4:48

Back to June
v5.5
shoegaze, post-rock, baritone lead vocals, falsetto peaks, close second vocal, layered vocalises, organ drone, pizzicato electric guitar, distorted guitar wall, washed stereo guitars, soft analog pads, round melodic bass, restrained organic drums, drip percussion motif, tape ambience, huge reverb, raw live production, swung triplet feel, cathartic release
4:43

Give you away
v5.5
shoegaze, post-britpop ballad, 82 BPM, intimate baritone lead, soaring falsetto support, soft piano arpeggios, chorus-soaked guitars, swelling string ensemble, warm electric bass, restrained live drums, tape saturation, plate reverb, stereo widening, slow build, half-time chorus, bittersweet nostalgia, monumental final chorus
4:44

slowcore, dream rock, 72 BPM, Hammond organ drones, baritone lead vocal, fragile falsetto accents, layered backing chants, airy Hammond organ drones, washed-out guitar haze, fingerpicked electric guitar, round melodic bass, muted rimshot drums, halftime groove, sparse tom fills, analog tape warmth, room mic bleed, long plate reverb, gradual chorus lift, bittersweet uncertainty, nocturnal intimacy
4:35

Until it's over
v5.5
shoegaze, lo fi shoegaze, restrained baritone vocals, falsetto peaks, layered chorus guitars, Hammond organ drones, round melodic bass, tom driven backbeat, tape saturation, crushed transients, reverb tail focus, mid tempo pulse, slow build breakdown, atmospheric outro, bittersweet nostalgia, brooding lift
4:54

Stolen glance
v5.5
lo-fi shoegaze, wide shoegaze wall, high tone hammond drones, fuzzed rhythm guitars, high-pitched shoegaze feedback, sustained feedback drones, shimmering harmonic sustain, ebow-style guitar drones, wide stereo field, muted room drums, tape hiss, room mic bleed, plate reverb, saturated vocal chain, playful lead barytone vocal, falsetto harmonies, cathartic guitar break, fragile intimacy, late-night tension
4:44

Five dolls
v5.5
shoegaze, post-rock, unstable baritone lead vocals, falsetto harmonies, brushed drums, round bass guitar, reverb-drenched guitars, low tone organ drones, shimmer delay, analog saturation, close mic vocals, empty room ambience, slowcore, 1970s tape warmth, raw cracked vocal, sparse arrangement, lucid sorrow, quiet resolve
4:49

Promises
v5.5
shoegaze wall of sound, ambient slowcore, baritone lead vocal, layered falsetto harmonies, angular melodic bassline, motorik drums, widened chorus guitars, ebow guitar drones, high-pitched feedback, tape saturation, plate reverb, sidechain compression, sparse to massive build, nocturnal drift, restrained intimacy, 90s alt rock, fragmented electronic textures
3:50

Crowded hours
v5.5
shoegaze, post rock, 86 BPM, restrained close mic barytone vocal lead, falsetto peaks, chorus-soaked guitars, looping guitar hook, round melodic bass, analog pads tape saturation, vinyl grain texture, trip hop drums, steady pulse shifts, high-pitched shoegaze feedback, sustained feedback drones, shimmering harmonic sustain, ebow-style guitar drones, wide stereo field, breakbeat breakdowns, maximal outro wall, controlled fade, focused momentum, resilient forward motion
5:24

art rock, shoegaze, blackgaze contours, sparse overdriven guitars, ebow guitar drones, bowed cello drones, theremin glissando, close-mic barytone vocals, tape echo, room mic bleed, lo fi saturation, high-pitched shoegaze feedback, sustained feedback drones, shimmering harmonic sustain, ebow-style guitar drones, crushed transients, reverb tail focus, suspended pulse, slow build breakdown, claustrophobic dread, introspective drift
5:29

shoegaze, restrained baritone lead, breathy falsetto layers, round melodic bass, soaring guitar solo, sustained bend guitar, high-pitched shoegaze feedback, sustained feedback drones, shimmering harmonic sustain, ebow-style guitar drones, distant feedback swells, post-metal drums, half-time groove, soft distortion bloom, plate reverb, dense ambient wash, call and response chorus, dynamic release arc, nocturnal cinematic weight, emotionally exhausted, tactile sonic depth
4:32

Failure
v5.5
trip-hop, experimental shoegaze, 92 BPM, intimate vocoder baritone, whispered unison hook, call and response chorus, live breakbeat drums, dub delay snare, round melodic bass, warped upright bass, tremolo electric guitar, feedback guitar layers, granular synth accents, glitch edits with wide stereo effects, tape saturation, room mic bleed, rising chorus lift, bittersweet hope
4:33

Under influences
v5.5
Alternative rock with post-punk and indie influences, Distorted electric guitars play driving eighth-note rhythms and melodic lead lines, A picked electric bass follows the guitar chord progressions, Drums feature a steady backbeat with prominent crash cymbals and open hi-hats, Male vocals are delivered in a mid-range baritone with a slight grit, The arrangement includes clean guitar arpeggios in the verses and thick, overdriven textures in the choruses, 145 BPM, Key of E Major
4:44

Isadora
v5.5
shoegaze, post-rock, 84 BPM, murmuring baritone lead, breathy double tracking, bowed acoustic guitar, round melodic electric bass, overdriven tremolo guitar, upright piano harmonics, cello counterline, tape echo, plate reverb, ribbon mic saturation, analog warmth, 90s indie production, sparse verse arrangement, chorus lift, dynamic crescendo, full orchestra ending, bittersweet ache, ritual hush
4:44

Mailbox animals
v5.5
post-rock grungegaze, raspy baritone lead vocal, second voice harmony, falsetto chorus lift, fingerpicked electric guitar, distorted rhythm guitars, round melodic bass, tom-heavy drum kit, brushed snare accents, dense guitar wall, tape echo throws, plate reverb, analog saturation, hypnotic verse groove, half-volume chorus, eruptive outro build
4:54

Deja vu
v5.5
blackgaze, trip-hop, massive wall of sound, close-mic baritone vocal, breathy double-tracked vocal, tremolo guitar wall, looping guitar motif, octave lead guitar, round bass, brushed drum kit, swung breakbeat, tape echo, spring reverb, parallel compression, mono verse stereo chorus, intimate dread, slow bloom
3:46

britpop, guitar-pop, 96 BPM, jangly Rickenbacker guitar, chorus-drenched rhythm guitar, tom-heavy drum fill, round walking bassline, analog tape saturation, FM radio compression, mono verse wide chorus, late-90s arrangement, breakdown lift, bittersweet nostalgia, fluorescent loneliness, hooky gang vocals, call-and-response chorus
4:09

No more dreams
v5.5
grungegaze, post-rock, shoegaze wall guitars, fuzz octave leads, drop D power chords, round bass drone, live room drums, tom-heavy build, raspy baritone dual lead, whispered unison harmony, slapback delay, spring reverb, tape saturation, stereo widening, slow crescendo, midtempo 92 BPM, half-time groove, bittersweet grief
4:44

post-rock, shoegaze, 92 BPM, talking-sung lead, close-mic nylon guitar, fingerpicked acoustic, fuzzed rhythm guitars, octave pedal lead, round melodic bass, muted room drums, room mic bleed, tape hiss, plate reverb, saturated vocal chain, doubled lead vocal, falsetto harmonies, dynamic subtraction, cathartic guitar break, late-night tension, slow release
3:32

Father wound
v5.5
grungegaze, fingerpicked acoustic intro, close mic raspy baritone, breathy intimate vocal, doubled by a another voice in the chorus, distorted power chord chorus, driving eighth-note bass, heavy snare backbeat, crashing cymbals, feedback bridge, layered harmonies, stripped acoustic outro, live room drums, dynamic build, fragile-to-blaring arc
4:41

Mixtape
v5.5
lo-fi shoegaze, trip-hop, 72 BPM, close mic baritone lead, strained falsetto fragments, buried vocal layers, close-mic acoustic guitar, fuzzed guitar walls, bassoon drones, psychedelic round bass melody, industrial drum accents, feedback saturation, parallel compression, stereo widening, analog decay, hypnotic repetition
5:33

Freezing point
v5.5
post-metal, shoegaze wall, soft baritone male vocal, falsetto overlays, intimate verses, explosive choruses, steadier chorus lift, dense reverb guitars, tremolo guitar chords, dark synth drones, melodic round bass, distorted metal riffs, Hammond organ high tones drones, tape echo delay, spring reverb, discreet drum grid, cavernous room mics
4:44

Phantom pain
v5.5
dark trip-hop, emogaze, shoegaze, 72 BPM, breathy male lead, doubled whisper vocals, baritone second voice, hypnotic snare drum pattern, melodic round bass, sub-bass drone, muted Rhodes chords, tape delay vocals, granular reverb tail, vinyl crackle, sidechain pumping, sparse drum programming, tremolo guitar swells, bowed bass, broken beat groove, quiet grief, phantom ache, ‑choir, ‑pop
4:27

Beware
v5.5
grungegaze, post-rock, 94 BPM, accusation chant, baritone lead vocal, second voice harmony, falsetto chorus lift, fingerpicked electric guitar, distorted rhythm guitars, round melodic bass, tom-heavy drum kit, brushed snare accents, dense guitar wall, tape echo throws, plate reverb, analog saturation, hypnotic verse groove, eruptive outro build
4:59

lo-fi shoegaze with slow collapsing momentum, close mic male baritone vocals with strained falsetto fragments, intimate but emotionally abrasive atmosphere, dense guitars swallowing the mix, buried vocal layers, detuned guitar walls, close-mic acoustic guitar, dulcimer accents, round bass ostinato, industrial drum accents, feedback saturation, plate reverb, parallel compression, stereo widening, analog decay, hypnotic repetition, unstable rhythm, collapsing outro, oppressive intimacy, slow-motion erosion
4:56

dreamgaze, 84 BPM, hammond organ drone, baritone lead vocals, falsetto peaks, close second vocal, layered vocalises, distorted guitar wall, washed stereo guitars, soft analog pads, round melodic bass, restrained organic drums, drip percussion motif, huge reverb, swirling ambience, raw live production, fragile intimacy, cathartic release, swung triplet feel
4:26

Chalk line
v5.5
grungegaze, blackgaze, 84 BPM, downtuned fuzzy guitars, wall of sound, round crawling bass, slow heavy drums, raw strained vocals doubled by a falsetto, melodic emo chorus, jagged feedback bridge, 90s analog grit, plate reverb, tape compression, syncopated bass, anthemic despair
3:44

Low tide
v5.5
shoegaze, grungy electric guitar, soft fragile falsetto, light backing vocals, long instrumental intro, wall of sound, round melodic bass, heavy reverb wall, ping pong delay, soft saturation, no harsh transients, fluid tempo, breathing groove, slow to mid tempo, gradual build, expressive guitar solo, bittersweet threat, intimate tension, slow building
4:12

Selfist
v5.5
slow lo-fi shoegaze, close-mic acoustic guitar, fingerpicked nylon strings, fuzzed rhythm guitars, grungegain lead guitar wall, muted room drums, tape hiss, room mic bleed, plate reverb, saturated vocal chain, doubled lead vocal, falsetto harmonies, cathartic guitar break, fragile intimacy, late-night tension
3:47

grunge rock, garage rock, 72 BPM, baritone rasp, strained shout choruses, reverb-drenched guitars, fuzz pedal crunch, gritty bassline, live room drums, close-mic overheads, room noise, amp hiss, lo-fi saturation, quiet verses, explosive choruses, intimate confessional, weary defiance, post-rock dynamics, ‑live public
4:03

Lush, swirling guitars drenched in reverb and delay swirl over a pulsing, midtempo rhythm section, melodic round bass underlies hazy synth layers, while dreamy textures and distant, airy vocals float through the mix, The bridge introduces abstract, detuned effects and feedback washes
5:23

Wait for it
v5.5
grungegaze, psychedelic rock, 126 BPM, playful close mic male baritone lead, layered chorus vocals, round bass drive, dense saturated guitars, wide stereo guitars, percussive hammond organ, tight verse groove, catchy chorus hook, clean guitar break, soaring guitar solo, plate reverb, tape compression, late 90s alt rock, tense catharsis, wall of sound
4:34

Stay
v5.5
alt-rock, grunge ballad, 72 BPM, minor key, close mic acoustic guitar, fuzzy wall guitars, grunge edge electric, muted room drums, tape hiss, small room acoustics, sidechain compression, slow build arrangement, final soaring climax, raspy lead vocal, baritone lead tension, falsetto chorus harmonies, breathy fragile delivery, downbeat phrasing, breakup aftermath
4:59

You said
v5.5
shoegaze, emo, slow tempo, dense guitar walls, reverb drenched guitars, mournful Hammond organ drones, melodic round bassline, dark synth pulses, thunderous tom drums, baritone verses, falsetto climaxes, plate reverb, wide stereo mix, dynamic surges, argument verses, ethereal fade
4:29

Mantra
v5.5
psychedelic rock, shoegaze, blackgaze, baritone lead vocals, sitar, dulcimer, twin guitar overdubs, fuzz pedal wash, e-bow guitar drones, stereo tremolo guitar, bowed bass, live room drums, tom-heavy fills, analog tape saturation, spring reverb, 90s alt-rock mix, slowed halftime groove, drifting melancholy, tidal momentum
3:49

A melancholic indie rock song in a minor key, featuring a male vocalist with a clear, slightly melancholic tone, The instrumentation includes acoustic guitar, electric guitar, bass guitar, and drums, The song begins with a clean electric guitar arpeggio, establishing a somber mood, The drums enter with a simple, steady beat, and the bass provides a foundational rhythm, The acoustic guitar strums a consistent chord progression throughout the verses and choruses, Electric guitar fills and melodic lines are used sparingly, adding texture and emphasis, The song structure follows a typical verse-chorus format with a bridge and outro, The tempo is moderate, contributing to the reflective atmosphere, Production is clean with a balanced mix, allowing each instrument to be clearly heard, There are no significant vocal effects, maintaining a raw and emotional delivery
4:49

Slow burn
v5.5
slowcore, shoegaze, 78 BPM, close-mic fragile lead vocals, melodic round bass, tremolo guitar wall, clean guitar harmonics, e-bow guitar drones, bass drum, brushed snare kit, timpani rolls, tape saturation, spring reverb, wide stereo chorus, gradual build, syncopated tom pattern, fragile dread
4:51

dark shoegaze, 132 BPM, round melodic bass, six-string baritone guitar, chorus-drenched power chords, octave fuzz bass, propulsive live drums, tom-heavy fills, sidechained pad drones, reverse guitar swells, soaring guitar lead, plate reverb, tape saturation, wide stereo mix, overcompressed kick, baritone lead vocals, half-time bridge, urgent catharsis
4:03

White noise
v5.5
psychedelic shoegaze, post-rock, baritone vocals, whispery doubles, fuzzed rhythm guitar, reverse guitar swells, melodic round bass, live drum kit, brushed snare, plate reverb, tape saturation, analog delay, stereo wall of sound, sparse verse build, explosive chorus lift, midtempo pulse, haunted restraint
5:19

dark blackgaze with 90s alt rock mix, midtempo pulse, syncopated punchy drums, subtle military-style snare ghost notes and distant marching rolls in background, round melodic bass lines, dense reverb wall-of-sound guitars, layered guitar stacks, dreamy arpeggios in intro, subtle synth flashes, rapsy baritone male lead with grit, occasional falsetto hush for contrast, doubled vocals in choruses, harmonized chorus lift, wide stereo image, swirling modulation effects, tape saturation warmth, dynamic arrangement with strong contrast, near-silent fragile bridge with no drums and minimal elements, slow tension rebuild, expansive final chorus with maximum layering, emotional peak then fragile outro collapse, plate reverb tails, organic humanized timing, cinematic arc, introspective and tense mood, controlled intensity build, breathing space between sections
4:40

Unfamiliar ways
v5.5
shoegaze, grungegaze, round melodic bass, reverb-drenched guitars, fuzzed verse riffs, throat singing, understated drums, chorus lift, analog saturation, 90s alt-rock, wide stereo bloom, baritone lead, falsetto refrain, restless nocturne, midtempo pulse, wall of guitars, ‑Unfamiliar Ways
5:23

Into oblivion
v5.5
slow dark shoegaze, hyperrock crescendo, baritone lead vocal amost growling, tremolo guitar haze, wall-of-sound guitars, droning synth bass, hammond organ drones, loud drums, broken music box, close mic snare, sub kick pulse, spring reverb, analog saturation, wide stereo smear, minor key, slow burn, bleak catharsis
4:57

Runaway girl
v5.5
shoegaze, blackgaze, 84 BPM, barytone male vocals, distorted power chords, chorus delay guitar, melodic fretless bass, tom-heavy drum kit, brushed snare ghost notes, glacial half-time groove, sidechained ambient synths, analog tape saturation, stereo wall of guitars, long plate reverb, rainy nocturne, trapped longing, cinematic buildup, emotional release
4:16

Sorry, not Sorry
v5.5
grungegaze, hyperrock, raspy baritone vocals, wall of detuned guitars, fuzz pedal wash, deep round bass, live room drums, slapback delay, spring reverb, analog tape saturation, clipped snare transients, 90s alt-rock mix, mono guitar intro, guitar battle solo, stereo chorus lift, midtempo stomp, steady eighth-note pulse, abrasive catharsis
4:24

What for?
v5.5
shoegaze, chorus-soaked guitars, dual build, controlled fade, airy dulcimer, airy falsetto, syncopated drum pulse, round bass hypnotic melody, looping guitar hook, analog pad wash, tape saturation, vinyl grain, lush stereo field, breakdown arrangement, gradual build, controlled fade, airy falsetto, syncopated drum pulse, guitar wall-of-sound outro
4:28

Misfit
v5.5
shoegaze, blackgaze, 78 BPM, triplet haze groove, patient tom pulse, soft brushed snare, round melodic bass, reverberated guitars, muted guitar layers, delayed guitar harmonics, intimate baritone verse, restrained falsetto lift, plate reverb, soft tape saturation, close-mic intimacy, gradual layering, no-vocal climax, dissolving outro, unfinished melancholy
5:12

grungegaze, slow mid tempo, thick distorted guitars, hazy shoegaze layers, deep bass, loose punchy drums, dynamic contrast between quiet tense verses and huge saturated choruses, emotional raspy male baritone vocal, raw and restrained, occasional fragile falsetto backing, intimate and worn tone, short phrases with space, minimal lyrics, theme of watching a close friend spiral into addiction and self-destruction, helpless perspective, no glamorization, growing tension across sections, stripped bridge then sudden explosion, massive apocalyptic guitar solo with layered fuzz, feedback swells, sustained bends, near-chaotic wall of sound, overwhelming and engulfing, final chorus hits hard then collapses, outro with soft detuned guitars, fading and unresolved mood
4:53

Everdream
v5.5
shoegaze, dreamgaze, 78 BPM, minor key, grand piano arpeggios, string ensemble swells, reverb drenched guitars, wall of guitars, round bass, tape delay ambience, resonant hall reverb, analog saturation, wide stereo image, slow build, dynamic crescendo, layered breakdown, dense chorus lift, spacious outro, melancholic glow, barytone, falsetto moments, Quiet ending
3:28

Something stayed
v5.5
Shoegaze, psychedelic rock, 72 BPM, EBow sustain, chorus-drenched guitars, tape-delay keys, brushed snare kit, round bass melody, spring reverb, analog saturation, 4-track cassette, room mic bleed, rapsy male voice, post-rock crescendos, slow burn, bittersweet ache, nocturnal drift
3:46

shoegaze, slowcore, organic shoegaze, 74 BPM, baritone lead vocal, breathy close mic, soft falsetto lift, offset double tracking, layered harmonies, washed-out guitars, granular pads, fragile broken beat, light glitch edits, tape saturation, cassette texture, restrained build, intimate distance, hesitant mood, unfinished phrasing

