3:07

Running On Empty
v5.5
slow burn electronic, dark indie pop, sparse production, intimate vocals, house undertones, 2am atmosphere, female vocalist, minimal percussion, bass-forward, emotional exhaustion
3:44

White Noise v2
v5.5
progressive house, deep bass, hypnotic electronic, minimal vocals, sensory, euphoric, warm synths, eyes closed club energy, physical, embodied
5:09

slow indie folk ballad with rock dynamics, female vocal, intimate close-mic verses building to raw belted bridge, sparse piano foundation, strings entering verse 2, brushed drums building through bridge into full kit at peak, climactic belt section with sustained chest-voice ache on open vowels, return to vulnerable broken-open final chorus, 6/8 time, 70 BPM, key of F minor, raw emotional delivery over polished production, audible breath, vocal cracks welcome, unresolved ending
5:04

slow indie folk ballad with rock dynamics, female alto vocal, intimate close-mic verse almost spoken over bare piano, brushed drums entering verse 2, strings building through
pre-choruses, controlled grief in chorus with full chest voice, bridge stripped to near-silence with single piano note and spoken-word cadence, climactic belt section with full kit and wide strings, sustained open-vowel chest voice, vocal cracks welcome, final chorus beginning whispered and swelling to broken-open full, strings and drums dissolving in outro to single piano and silence, 6/8 time, 72 BPM, key of F minor, raw emotional delivery over polished production, audible breath throughout, unresolved ending, no vocal runs or ornamentation, plain and devastating
4:34

slow indie folk ballad with rock dynamics, female alto vocal, intimate close-mic verse almost spoken over bare piano, brushed drums entering verse 2, strings building through
pre-choruses, controlled grief in chorus with full chest voice, bridge stripped to near-silence with single piano note and spoken-word cadence, climactic belt section with full kit and wide strings, sustained open-vowel chest voice, vocal cracks welcome, final chorus beginning whispered and swelling to broken-open full, strings and drums dissolving in outro to single piano and silence, 6/8 time, 72 BPM, key of F minor, raw emotional delivery over polished production, audible breath throughout, unresolved ending, no vocal runs or ornamentation, plain and devastating
4:47

dark atmospheric indie folk ballad, female alto vocal, close-mic and confessional, low ambient drone foundation
with reverb-heavy sparse piano, no drums in intro or verse 1, heartbeat-pulse low drums entering chorus, strings humming
beneath pre-chorus swelling through second chorus, bridge
stripped to voice and drone only, belt section with drums
returning like a pulse and wide strings, raw open chest voice
with no ornamentation, final chorus beginning solo voice and
rebuilding to full, long outro dissolving to single piano note
and silence, 6/8 time, 68 BPM, key of D minor, dark and
still and inhabited, atmospheric but never cold, intimate and
devastating, hope that doesn't flinch from the dark
4:42

dark atmospheric indie folk ballad, female alto vocal, close-mic and confessional, low ambient drone foundation
with reverb-heavy sparse piano, no drums in intro or verse 1, heartbeat-pulse low drums entering chorus, strings humming
beneath pre-chorus swelling through second chorus, bridge
stripped to voice and drone only, belt section with drums
returning like a pulse and wide strings, raw open chest voice
with no ornamentation, final chorus beginning solo voice and
rebuilding to full, long outro dissolving to single piano note
and silence, 6/8 time, 68 BPM, key of D minor, dark and
still and inhabited, atmospheric but never cold, intimate and
devastating, hope that doesn't flinch from the dark
4:11

slow-burn electronic, dark house, sparse production, intimate female vocals, exhausted not emotional, minimalist bass pulse, negative space, trip-hop influence, atmospheric, raw, unpolished, adult contemporary electronic
4:13

slow-burn electronic, dark house, sparse production, intimate female vocals, exhausted not emotional, minimalist bass pulse, negative space, trip-hop influence, atmospheric, raw, unpolished, adult contemporary electronic
3:52

slow-burn electronic, dark house, sparse production, intimate female vocals, deadpan flat affect, dry bitter edge, minimalist bass pulse, negative space, atmospheric, understated, adult contemporary electronic
3:47

dark pop, whisper vocals, intimate bedroom production, subby bass, minimal beats, close-mic ASMR texture, sparse piano, subtle electronic glitch, haunting harmonies, lo-fi atmospheric, emotionally hollow, ultra-quiet dynamics with sudden swell
4:52

Gilded Ceiling
v5.5
cinematic indie-electronic, introspective house-adjacent, alt-pop soul influence, slow-burn emotional build, raw vocal authenticity over polished production, atmospheric and textured, minor key with moments of harmonic ambiguity
3:30

eerie mid-tempo indie electronic, sparse minimalist production, female vocals, intimate close-mic vocal with no reverb, unsettling understated atmosphere, subtle synth textures, dry mix, muted percussion, psychological tension without release, minor key, no choir, no anthemic elements, no emotional explosions, restraint is the entire aesthetic
4:02

Hollow Hours
v5.5
Slow-burn dark house, 70-80 BPM, Key of A Minor, Sparse electronic foundation with single low bass pulse opening — minimal, dry, close, Subtle percussion enters pre-chorus building through restraint not volume, Chorus drops with controlled house pulse, bass resonant and low, Bridge strips to near silence, No cathartic release — the song ends unresolved, mid-exhale, like she's just still going, 8D audio throughout
3:28

Still Running
v5.5
Slow-burn dark house, 72-80 BPM, Key of A Minor, female vocals, Dense rhythmically complex verses with internal rhyme schemes — delivery sits between rap and sung, tight and percussive, Pre-chorus opens into melody, Chorus is the emotional payoff — clear, sung, devastating, Bridge strips everything back to bare vocal and single pulse, Ends mid-motion, unresolved
4:17

Used to Know Her
v5.5
slow-burn electronic, dark house, sparse production, intimate female vocals, raw and unguarded, complex internal rhyme, rhythmically dense verses, minimalist bass pulse, negative space, atmospheric, understated, quietly devastating, adult contemporary electronic
4:12

Used to Know Her
v5.5
slow-burn electronic, dark house, sparse production, intimate female vocals, raw and unguarded, complex internal rhyme, rhythmically dense verses, minimalist bass pulse, negative space, atmospheric, understated, quietly devastating, adult contemporary electronic
3:39

Tots & Pears
v5.5
Slow-burn dark house, 76-84 BPM, Key of E Minor, female vocals, Bass pulse has an edge, production precise and pointed, Percussion enters dry and deliberate, Chorus drops with controlled fury, not explosion, Bridge briefly drops the armor then snaps it back into place, Ends on a hard cut — no fade, no exhale, just done
3:40

Uninvited
v5.5
dark electronic, unsettling house, sparse and claustrophobic production, intimate female vocals shifting between seductive and threatening, whispered verses building to a controlled menacing chorus, sub-bass drone, negative space weaponized, atmospheric dread, minimalist and suffocating, adult contemporary dark pop
4:38

Both of Us v2
v5.5
dark cinematic ballad, sparse piano foundation, intimate female vocals shifting between exhausted and urgent, rhythmically relentless verses, complex internal rhyme, emotional momentum that never fully releases, slow string undertones, atmospheric and raw, no dance pulse, adult contemporary dark pop, emotional weight
3:27

GET OUT
v5.5
dark electronic, unsettling pop, sparse and claustrophobic production, intimate female vocals shifting between confused and desperate, whispered verses spiraling into a frantic chorus, sub-bass drone, negative space weaponized, atmospheric dread, glitchy production elements, minimalist and suffocating, dark pop, adult contemporary
5:08

cinematic pop, slow burn, emotional buildup, female vocalist, spoken word rap bridge, orchestral undertones, electronic pulse, atmospheric reverb, piano-led verses, swelling strings on chorus, trap hi-hats in bridge, raw and vulnerable, powerful and anthemic, introspective, rising intensity, dynamic contrast, breathy verse delivery, belt on final chorus, minor key, cinematic production, 120 BPM
3:49

Get Out v2 v2
v5.5
dark electro-pop, lo-fi glitch production, sparse piano, sub-bass, reverb-soaked intimate female vocals alternating with rapid dense delivery, heartbeat kick drum, dissonant synth textures, slow-burn tension, dissociative cinematic atmosphere, raw emotional authenticity, whisper-to-intensity dynamic range
4:30

slow ballad, female vocals, minor key piano, sparse arrangement, intimate vocals, building tension, emotional restraint that breaks in the bridge, cinematic swell in final chorus
3:36

slow-burn dark electronic, sparse minimal bass pulse, sub-bass throb, cold reverb on vocals, intimate female vocal delivery, half-time drum pattern, negative space as texture, industrial undertow, no melodic resolution, minor key, tempo 78 BPM
4:49

intimate ballad, female vocals, sparse piano and cello, vocal vulnerability, builds slowly through bridge, final outro almost a whisper, no percussion until final chorus then falls away again









