2507

This GLITCH-POP banger erupts with fragmented vocal chops and hyper-processed Auto-Tune melodies, layered over fizzy, distorted 808s and skittering trap percussion, Synths stutter like corrupted data, while a pulsating sub-bass anchors the chaos, The vocals oscillate between robotic detachment and manic, pitch-shifted hooks—channeling digital anxiety with sugary, synthetic rage

Avant-garde, sarod, horror synth, horrorcore, tropical, antifolk, akordeon, sega, weirdcore, comedy, cartoon, sonic youth, freeform

Rock and roll 60s, 125 BPM, Czech language, Male voice, Backing vocals, The chorus is sung by a female vocal choir, which sounds celebratory, naive and pleasantly surprised, imitating the playful clucking of a hen

starts with humming the melody, wind up music box toy pleasant groovy melody changing to captivating phonk melody, captivating female vocal, voice altering effects, brostep beat, wide stereo effects, wobbling crushed bass, scratch effects, professional studio, 140 bpm

The track opens with lush 80s synth layers, crisp disco hi-hats, and a slow, pulsing bass house groove, Sultry female vocals glide atop icy pads and deep sub bass, Warped witch house textures and haunting hooks swell in with reverb, gospel choir harmonies, and atmospheric FX drops, Dramatic taiko bursts, evocative slide guitar, and Turkish motifs weave in, intensifying the contrasts and tension with each section, crafting a cinematic, genre-blending fusion

Czech song, gentle hardrock ballad 70s, 67 BPM, G minor, Male raspy and sad voice, Main instrumentation: The electronic organ will play uninterrupted chords throughout the song, Other instruments are electric guitar plays arpeggio, bass guitar, drums, Mood should be introspective and achingly tender, with a gradual build-up of emotion, Vocal style: Soft, slightly husky male voice with a sense of vulnerability and reconciliation with subtle vocal transitions and smooth phrasing

circus pop punk rock, energetic, rebellous, heavy guitars, powerful drums, jinx

emotion, bubblegum pop, acoustic

Strong hard rock, glam rock, hoarse male voice

Bright, layered synths with punchy electronic drums drive an energetic intro, joined by tight vocal harmonies and call-and-response lines in the verses, The pre-chorus uses staccato guitar and a rising pad, exploding into a soaring, hook-filled chorus, A short dance break follows the second chorus before a final climactic refrain, all layered with lush vocal stacks and crisp percussion

Cute Vocal, Girl Voice, Reggae, Ska, Japanese Idol Vocal, Kawaii, pop, j-pop, electro

This Memphis rock and roll blues track launches with a gritty electric guitar riff and upright bass, Verses relax into mellow organ and vibrant female vocals, Choruses erupt with bold brass stabs, fiery harmonica, and handclaps, then settle into a pulsing, groove-driven instrumental section

Theatrical, dark, heavy, and bluesy 1970s-style doom metal with slow, thunderous riffs, metal electric guitar, eerie minor chords, pounding drums, fuzzy bass, and an ominous, psychedelic atmosphere, Wah wah guitar solo, Dark dramatic, theatrical British male lead vocal with a haunting, nasal tone and a slightly unhinged delivery, alternating between menacing and wailing, Add creepy melodic lines, church-bell accents, and a sense of apocalyptic humor, Vintage analog sound with big reverb and a raw, live feel, catchy, memorable

Tempo: 100 BPM !!!! FRENCH ACCENT!!! - FRENCH FEMALE VOCAL!!!! Glam Pop-Punk / Naughty Rock, High-energy, driving rhythm, super catchy, with a raunchy, dirty, tongue-in-cheek, highly suggestive female vocal (raspy, expressive), with prominent French lyrical parts, Distorted electric guitars, bright synths, punchy drums, Saucy, rude, naughty, borderline scandalous, wild, chaotic, NO AMERICAN ACCENT!!!! - NO AMERICAN VOCAL!!!! Explicitly raunchy, dirty, tongue-in-cheek, highly suggestive female vocal (raspy, lustful, uninhibited)

ska, ska punk, kawaii

Create a song with a mix of dark and upbeat elements, using a variety of instruments and vocal styles to convey a story of overcoming adversity and finding hope, Czech language, Male voice

Bright pop instrumentation opens with punchy synth stabs, tight electronic drums, and playful bass, Verses use crisp piano chords and modern pads, building into a soaring chorus with stacked vocals and rhythmic claps, A short bridge strips back before an explosive final hook

[Symphonic metal][funeral-march pacing][crashing guitars][cinematic strings][raw male vocals][power ballad]A symphonic metal ballad about irreversible loss and brutal trauma, opening with slow, mournful organ and ambient strings that set a tragic, cinematic tone, Verses are delivered in a plainspoken, third-person narrative style with raw male vocals reminiscent of David Coverdale, supported by light orchestral underscoring and low guitar drones, The chorus swells with crashing guitars, thunderous drums, and haunting choral layers, expressing aching grief and inner collapse, A bridge interrupts with a spoken word news report over static, breaking the fourth wall and collapsing the illusion, The final chorus roars with layered harmonies, double kicks, and saturated guitars, ending with bells fading over a dying organ, Feels like watching a funeral through broken glass, ‑[compression][shimmer][voice distortion][background noise][muffled][tinny][reverb][buzzy]

low breathy male vocals, acoustic, somber, heavy, acoustic rock

power pop, powerful drums, complex arrangements, punk pop, summer glaze, wall of sound, us pop, electronic elements

rock, energetic, athemic, catchy, electric guitar, squealing lead guitar, wild, upbeat, frantic lead guitar hooks, ‑Country

rolling kick-bass psytrance, dark electro-techno, deep future-prog, deep growling basketball basslines, cosmic progressive psytrance, minimal psytrance, powerful kick, deep modulated basslines, distorted synth, trance gate, ritual shamanic, tribal percussions, vocal chops, mantra, complex arrangements, oud, tribal transitions; throat singing

Cinematic, mythic, and deeply twisted, Dragon Scary ambience music for horror, Slow voice, Creepy comedy dragon slow voice, A funky 80s dragon pop track starts with a quirky synth riff, slap bass, and punchy drum machines, Suddenly, heavy Black Metal guitars and rapid double-kicks erupt, layered by bold strings, brass, playful xylophones, quirky FX, and children’s choirs for a comic-creepy texture, leaping between funk, metal, and orchestral fantasy, ending with a dramatic orchestral swell

loud, male vocals, psychedelic rock, driving, futuristic

Rock, czech

Song is call and answer format - call is booming shouting male vocal, awnser is group of men shouting in reply Intro is beating drum only, dull and repetitive, Beginning is sung call-awnser format, to beating drums and building dark rock Grandiose, epic Millitary war song, styled to 10th century vikings Battle drums from ships beating a dull beat that calls into trance of repetition - drums maintain steaidly thorughout the song but builds to Dark Rock [call] is booming male vocals [awnser, group chanting] is a group chanting loudly SFX: horn, crows, sowrds clinging

Nu-metal with distorted heavy guitar riffs and a tight groovy rhythm keeping a mid-fast tempo with aggressive drums and syncopated hits alternating rapped verses with clean melodic vocals and screamed choruses with layered backing harmonies using a deep slightly saturated bass and subtle industrial samples in the background the main progression should follow drop C tuning alternating chugged rhythmic patterns for the verses and ascending fifths progression for the choruses the bridge must include a halftime breakdown with artificial harmonics and a short dramatic bending guitar solo the ending should return to the initial groove with a distorted fade out to maintain the dark and dramatic tone, Español de México

High-tempo industrial metal with glitchcore and DnB aggression, Harsh, mechanical, and philosophical, A climb through burning debris, led by bodiless screams, [INSTRUMENTATION] • Guitars: drop-tuned 8-string chugs, tremolo chaos, walls of distortion • Bass: glitch-fuzzed subs, broken pulse • Drums: 160–180 BPM, broken DnB fills, double kicks, off-grid breakdowns • Synths: metallic drones, AI-error tones, granular ambient • FX: reversed crashes, machine breath, glitch screams • Vocals: Japanese growls, chants, whispers — raw emotion, no clarity [STRUCTURE] Glitch intro → scream build → blast riff surge → ambient collapse → final distorted descent [MOOD] Oppressive, cold, ritualistic, Voices scream from voids, climbing toward meaning, [VISUAL] A scorched mountain, No sky, no gods, Only the question: “Whose voice survives?” [FINAL TAG] Japanese vocals, clear mastering, extreme mix, Suno v4, 5+ ready

hardtekk, hard techno, hard style

tempo 142–148 BPM, tight straight‑8ths indie rock groove Sound Composition 🎹 Electric piano: overexposed Wurlitzer; percussive chords and syncopated stabs, slight drive, short room 🥁 Drums: overexposed live kit; bright overheads; lots of percussion (shaker, tambourine, woodblock) 🎙️ Female vocals: young, raw college lead in sparse verses; subtle room 🎻 Background: light tape hiss, small‑room ambience, faint crowd noise 🎸 Bass: warm, slightly fuzzed; short notes, lightly behind the beat Feeling/Mood a sparse verse spotlighting a young raw female voice a humble subtle chorus swelling with layered brisk female harmonies and overexposed brutal electric piano wurlitzer fills a syncopated “smart nerd” Manhattan‑style garage‑blues bridge

Dark slow sad strong bass guitar gothic metal, hoarse male voice