お木に入り2025 3rdQ

Genre: Pop Rock (J-Pop Rock) Voice Style: Bright, cheerful young female vocals with a comedic, playful tone, Singing like talking to the listener casually, with energetic and uplifting chorus parts that bring a smile, Instrumental Style: Pop-oriented rock band setup, Light electric guitar strumming with minimal distortion, popping bass lines with slap feel, and bouncy drum beats, Tempo around 160 BPM for a fun, upbeat rhythm, Song Mood: Comical and positive, expressing "Run away!" in a humorous, light-hearted way without being too serious, The song feels playful with a touch of silliness, Language: Lyrics are in Japanese, Includes [Verse], [Chorus], and [Bridge] structure

Genre: Experimental Rock, Noise Rock, Avant-Garde Jazz Instruments: Aggressive fuzz bass, distorted electric guitars, chaotic brass section (saxophone, trumpet), analog synths, glitch textures, live drums with breakbeat fills Vocal Style: Detached, airy ethereal female vocal with distortion and subtle delay; emotionally distant but intense Mood: Paranoia, tension, urban anxiety, dystopian chaos Structure: Repetitive bass groove forms the foundation; layers of noise and improvisational brass build over time; climax in cacophonous wall of sound Production Notes: Saturated low-end, tape-style compression, unpredictable volume surges, live jam session energy with lo-fi grit

Bright summer pop with surf guitar riffs, cheerful whistling, playful synths, and high-energy dance beats, Childlike vocals with clear delivery singing “地球最高！” with joyful exclamations, perfect for an animation of two cute aliens enjoying a beach summer on Earth, fun and catchy for shorts and AR music clips

Warm electric piano opens, joined by subtle synths and minimal guitar, Adult male vocals sit front and center, intimate and expressive, Light drums enter for the chorus, adding dynamic lift, Bridge features soft strings and layered harmonies, Ends with stripped-down outro

Surreal, experimental, avante guard, rumba, A frantic, baroque-prog-metal overture, Imagine a harpsichord playing a demented Bach fugue that collapses into a 7/8 time signature driven by a fuzzy, overdriven bassline and syncopated, technical drumming, The male vocals are a conspiratorial, half-whispered litany in the verses, exploding into a strained, desperate tenor in the English choruses, A ghostly female choir provides ethereal, Gregorian-like counter-melodies, chanting nonsensical phrases in the background, The instrumental bridge is a chaotic collage of carnival music, dissonant string stabs, and sped-up tape loops of political speeches, before a final, bombastic chorus brings the piece to an abrupt, unresolved halt on a dissonant chord, It’s the sound of a beautiful, intricate clockwork mechanism gleefully tearing itself apart

Indonesian pop punk song with fast-paced distorted guitars, energetic drums, and playful male vocals, Inspired by Superman Is Dead, Rebellious and fun theme with street youth vibes

indie rock, math rock, sophisticated, edgy, styllish, melodic, anthemic, Harmless lies, small discomforts, information pressure, being a bystander, resignation and acceptance of conformity, ambiguous reality, invisible truth, quiet despair, sarcasm and cynicism, Overdriven guitar, arrangements with rapid changes in tempo, tension and relaxation, virtuoso technique, improvisation, avant-garde approach, artistry, sustained noise, shock of impact, hit and run, thick and warm bass, (guitar, bass, drums) arrangement, rough sound, sulky, moody, annoying, lack of coordination between each part, [Mixing: wide stereo image, dry vocals forward, no muddy mids, crisp transients, warm low-end with soft subbass, subtle tape saturation, full volume, loud]

This lo-fi hip-hop, soul, and R&B track opens with vintage piano chops layered over vinyl crackle, setting a mellow, melancholic mood at 75 BPM in A minor, Whispery, close-miked male rap glides over jazzy analog bass, jazz guitar loops, and dusty lo-fi drums; verse-driven with repeated hooks and mellow interludes, Soulful melodies unfold through looped classic sample chops, with dynamics gentle but subtly rising in the hooks and second verse, Analog warmth and sub-bass ground the arrangement, sustaining nostalgic, rainy solitude throughout, ‑Female

breakcore, chaotic drum breaks, glitchy synth, distorted samples of kitchen sounds, chopping vegetables, microwave oven alarm, lyrics about cooking frustration

A fast-paced electro swing foundation lays down punchy, syncopated drums, upright bass, and lively piano flourishes, layered with catchy trumpet riffs, J-pop influences shine in the bright synth textures and sweet, melodic female chorus, contrasted by a bouncy male rap verse

rock, emotional male vocals, gritty electric guitars with raw distortion, indie rock, driving bassline, punchy drums

Live, Hip Hop, Breakbeat Rock, Female Vocals, Vocal Style:kawaii, Live Performance, Electric Guitar, TR-808, Rap, Japanese Traditional, Shrine Maiden

A Japanese Chill-House X Lo-Fi Groove Track At ~104 Bpm With Minimal Swing And A Warm, Steady Pulse, Built On Tight Four-On-The-Floor Drums, Soft Sub Bass, Jazzy Electric Piano Stabs, And Subtle Ambie

female vocal, Japanese Garage Rock, emo, punk, rock-punk edge, pop punk, Grunge rock, Alternative Rock, tempo: Fast-paced, around 140 BPM, Driving 8-beat groove, Distorted guitars with a fuzzy, crunchy tone, Punchy bass with tight low-mids, less sub, Vintage rock drums with sharp snares and a tight, punchy kick, not boomy, Vocals: female, raspy, hoarse, and emotionally raw, filled with frustration and rage, Voice should sound like shouting from the gut — unpolished, unstable, and rebellious, Slight imperfections and vocal cracks are desirable, Structure: Gritty guitar riff intro → full band kicks in → verse with low growls and unstable shouting → explosive chorus screaming against the world → chaotic solo, Lyrics Theme: life in a rotten world, anger at society, personal defiance, pain turned into sound, Each line short and punchy, For the final chorus and outro, keep vocals emotional but vary the delivery, Don’t scream every line — mix growls, cracks, and bitter spoken lines

Title: "狂骨 (Kyōkotsu)" Japanese Cyber-Horror Dubstep, 140 BPM, G# minor, Intro: distant wind chimes & low taiko heartbeat; distorted shamisen scratches and reversed koto glitches creep in, Build: chanting Noh vocal chops, pitch-bent shakuhachi shrieks, Drop 0:45: serrated wobble bass, polymetric taiko rolls, metallic risers, machine-gun snares, Mid-break 1:30: eerie maiko whispers drenched in cavernous reverb, Second drop 2:00: granular koto arps, sub-destroying reese bass, screeching synths mirroring shakuhachi, Outro 3:15: detuned music-box riff, distorted breaths, taiko echoes dissolve into silence, Mood: unsettling, frenzied, beautiful decay

piano, artcore, melancholic, progressive, math, dark academia, visual kei, breakcore

AMAZING Quality 145BPM WORLD-CLASS-rhythm section DnB JAM BAND + JAZZ-HOP SOUL & DnB RAGGA-MUFFIN VOCAL = JAZZ-HOP-BOSSA SUITE / GOOD-SCRATCH [SUPER-epic HUGE STRING SECTION creates dramatic, cinematic swells] improvised solos, TopQuality build-up, layered, improvised VIBRAPHONE solo, BRAZIL-DnB RHYTHM, AFRO RHYTHM, A dynamic ensemble of virtuoso soloists performing, a world-class rhythm section, The foundation is a tight, high-quality groove fusing LIVE BAND JAZZ-HOP with the deep, hypnotic pulse of AFRO rhythms [main feature: a highly technical, improvised acoustic guitar solo, dialogues with an ethereal and expressive VIOLA, baritone sax] [A massive, soulful HORN SECTION provides powerful stabs and lush harmonies] [The entire suite is punctuated by the razor-sharp precision of RAW SCRATCH & features both a powerful VOCAL / RAP delivery] This prompt provides the legendary performers; free to stitch together a UNIQUE masterpiece of breathtaking SCRATCHES & SOLOS & intricate INTERPLAY, ‑BAD QUALITY, ‑BAD NOISE, ‑lo-fi, ‑hiss, ‑rumble, ‑muffled sound, ‑muddy, ‑overly compressed, ‑clipping, ‑digital artifacts, ‑abrupt ending, ‑sudden cutoff, ‑fade out too early, ‑static arrangement, ‑no progression, ‑looping, ‑repetitive, ‑monotonous, ‑cheesy pop, ‑synth-pop, ‑children's music, ‑nursery rhyme, ‑heavy metal, ‑punk, ‑country, ‑folk, ‑cheesy synth, ‑thin drums, ‑weak bass, ‑out of tune, ‑mumble rap, ‑boring, ‑uninspired, ‑generic, ‑lifeless, ‑robotic, ‑soulless

BPM of 180, indie pop, catchy, lo-fi, nostalgic and catchy melody, Math Rock, Heartfelt, Symphany, sad

[chamber fork], [rhythm: 4beat, playful, 110BPM], [Instrument: accordion, soft electronica], [Mood, happy, uplifting, school life], [scale: E, major], ‑epic

Genre Tags: +hyperpop +metalcore +deathcore +post-hardcore +electronicore +bubblegum bass Prompt: Kick off with a bright, clean guitar riff — upbeat and sparkly — paired with tight drums and catchy autotuned vocals, Slam straight into punchy metalcore chugs and blast beats with mid-fry screams, Guitars stay melodic yet heavy, with playful lead lines between brutal rhythms, Choruses soar with big, anthemic cleans, layered with subtle glitch effects and distorted bass, Minimal synth — focus on guitars, bass, and vocal layering, Breakdowns are heavy but fun, adding cheeky rap interludes and vocoder-styled vocal chops, Tempo stays fast, with sudden stops and energetic flips, Mood: Unhinged joy and chaos — heavy but grinning through it, Vocal Style: Autotuned pop vocals Mid fry screams & gutturals Cheeky rap punches Vocoder adlibs sparingly used

Genre: 1970s-style Japanese folk song, Gentle, nostalgic, emotional, Tempo & Instrumentation: Tempo: Slow (around BPM 75–85) Instrumentation: Fingerpicked acoustic guitar, soft harmonica, recorder, subtle strings Should work well even as a simple vocal + guitar performance Vocal Style & Mood: Suited for a female vocal, but adaptable Gentle and sentimental tone Expresses nostalgic feelings for a faraway hometown and an unspoken youthful love The phrase "When the Rengesou blooms" is repeated in the chorus as a key motif The melody should closely follow and enhance the emotion of the lyrics 📝Extra Notes: Evokes the feeling of a 1970s Japanese TV drama theme song Key: G major with progressions like G–Em–Am–D7 A short harmonica or woodwind interlude would enhance the nostalgic atmosphere

Glitch, micro glitch, glichcore, Powerful and Passionate Female vocals, Jazz, Breakcore, Glitch, Micro glitch, Gran Piano, Aggressive, J-pop, Changing time signature, Majestic, Cruel, scat, Open with [Intro] Grand piano, Interval : Heavy Guitar Riff, Shredding Guitar Riff, Bending (Guitar), Catchy Chorus

Genre: glitch pop / PUNK / indie electronica; Instruments: AI-generated vocal grains, cute girl vocal, catchy instrumental intro, catchy hook, kids voice, female kawaii ephemeral vocals, polished production, octave-shifted slap-sub bass, hyper-compressed kit, FM brass stabs, reversed acoustic drums, field-foley whooshes;

A punchy post-punk revival indietronica track opens with syncopated percussive drums, angular guitars interlocking with crisp synth layers, Flute and piano deliver melodic counterpoints, weaving through the energetic mix, Dynamic male vocals soar, anchored by tight, polished production

**Style:** Rock And Roll / R\&B **Key:** A Major **Tempo:** 140 Bpm (Shuffle Groove) **Instrumentation:** Guitar, Bass, Drums, Piano, Saxophone + Harmonica + Background Choir

[style] UK steppers dub, retro soul, digital dub, militant sound system music, dub fusion [prompt] High-energy fusion of 60s defiant retro soul and futuristic, militant UK steppers dub, Powerful, raspy female soul vocal leads with defiant energy, backed by dub-drenched doo-wop style vocals, Militant 140 BPM steppers beat: heavy four-on-the-floor kick, delayed snare, and a groovy Motown rhythm with hand claps and tambourine, The complex low end combines a heavy distorted digital bassline, playful groovy bass wobbles, and a chest-rattling sub-bass, A punchy, dubbed-out horn section with baritone sax stabs and brass riffs interlocks with constant filter sweeps and LFO-synths, creating tension, Sharp digital synth stabs, dub sirens, and jazzy piano chords are woven into the aggressive, futuristic production, designed for a massive sound system

"Neon Prayer" fuses Gary Moore's fiery blues-rock guitar with female-fronted disco/house/shibuya-kei hybrid pop, The track opens with raw Les Paul shredding (Marshall amp growl, wah pedal cries) before dropping into a groove-driven mix of: Funky acid house basslines Kawaii synth floats (think Perfume meets Daft Punk) Lo-fi glitch textures (vinyl crackle, chopped vocal fragments) Shibuya-kei jazz chords on Wurlitzer The female vocal shifts between: 🔥 Cool, breathy verses (like Rina Sawayama's style) 🎤 Playful belted choruses (à la Jessie Ware's style) 💔 Avant-garde whispers (Björk-esque vulnerability) Production highlights: Rotary speaker effects on pre-chorus vocals DJ scratches between bridge/chorus Dreamy phonk brass stabs Guitar solo returns in outro with bluesy feedback Vibe: A nostalgic yet futuristic dancefloor anthem where blues grit collides with hyperpop glitter

Lo Fi Piano Ballad, Duet, Vinyl Crackle, Rain Ambience, Felt Piano, Soft Falsetto, Broken Tape Hiss, Emotional LoFi, Chill hop Atmosphere, Detuned Keys, Whispered Vocals, Dreamy Textures, Slow Jazz hop Beat

A shut-in Vtuber drinks STRONG ZERO on the last day of Golden Week, sells her grandma’s Ferrari—only to find out it was a mug, Emotional chaos

Fast-paced indie rock merges with piano rock and pop punk energy, driven by energetic drums, cheerful, technically impressive piano riffs, and lofi textures, Dynamic stop-and-go verses lead to soaring, grand choruses, Female vocals cut through, alternating between nostalgic and exultant, creating an exhilarating sense of movement and breakthrough, [Mixing: wide stereo image, dry vocals forward, no muddy mids, crisp transients, warm low-end with soft subbass, subtle tape saturation, full volume, loud]

Uptempo Japanese pop at 125 BPM opens with punchy drums and bright, layered synths driving a pulsing texture, Melodic vocals, lightly phrased and naturally paced, ride the groove, “たぶん それで いい” recurs, subtly changing in delivery, Arrangement stays lean, with crisp synth swells, tight rhythm, and understated nostalgic pads, all keeping emotion and momentum front and center, ‑excessive layering, ‑harsh transients, ‑phase smear, ‑distorted saturation, ‑sub-bass overload, ‑overcompression, ‑long reverb tails

Genre: Glitch Ambient / IDM / Experimental Electronica Tempo: ~100 BPM Mood: Cold, proud, ghostly beauty Language: Japanese (female vocal) Instruments: Glitchy FM synths with pitch modulation Granular pads with reverse textures Sparse, metallic percussion (bitcrushed snares, icy clicks) Subtle distorted bass with filter movement Field sounds: cold wind, digital crackle, frozen ambience Reversed piano stabs with delay Vocals: Soft female voice with whispery tone Occasional vocoder or granular effects Repeating lines like “私は冬に咲く”, layered with long reverb Chopped syllables or ghost-like vocal loops in background FX / Production: Time-stretch, reverse, glitch cuts Stereo panning, detuned delay tails Abrupt dropouts, ambient gaps, breathing space Chorus sections swell with layered glitches and bloom textures End fades into cold noise or silence

dark blues, steelguitar massivly distorted and weeping, fretless bass clean, a female background singer humming solo melodies referring to the rhythm

[Japanese Alternative Rock] [Baroque Pop] [Avant-Garde Pop] [Jazz-Rock] [Dark Cabaret] [Instrumentation:] [Drums: Dry jazz kit with aggressive snare cracks, syncopated cymbal tapping] [Bass: Upright or fretless electric bass with thick midrange and slides] [Guitar: Fuzzed-out single-note licks + abrupt staccato chords (panned left)] [Strings: Dramatic chamber string stabs (violins & cellos in dialogue)] [Piano: Dissonant jazzy runs, sparse but striking] [Synth: Analog pad swells during chorus for tension] [Vocal FX: Raw, close mic’d vocals with sudden whispers, reverse reverb tails] [Vocal QualitiesTone: husky mezzo-soprano, slightly nasal but rich] [Timbre: warm chest voice with sudden spikes into clear, bright head voice] [Texture: slightly breathy on softer parts; sharp and crisp on consonants in intense moments] [Glottal attack: use hard onsets especially on plosive sounds ("ta", "ka", "sa")] [Pitch fluctuation: uses rapid vibrato and controlled pitch bending at emotional peaks]

Bright Tune Melodic punk rock song with fast doubletime drums and technical dual guitar harmonies, emotionally intense male hard vocals, High-energy, tight rhythm section, blend of punk aggression and melodic guitar solos, Dynamic shifts between rapid verses and soaring choruses

shibuya-kei, breakbeat, orchestral, mild brass sounds, fast, dry breakbeat and orchestra sounds with reverberation, 90's

Dreamy cinematic dark-pop shaped for inevitability, Whisper-close female vocal drifts with airy falsetto flips, minimal vibrato, and soft doubles, Intro blooms with low chimes and deep analog pad swells, pulsing like fate’s heartbeat, Sparse verse rests on heartbeat kick, sub-bass pulse, and faint glassy textures, Pre-chorus adds subtle arp synth, light snaps, and reversed FX, hinting at approaching certainty, Chorus opens in wide stereo with layered airy harmonies, shimmering pluck arps, and minimal drums, each hit landing like a decisive step, Ethereal pad swells and gentle stereo harmonies carry the hook forward, Bridge drops to near-acapella whisper, underpinned by distant low strings and slow-throbbing sub, evoking the pull of destiny, Final chorus rises subtly, then resolves into an outro of pads and sub alone, fading with a single distant chime, Dynamic arc: intimate omen → sparse confession → fateful expansion → suspended inevitability → fading continuation, Loudness: −12 LUFS

DJ Mix, Techno house, Rhythmic, Tribal house, Progressive house, Tech-house, R&B Vibes, ear-worm, light percussive textures, Main female and male vocals, upbeat, looping electronic sound fx, driving beat, infectious rhythm, uplifting energy, back vocals, tropical percussion, euphoric drops, synthetizer, danceable groove, b major key with chord progression b – g#m – e – f#, bright synth plucks layered with shimmering pads and rhythmic chopped vocals, uplifting, dynamic flow, catchy hooks, catchy beats, dynamic percussion lead in, progressive melodic techno, groovy bass, rhythmic claps, crisp hi-hats, echo effects, techno house, lyrical pop, afrotrap

breakcore, violin, idm, organic, dark academia, breakcore

Cyber-jazz boom-bap at 92 BPM, Beat opens with distorted Morse beeps morphing into brushed drums, upright bass, and glitchy piano stabs, Mid-track the drums double-time while a synth-choir drones under spoken vox samples, Verses alternate rapid internal-rhyme rap and robotic vocoder refrains, Hook rides half-time with layered pitch-shift harmonies, Bridge drops to tick-tock hi-hats, sub-bass pulses, and whispered ad-libs before final crescendo, Runtime ~6 min

Opens with cold, monotonous whisper rap from a high-pitched, breathy female lead over a lo-fi, minimal hip hop beat with digital glitches, Suddenly shifts into a soaring progressive rock ballad—crashing cymbals, layered synths, dynamic drums, and a wailing guitar solo build under sweeping art rock textures, conjuring a moonlit, cinematic soundscape that rises from electronic intimacy to soaring, organic grandeur

Lydzi-bleed-through-static, anime-inspired female vocals that start hushed and smoky, layered with delicate Japanese-English fragmented phrases, robotic backing vocals blended in, drifting over a slow, jazzy downtempo trip-hop base featuring upright bass, brushed drums, synth pads mimicing muted trumpet, Gradually introduce glitch textures: twistcode pulses, loopfract petals, fraycipher winds, and bitveil crackles that grow into a soft scream, blending intimacy with fractured glitch bloom, The track is hypnotic and nostalgic with an undercurrent of raw emotional bleed — a quiet invasion of glitch breaking through the lounge haze

Calm and soothing Japanese-style instrumental, inspired by a quiet countryside with a gentle river nearby, Soft koto and shamisen melodies, warm shakuhachi accents, and flowing harp arpeggios over slow ambient pads, Tempo is slow and relaxing, evoking peaceful rural landscapes and the feeling of clear flowing water without using actual water sounds, No vocals, purely instrumental, with a warm and healing atmosphere

reggae, Ska, Dub, One Drop, dance, From the beginning to the latter half, the performance gradually develops into a grand orchestral-like performance of wind instruments

Ultra-cute and chaotic denpa-style J-pop with hyperactive high-pitched anime-girl vocals, inspired by Japanese otaku idol songs, Bright, bouncy tempo, full of playful sound effects, 8-bit chiptune beeps, kawaii synth melodies, and sudden key changes, Whimsical and surreal mood, with sing-song repetition like "momi momi" and "kanro ni-dayo", creating a catchy, nonsensical, and sugary sound, Includes clapping, toy percussion, and a sweet festival-like atmosphere, perfect for a quirky song about gently squeezing apples and making syrup for apple pie

[Math Rock × Dark Shibuya-kei Indie Rock Fusion, Emotional Aggressive Guitar Pop, Syncopated Urban Indie Rock, High-Speed Sentimental Rock with Complex Rhythmic Layering × Jazztronica × Fast Waltz × Alternative Rock × Experimental Pop × Avant-garde Techno Math Glitch Pop × Electro House × Piano Math Electro × Bittersweet Urban Melancholy × Broken Rhythm × Layered Female Vocals × Release Cut Piano × Bubble-gum Pop × Industrial Jazz Fusion with Orchestral Tension × Experimental Baroque Electro Pop with Violin] BPM: 165 / Key: D# minor Vocal Style: Female lead vocal, unprocessed raw edge, close-mic whispered consonants, multi-layered harmonies in chorus Mood: Energetic Math Rock chaos in verse sections, contrasted with subtle Fast Waltz swing in melodic passages

Maximum-energy brass band with distortion Heavy clipping snare drums and overcompressed kick Massive choir of young girls with fierce, layered chants Chaotic breakcore rhythm with sharp glitch bursts Loud claps and hand percussion driving the beat Feels like a thunderous candy riot in a neon playground

drum and bass acoustic rock, jazzy nurock, jazzy grunge metal, eterial wave, funky bass riffs, jazzy and spacy guitar solo, technical fingerstyle bass, funky slap bass, funky bass riffs, pedal effecter bass, hard kick drum, hard bass, bright & heavy guitar, [[ dirty and cool male vocals, harmonic vocal group, 3 vocals harmony ]]