4:38
Raw, mic-in-a-room delta blues with female vocals: raspy, intimate tone, single slide guitar and stomping floorboard for rhythm, Verses stay low and smoky; chorus lifts with open-throat wails and call-and-response hums, Let the recording feel weathered and live, finger squeaks and breath in the mix, with a short, gritty guitar break before the final chorus, delta blues, raw
4:29
Chasing That Fix
v4.5-all
Raw vintage delta blues stomp, male vocals, cracked ribbon-mic grit, Single slide guitar and thumping footboard in the verse; harp and clapping crowd creep in on the chorus, Vocal rides the edge of a shout, call-and-response ad-libs from a distant barroom corner, Mix is dry, close, and sweaty, like a back-porch burner cut live to tape, raw, delta blues
3:37
That Junk Meant More Than Me
v4.5-all
Rusty Delta blues stomp, male vocals, dry ribbon-mic grit, Fingerpicked resonator guitar and thudding foot stomp drive the groove; occasional slide licks answer the vocal, Verses stay intimate and conversational, chorus hits with ragged gang shouts on the title line, Light room reverb, keep the mix mono and mean, delta blues, raw
5:14
Bad Man’s Blue Dress
v4.5-all
Raw Delta blues, female vocals through a crusty ribbon mic, resonator guitar front and center with rattling slide, foot-stomp on a wooden floor as the main pulse, Verses stay intimate and close, choruses open with a hollered call-and-response feel and subtle room reverb, Occasional mournful harmonica fills between lines, mix leans dry and gritty with tape hiss and finger squeaks left in, raw, delta blues, sad
3:18
Sinner's Heart
v4.5-all
Grimy delta blues, raw slide guitar and rattling suitcase kick, Female vocals: ragged, smoky, right on the edge of breaking, Verse stays sparse with moaning bends and foot-stomp rhythm; chorus swells with call-and-response backing hums and claps, Roomy, live-take mix—air, creaks, and chair squeaks left in, delta blues, raw
5:23
River To Wash Me Clean
v4.5-all
Grimy delta blues and soul, female vocals with rasp and grit, Slide guitar growls over a swampy, behind-the-beat rhythm section; crooked organ swirls in and out, Verses stay sparse and smoky; chorus hits with stacked call-and-response harmonies and a heavier groove, Roomy, live-feeling mix, little polish, all dirt and sweat, delta blues, female vocals, soul
3:36
Wash This Blood Off O’ Me
v4.5-all
Grimy delta blues stomp, bottleneck slide guitar growling through a broken amp, foot-stomp percussion, and a swampy harmonica answering the vocal, Male vocals: rough, close-mic’d, a little distorted, Verses stay low and conversational; chorus jumps in volume with gang shouts and claps, final verse strips back to voice and slide before the last big hit, male vocals, delta blues
3:38
Cleansin’ This Workday Off Me
v4.5-all
Grimy upbeat delta blues stomp, slide guitar through a dirty amp, foot-stomp kick and snare, male vocals half-sung half-growled, Harmonica jabs between lines, gang shouts on the hook, tempo driving but loose, Mix keeps the vocal gritty and upfront with slapback on the lead and a raw, live-barroom feel, delta blues, male vocals
3:48
His Arms Heal My Bruised Past
v4.5-all
Grimy delta blues stomp with overdriven slide guitar and gritty harmonica; female vocals raw and upfront, sitting right on the edge of breakup, Verse rides a mid-tempo shuffle with handclap accents and foot-stomp floor tom; chorus widens with gang shouts on key phrases and a dirtier, thicker guitar tone, Occasional call-and-response backing lines, harmonica fills answering the vocal between phrases, and a brief breakdown before the final hook, female vocals, blues
3:34
Wash That Sin Away
v4.5-all
Grimy upbeat delta blues stomp with male vocals; rattling resonator guitar and slide licks over a chugging shuffle groove, foot-stomp and handclap backbeat, Verses stay raw and close-mic’d, with room noise and growled ad-libs; chorus jumps wider with gang shouts and harmonies, Harmonica fills answer vocal phrases, brief overdriven guitar break before the last hook, delta blues, male vocals
4:29
Found God In Her Arms
v4.5-all
Grimy, upbeat delta blues with overdriven slide guitar, stompbox kick, and clapping on the backbeat, Male vocals: ragged, rowdy, just behind the groove, Verses stay tight and conversational; chorus explodes with gang shouts and call-and-response, Harmonica stabs answer vocal lines, and a short, dirty slide solo lifts the bridge before a final shout-along hook, male vocals, delta blues
3:49
Bring War For My Peace
v4.5-all
Grimy, upbeat delta blues stomp with male vocals; overdriven resonator guitar riff, foot-stomp percussion, and wheezy harmonica, Verses stay tight and conversational, sitting in a mid-tempo groove; chorus explodes with gang-shouted backups and extra slide guitar, Light dirt on the vocal, raw room reverb, and a short, wailing harmonica break in the bridge to spike the intensity before a final shout-along hook, male vocals, delta blues
4:08
Washed Those Bruises Away
v4.5-all
Grimy upbeat delta blues with female vocals, overdriven slide guitar and swampy stomp-clap groove, Verses stay close and gritty with growling bass and rattling snare; chorus opens with big gang shouts, tambourine, and bright organ stabs, Brief call-and-response ad-libs, raw room reverb, and a dirty harmonica break push the energy, delta blues, female vocals
3:04
He Broke My Bed, I Broke His Jaw
v4.5-all
Grimy swamp-delta blues with female vocals dripping attitude; overdriven slide guitar riff, loose hi-hat shuffle, and a crooked upright bass groove, Verses stay low, half-spoken, with grit and smirk; chorus opens up with shouted gang vocals, stomps, and claps, Harmonica interjections answer vocal lines, with a short, nasty slide solo before the final hook, delta blues, female vocals
3:17
Razor In My Drawer
v4.5-all
Grimy delta blues with female vocals, overdriven slide guitar and a swampy, stomping groove, Verse sits in a low, smoky register with sparse riffs; chorus hits harder with gang-style call-and-response shouts, hand percussion, and a dirtier guitar tone, Brief middle-8 breakdown drops to voice and one droning note before slamming back into the final hook, delta blues, female vocals
2:25
Grimy, upbeat delta blues with male vocals; raspy slide guitar and stomping kick on a wooden floor, loose hi-hat and claps driving the groove, Verses stay raw and close-mic’d, bass thumps on the low strings, Chorus widens with gang shouts, call-and-response, and overdriven harmonica fills between phrases, Keep it dirty, saturated, and a little unhinged, male vocals, delta blues
5:53
Grimy delta blues with male vocals, bottleneck slide on a battered resonator, dusty kick and foot-stomp for groove, Verses stay low and smoky, vocal riding just ahead of the beat; chorus opens with ragged gang shouts, thicker harmonies, and a dirtier overdriven guitar, Occasional harp wails answer vocal lines, with a short, raw slide solo before the final, half-time chorus, delta blues, male vocals
4:07
Redemption In Their Eyes
v4.5-all
Grimy delta blues with detuned slide guitar and stomping porch percussion, Male vocals, worn and raspy, sit right on the edge of breaking, Verse stays low and smoky; chorus opens with gang-style hums, claps, and a rattling tambourine, Occasional harmonica wails answer the vocal lines, with a roomy, live-tape mix that feels like a one-take confession, male vocals, delta blues
3:44
Love My Dog More Than You
v4.5-all
Raw Delta blues stomp with male vocals; raspy lead over detuned slide guitar and a dirty, foot-stomp groove, Sparse kick and floor-tom thud drive the shuffle, with wheezy harp fills answering vocal lines, Verses keep it low and snarling, chorus opens into shout-along gang vocals and claps, bridge drops to almost a cappella before slamming back in, delta blues, male vocals
3:16
Preacher’s Heart, Devil’s Wrath
v4.5-all
Grimy delta blues trio in a back-room juke joint, male vocals with a torn, weary edge, Distorted slide guitar and thumping, out-of-tune upright bass lock into a dusty shuffle; brushed snare and rim clicks keep it loose and dangerous, Verses stay raw and close-up, chorus explodes with gang shouts and overdriven harmonica fills, Leave grit in the take—finger noise, breath, and broken-amp crackle front and center, delta blues, male vocals
3:58
Raise Your Hand, Catch My Razor
v4.5-all
Grimy delta blues stomp with female vocals, overdriven slide guitar, detuned upright piano hits, and a sagging swampy groove, Verse guitars stay dry and close, stomps and handclaps thick in the room; chorus explodes with gang shouts, doubled lead, and a trashy room reverb, Harmonica stabs answer vocal lines, with a short, snarling slide solo in the bridge before a raw, a cappella-style final hook, delta blues, female vocals
3:08
These Babies Worth Dying For
v4.5-all
Grimy delta blues with overdriven slide guitar, foot-stomp percussion, and raw female vocals pushed right up on the mic, Verses stay sparse and swampy with roomy reverb; chorus hits harder with doubled raspy harmonies and a dirtier guitar tone, Occasional harmonica wails and handclaps build tension, then drop to near a cappella for the final hook, delta blues, female vocals
3:16
Swampy delta blues with female vocals, detuned slide guitar, and a crooked shuffle groove, Kick and floor tom stomp like feet on a front porch, bass growls in the low mids, Verses stay raw and close-mic’d, with fingerpicked grit; chorus widens with gang shouts, call-and-response, and overdriven harmonica stabs, Mix leans dirty and intimate, letting vocal rasp and room noise color the track, delta blues, female vocals
3:24
Stole My Heart In Delta Mud
v4.5-all
Swampy delta blues stomp with male vocals, rusted slide guitar and a thick, humid groove, Kick and floor tom hit like slow footsteps through mud; bass lumbers behind, Verses stay low and smoky, with room for snarling guitar fills; chorus opens wider with gang shouts and a call-and-response feel, Harmonica wails in the gaps, final turn-around fades on a dirty slide riff, male vocals, delta blues
4:47
Lie To Me, Keep The Day Away
v4.5-all
Raw delta-blues trio: fingerpicked resonator guitar with slide, dusty upright bass, brushed snare and stomps, Female vocals, smoky and close-mic’d, sitting right on the edge of breakup, Verses stay low and gritty, chorus opens with louder belt and stacked “ohhh” harmonies, Occasional ghostly organ swells in the bridge; keep it live, room noise and breath intact, delta blues, female vocals
3:19
Your Kiss Tastes Like The Blues
v4.5-all
Dusty delta-blues shuffle, overdriven slide guitar and stomping floor toms, Female vocals: smoky and intimate on verses, raw and belted on the hook, Harmonica fills answer vocal phrases; claps and foot-stomps build a sweaty juke-joint chorus, Mix leans midrangey and live, like a one-take on a hot night, blues
5:33
That Woman Needs Church
v4.5-all
Raw delta blues stomp with slide guitar, foot-stomp percussion, and gravelly male vocals, Verse rides a slow, swampy groove; chorus punches with gang shouts and claps, Dirty harmonica fills the gaps, vocal ad-libs and growls right up on the mic, mix feels live and smoky, male vocals, delta blues
5:09
Voodoo In Her Hips
v4.5-all
Raw, swampy delta blues with male vocals: one rusty slide guitar and a thumping foot stomp on a creaky porch, Dry, upfront vocal, gravel and air, a little tape grit, Verses stay bare and tense; chorus hits harder with thicker guitar voicings and gang-call shouts, Occasional moaning harmonica fills answer vocal phrases between lines, raw, delta blues, male vocals
3:24
Southern Baptist tent-revival feel with male vocals: dusty upright piano, tremolo-soaked slide guitar, and a worn Hammond swirling under a gritty lead, Verse starts low and confessional over brushed snare and soft bass, then the chorus erupts with full choir, stomps, and handclaps, Subtle call-and-response and ad-libs build toward a final, raw, a cappella tag on the title line, male vocals, soulful
3:18
Where the Fish Jump
v4.5-all
Gritty Southern Baptist delta blues with male vocals, slide guitar up front and a lazy, stomping groove, Verse sits raw and conversational, close-mic vocal, fingerpicked guitar and brushed snare; chorus swells with call-and-response hollers, handclaps, and churchy organ pads, Short turnaround riff between sections, room reverb on the vocal to feel like a small wooden chapel by the river, male vocals, delta blues
3:28
Nine to Five to Nowhere
v4.5-all
Gritty delta blues, male vocals through a worn ribbon mic, dry and up-front, Foot-stomp and handclap groove with slide guitar snarling in open tuning, harmonica answering vocal phrases, Verses stay raw and close; chorus opens with gang shouts and thicker slide layers, last pass pushes vocal rasp and harmonica wails to a ragged peak, delta blues, male vocals
3:45
Keep The Wolves Away
v4.5-all
Gritty delta blues with slide guitar and stomp box; dry, smoky female vocals up front, Verse sits on a loping swamp groove, sparse bass and brushed snare, Chorus hits harder with gang shouts and claps, gritty overdrive on the slide, Final verse strips back to vocal and guitar, ending on a raw, held note and lingering reverb, female vocals, delta blues
2:55
Devil’s Door
v4.5-all
Swampy, upbeat delta blues with male vocals: raw slide guitar riff, stomping kick and foot taps, rattling tambourine, Verses keep it tight and gritty, room-mic feel; chorus jumps with gang shouts, claps, and a dirtier overdriven guitar, Brief call-and-response guitar lick after each chorus, ending with a held vocal growl and band hit, male vocals, blues
2:54
Taste My Honey
v4.5-all
Raw delta blues stomp with ragged slide guitar, foot-stomp percussion, and female vocals pushed right up front, Verses stay smoky and close, almost spoken, with gritty vibrato; chorus jumps in volume with gang-style shouts and claps, Harmonica wails between lines, final chorus rides a slow-burning crescendo then drops to a single voice and guitar, female vocals, delta blues
2:14
Grind Away the World’s Dirt
v4.5-all
Swampy delta blues stomp, male vocals run raw and raspy over slide guitar and a fat, dirty bass, Foot-stomp percussion and claps drive a hypnotic groove, Verses stay close and smoky; chorus opens with gang shouts and call‑and‑response, Occasional harmonica wails snake between vocal lines, male vocals, delta blues
3:39
Swampy delta blues with male vocals, dirty slide guitar front and center, foot-stomp groove and rattling tambourine, Verse stays raw and conversational; chorus hits with shouted gang vocals and big room reverb, Harmonica fills between lines; bridge strips to vocal + guitar before the full band slams back in, male vocals, delta blues
3:45
Gritty delta blues with male vocals, slide guitar front and center, brushed snare and a thumping upright bass, Verse stays sparse and swampy; chorus hits harder with stomps, claps, and gang shouts on key phrases, Harmonica answers vocal lines, and the bridge leans into a raw, overdriven guitar tone before a final, hanging chorus, delta blues, male vocals
2:55
Cold Poker Face
v4.5-all
Raw delta blues stomp with slide guitar, stomping kick, and clapping on the backbeat, Female vocals, smoky and gritty, sit right in front of a dirty bottleneck riff; call-and-response backing hums on the chorus, Harmonica wails between lines, energy swings from hushed menace in the verses to a ragged shout on the hook, female vocals, delta blues
3:36
The Man Who Chose To Beat Her
v4.5-all
Raw front-porch delta blues, male vocals cracked and weathered, One resonator slide guitar and a foot-stomp board drive the groove; brushed snare creeps in on the second verse, Vocal stays close and confessional in the verses, then opens into a ragged shout on the hook with call-and-response hums, Roomy, natural reverb like a small wooden shack, every fret squeak and thumb slap loud in the mix, delta blues, male vocals
3:54
Live By The Sword
v4.5-all
Raw delta blues stomp with male vocals; slide guitar growling through a dirty amp, foot-stomp and handclap groove, low rumbling bass drone, Verses stay sparse and tense, big roomy reverb on a sharp snare, Choruses open with gang-style shouts and call-and-response backing vocals; mid-song slide solo wails above a swampy, hypnotic riff, delta blues, male vocals
3:34
Devil At The Crossroads
v4.5-all
Upbeat delta blues with driving acoustic slide guitar, stomping kick, and claps; male vocals gritty and playful, Verses stay raw and tight in a shuffle groove, bottleneck licks answering each line, Chorus jumps with gang shouts and call-and-response, harmonica fills punching between phrases, Energy builds into a final, rowdy tag with extra vocal ad-libs and longer guitar turnaround, male vocals, delta blues
4:44
Crossroads & Deathbed
v4.5-all
Grimy slide-guitar delta blues in open tuning, male vocals with a cracked, smoky tone, Stomp box and claps for a raw backbeat, harmonica fills between lines, Verses stay low and muttered; chorus belts out rough and loud with gang shouts on the title line, Roomy, mono-leaning mix like an old field recording, saturated and dirty, delta blues, male vocals
3:30
Calvary Blues
v4.5-all
Raw delta blues groove with bottleneck slide guitar and thudding floor-stomp kick, Female vocals: husky, close-mic’d, rising from a confessional hush to a full-throated wail on the hook, Sparse bass and a moaning harmonica shadow the melody between lines, Choruses hit harder with call-and-response backing hums and a brief overdriven guitar fill on the turnarounds, delta blues, female vocals
5:00
Dark, swampy delta blues with male vocals; dry slide guitar and thumping foot-stomp kick, low growling bass on the root, Verses stay close and muttered, lots of air and fret noise; chorus widens with doubled vocals and call‑and‑response hums, Occasional overdriven guitar fills snarl between lines, keeping the groove slow, heavy, and menacing, male vocals, delta blues
3:49
Worth Sobriety
v4.5-all
Swampy delta blues shuffle in a humid room, male vocals worn and raw, Slippery slide guitar, upright bass thump, and brushed snare lay a muddy groove, Harmonica cries between phrases; organ swells on the hook, Vocal starts close and confessional, then grows ragged and desperate by the final chorus, delta blues, male vocals