Michael Ledner Music

Contemporary Christian folk song, Acoustic guitar provides the primary accompaniment with a fingerstyle pattern in the verses and rhythmic strumming in the choruses, A clean electric guitar adds melodic fills and ambient textures, The arrangement features a male and female vocal duet, alternating lead lines and harmonizing in thirds during the choruses, A subtle shaker and light percussion provide rhythmic support, The track is in the key of G major with a tempo of 88 BPM in 4/4 time, The production is clean and intimate, with light reverb on the vocals and acoustic instruments

Children’s choir, Keep same exact melody, chords, arrangement

Contemporary Christian soft pop, both male and female voices singing together, with a mid-tempo alternative feel, Stay as close as possible to the provided melody and phrasing, Avoid improvisation, embellishments, ad-libs or melodic variations, Keep the vocal delivery faithful to the original, The arrangement features an acoustic guitar playing chords and melodic lead lines, A clean acoustic guitar provides arpeggiated textures in the background, The fretless bass guitar follows the kick drum pattern with a thick, overdriven tone, Drums consist of a standard kit with a cross-stick snare on 3 throughout the verse and consistent eighth-note hi-hat patterns, Male vocals are delivered in a mid-range chest voice with slight grit during the chorus, The track is in the key of G major at 120 BPM in 4/4 time, Production is polished with moderate reverb on the vocals and a wide stereo image for the guitars

Christian contemporary, not aggressive, Stay as close as possible to the provided melody and phrasing, Avoid improvisation, embellishments, ad-libs, or melodic variations, melisma, riffs or ad-libs, Keep the vocal delivery faithful to the original, Preserve the original melody exactly, Preserve the original chord progression exactly, Keep these exact chords for the chorus: (Amajor7 - A6) - (Absus4 -Ab7) - C#m - C#m -(Amajor7 - A6) - (Absus4 -Ab7) - C#m - C#m - (Amajor7 - A6) - (Absus4 -Ab7) And for the verses: A2 - E/G#- F#m7 - [(B/E - E)-(Ebm7-D9b5)] C#m7- F/C# (F#m7- E/G#) - G#7b5 And the bass following bass notes on chords, BPM 80, Electric piano, guitar, Hammond B3 organ, bass and drums accompaniment, Chording for Outro chorus: (Amajor7 - A6) - (Absus4 -Ab7) - C#m - C#m -(Amajor7 - A6) - (Absus4 -Ab7) - C#m - C#m - (Amajor7 - A6) - (Absus4 -Ab7)- C#m —-and fade out on the last chord

Children’s choir singing throughout the song, No vocal solos, Preserve the uploaded recording, Preserve the original melody, vocal phrasing, timing, tempo, key, chord progression, arrangement, instrumentation, dynamics, and song structure, Do not change or reinterpret any other part of the song, No embellishment, rearrangement, additional instruments, drums, harmonies, or creative reinterpretation, Maximum fidelity to the uploaded recording is the priority

Contemporary Christian pop ballad, Features a clean, bright acoustic piano playing arpeggiated chords and a melodic lead, A warm, round electric bass provides melodic counterpoint, Drums consist of a soft kick, crisp snare, and shimmering hi-hats, Tenor male vocals are clear and resonant, utilizing both chest voice, then, soprano female voice on repeat verse 1, The arrangement builds with subtle string pads and light percussion, Key of G major, 72 BPM, 4/4 time signature, The production is polished with moderate reverb on the vocals and piano, The bass line is active, moving in melodic eighth-note patterns, The piano maintains a consistent sixteenth-note rhythmic pulse throughout the verses

A cappella sacred children’s choir, rich SATB harmonies, warm cathedral acoustics, all solos done by children, no instruments, no percussion, reverent, cinematic, pristine vocal blend

Expressive solo piano with gentle cinematic strings, The piano remains the primary instrument at all times, Strings are soft, warm, and understated, functioning as a supportive pad rather than a featured section, Cellos and basses should follow the piano’s bass notes and harmonic movement closely, Violas and violins should sustain and reinforce the piano’s chords without introducing independent melodies, Preserve the original rubato timing exactly, including all phrase endings and tempo fluctuations, All accompaniment must breathe with and follow the piano naturally, Intimate, emotional, transparent, worshipful atmosphere, Preserve the same amount of measures, Key of F major and key change to F# major two measures before verse 5, 70BPM, “Warm, sincere male worship vocal, Preserve the uploaded vocal performance as the definitive guide for melody, phrasing, timing, dynamics, and emotional expression, The singer should closely match the original vocal’s character and cadence

Slow, rubato, no drums or any percussion, Keep melody, chords and verses the same, Add strings and bass

Expand the existing arrangement with guitar, bass and drums, Treat my uploaded recording as the master, Keep the melody, chord progression, rhythm, phrasing, structure, tempo, pauses and ending exactly as performed, Do not rewrite any musical ideas, Only add tasteful electric guitar, Rhodes piano, bass and light drums, Male vocal singing exactly as written, No riffs, No melisma, No ad-libs, No vocal runs, 65 BPM 6/8 Minimal production Treat the uploaded recording as the definitive composition, Do not compose a new melody, new accompaniment, or alter the song’s structure, Preserve the original melody, chords, rhythm, tempo, phrasing, and vocal timing as closely as possible, Insert only one new spoken narration at the location marked in the lyrics: “This is what God said to Moses, ” Speak it naturally and reverently, fitting it into the existing musical space without changing the timing or the music that follows

A cappella sacred choir, rich SATB harmonies, warm cathedral acoustics, expressive dynamics, soaring soprano, resonant basses, intimate verses building to majestic full choir, no instruments, no percussion, reverent, cinematic, pristine vocal blend

Stay as close as possible to the provided melody and phrasing, Avoid improvisation, embellishments, ad-libs, or melodic variations, Keep the vocal delivery faithful to the original, Preserve the original melody exactly, Preserve the original chord progression exactly

Contemporary Christian pop ballad, The arrangement features a bright acoustic piano playing syncopated chords and melodic fills, accompanied by a clean electric bass and a standard drum kit with a prominent snare on beats two and four, A soprano female and a tenor male vocal leads the track with a clear, resonant tone, The tempo is 65 BPM in 4/4 time, The production is clean with moderate reverb on the vocals and piano, The song structure features a slightly build in intensity during the chorus with more aggressive drum fills and sustained piano chords before returning to a much softer final chorus, l

Choral, Keep the same melody and keep to the original chords

Children’s choir, Only children’s vocals, SATB, Keep melody, chording and arrangement the same

Contemporary Christian soulful ballad with choir back-up in C major at 70 BPM, The arrangement centers on a bright acoustic grand piano and hammond organ performing syncopated rhythmic chords and melodic fills, A clean electric guitar provides ambient swells and occasional arpeggiated textures, The bass guitar follows the piano's left-hand patterns with a warm, rounded tone, Drums feature a standard pop kit with a prominent snare on beats 3 for the chorus, and a soft cross-stick snare (rim click) for the verses, utilizing eighth-note hi-hat patterns, Male tenor vocals lead the track, characterized by a smooth, breathy delivery in the verses and a powerful, belted chest voice in the choruses, The production is clean with moderate hall reverb on the vocals and piano

Christian children’s choir sings throughout the song, hymn arrangement for solo piano and children’s vocals, Melody mirrors the audio input, No melisma or ad-lib, The piano performance features a rubato introduction with arpeggiated chords, The vocal delivery is clean, The piano accompaniment uses rich, jazz-influenced chord extensions and frequent pedal sustain, The arrangement follows a medley structure, transitioning between three distinct hymns with modulating piano interludes, Key of C major transitioning to G major, Tempo approximately 72 BPM

Bossa Nova, male vocals

Contemporary Christian country-pop, Acoustic guitar, electric guitar, bass guitar, drums, and piano, Male lead vocals with harmony vocals in the chorus, 74 BPM, 4/4 time signature, key of G major, The arrangement features fingerpicked acoustic guitar in the verses, transitioning to a full band sound with a steady backbeat and light overdrive on the electric guitars during the choruses, A clean electric guitar solo occurs after the second chorus, The bass follows the kick drum with a melodic, walking feel in the bridge

Contemporary Christian folk ballad in Rubato throughout without any drums or percussion, The song, featuring a baritone male vocal lead, The arrangement centers on a bright acoustic piano playing arpeggiated patterns and block chords, Soft acoustic, bass and strings come in for verse two, The bass guitar follows the piano's root notes with a warm, rounded tone, The Rubato style allows the vocal and piano to flow together in 4/4 time, set in the key of G Major, The vocal delivery is earnest and clear, with subtle vibrato on sustained notes, Production is clean with light hall reverb on the vocals and piano

Traditional Christian choral, SATB choir, expressive strings, cinematic orchestra, reverent, slow, rubato, preserve original vocal melody and piano, lush harmonies, emotional, spacious, no drums, no electric instruments

Reflective Christian hip-hop with a worshipful atmosphere, Slow, melodic flow instead of fast rap, Every word should be clearly understood, No shouting, no harsh vocals, no profanity, no, aggressive attitude, Warm, sincere male vocal with subtle female harmonies on the chorus, Smooth beat, gentle piano, warm synth pads, light percussion, and deep bass, Inspirational, peaceful, and reverent

Contemporary Christian pop with a jazz-influenced piano arrangement, The track features a solo male tenor vocal with a clean, theatrical delivery and a full choir that joins in on the Chorus and bridge, A grand piano along with hammond organ provides the harmonic structure using syncopated jazz chords, walking bass lines in the left hand, and occasional melodic fills, The arrangement is sparse, focusing entirely on the interplay between the piano and the vocal, The tempo is 110 BPM in a 4/4 time signature, performed in the key of F Major, The piano utilizes a mix of staccato rhythmic comping and sustained legato phrasing during the transitions, The vocal performance includes dynamic shifts from intimate chest voice to powerful, sustained notes in the higher register during the climactic sections

Preserve the original vocals, melody, chords, arrangement, tempo, and structure exactly, Make no creative changes, Only improve the sound quality and production

Reflective Christian hip-hop with a worshipful atmosphere, Slower melodic flow instead of fast rap, Every word should be clearly understood, No shouting, no harsh vocals, no profanity, no aggressive attitude, Warm, sincere male vocal with subtle female harmonies on the chorus, Smooth beat, gentle piano, warm synth pads, light percussion, and deep bass, Inspirational, peaceful, and reverent

String quartet, No piano, Keep song intact, Keep same arrangement, same chording, same melody

Soft jazz, Accordion replaces piano, fretless bass, gypsy jazz violin, guitar and brushes for drums

50’s style pop with a musical theater influence, The arrangement features guitar, drums and a bright acoustic piano playing syncopated rhythmic patterns and melodic fills, A clean electric bass, guitar follows the piano's left-hand movement with melodic passing tones, The vocals are a clear, resonant baritone with precise diction and dynamic shifts, The tempo is 115 BPM in 4/4 time, likely in the key of G Major, The piano uses a mix of staccato chords and flowing arpeggios, while the vocal delivery alternates between rhythmic phrasing in the verses and sustained, powerful notes in the chorus

Small kids choir, 4/4 straight beat, Keep melody line, chords and arrangement the same

Preserve the original vocals, melody, chords, arrangement, tempo, and structure exactly, Make no creative changes, Only improve the sound quality and production

Blues, Violin solo, ?Add drums with brushes on beats one, two, three and four, Add acoustic guitar and stand up bass, 4/4 60 BPM Preserve the exact melody, rhythm, chords, phrasing, timing, of the original recording, Do not rewrite, reinterpret, embellish, or generate a new melody, Follow the uploaded vocal precisely, Keep all note lengths, pauses, and phrasing exactly as recorded

Contemporary worship, Call-and-response arrangement, Key: G Major, Tempo: 76 BPM, Time Signature: 4/4

Calypso style, Children’s choir, All children singing, Throughout the whole song, Harmonies added, Key of C major, Tempo 70 BPM

Acoustic folk-pop song in G major at 105 BPM, The arrangement features a strummed acoustic guitar, bass, drums and a male tenor vocal, The guitar uses a consistent eighth-note strumming pattern with occasional percussive slaps on the strings, The vocal performance is melodic and clear, following a folk-style storytelling cadence, A second acoustic guitar provides brief melodic fills and lead lines between vocal phrases, The production is dry with minimal reverb, emphasizing the intimate, unplugged quality of the performance

Acoustic Guitar solo, Guitar follows melody, then ad libs

Contemporary Christian ballad featuring a male tenor vocal, The arrangement is centered on a bright acoustic piano playing arpeggiated chords and an acoustic guitar with light chorus and delay, A string bass provides melodic low-end movement, The string section enters at the end of verse 1, The tempo is 72 BPM in 4/4 time, The vocal delivery is earnest with moderate vibrato and light reverb, The track features a spoken word section at the end over a sustained piano and guitar bed