Vous voulez entendre ma voix

[Style: dark, male baritone voice, between slam and melodic rap, semi-sung delivery, expressive phrasing, electro piano, very dark atmosphere, heavy cellos, muted trombone, church bells in refrain sections, no chorus structure, big musical breaks with drops after each verse, low-frequency elements used in intro and refrain sections, high-frequency elements used in drops, use provided audio for melody, provided vocal must be preserved and used consistently throughout the entire track]

Narrative piano song, Tempo: slow to moderate (70–85 BPM), Dark, cinematic, melancholic atmosphere, Structure: 4 verses, no chorus, A distinct instrumental break between each verse, Instruments: piano (lead), heavy cellos, tuba, The cellos increase in intensity after each verse, The tuba enters from verse 3, Verse 4 reaches a full instrumental climax, Melody: provided via input audio and must be strictly followed, Progression: emotional build from intimate to powerful, Breaks: instrumental, evolving in intensity, Voice: the provided voice from the audio MUST be used for all verses, strictly unchanged (no variation in tone, timbre, pitch, or style)

Urban song, full-bodied baritone voice, Instrumental provided, Follow the melody and preserve the vocal range, Add breaks and drops at the end of each verse, Include at least a 30-second intro before the vocals, Create a very short musical outro, The song should stop very quickly after the final chorus

Electro-symphonic modular track at 120 BPM built on a melancholic repeating piano motif, Cinematic narrative structure with no verse/chorus, using clear sections with strong breaks and drops, Use full provided audio and provided voice, Male vocal mid-range, expressive, half-sung half-spoken with slam-like phrasing, becoming more melodic and intense over time, Progressive layering: modular textures, granular synth, sub bass, analog sequences, electronic rhythm, Each drop adds elements, Gradual orchestral build: violins, expanding strings, then low brass (tuba) leading to a dense electro-orchestral climax, Dark, introspective, poetic atmosphere, Continuous tension rising, ending with a minimal piano outro, single consistent male voice, no vocal change, no duet, no harmonies, no vocal layering, same singer throughout

Electro-symphonic modular track at 120 BPM built on a melancholic repeating piano motif, Cinematic narrative structure with no verse/chorus, using clear sections separated by strong breaks and drops, Male vocal mid-range, expressive, half-sung half-spoken with slam-like phrasing, becoming more melodic and intense over time, Progressive layering: modular synth textures, granular sounds, sub bass, analog sequences, and electronic rhythm, Each drop introduces new elements, Gradual orchestral build: soft violins, expanding strings, then low brass (tuba) leading to a dense electro-orchestral climax, Atmosphere dark, introspective, poetic, slightly surreal, Continuous tension and emotional rise, ending with a minimal piano outro, Keywords: electro symphonic, modular synth, cinematic, breaks and drops, spoken sung male vocal, orchestral build, dark mood

Fanfare-style song featuring bass drums, trombones, and cellos, 120 BPM, Strong vocal performance, audio fidelity must be respected, Loop-based music: the main instrumental loop must repeat throughout the entire track, Structure: verse / chorus, Verses: trombones and bass drums only Choruses: add cellos to the arrangement Festive atmosphere, Include a drop just before each chorus, Include a break after each chorus, Intro: approximately 30 seconds, trombones only, Outro: instrumental, in the same style as the rest of the track

Experimental electro-noir, slow heavy pulse, looping bass motif, Structure: 30s intro, Verse/Drop/Chorus, drop after each verse, 30s outro, Cold dense verses, sparse percussion, clipped glitches, metallic ticks, reversed swells, industrial textures, sub drops, Chorus: layered vocals, distorted synth pressure, crushing low-end, cinematic stereo width, Use provided voice only, Strictly preserve original timbre, tessiture, phrasing, articulation, and vocal identity, Close-mic grave vocal, low harmonies, whispered ad-libs, reversed vocal fragments, Drops: violent subs, distorted bass bloom, granular glitches, mechanical pulses, Atmospheric bridge with drones and tape degradation, Electro / experimental / noir / industrial

rap, experimental trap, rhythmic vocal chops, male voice, French modern rap, cinematic dark hip-hop, emotional male voice, spoken-word intensity, deep bass, atmospheric synths, melancholic urban mood, modern French rap flow, STRICT STRUCTURE: instrumental intro minimum 30 seconds, no vocals before 0:30, strong build-ups and heavy drops before every chorus, instrumental breaks after every chorus lasting at least 10 seconds, slow transitions, breathing spaces, dynamic arrangement, cinematic progression, extended instrumental outro minimum 30 seconds, slow fade out, Premium studio mix, punchy drums, textured bass, evolving synth layers, dramatic pauses, spacious stereo atmosphere

Slam electro track, 130 BPM, Piano, cellos, trombones, with light beats, Use the provided voice and respect its tone and delivery, Base the melody on the provided audio, Structure: verses only, Build musical intensity with each verse, Add a drop after verses 2, 4, and 6, Verse 8 should be softer, almost spoken, Piano intro, piano outro

Energetic folk rock, 140 BPM, live concert feel, Acoustic + electric guitars (strong strumming, rhythmic), minimal piano, bass and punchy snare, No violins or orchestral strings, Raw, warm, slightly gritty mix, Male baritone lead vocal, expressive, slightly rough, Respect baritone range and timbre, Gradual build: light verses → stronger pre-choruses → explosive choruses, Clear tension/release, Break + drop before each chorus (short silence or drum hit → full band impact), Choruses with baritone backing vocals and crowd gang vocals, big singalong, festival/stadium energy, Subtle crowd ambience and claps, Strict structure: intro / verse / pre-chorus / break / drop / chorus / verse / pre-chorus / break / drop / chorus / verse / pre-chorus / break / drop / final chorus / outro

Slam / pop song with a narrative structure, no chorus, Instruments: piano throughout, with a gradual build-up of heavy cellos, The vocal track is provided—respect the vocal range and timbre as much as possible, Tempo: 110–120 BPM, The outro should be almost spoken, Include musical breaks between sections, The melody should be built around the provided piano audio, I want a gradual rise in intensity throughout the song

An intense instrumental with raw blues, savage groove, biting garage rock riffs, and old-school rock energy, Add a vintage Hammond organ, played in a wildly psychedelic, swirling, hallucinatory style, weaving in and out like a ghostly echo, Brutal, stripped-down, minimalistic melodies with raw textures and gritty distortion, Atmosphere: wild, unconventional, hypnotic, with dark sex appeal, ethereal female choir in the background, whispering and harmonizing, haunting and atmospheric, enhancing tension and depth without taking the lead, Layers should be immersive, eerie, and psychedelic, creating an unpredictable, artistic, atypical soundscape, Minimal yet explosive, every note hits like a punch, leaving space for tension and surprise, Inspired, artistic, atypical, unconventional, psychedelic, hypnotic

Folk slam song, acoustic guitars, piano, omnipresent drums, Atmospheric background audio texture throughout, Male vocal provided, Spoken-word poetic slam style, almost spoken rather than sung, 120 BPM, 3 verse-style sections, Gradual instrumental build-up in intensity, Spoken outro

Genre: French slam-pop / cinematic road trip storytelling Mood: joyful, high-energy, uplifting, playful, driving feel-good Tempo: 140 BPM, fast steady groove, strong rhythmic pulse Vocals: single male voice only, consistent identity throughout entire track, strict spoken-word slam only (no singing in chorus), rhythmic speech delivery, clear articulation, controlled breath, stable tone, close-mic presence, voice always dominant and centered, no vocal switching, no harmonies Structure behavior: fully spoken narrative performance, choruses remain spoken rhythmic hooks (not sung), repetition-based cadence, slam-driven dynamics FM radio tuning: LOUD AND CLEAR analog FM frequency scanning and station switching as a recurring audible sound effect (clearly heard at intro, between sections, and outro, not subtle), part of the rhythm transitions Instruments: energetic acoustic groove base, punchy light percussion, warm bass, subtle guitar/piano accents, cinematic but minimal ar

Electro slam song, 130 BPM, Piano, heavy kick drums, tribal drums, deep cellos, Use the provided piano loop throughout the entire track, Kick drums and percussion gradually build over time, Verse-only structure, No chorus, Include drops and breaks between each verse, featuring the cellos prominently during those moments, Musical piano intro and musical piano outro, Use the provided voice recording, Strictly preserve the original slam phrasing and delivery, Clearly emphasize the breaks between each section, The electro atmosphere should emerge through subtle beats that come in after the drops, ‑ad lib, ‑noise, ‑click

lo-fi, progressive, dubstep, electronic, alternative rock, using the provided voice exclusively, with strict adherence to the original vocal range, timbre, tone, dynamics, vocal identity, and performance characteristics

[French Folk Song, 130 BPM, Acoustic Guitars Only, Fingerpicked Acoustic Guitar, Rhythmic Strummed Acoustic Guitar, Organic Folk Production, Raw Emotional Atmosphere, Intimate French Male Vocal, Consistent Vocal Timbre, Locked Vocal Tone, Same Singer Throughout Entire Song, No Vocal Transformation, No High Chorus Vocals, Controlled Low Register, Restrained Emotional Delivery, Loop-Based Melody, Repetitive Acoustic Guitar Motif, Instrumental Breaks After Each Chorus, Spoken Word Slam Final Verse, Sudden Acoustic Drop Before Final Chorus, Wide Acoustic Guitar Impact, Dry Close Vocal Mix, Minimalist Folk Arrangement, Cinematic Emotional Build, Musical Intro, Musical Outro], ‑ad lib, ‑ad lib

electropop, French chanson, cinematic synth-pop, female vocal chops, sidechained analog bass, arpeggiated synth plucks, tape-saturated pads, piano ostinato, orchestral hit accents, plate reverb, stereo wideners, glitch percussion, 118 BPM, syncopated groove, intimate verses, widescreen chorus, bittersweet resolve, breaks between each verse (minimum 15 seconds), musical intro, musical outro, Use the provided voice and respect its tone and delivery

Synth-driven song with a light electronic base, supported by heavy violins and cellos, Verse/chorus structure, Drop after each verse, Melody based on a provided audio sample, in very low octaves, Tempo between 110–120 BPM max, Use the provided vocals and preserve their range, texture, and timbre, Dark atmosphere, Piano intro with very low octaves, same for the outro

style high energy pure folk 140 bpm relentless driving acoustic guitar dry studio recording minimal production 1960s american folk blues spirit folk, rock, blues, singer-songwriter inspired phrasing voice male baritone tense urgent delivery slightly gritty clear articulation forward phrasing voice ref preserve exact vocal identity tone phrasing emotion melodic contour natural imperfections strictly arrangement acoustic guitar only percussive continuous strumming tight groove close mic mono no drums bass electric synths harmonica reverb delay room audience live feel structure restrained narrative verses louder choruses controlled studio dynamics feel rhythmic drive dry intimate studio sound tight recording no spatial enhancement

90s underground boom bap rap / slam radio edit, 130 BPM, Energetic old school hip-hop production with punchy but steady drum breaks, tight kick and snare, crisp hi-hats, gritty basslines, and dark atmospheric pads, Radio-friendly extended arrangement with clear intro, long instrumental sections, and structured verses, Verse-driven track, no chorus, but recurring instrumental hook motif for cohesion, Fast, controlled vocal delivery with dense slam rap flow and precise articulation, dry centered mix, Energy driven by rhythm, phrasing, and breath control rather than added beats or speed changes, Drop sections based on chopped vocal sample melody transformed into instrumental boom bap hooks, Extended grooves and 8–12 bar instrumental passages between verses to allow natural progression, No piano or modern pop elements, Cinematic 90s hip-hop intro and outro, atmospheric and spacious, designed for longer radio edit flow and DJ-style progression