar-bass-keyboard-drum unison passages] [Tempo: dynamic 110-145] [Mix: #tight_mix #high_clarity #minimal_reverb #wide_stereo] [Length: ≈4 min] [Style: flowing odd-time signatures (12/8, 7/8, 11/8, 13/8), cinematic modulations, grand choral climaxes]

Instrumental progressive metal fusion, complex odd-time grooves, blistering technical virtuosity, tight punchy mix, dry master, high clarity, average 140 BPM with tempo shifts, soaring synth leads, aggressive yet balanced guitar tone, thunderous precise drums, deep articulate bass  #tight_mix #minimal_reverb #high_clarity

[Genre: Progressive Rock, Math Rock, Experimental] [Mood: intense, unpredictable, hypnotic] [Instruments: electric guitar (whole-tone, diminished, aggressive), fretless bass, acoustic drums (complex), metallic percussion, ambient synth (background), glitch FX] [Vocal Style: minimal, layered, dry] [Tempo: variable, sudden shifts] [Mix: #tight_mix, #high_clarity, #minimal_reverb, anti-clipping limiter, wide stereo] [Structure: multi-part, dense instrumental breaks, rapid transitions, rhythm-focused] [Rhythm: ultra-complex, angular, syncopated, off-kilter, metric modulation] [Beat: extreme polyrhythm, polymeter, aggressive syncopation, cross-rhythms] [Time Signature: shifting, stacked, mixed (7/8, 11/8, 13/8, 15/16, 9/8, 17/16)] [Polyrhythm: forefront, layered, cross-accented] [Scales: whole-tone, diminished, altered] [Key: ambiguous, shifting]

[Genre: experimental progressive rock, avant-garde] [Mood: intense, creative, futuristic] [Instruments: electric guitar (tapping/crunch/clean), fretless bass, experimental drums, piano, synths, glitch FX, digital noise] [Production: wide stereo, modern, limiter, spatial depth] [Vocal Style: expressive male, deep, warm, emotional, harmonies, spoken] [Rhythm: highly technical, rapid meter changes, polyrhythms, metric modulation, displaced downbeats, syncopation, unique complex time signatures for each part, unpredictable groove] [FX: granular glitch, stutter, bitcrush, digital artifacts, feedback] [Structure: ultra-technical and playful instrumental intro (15/16→7/8→11/8→13/16, glitch/noise), 7/8 verse, 9/8→7/8 pre-chorus, 13/8+5/8 chorus, 5/8 verse 2, 17/16 bridge, 13/8+7/8 chorus 2, short outro, linear, ~80 bars, ~6min], ‑[Exclude: steady groove, ‑standard 4/4, ‑simple rhythm, ‑mellow background, ‑minimal electronics, ‑repetitive structure, ‑fadeout, ‑retro analog tone, ‑soft jazz, ‑classic rock clichés, ‑bland instrumental, ‑long silences, ‑predictable development, ‑over 7min or under 4min]

[Genre: Progressive art rock / modern prog-metal hybrid] [Mood: Tense, elegant, introspective; controlled impact] [Tempo: 126 BPM steady; brief halftime drops only] [Rhythm: 7/8 vs 4/4 contrast; simple polymeter feel, no extra meters] [Instruments: Piano ostinato, clean-to-edgy guitars, tight bass, precise drums, warm pads, subtle strings] [Vocal Style: Clear male tenor with expressive falsetto; harmonies in choruses only] [Mix: Clean & dry; vocal forward; disciplined low end; anti-clipping limiter; gentle air lift] [Style: SHORT TIME MUSIC; compact structure; riff-centric; no meandering], ‑[No: long intros/outros, ‑extended repeats, ‑shreddy solos, ‑blast beats, ‑harsh growls, ‑washy cymbals, ‑excessive reverb, ‑boomy sub-bass, ‑EDM risers, ‑blues-pentatonic jams, ‑tempo drift]