Latest Releases

Dutch male voice, warm and storytelling, Chanson-style verses with acoustic guitar and piano, intimate and poetic, Light folk-pop choruses, uplifting and singable, with gentle harmonies, Upright bass, soft brushed drums, subtle accordion, and violin for color, Use [spoken] parts as parlando, [whisper] as soft echo, Allow [instrumental intro], [instrumental break], and [instrumental outro] with fade, Natural, intimate atmosphere, reflective but with warmth

Dutch-language song sung by male vocals only, with a raspy, smoky and emotional voice, The song begins in a slow blues style with acoustic guitar, then gradually builds into blues-rock with electric guitar and steady drums, Includes a slow, emotional bridge with minimal instruments (piano or soft guitar) and intimate vocals, Ends with a quiet blues outro, Mood is lonely, raw and longing, with themes of isolation and a plea for connection

Gentle indie folk, soothing and warm female vocals, style of Birdy or Josephine Vander Gucht, delicate acoustic guitar, soft piano, subtle cello and atmospheric layers, atmospheric and intimate, emotional build in the bridge, uplifting and hopeful chorus, Verses sung tender and fragile, last line spoken [spraak], Verse 2 with tension, echo on "Eeeeek", Verse 3 brighter and flowing, hopeful, No improvised shouts, Bridge emotional build, powerful but controlled, Slotrefrein short and impactful, Intimate, warm, heartfelt performance focused on lyrics, whispery outro

Dutch male voice, chanson-blues fusion, slow to moderate tempo, Warm acoustic piano and upright bass as the main foundation, fingerpicked guitar woven subtly in, Subtle cello in the background for depth, with optional soft saxophone or bluesy harmonica in instrumental breaks, Voice should be fragile, slightly hoarse — a broken male voice full of weariness and emotion, No backing vocals, Keep arrangement sparse and intimate, with room for parlando (spoken-sung) delivery, Use the [MUSIC], [MUSIC_BREAK], [MUSIC_RETURN], and [CODA] tags to create musical interludes and an extended reflective ending, Allow space for silence and fragile phrasing, atmosphere contemplative, poetic, timeless

Dutch male voice, slow rock-gospel ballad in Em, Soulful, emotional delivery with slight rasp, Warm band: clean guitar arpeggios, bass, brushed snare, Hammond organ underlay, Choruses lift with gospel-style backing choir, call and response ‘ahh’ and ‘oh Lord’ style pads, Two expressive guitar solos — one sorrowful after Verse 2, one triumphant after final Chorus, Dynamic build: verses intimate, bridge uplifting with choir swell, outro soft fade repeating key line, Two expressive guitar solos after Verse 2 and after final Chorus

cinematic dark ambient, post-rock, melancholic and haunting male vocals, sparse piano notes, deep atmospheric pads, swelling strings, powerful slow-building drums, profound sadness with a glimmer of hope, vast echo, 60 BPM

Dutch male voice, low and raspy, chanson-style, deeply emotional and introspective, similar to Leonard Cohen in his later years, Spoken-sung hybrid delivery, weight in every phrase, slightly dragging last words, Medium-slow tempo with space and silence, Core: slide guitar and upright bass, subtle brushed drums, sparse piano, occasional harmonium/organ textures, Harmonica as emotional echo: soft in verses, weeping in chorus, harsh in rage, fading in outro, Structure follows text with dramatic pauses and short instrumental interludes, Verse 1 intimate but tense, Chorus accusatory, Verse 2 darker aftermath, Chorus compact, Verse 3 explosive with percussive accents and silence after climax, Bridge 1 fragile, whispered with piano, Bridge 2 spiritual, carried by organ and warm resonance, Final Chorus subdued, heavy, fading into Outro with harmonica’s last breath, Rooted in blues, chanson and spiritual folk

Dutch male voice, low and raspy, chanson-style, deeply emotional and introspective, similar to Leonard Cohen in his later years, Spoken-sung hybrid delivery, weight in every phrase, slightly dragging last words, Medium-slow tempo with space and silence, Core: slide guitar and upright bass, subtle brushed drums, sparse piano, occasional harmonium/organ textures, Harmonica as emotional echo: soft in verses, weeping in chorus, harsh in rage, fading in outro, Structure follows text with dramatic pauses and short instrumental interludes, Verse 1 intimate but tense, Chorus accusatory, Verse 2 darker aftermath, Chorus compact, Verse 3 explosive with percussive accents and silence after climax, Bridge 1 fragile, whispered with piano, Bridge 2 spiritual, carried by organ and warm resonance, Final Chorus subdued, heavy, fading into Outro with harmonica’s last breath, Rooted in blues, chanson and spiritual folk

Dutch male voice, chanson-style, warm and introspective, Slow tempo, ~60-65 BPM, Instrumentation: acoustic piano, upright bass, light brushed drums, subtle strings, occasional harmonium/accordion, Music dynamics follow the text closely, with pauses and drops for dramatic effect, Parlando possible in reflective sections

Dutch male voice, deep and warm, chanson / cabaret style, expressive and raw but tender, similar to Bram Vermeulen, Clear articulation with emotional weight in every line, Playful humor with depth, theatrical delivery, Piano and upright bass foundation, light brushed drums, comic trumpet accents (solo break and fade-out pwaaap), Theatrical pauses included, Crowd chant call & response in fade-out, playful comic groove, Atmosphere like a small theater performance, humorous but with warmth, Weirdness 6, 5 / Style Influence 7, 5

Slow English blues with Fender guitars laying down raw and stretched-out riffs, Harmonica provides expressive solos in the breaks, using tongue blocking and tongue slap techniques, Saxophone weaves through the arrangement, alternating between soulful tenor growls and expressive alto improvisations with pitch bends and vibrato, Warm, husky male vocals deliver clearly readable English verses, half-sung half-spoken, with chant-like shouted choruses, Medium-slow tempo, heavy laid-back groove, deep bass, brushed snare, subtle ride cymbal, Final chorus is drawn-out and powerful, ending with guitar bends and fading feedback

Low, raspy, intimate Dutch male voice, chanson-style, deeply emotional and reflective, similar in weight to Leonard Cohen in his later years, Slightly dragging phrasing, whispered edges on softer lines, gravity in every pause, Tempo ~65–70 bpm, Intro: sparse piano arpeggio + gentle acoustic guitar, Verse 1 very sober: low piano, soft guitar, sparse upright bass, At emotional accent, add deep piano strikes with cello swelling, Chorus: full but tender — piano open chords, rhythmic guitar, steady bass, brushed drums, soft string pads, Verse 2 intimate, with cello lines and occasional lonely harmonica/clarinet note, Second chorus warmer and fuller, Bridge 1 stripped down: only voice + piano, whispered and fragile, no drums, faint cello background, Final chorus with full ensemble, warm and emotional but never overpowering, Bridge 2 reprise: only voice + piano, whispered, cello soft, very fragile mood, Outro fades with piano and cello dissolving into silence

Low, raspy, intimate Dutch male voice, chanson-style, deeply emotional and reflective, And more fragile, Slightly dragging phrasing, whispered edges on softer lines, gravity in every pause, Tempo ~65–70 bpm, Intro: sparse piano arpeggio + gentle acoustic guitar, Verse 1 very sober: low piano, soft guitar, sparse upright bass, At emotional accent, add deep piano strikes with cello swelling, Chorus: full but tender — piano open chords, rhythmic guitar, steady bass, brushed drums, soft string pads, Verse 2 intimate, with cello lines and occasional lonely harmonica/clarinet note, Second chorus warmer and fuller, Bridge 1 stripped down: only voice + piano, whispered and fragile, no drums, faint cello background, Final chorus with full ensemble, warm and emotional but never overpowering, Bridge 2 reprise: only voice + piano, whispered, cello soft, very fragile mood, Outro fades with piano and cello dissolving into silence, Intro only piano + guitar, no voice until verse starts

[Style / Genre / Mood] Indie folk, chamber folk, ambient cinematic ballad, intimate male vocal, soft, breathy, emotional and poetic, Slow tempo (~65 BPM), Warm, tender, nostalgic, dreamlike, raw, authentic — like the memory of love still lingering in the air, [Instrumentation] Acoustic guitar (fingerpicked), warm piano, expressive solo cello, soft violin, subtle ambient pad, brushed drums (light), breathy close-mic vocals, Reverb-rich, floating textures — every breath audible, [Intro – only music] [# Soft ambient guitar and piano harmonics] [# Slow swell, breathy cello entering] [# Mood: waking dream, warm morning light]

Dutch chanson / soft jazz ballad, slow tempo (70–80 BPM), Warm, emotional female vocal lead with deep intimacy and control, similar to Wende Snijders or Liesbeth List, Spoken-sung phrasing, natural breathing, expressive tone, Acoustic piano and upright bass core, brushed drums, subtle cello and light vibraphone accents, Add soft delayed female backing vocals echoing the final chorus lines for emotional depth, Keep close-mic and human, minimal reverb, Mood: nocturnal, tender, reflective, compassionate, quietly powerful

french chanson, noir cabaret, Warm male voice, intimate but articulate, slight rasp and light breathiness, Spoken-sung phrasing in Dutch and French, alternating between [spoken softly], [clear voice] and [breathy tone] moments, Articulate diction with emotional nuance — not whispery but expressive, Instrumentation: accordion, acoustic guitar, upright bass, muted trumpet, light brushed drums, occasional chromatic harmonica, Tempo medium-slow with natural rubato; 3/4 waltz swing feel, Features recurring instrumental motif “Le petit souffle” between verses (Paris café atmosphere), Bridge 2 sung in French with dreamy tone (“Tu es là, dans ta splendeur…”), Outro reprises the Dutch theme in slowed tempo with trumpet ad-lib, followed by an instrumental finale “La dernière bouffée” — harmonica and accordion duet fading like the last breath of a Paris night, Overall tone: poetic, sensual, slightly ironic, cinematic and melancholic, Rich acoustic ambience with subtle room reverb and soft dynamics

Renaissance style Afrikaans language duet (female alto & male tenor), clarinet, oboe, bassoon and light harp, Elegant chamber arrangement with warm vocal blend, emotional yet stately phrasing, Alternating vocals: female leads verse 1, both voices in verse 2 and 3, gentle male harmony in verse 4, mixed duet in verse 5, and female choir for refrains, Add subtle instrumental interludes between sections (clarinet + oboe + bassoon), and end with humming + soft fade, Use authentic Afrikaans pronunciation (not English), Graceful, heartfelt, timeless

Dutch male voice – low, raspy and emotional, spoken-sung poetic style with a slow acoustic blues rhythm (≈ 65 BPM), Upright bass, acoustic guitar, brushed drums, warm piano undercurrent, soft slide-guitar accents, gentle organ and cello for depth, Cinematic nocturnal atmosphere with natural room reverb and breathing space between phrases, Mood: introspective, tragic, poetic – a confession of inner nature, Voice close-mic, expressive, with small hesitations and pauses, Keep the tone dark yet human; consistent for future extends (Parts 2–4), Weirdness 25 | Energy 40 | Length ≈ 2 min 20 s

[Style: Slow raw blues, Gritty soulful vocals, Weeping guitar solos, Hammond B3, Bittersweet liberation] [Instruments: Slide guitar, upright bass, drums with brush sweeps]

Dutch male voice, intimate chanson ballad (~70 BPM), warm piano and acoustic guitar, upright bass, soft brushed drums, expressive cello, Poetic lyrics about everyday love and gratitude, deeply human and heartfelt delivery (similar to Stef Bos or Bram Vermeulen), Reflective and cinematic atmosphere with breathing space and emotional build-up toward the chorus, Begin with a single lingering piano chord before the voice enters, Subtle background choir repeating “Dank je”, song fades to silence with solo voice and cello

Dutch male vocal with cheerful Brabant accent, festive hoempapa carnival song in 2/4 rhythm (~125 BPM), Energetic brass band with trumpets, trombones, tuba, accordion, snare drums, and crowd shouting “olé!”, “houdoe!”, and “Alaaf!”, Add pub ambience, laughter, crowd chants, and a big brass finale, Include a slower crowd chant bridge (“D’n piep! D’n piep!…”) before the final chorus, Style: cheerful, cheeky, parade-like, full of regional color, perfect for a Dutch carnival hit

Dutch male vocal, warm, emotional, chanson-folk style (Stef Bos / Bram Vermeulen influence), Acoustic guitar and soft piano as core instruments, slow tempo (~65 BPM), gentle fingerpicking, Add upright bass, brushed drums, and expressive cello for warmth and depth, Atmosphere: nostalgic, intimate, reflective, slightly cinematic, Include natural breathing and soft pauses between verses, Verse 1 – earthy childhood wonder (rain imagery), Verse 2 – dreamy imagination and sky painter imagery, Bridge – mature reflection, tender and introspective; cello enters, Short Refrain – quiet realization, almost whispered, Instrumental outro – melodic cello + guitar fade to silence, Emotional arc: from innocence → memory → gentle acceptance, No backing choir, no reverb excess, Keep it human, fragile, authentic

Dutch male vocal, intimate poetic chanson with ambient cinematic mood, Slow 6/8 tempo, warm breathy tone, emotional phrasing, Piano and cello main instruments, long sustain and deep reverb, Add short interludes (8–12s) between parts to keep flow, Include soft “angelic choir” (male/female ahh–mmm) as gentle layer, not dominant, Choir enters after first chorus, echoes softly on “licht”, blooms in Verse 3 and Outro, Keep faint instrumental pad between chorus and Verse 2 to avoid silence cut, Whisper “Luister…” before Verse 2, intimate and human, No drums; let breath, piano and cello define pulse, Feel timeless, meditative, tender — a dream between sleep and awakening, Blend Bram Vermeulen intimacy with cinematic ambient soundscape

Style & Performance Male blues voice, raw and emotional, soulful phrasing, Start with instrumental Silent Night (first verse only, no vocals), Gradually transition into slow 12-bar blues, shuffle rhythm, Electric guitar licks, upright bass, brushed drums, warm piano fills, 12-bar blues progression I–IV–V in A, Atmosphere: intimate, moody, not sweet, but warm and human, End with fade back into Silent Night instrumental motif, Minor Key`

Slow 6/8 African folk-gospel arrangement based on Stille Nag (Silent Night) melody, Warm expressive baritone solo with two female backing vocals in gentle call-and-response, Acoustic guitar, mbira (thumb-piano) and soft brushed percussion provide rhythm, Supported by upright bass, cello and light piano chords, Deep but natural reverb, earthy and intimate rather than cathedral-like, Soulful, sacred and human — a song born of night, warmth and gratitude

Warm acoustic Christmas folk with gentle gospel influence, Male lead vocal, soft mixed choir in chorus, brushed drums, upright bass, acoustic guitar, flute, and hand percussion (frame drum & tambourine), Gradual build from storytelling calm to choral ending, atmosphere of wonder and peace

A melodramatic slow-tempo composition where a mournful piano and slow violin take the lead, Ukulele adds soft chords, pan flute weaves melancholic Greek melodic lines through the music, Kazoo surprisingly fills the interludes, typical of the Greek 'sorba', with a lightly sorrowful accent

Serene new age track with ethereal vocals, harp and breathy percussion, After bridge lyric "let me go", a soulful panflute answers in a melodic dialogue, Later, a melancholic panflute solo replaces the chorus vocals over soft pads, evoking hopeful longing, [Final bridge, before outro] The singer's voice breaks with raw, vulnerable emotion, She delivers the line "Let me fly to heaven, in search of you" with soulful intensity, On the word "heaven", her voice soars into a powerful, crystalline high note – full of anguish and spiritual longing – holding it with a fragile tremor before dissolving into the ethereal textures

Dutch male vocal, chanson-style with poetic storytelling tone, Slow tempo (~65 BPM), emotional and intimate performance, Acoustic piano, warm cello, upright bass, and soft ambient strings, Gentle brushed drums only later in the song, Include spoken voice sections in the intro and bridge (half-spoken, close-mic, natural breathing), During Chorus 2, add a memory duet: a soft second male voice (same timbre) that repeats or gently whispers fragments of the main line, slightly delayed — like a memory replying, Keep dynamics minimal; let the cello and violin (spiccato) carry emotion between phrases, End with a single fading cello note, [Intro – spoken] [Verse 1] [Chorus 1] [Instrumental Break] [Verse 2] [Chorus 2 – memory duet + violin] [Bridge – spoken] [Final Chorus] [Outro]

Een dromerig, nummer in tropische stijl opent met kabbelend water, vogelzang en zachte wind als natuurlijke percussie, Exotische instrumenten als steel drums, marimba, kalimba en panfluit zorgen voor een warme, ritmische sfeer, Licht polyritmische structuren, aangevuld met zachte bass en percussie uit conga’s en shakertjes, houden de groove ontspannen en uitnodigend, terwijl subtiele synth pads het geheel een etherisch karakter geven

Dutch male vocal, upbeat festive pub sing-along at 118 BPM, The song opens with authentic pub ambience — crowd chatter, laughter, clinking glasses — followed by a loose live-band intro: Boogie Woogie piano riffing freely with accordion, upright bass, acoustic guitar and swinging drums, It should feel like a real café band warming up before the first verse, slightly raw and spontaneous, After about 8 seconds the groove locks in and the lead vocal enters clearly on the first line, Add bright brass interjections and a strong rhythmic drive through choruses, The final chorus should burst with energy — crowd singing, clapping, and a brighter vocal tone, End with a natural jam-style fade, accordion and piano trading short licks while pub ambience returns, Style reference: André Hazes Sr, early De Dijk, live Dutch bar performances with vintage Boogie Woogie swing

Dutch male voice, Ambient Pop, Cinematic Singer-Songwriter, with emotional piano and warm cello, Slow tempo (around 60–70 BPM), Soft acoustic instrumentation: upright bass, subtle brushed drums, and occasional clarinet breaths, Emotional and reflective tone — reminiscent Flemming or Bear's Den, Intimate, vulnerable, and spacious, Piano and cello trade phrases; long pauses between lines, Add a short clarinet solo between bridge and final verse, tender and reflective, like a quiet sigh, End with a quiet instrumental fade, no backing vocals

Dutch male voice, acoustic roots / chanson / slow blues storytelling, Gentle finger-picked guitar, upright bass, brushed drums, cello and harmonica, Minor key (~78 BPM), Warm and intimate mix with small-room reverb, Include short instrumental interludes between verses to reflect time passing

Genre: Reggae, Punk Rap, Symphonic Anthem, Ambient Stemming: Passionate, Whimsical, Reflective, Anthemic, Heartfelt Tempo: Variërend (Begint steady, wordt sneller, eindigt kalm)

This Dutch ‘Levenslied’ opens with a sentimental piano and a plaintive, wailing accordion carrying the mournful melody, The slow 3/4 Jordaanwals or very slow 4/4 beat is kept by understated drums, A dramatic string section sweeps in on the chorus, amplifying the raw emotion of the chorus, The gravelly, low-pitched male vocal, drenched in a thick Amsterdam accent, is intensely emotional and dominates the texture, every phrase delivered with aching vulnerability

Boogie Woogie, Rockabilly, uptempo swing shuffle groove, energetic slap bass, honky-tonk barrelhouse piano, male comedic vocal, farmyard storytelling, 1950s tape saturation, crowd shouts and handclaps, rhythmic staccato phrasing, bluesy piano breaks, live party jam energy, chaotic joyful mood

Dutch male voice, chanson–blues fusion, slow tempo (65–70 BPM), Warm acoustic piano and fingerpicked guitar as main foundation, Soft, emotional cello as the primary melodic carrier, Optional whisper-sax or soft harmonica in short instrumental breaks, Use upright bass pizzicato for subtle grounding, Vocal style: fragile, lightly hoarse, intimate, slightly weary, deeply human, Allow parlando on tagged lines; keep the delivery warm and understated, No backing vocals, Arrangement must remain sparse, intimate, contemplative — room for breath and silence, Soft dynamics, slow phrasing, with emotional restraint, Fade-outs should feel natural and gentle, Tags used in the lyrics must be followed literally ([MUSIC], [MUSIC_BREAK], [MUSIC_RETURN], [pause], etc, )

Emotional indie-folk song with a calm, reflective atmosphere, Warm acoustic guitar as the foundation, slow tempo, spacious and intimate, Male vocal, low to mid register, gentle and restrained, slightly breathy, Subtle lo-fi texture and light tape noise throughout, Soft ambient pads underneath for depth, Minimal piano accents in the bridge, Extended chorus with very light vocal layering (no choir), Dynamics remain soft and controlled — melancholic but accepting, The music feels like twilight: quiet, honest, and spacious

Dutch male vocal, intimate and restrained, emotional but controlled, Tempo around 60 BPM, A minor, The vocal delivery is present and lived-in: the singer is inside the moment, experiencing it as it happens, not narrating from a distance, Approximately 75% sung, 25% spoken-sung (parlando), Minimal, cinematic instrumentation, Soft piano as the main harmonic anchor, with sustained low strings or a warm ambient pad, Intro is piano and pad only, Harmonica appears selectively later in the song, Warm, lyrical jazz harmonica, breath-focused and expressive (not bluesy), Harmonica use: – short, fragile motif after verse 1 – subtle support under verse 2 – harmonica leads the bridge – no harmonica in choruses – very subtle harmonica in the outro – final harmonica note stops abruptly, no fade-out Use silence and space deliberately, No choir, no dramatic crescendos, Melancholic, human, inevitable mood, No comfort, no resolution

Four-chord driving Dutch rock song in D–G–Em–C progression, Energetic pub anthem with heartland rock influence, raw but warm male lead vocal, Mid-fast tempo (~160 BPM), steady kick drum pumping throughout, no full stops in the bridge, Palm-muted guitars in verses, open strummed guitars in chorus, Slight gritty distortion, tight snare on 2 and 4, Subtle mixed-gender gang shouts in chorus (short “hey!” accents), low in the mix, warm pub atmosphere, NOT stadium rock, Bridge drops to bass + light guitar while kick continues softly, gradually building to mixed unison gang shout on “Dit is ons uur!”, Final chorus slightly bigger but still intimate, Outro fades to single clean electric guitar with soft whispered vocal, No choir pads, no cinematic orchestration, no arena reverb, Keep it organic and live-band

A very slow, dramatic, gritty Dutch 'Levenslied' with a Haags working-class soul, Slow heavy 3/4 waltz ("Haagse wals") or very slow, plodding 4/4 ballad beat, Feeling is raw, resigned, melancholic, deeply emotional but with stubborn, nuchter undertone, Less sentimental, more 'we draaien door', Instrumentation: classic Haags volksorkest - melancholic piano, rough prominent accordion guiding melody, simple steady drum beat, soaring cinematic strings entering in chorus, Imagine grey sky over Zuiderpark, tram in distance, Vocal absolute priority: mid-low raw gravelly male, Sings with immense unfiltered emotion, almost crying words but with stoic Haagse nuchterheid - tears there but won't admit easily, Heavy raw pronounced Haags (Schilderswijk) accent, Not singing sentimental Jordaan sound, but talking grumbling 'kop d'r veur' sound of The Hague