3:10

jazz piano, jazz, orchestral, aggressive, j-pop, r&b, dynamic range vocal, female husky tenor voice, syncopated, melancholic, sad
3:16

アンブレラ
v4
Piano, acid jazz rock, antanative j-rock, Melancholy, Mysterious, heavy and deep bass, minor key, atomospheric sinth
3:21

Fast tempo, Smooth bounce, Oblivion Noir, Dark rock, Deep breathy male vocals, Falsetto, Vibrato, Crying tone, Wavering pitch bends, Koto, Groovy bass, Syncopated drums, Cinematic pads, Rapid chorus
5:22

Noir Eros Pop, Smooth dark groove, Deep mellow bass, Ambient guitar, fast groove, syncopated rhythm, deep breathy male vocal, falsetto, vibrato, crying nuance, wavering pitch bends, twisted beauty
2:59

3:58

3:41

passionate female vocals, raw emotional indie rock with post-emo elements, lo-fi garage aesthetics, street-level intensity, urban j-pop crossover, anime, atmospheric guitar-driven soundscape, dolby atmos
3:30

LEMON
v4.5
Track opens with swung, jazz-inspired contemporary drums and a syncopated, groove-centric jazz bass, setting a melancholic electropop mood, Indie rock-inspired clean guitar—distorted at peaks—chops in with jazzy riffs and offbeat hi-hats, while glitched vocal layers and off-kilter transitions drive the alt J-pop vibe, Verses feature low, chesty baritone with gravel, fry, and yodel touches, developing into textured, raspy belting and creaky vocal phrasing, Lo-fi rhythm breaks and artful audio panning add edge, Everything is presented with pristine, professionally balanced EQ, smooth dynamic range, perfectly cut-through vocals, and master-grade Dolby Atmos/FX presence, Condensed summary:
Modern J-pop/electropop meets alt/indie rock—swung jazzy drums, groove-based jazz bass, distorted clean guitar riffs, glitched vocal layers, lo-fi breaks, baritone and raspy chest vocals with fry/yodel/gravel, offbeat transitions, textured swing, all in a perfected, Dolby Atmos studio mix
3:33

blur blur
v4.5
J-Pop, Indie Pop, Funk-infused Dance Pop, groovy and upbeat, mid-to-fast tempo, tight live drums, syncopated basslines, funky rhythm guitar, bright synth stabs, ambient pads, retro-inspired but modern production, dynamic arrangement, soulful male vocals, clear tone with slight huskiness, playful yet emotional delivery, expressive falsetto transitions, conversational phrasing, cool and confident attitude, bittersweet energy, stylish and urban vibe, jazz-pop sensibility, danceable groove, catchy melodic hooks, nostalgic undertones, crisp hi-hats, layered backing vocals, vocal ad-libs, warm analog textures, cinematic transitions, subtle reverb, slick beat drops, bright but introspective mood, vibrant harmonies, refined yet youthful energy, metro-pop atmosphere, emotional restraint with bursts of passion
3:03

RI-KO
v4.5
Heavy Brazilian rock with classic hard rock influence, Mid-tempo groove, Loud rhythmic guitar riffs, Powerful live-sounding drums and bass, Performed by a young girl with a light, clear, and high-pitched voice, Vocal tone is bright, cheerful, and energetic, No rasp, no growl, no shouting, No vocal strain or huskiness, Delivery feels playful and spontaneous, like a group of cheerful girls singing together, Chorus includes chant-style group vocals with call-and-response, Overall vibe is rebellious but cute, Recorded in Rio de Janeiro, Raw and organic mix, Natural reverb from the room, Earthy low-end with garage-style energy, Urban Brazilian rock with fun and youthful energy
3:30

雨声残響
v4.5
Plastic Sync Disorder, syncopated rhythm with broken groove, shiny synthetic textures with a slightly cold tone, math-pop style clean guitar with irregular phrasing, fragmented glitch elements that flicker rather than dominate, steady sub bass with soft sidechain pump, emotional but twisted pop chord progressions, male vocal, deep breathy, sharp nasal edge, dry controlled grit, flat tone with melodic phrasing, soft falsetto transitions, minimal vibrato, detached emotional delivery, clear and forward vocal mix, expressive but restrained, melody-focused
3:24

さがしてた MONO (1)
v4.5
Breathy-female voice, Yodeling, [ELECTRO-POP+ J-POP+ JAZZY-MATH-ROCK+ Electro-JAZZ+ ACID-JAZZ+ fusion], FUNK-MATH-ROCK-Guitar, Vocoder Voice Effect, Glitch Voice Effect, jazz-inspired contemporary drums and a syncopated, groove-centric Jazz bass, setting a melancholic ELECTRO-JAZZ MOOD, while glitched vocal layers and off-kilter transitions drive the alt-POP vibe, 13/8 Time Signature, syncopated and asymmetric rhythm, ELECTRO-JAZZ riffs and offbeat hi-hats, ASMR, Passionate, Uplifting, Hopeful, CATCHY, GROOVY, Twelve, Breathy-female vocal
4:25

Starting in C/Am with acoustic guitar arpeggios, the ballad rock blues groove settles in at 98bpm, Hammond organ adds soulful texture, piano weaves melodic fills, Electric guitar delivers expressive blues licks, Layered strings swell in the chorus, while delicate percussion and backing vocals lift the dynamic, highlighting raw, emotional lead vocals throughout
3:21

依存未満
v4.5
Disorder Diva Break, syncopated and broken rhythms, sharp glitch-pop synths with detuned textures, punchy percussive stabs, distorted sub bass under light melodic fragments, twisted J-pop-inspired chord progressions, fast transitions with glitch cut techniques and structural ruptures, female vocal, strong edgy tone, expressive vocal flips, aggressive falsetto breaks, rapid phrasing changes, emotional yodeling, dry and sharp articulation, punchy vibrato, pitch cracks and growls, dominant front mix, chaotic emotional delivery
3:08

Create a high-energy Japanese punk-rock track in the vein, Aim for ≈200 BPM in E major, raw and lo-fi, Guitars: Overdriven, crunchy power-chord riffs with palm-muted gallops and occasional octave leads; wide stereo panning, Bass: Gritty pick tone doubling the guitar roots; punchy, slightly over-compressed, Drums: Tight snare-focused kit, four-on-the-floor kick that shifts to double-time hi-hat; throw in rapid snare rolls for chaos, Structure: 2:30 total, ABABCBB (verse–bridge–chorus), with a 4-bar halftime breakdown before the final chorus and an abrupt stop on an E5 chord, Mood: Frantic, sweaty live-house vibe—humorous, carefree, slightly mischievous, Mix & FX: Keep reverb minimal, vocals forward, drums punchy, guitars loud; let clipping and tape-style saturation add grit, Generate the final master as if it were recorded in a cramped 2001 Tokyo live club—unpolished, infectious, impossible not to jump to
4:52

3:42

Apoptosis Denied
v4.5
False Parade Ethics, dual clean math guitars with broken melodic phrasing, dry glitch stabs, minimal low bass pulses, fractured ambient pads, asymmetric soft drum accents, male vocal, deep breathy tone, dry soft-grit texture, lazy melodic phrasing, emotionally flat overconfident delivery, nasal sharpness in low-midrange, minimal vibrato, syncopated semi-sung phrasing, subtle autotune haze, dominant forward vocal mix, ironic emotional detachment
3:50

[Color-bird] Hybrid J-pop Jazz Swing, Alternative pop, emotive melodies pop, sweet female vocal, Minimal vibrato, dynamic contrast between verse and chorus, Impressive chorus, Math guitar, rhythmic Swing drum, high-quality production, studio-quality sound, dramatic and passionate atmosphere, like a soft-spoken Japanese female, ‑introduction Fake, ‑introduction Scat, ‑introductionVocalizing, ‑introduction Fillers, ‑introduction Humming
3:16

Love.exe
v4.5
An 8-minute, sonically immersive suite blending experimental jazz rock, glitch funk, and heavy sub-bass fusion, built around an NPR-style high-fidelity aesthetic, The composition integrates authentic turntablism, improvised acoustic guitar solos, and melodic bass call-and-response, all within a fractured, polyrhythmic framework, Sparse ambient glitch textures, eccentric slap-heavy microtonal basslines—mutating unpredictably, percussive like spoken language, bending pitch and rhythm in unnatural directions—dominate the mix as a melodic and rhythmic lead, Sharp transitions using silence pulses and ambient fades define the sonic architecture, The overall vibe should feel intimate, avant-garde, and emotionally raw, prioritizing expressiveness over perfection, Chant-like “auh auh auh” vocals, distorted falsetto, and clipped, chaotic passages with intentional rhythmic deconstruction add further tension, Each section must flow with dynamic contrast, balancing chaos and clarity
2:54

Create a powerful and emotionally intense electronic track at BPM160, combining Detroit techno's raw, industrial beats with emotional trance synths, The rhythm should be fast and driving, with classic 909-style drums, mechanical percussion, and gritty analog basslines, Layer that with ethereal trance pads, ambient sweeps, and melodic arpeggios to create emotional depth, Female vocals should be performed as expressive rap: strong, sharp, and rhythmically tight, yet tinged with vulnerability and reflection, The intro should be no more than 3 seconds long and should launch directly into the first vocal line, No traditional Japanese instruments, The mood should evoke a futuristic cityscape and a clash of cultures, Duration: 2 minutes and 30 seconds, Female vocals only
2:42

3:28

抜け道
v4.5
Urban breakbeat meets modern R&B at 130 BPM, blending punchy drums, syncopated basslines, ambient textures, jazzy electric keys, and minimal synth stabs, The mood is sophisticated and restless—reflecting a quiet inner defiance under neon city lights, Male vocals should echo the styles of SIRUP or Ayumu Imazu: breathy, rhythm-driven, emotionally nuanced, blending falsetto and natural tone with conversational flow, Prioritize groove over melody, with dynamic phrasing that alternates between broad, airy spacing and rapid, percussive lines—especially in rap and pre-chorus, Keep the instrumentation minimal yet groovy, allowing space and texture to shape the mood, The story celebrates forging one’s own offbeat path over conforming to expected routes, Keywords: detour elegance, falsetto flash, breath-led resolve, urban sync, lowkey blaze
3:15

アイツ
v4.5+
A boom bap groove and Afrobeat shakers, Main sections feature glitchy, choppy beats, dynamic drill’n’bass rhythms, and lush jazz textures—electric piano, sax, big band samples, japanese old school hip hop Four rappers take turns—clear, whisper, normal (male), and soft (female)—interplaying over avant-garde Illbient soundscapes, Turntablism adds texture, and the arrangement is both jazzy and experimental
5:08

告白
v4.5+
Genre: J-Rock / Alternative / Neo-Cabaret
BPM: 88–140 (tempo rises in chorus)
Vocal: Female expressive, low-pitched, deep vibrato, Japanese, Spoken-sung verses, belted chorus, Rolled 'r' (ら行) for dramatic emphasis, Instruments: Upright bass, jazz drums (brushes), electric guitar, Rhodes piano, string section, koto, muted trumpet, synth brass stab, Structure: Intro – sparse piano + whisper, Verse – jazz trio base, Pre-Chorus – swing feel, Chorus – full band burst with tempo lift, Bridge – quiet with purring FX, Final Chorus – faster, layered vocals, Outro – solo piano + whisper, FX: Rolled r used in expressive lines, Glitch FX during allergy words, Optional cat purring, Mood: Theatrical, ironic, melancholic, From humor to dramatic declaration
4:02

A deeply emotional progressive metal intro built on an intimate, almost confessional tone, The guitars lock into an uneven 7/8 groove, shifting briefly into 5/4, giving the music a tense, unsteady flow, A warm, singing fretless bass wraps around the rhythm, adding a restless undercurrent that feels both fluid and fragile, Drums are light and precise, focusing on ghost-note snare accents and soft hi-hat patterns that tease the groove rather than push it, The vocal delivery feels like a private admission—clean and delicate at first, almost whispered, but strained at key moments as if trying to hold back a breaking voice, Soft ambient pads linger underneath, widening the space and deepening the sense of quiet desperation, The dynamic grows slowly, with layered guitar harmonics and faint cymbal swells adding subtle weight, It closes on an unresolved bass tone, leaving a feeling of unfinished thought, ready to open into something larger
3:15

6:07

Here I Am
v4.5+
Avant-garde jazz fusion, nu-soul, P-FUNK, NPR-warm Moog analog synths, dynamic soulful female vocals, tender epic tone, soft arpeggiators, lush expressive textures, retro-futuristic vinyl groove, 130 bpm, warm rhodes, funky bass, tight vintage jazz drums, heavy sub-bass
5:04

ほどける季刻(とき)
v4.5+
A breathtakingly sad and beautiful female vocal, Alternative R&B, Piano, sad, graceful, atmospheric soundscapes, high-fidelity sound, mélancolie, unsettling, melancholic piano, nostalgie, aesthetic, dramatic crescendos, Sentimental, Reflective, Progressive, Pessimistic, Romantic, Emotional
3:49

COLORS
v4.5+
j-pop × neo-acoustic × soft electro × light city pop
Tempo: ~100 BPM, flowing with spacious feel
Instruments/Sounds: soft acoustic guitar arpeggio, synth pads for color, clean bass, light brush drums, subtle street & wind SFX
Vocals: male, boyish tone, SUNO chooses exact timbre, natural breath and slight innocence
Special element: Stochastic Composition (probabilistic variations for subtle movement)
Lo-Fi / 528Hz: adds warmth, airy, relaxed vibe
Arrangement notes:
Express lyrics’ actions (kicking small stones, wind, signals) through BGM
Verse: simple, boyish, intimate
Chorus: airy, floating, colorful
Bridge: quiet, dreamy, spacious
4:27

3:26

Contemporary R&B, ambient techno, Acid jazz, glitch, glitch hop, Nostalgic, Soothing, Gentle and sweet female vocals
6:39

J-pop · Rock fusion · Electronic · Jazz/Ragtime · Emotional intensity · Chaotic energy · Dark fantasy · Action drama · Romantic tragedy · Supernatural · Chainsaw Man Reze Arc · Cinematic · Expressive vocals · Stylish animation
2:49

悦楽回路
v5
high-fidelity mix
This experimental track launches with a massive distorted 808 kick, slapping guitar stabs, and a razor-sharp snare riding a gritty trip hop beat, drumfunk, with chopped lo-fi orchestral phrases, DJ scratches, and warped FX, Avant-garde piano flourishes collide with classic-style viola runs, punctuated by bursts of punk guitar, A commanding, rapid-fire rap god vocal bursts in, countered by a sultry, elegant voice woven balletically through complex, unpredictable arrangement shifts, 逆流する感情, 官能, hyper-immersive 3D soundstage, cinematic spatial imaging, holographic stereo field, moving elements around the listener, depth cues (near/far), micro-delays for width (no phase issues), spacious atmosphere, tight punchy drums, clean master, no distortion, no flat/mono mix, low bass
4:34

[Dark Jazz Glitch Rap, Illbient, Shakuhachi Flute, Dub, Off-beat Rhythms, Upright Bass, Spoken Word]
[Dark abstract cinematic collage, instrumental only, no vocals, no melody focus, built entirely from sampled fragments as if cut from old film soundtracks, orchestral stabs abruptly interrupted, low string drones spliced mid-note, distant brass swells fading before resolving, muted piano clusters appearing and disappearing without continuity, rough jump cuts between unrelated textures, uneven volume between samples, inconsistent tonal balance, slow implied time without a steady rhythm, occasional low-frequency pulses replacing drums, silence used as glue between fragments, no smooth transitions, no polish, no groove, sound feels assembled not composed, like a box of forgotten film reels stitched together at night, heavy shadowed midrange, restrained sub-bass tension, dry room presence, unsettling, fragmented, unresolved, existing as memory shards rather than music, ]








































