Serious & Intense – Volume 1

Solo Dutch male voice only (no backing vocals), Start with soft instrumental intro (piano, ambient strings), then bring in first spoken line: “Dat ene woord, hè — loslaten, ” Chanson-style with blues and gospel influences, Slow tempo, acoustic piano and upright bass, light brushed drums, Voice is raw, intimate, expressive — includes parlando, No added vocals or intro text, Use lyrics exactly as provided, Let silences and pauses breathe

A slow and cinematic Dutch ballad with emotional male vocals and delicate string accompaniment, Start with a gentle instrumental intro using soft strings to set a reflective, intimate tone, Verses are tender and poetic with acoustic support; choruses are fuller with subtle harmonic layering, Between lines “Zorgzaam ben jij” and “en ik?” leave a brief pause; again between “en ik?” and the following line, In the second chorus, add a gentle male harmony or soft doubling to enrich the emotional expression, without overpowering the lead voice, Include instrumental interludes: (1) after the first chorus, (2) after the bridge (longer, reflective), (3) after the final chorus, leading into a delicate and heartfelt outro, Maintain a warm, intimate, filmic atmosphere throughout, Keywords: dutch, male vocals, emotional, strings, cinematic, acoustic, reflective, soft intro, outro, Tags: cinematic ballad, Dutch, male vocals, strings, emotional, acoustic, poetic, slow tempo

Dutch male voice, chanson-blues fusion, slow to moderate tempo, Warm acoustic piano and upright bass as the main foundation, fingerpicked guitar woven subtly in, Subtle cello in the background for depth, with optional soft saxophone or bluesy harmonica in instrumental breaks, Voice should be fragile, slightly hoarse — a broken male voice full of weariness and emotion, No backing vocals, Keep arrangement sparse and intimate, with room for parlando (spoken-sung) delivery, Use the [MUSIC], [MUSIC_BREAK], [MUSIC_RETURN], and [CODA] tags to create musical interludes and an extended reflective ending, Allow space for silence and fragile phrasing, atmosphere contemplative, poetic, timeless

Male only! Male only! Male only! Dutch male voice, chanson-style with ambient roots influence, slow tempo, very intimate, no dramatic outbursts, Poetic and reflective mood, with acoustic piano, soft pads, subtle ambient guitar, and breathy textures, Includes long instrumental sections between verses and after the outro, Bridge is semi-spoken, outro is whispered, Style reminiscent of Wim Mertens, Leonard Cohen, and contemporary ambient songwriters, Minimal percussion, Let the music breathe with space and silence, No female vocals, One intimate male narrator throughout the full track, Male only, no duet, No voice changes, Duration approx, 7–8 minutes, The outro must contain no vocal ad-libs, spoken phrases or mumbling after the final lyrics, Let the outro be pure instrumental fade-out

Dutch male voice, chanson-style with jazz influences, Acoustic piano and upright bass, with light brushed drums, Slow tempo, melancholic and expressive delivery, inspired by Ramses Shaffy, Each verse unfolds like a confession, with subtle dynamics and raw emotion, The music should begin with a gentle instrumental intro based on the first vocal line, Insert a longer instrumental section between verse 2 and the first chorus to give space for reflection, The bridge is divided into three sections, each followed by a short instrumental interlude, Let the music follow the tone of each part: first philosophical and airy, then emotional and more intense, and finally soft and minimal, End with a quiet, half-spoken or whispered outro, fading gently into silence, Tempo should remain slow and reflective throughout – allow the lyrics to breathe, Single vocal performance only – no alternating male/female voices

Dutch male voice, low and raspy, chanson-style, deeply emotional and introspective, similar to Leonard Cohen in his later years, Spoken-sung hybrid delivery, weight in every phrase, slightly dragging last words, Medium-slow tempo with space and silence, Core: slide guitar and upright bass, subtle brushed drums, sparse piano, occasional harmonium/organ textures, Harmonica as emotional echo: soft in verses, weeping in chorus, harsh in rage, fading in outro, Structure follows text with dramatic pauses and short instrumental interludes, Verse 1 intimate but tense, Chorus accusatory, Verse 2 darker aftermath, Chorus compact, Verse 3 explosive with percussive accents and silence after climax, Bridge 1 fragile, whispered with piano, Bridge 2 spiritual, carried by organ and warm resonance, Final Chorus subdued, heavy, fading into Outro with harmonica’s last breath, Rooted in blues, chanson and spiritual folk

Slow piano ballad in A minor at ~60 bpm, with 8-bar solo piano intro, Female lead, low male harmony in verse 2 (Iron & Wine style), Add “Ahh” choir moments: 1) under chorus 1 end, 2) slow rise in bridge, 3) soft tension under final verse, From verse 2 onward, include expressive solo violin with sparse melodic phrasing, Intimate, minimal, no reverb

Dutch male voice, low and raspy, chanson-style, deeply emotional and introspective, similar to Leonard Cohen in his later years, Spoken-sung hybrid delivery, weight in every phrase, slightly dragging last words, Medium-slow tempo with space and silence, Core: slide guitar and upright bass, subtle brushed drums, sparse piano, occasional harmonium/organ textures, Harmonica as emotional echo: soft in verses, weeping in chorus, harsh in rage, fading in outro, Structure follows text with dramatic pauses and short instrumental interludes, Verse 1 intimate but tense, Chorus accusatory, Verse 2 darker aftermath, Chorus compact, Verse 3 explosive with percussive accents and silence after climax, Bridge 1 fragile, whispered with piano, Bridge 2 spiritual, carried by organ and warm resonance, Final Chorus subdued, heavy, fading into Outro with harmonica’s last breath, Rooted in blues, chanson and spiritual folk

Dutch male voice, slow rock-gospel ballad in Em, Soulful, emotional delivery with slight rasp, Warm band: clean guitar arpeggios, bass, brushed snare, Hammond organ underlay, Choruses lift with gospel-style backing choir, call and response ‘ahh’ and ‘oh Lord’ style pads, Two expressive guitar solos — one sorrowful after Verse 2, one triumphant after final Chorus, Dynamic build: verses intimate, bridge uplifting with choir swell, outro soft fade repeating key line, Two expressive guitar solos after Verse 2 and after final Chorus

cinematic dark ambient, post-rock, melancholic and haunting male vocals, sparse piano notes, deep atmospheric pads, swelling strings, powerful slow-building drums, profound sadness with a glimmer of hope, vast echo, 60 BPM

Gentle indie folk, soothing and warm female vocals, style of Birdy or Josephine Vander Gucht, delicate acoustic guitar, soft piano, subtle cello and atmospheric layers, atmospheric and intimate, emotional build in the bridge, uplifting and hopeful chorus, Verses sung tender and fragile, last line spoken [spraak], Verse 2 with tension, echo on "Eeeeek", Verse 3 brighter and flowing, hopeful, No improvised shouts, Bridge emotional build, powerful but controlled, Slotrefrein short and impactful, Intimate, warm, heartfelt performance focused on lyrics, whispery outro

Dutch male voice, warm and storytelling, Chanson-style verses with acoustic guitar and piano, intimate and poetic, Light folk-pop choruses, uplifting and singable, with gentle harmonies, Upright bass, soft brushed drums, subtle accordion, and violin for color, Use [spoken] parts as parlando, [whisper] as soft echo, Allow [instrumental intro], [instrumental break], and [instrumental outro] with fade, Natural, intimate atmosphere, reflective but with warmth

Dutch male voice, chanson-blues fusion, Slow tempo, Warm acoustic piano and fingerpicked guitar as main foundation, Subtle cello in the background, Optional soft saxophone or bluesy harmonica in instrumental breaks, Voice should be fragile, slightly hoarse — a broken male voice full of weariness and emotion, No backing vocals, Keep arrangement sparse and intimate, with room for parlando (spoken-sung) moments, Use the [MUSIC], [MUSIC_BREAK], and [MUSIC_RETURN] tags to insert musical interludes in line with the lyrics

"Dutch male voice, chanson-style with jazz influences, Acoustic piano and upright bass, with light brushed drums, Slow tempo, melancholic and expressive delivery, inspired by Ramses Shaffy, Each verse unfolds like a confession, with subtle dynamics and raw emotion, "

Dutch-language blues rock song with moderate tempo and shuffle groove, Instrumentation includes electric guitar with slight overdrive, walking bass, and snare-driven drums, Male vocals only — deep, husky, lived-in voice, as if damaged by years of smoke and regret, No harmony vocals, The performance should be emotionally raw, bitter, and confrontational, The song starts with the chorus, followed by three verses, an instrumental tension break, and a two-part bridge, Keep the voice front and central — this is a one-man purge, Note: This is part 1 of a two-part song, The ending should remain open, leading naturally into the continuation

Dutch-language slow blues song with soulful rock and cinematic atmosphere, Male vocals only — rough, smoky, blues-inflected voice with emotional grit, Think broken but proud, Gritty, emotional and confrontational, The performance should be raw and confrontational, The instrumental is moody and tense, with rasping guitar, deep bass, and minimal drums, The structure follows: intro with chorus, then verse 1, verse 2, instrumental break (builds tension), emotional spoken-word bridge, second chorus (more intense), instrumental bridge reprise, and short outro with final spoken line, No harmonies or background vocals — keep it stark and personal

A deeply emotional Dutch ballad in the spirit of “It’s Five O’Clock” by Aphrodite’s Child, Slow tempo, minimalist structure, with space between verses to let the song breathe, The arrangement should be soft and melancholic: acoustic piano, subtle strings, nylon guitar, Include brief instrumental pauses between each lyrical section, so the listener can reflect, After the final chorus, repeat the chorus melody as an instrumental reprise (no vocals), Add a melancholic instrumental outro that gently fades out — like a final goodbye, Touches of Mediterranean character (bouzouki, Greek influence) are welcome, The male vocals should sound raw, emotional, and slightly rough — like a man speaking from deep grief and reflection, Not polished or theatrical, but intimate and human, Inspired by the emotional honesty of Bram Vermeulen in songs like “Vader” and “Rode Wijn”

Dutch emotional ballad in cinematic style, with orchestral accompaniment (strings, soft piano, no electronic instruments), Sung in Dutch, Verses and choruses are performed with distinct vocal roles: Verses 1, 2, and 4 by a single emotional male voice (father) Verse 3 and the outro by an angelic choir, Choruses 1 and 3 sung as a duet (father and mother), with chorus 3 including soft angelic choir in the background, Chorus 2 sung entirely by the angelic choir (full harmonies) Final chorus is a duet (father and mother), Include a shy child whisper in Verse 2, Add a short spoken intro (by the father) and a fading whisper outro, Maintain gentle emotional flow with a powerful cinematic bridge, Pronounce 'Wynona' as "Why-Jo-Na", Keep the tone warm, sincere, and grounded

Slow, intimate acoustic ballad with a storytelling structure, Deep male vocals with a confessional tone, in Dutch, Minimal folk instrumentation: fingerpicked acoustic guitar, soft piano accents, subtle cello and emotional violin phrases woven between verses, No chorus, Mood is dark, reflective, poetic and vulnerable, Inspired by stripped-back singer-songwriter style, Especially expressive in the bridge and final verses, Music should support the lyrics, leaving room for breath and emotion, Tempo is slow and contemplative

A modern blues gospel song with deep, gritty emotion, Lead vocal by a *deep*, *raspy*, *hoarse* male singer in his 50s, reflecting on aging, loss, acceptance and strength, Support by a mixed gospel choir, including a powerful black female voice, Verses are intimate and raw, chorus is call-and-response style with the choir, Slide guitar and sharp saxophone are key: include a mini sax solo after verse 2, a slide guitar solo with handclaps after verse 3, and a long saxophone solo before the final chorus, Outro: fading sax + slide, Tempo: slow to mid, modern production with blues/gospel roots, Think: Gary Clark Jr + modern gospel + soul grit

A modern blues gospel song with deep, gritty emotion, Lead vocal by a *deep*, *raspy*, *hoarse* male singer in his 50s, reflecting on aging, loss, acceptance and strength, Support by a mixed gospel choir, including a powerful black female voice, Verses are intimate and raw, chorus is call-and-response style with the choir, Slide guitar and sharp saxophone are key: include a mini sax solo after verse 2, a slide guitar solo with handclaps after verse 3, and a long saxophone solo before the final chorus, Outro: fading sax + slide, Tempo: slow to mid, modern production with blues/gospel roots, Think: Gary Clark Jr + modern gospel + soul grit

Instrumental only, Start with a warm, acoustic sound: soft baritone male voice, slow tempo, intimate delivery, Verses 1 and 2 should feel gentle and heartfelt, From the first chorus, gradually build to a more energetic, soulful style, Verse 3 shifts to an upbeat, catchy pop-rock feel — playful and bright, like a summer hit, The bridge is the emotional highlight: full instrumentation and strong vocals, with a short, spoken or sung child-like female voice for one line, Return briefly to a more reflective mood in the pre-chorus, then add a humorous drop, End with a powerful final chorus and a soft fade-out, Avoid female vocals except for the child’s quote in the bridge

Start with a warm, intimate acoustic tone in verse 1 and 2: soft male baritone vocals, slow tempo, fingerpicked guitar and subtle Rhodes keys, In the first chorus, increase energy with full band instrumentation — a soulful rock-pop feel, Verse 3 should shift to a catchy, upbeat summer-hit vibe with a lighthearted groove and brighter tempo, The bridge must be strong and emotional, with dramatic build-up, After the bridge, return to a more intimate feel in the pre-chorus with soft acoustic elements — but keep it grounded, End with a powerful final chorus in full gospel-rock energy, then fade out with a warm, reflective male vocal, Avoid female vocals, ‑soft pop, ‑diva vocals, ‑EDM, ‑electronic synth, ‑female lead

Emotional acoustic ballad in the style of Sinéad O’Connor's 'my darling child', Soft fingerpicked guitar and gentle piano as the core instruments, with warm ambient textures and subtle strings for emotional depth, Female vocals should be soft, breathy, and intimate — heartfelt delivery with a slightly raw, vulnerable tone, Slow tempo (~65–75 BPM), dreamy and reflective mood, solo violin in Verse 4, 70 bpm, The song should feel like a lullaby or a mother’s love letter: deeply personal, poetic, and nurturing, Avoid heavy percussion; keep the arrangement minimal and organic, Think spacious, melodic, and sincere — a soft, comforting soundscape to support tender lyrics about a mother’s love for her daughter, Note: “Wynona” should be pronounced similar to “Whyona” (one syllables: Whyona), and “Abichayil” should be pronounced “Abi-kale” (rhymes with “feel”)

Dutch blues rock ballad, 68 bpm, warm deep gritty weathered male vocal, emotional climax in bridge, gospel choir, raw and soulful

Spiritual ballad, emotional and sorrowful mood, male-only vocals with deep and dynamic tones, male choir in choruses, powerful emotional bridge, instrumentation with violins, saxophone and harmonica, spoken outro ending in soft fade, Dutch language

Dutch male voice, chanson-style, warm and introspective, Slow tempo, ~60-65 BPM, Instrumentation: acoustic piano, upright bass, light brushed drums, subtle strings, occasional harmonium/accordion, Music dynamics follow the text closely, with pauses and drops for dramatic effect, Parlando possible in reflective sections

Slow English blues with Fender guitars laying down raw and stretched-out riffs, Harmonica provides expressive solos in the breaks, using tongue blocking and tongue slap techniques, Saxophone weaves through the arrangement, alternating between soulful tenor growls and expressive alto improvisations with pitch bends and vibrato, Warm, husky male vocals deliver clearly readable English verses, half-sung half-spoken, with chant-like shouted choruses, Medium-slow tempo, heavy laid-back groove, deep bass, brushed snare, subtle ride cymbal, Final chorus is drawn-out and powerful, ending with guitar bends and fading feedback

Low, raspy, intimate Dutch male voice, chanson-style, deeply emotional and reflective, similar in weight to Leonard Cohen in his later years, Slightly dragging phrasing, whispered edges on softer lines, gravity in every pause, Tempo ~65–70 bpm, Intro: sparse piano arpeggio + gentle acoustic guitar, Verse 1 very sober: low piano, soft guitar, sparse upright bass, At emotional accent, add deep piano strikes with cello swelling, Chorus: full but tender — piano open chords, rhythmic guitar, steady bass, brushed drums, soft string pads, Verse 2 intimate, with cello lines and occasional lonely harmonica/clarinet note, Second chorus warmer and fuller, Bridge 1 stripped down: only voice + piano, whispered and fragile, no drums, faint cello background, Final chorus with full ensemble, warm and emotional but never overpowering, Bridge 2 reprise: only voice + piano, whispered, cello soft, very fragile mood, Outro fades with piano and cello dissolving into silence

Low, raspy, intimate Dutch male voice, chanson-style, deeply emotional and reflective, And more fragile, Slightly dragging phrasing, whispered edges on softer lines, gravity in every pause, Tempo ~65–70 bpm, Intro: sparse piano arpeggio + gentle acoustic guitar, Verse 1 very sober: low piano, soft guitar, sparse upright bass, At emotional accent, add deep piano strikes with cello swelling, Chorus: full but tender — piano open chords, rhythmic guitar, steady bass, brushed drums, soft string pads, Verse 2 intimate, with cello lines and occasional lonely harmonica/clarinet note, Second chorus warmer and fuller, Bridge 1 stripped down: only voice + piano, whispered and fragile, no drums, faint cello background, Final chorus with full ensemble, warm and emotional but never overpowering, Bridge 2 reprise: only voice + piano, whispered, cello soft, very fragile mood, Outro fades with piano and cello dissolving into silence, Intro only piano + guitar, no voice until verse starts

[Style / Genre / Mood] Indie folk, chamber folk, ambient cinematic ballad, intimate male vocal, soft, breathy, emotional and poetic, Slow tempo (~65 BPM), Warm, tender, nostalgic, dreamlike, raw, authentic — like the memory of love still lingering in the air, [Instrumentation] Acoustic guitar (fingerpicked), warm piano, expressive solo cello, soft violin, subtle ambient pad, brushed drums (light), breathy close-mic vocals, Reverb-rich, floating textures — every breath audible, [Intro – only music] [# Soft ambient guitar and piano harmonics] [# Slow swell, breathy cello entering] [# Mood: waking dream, warm morning light]

Dutch chanson / soft jazz ballad, slow tempo (70–80 BPM), Warm, emotional female vocal lead with deep intimacy and control, similar to Wende Snijders or Liesbeth List, Spoken-sung phrasing, natural breathing, expressive tone, Acoustic piano and upright bass core, brushed drums, subtle cello and light vibraphone accents, Add soft delayed female backing vocals echoing the final chorus lines for emotional depth, Keep close-mic and human, minimal reverb, Mood: nocturnal, tender, reflective, compassionate, quietly powerful

french chanson, noir cabaret, Warm male voice, intimate but articulate, slight rasp and light breathiness, Spoken-sung phrasing in Dutch and French, alternating between [spoken softly], [clear voice] and [breathy tone] moments, Articulate diction with emotional nuance — not whispery but expressive, Instrumentation: accordion, acoustic guitar, upright bass, muted trumpet, light brushed drums, occasional chromatic harmonica, Tempo medium-slow with natural rubato; 3/4 waltz swing feel, Features recurring instrumental motif “Le petit souffle” between verses (Paris café atmosphere), Bridge 2 sung in French with dreamy tone (“Tu es là, dans ta splendeur…”), Outro reprises the Dutch theme in slowed tempo with trumpet ad-lib, followed by an instrumental finale “La dernière bouffée” — harmonica and accordion duet fading like the last breath of a Paris night, Overall tone: poetic, sensual, slightly ironic, cinematic and melancholic, Rich acoustic ambience with subtle room reverb and soft dynamics

Dutch male voice – low, raspy and emotional, spoken-sung poetic style with a slow acoustic blues rhythm (≈ 65 BPM), Upright bass, acoustic guitar, brushed drums, warm piano undercurrent, soft slide-guitar accents, gentle organ and cello for depth, Cinematic nocturnal atmosphere with natural room reverb and breathing space between phrases, Mood: introspective, tragic, poetic – a confession of inner nature, Voice close-mic, expressive, with small hesitations and pauses, Keep the tone dark yet human; consistent for future extends (Parts 2–4), Weirdness 25 | Energy 40 | Length ≈ 2 min 20 s

[Style: Slow raw blues, Gritty soulful vocals, Weeping guitar solos, Hammond B3, Bittersweet liberation] [Instruments: Slide guitar, upright bass, drums with brush sweeps]

Dutch male voice, intimate chanson ballad (~70 BPM), warm piano and acoustic guitar, upright bass, soft brushed drums, expressive cello, Poetic lyrics about everyday love and gratitude, deeply human and heartfelt delivery (similar to Stef Bos or Bram Vermeulen), Reflective and cinematic atmosphere with breathing space and emotional build-up toward the chorus, Begin with a single lingering piano chord before the voice enters, Subtle background choir repeating “Dank je”, song fades to silence with solo voice and cello

Dutch male vocal, warm, emotional, chanson-folk style (Stef Bos / Bram Vermeulen influence), Acoustic guitar and soft piano as core instruments, slow tempo (~65 BPM), gentle fingerpicking, Add upright bass, brushed drums, and expressive cello for warmth and depth, Atmosphere: nostalgic, intimate, reflective, slightly cinematic, Include natural breathing and soft pauses between verses, Verse 1 – earthy childhood wonder (rain imagery), Verse 2 – dreamy imagination and sky painter imagery, Bridge – mature reflection, tender and introspective; cello enters, Short Refrain – quiet realization, almost whispered, Instrumental outro – melodic cello + guitar fade to silence, Emotional arc: from innocence → memory → gentle acceptance, No backing choir, no reverb excess, Keep it human, fragile, authentic

Dutch male vocal, intimate poetic chanson with ambient cinematic mood, Slow 6/8 tempo, warm breathy tone, emotional phrasing, Piano and cello main instruments, long sustain and deep reverb, Add short interludes (8–12s) between parts to keep flow, Include soft “angelic choir” (male/female ahh–mmm) as gentle layer, not dominant, Choir enters after first chorus, echoes softly on “licht”, blooms in Verse 3 and Outro, Keep faint instrumental pad between chorus and Verse 2 to avoid silence cut, Whisper “Luister…” before Verse 2, intimate and human, No drums; let breath, piano and cello define pulse, Feel timeless, meditative, tender — a dream between sleep and awakening, Blend Bram Vermeulen intimacy with cinematic ambient soundscape

A melodramatic slow-tempo composition where a mournful piano and slow violin take the lead, Ukulele adds soft chords, pan flute weaves melancholic Greek melodic lines through the music, Kazoo surprisingly fills the interludes, typical of the Greek 'sorba', with a lightly sorrowful accent

Serene new age track with ethereal vocals, harp and breathy percussion, After bridge lyric "let me go", a soulful panflute answers in a melodic dialogue, Later, a melancholic panflute solo replaces the chorus vocals over soft pads, evoking hopeful longing, [Final bridge, before outro] The singer's voice breaks with raw, vulnerable emotion, She delivers the line "Let me fly to heaven, in search of you" with soulful intensity, On the word "heaven", her voice soars into a powerful, crystalline high note – full of anguish and spiritual longing – holding it with a fragile tremor before dissolving into the ethereal textures

Dutch male vocal, chanson-style with poetic storytelling tone, Slow tempo (~65 BPM), emotional and intimate performance, Acoustic piano, warm cello, upright bass, and soft ambient strings, Gentle brushed drums only later in the song, Include spoken voice sections in the intro and bridge (half-spoken, close-mic, natural breathing), During Chorus 2, add a memory duet: a soft second male voice (same timbre) that repeats or gently whispers fragments of the main line, slightly delayed — like a memory replying, Keep dynamics minimal; let the cello and violin (spiccato) carry emotion between phrases, End with a single fading cello note, [Intro – spoken] [Verse 1] [Chorus 1] [Instrumental Break] [Verse 2] [Chorus 2 – memory duet + violin] [Bridge – spoken] [Final Chorus] [Outro]

Een dromerig, nummer in tropische stijl opent met kabbelend water, vogelzang en zachte wind als natuurlijke percussie, Exotische instrumenten als steel drums, marimba, kalimba en panfluit zorgen voor een warme, ritmische sfeer, Licht polyritmische structuren, aangevuld met zachte bass en percussie uit conga’s en shakertjes, houden de groove ontspannen en uitnodigend, terwijl subtiele synth pads het geheel een etherisch karakter geven

Dutch male voice, Ambient Pop, Cinematic Singer-Songwriter, with emotional piano and warm cello, Slow tempo (around 60–70 BPM), Soft acoustic instrumentation: upright bass, subtle brushed drums, and occasional clarinet breaths, Emotional and reflective tone — reminiscent Flemming or Bear's Den, Intimate, vulnerable, and spacious, Piano and cello trade phrases; long pauses between lines, Add a short clarinet solo between bridge and final verse, tender and reflective, like a quiet sigh, End with a quiet instrumental fade, no backing vocals

Dutch male voice, acoustic roots / chanson / slow blues storytelling, Gentle finger-picked guitar, upright bass, brushed drums, cello and harmonica, Minor key (~78 BPM), Warm and intimate mix with small-room reverb, Include short instrumental interludes between verses to reflect time passing

Dutch male voice, chanson–blues fusion, slow tempo (65–70 BPM), Warm acoustic piano and fingerpicked guitar as main foundation, Soft, emotional cello as the primary melodic carrier, Optional whisper-sax or soft harmonica in short instrumental breaks, Use upright bass pizzicato for subtle grounding, Vocal style: fragile, lightly hoarse, intimate, slightly weary, deeply human, Allow parlando on tagged lines; keep the delivery warm and understated, No backing vocals, Arrangement must remain sparse, intimate, contemplative — room for breath and silence, Soft dynamics, slow phrasing, with emotional restraint, Fade-outs should feel natural and gentle, Tags used in the lyrics must be followed literally ([MUSIC], [MUSIC_BREAK], [MUSIC_RETURN], [pause], etc, )

Emotional indie-folk song with a calm, reflective atmosphere, Warm acoustic guitar as the foundation, slow tempo, spacious and intimate, Male vocal, low to mid register, gentle and restrained, slightly breathy, Subtle lo-fi texture and light tape noise throughout, Soft ambient pads underneath for depth, Minimal piano accents in the bridge, Extended chorus with very light vocal layering (no choir), Dynamics remain soft and controlled — melancholic but accepting, The music feels like twilight: quiet, honest, and spacious