3:21

Female Voice, Frau, Frauenstimme, Bayrischer Rap, Deutsch, Dialekt, dark epic
3:17

Der Song startet mit ruhigen, rauen Gitarrenriffs und dezenter Blues-Harmonika, unterlegt von einem langsam treibenden Drumbeat im Midtempo, Die ehrlichen, rauen Vocals setzen ungeschönt ein, während zurückhaltende Industrial-Sounds und Kneipen-Keys im Hintergrund einen bodenständigen, melancholischen Ruhrpott-Charme erzeugen
2:29

The song bursts in with lively accordion riffs, bouncing tuba basslines, and snappy, syncopated drums driving a classic Bavarian-German polka rhythm, The brass section adds color between verses, while call-and-response folk vocals in Alemannic dialect spark comedic interplay, channeling a festive beer tent atmosphere with playful instrumental breaks and spirited energy throughout
2:29

German HipHop with a playful, slightly oldschool vibe, Saxonian dialect vocals, Start with a short, catchy instrumental intro (funky bassline, simple drum beat), Verse 1 (male rap, Saxonian accent) should humorously tease Swabian and Hessian dialects over a steady hiphop groove, Chorus needs to be an anthemic, singalong celebration of the Saxonian dialect, energetic with backing vocal shouts "Nu gloar!", Verse 2 teases Bavarian and Kölsch, Bridge offers a proud declaration for Saxony, The track should have a lighthearted, humorous, and proud local-patriotic feel, End with a final chorus and some characteristic Saxonian ad-libs
4:29

3:09

This dark outlaw bluegrass track kicks off with raw, percussive banjo and foot-stomping rhythm, anchored by deep, moody cello swells, Gritty male vocals lead, layered with earthy folk harmonies, Acoustic guitar and upright bass add to a Western barroom energy, steeped in Southern Gothic tension
2:43

Bayrisch-fränkisches Volksmusik-Funlied mit Akkordeon, Tuba, Gitarr'n und zünftigem Wirtshaus-Feeling, Lustiger Dialektgesang, launig, mit rhythmischem Klatschen, Witz und Gaudi, Klingt wie a Mischung aus Kellerkombo, Blasmusik und Musikantenstadl auf Bier – perfekt für’s Bierzelt!
2:57

A fusion of 90ies style german hiphop and deutschrap track at the speed of 65bpm with deep bass synths, hard boom-bap bass and synths creating layers of sounds for the verses, while brass instruments as tuba and trumpet together with chimes are dominating the sound during pre-hook and hook, Chorus is done by a dark bass male voice, the verses are done by a male rapper with confident and powerful voice, Make ist powerful and anthemic
2:39

Auf da Alm
v4.5
gangster beat, dubstep, glitchy synths, gangster, riddim, aggressiv, heavy drops, high-quality, steel drum, dolby atmos mix, [dark electropop], hyper pop, freestyle rap, dungeon synth, Traditional Bavarian yodeling song with accordion, zither, and alphorn, Cheerful melody, upbeat tempo, alpine mountain atmosphere, Alternating yodeling sections and folk vocals, perfect for a Bavarian mountain festival
2:29

Ein „Schwoba-Slowpop“-Track beginnt mit entspanntem E-Piano, gedämpften Kick- und Snare-Grooves und einer runden Bassline, Akustische Gitarren setzen subtile Akzente, gelegentlich begleitet von feinen Percussions, Der Dialekt transportiert Charme; ein launiger Synthesizer färbt den Refrain
2:31

A playful fusion: Ostfriesen-Rap verses delivered over classic shanty instrumentals, Accordion, harmonica, and acoustic guitar create a maritime groove, with handclaps and stomping for rhythm, Occasional melodic vocal hooks add folk warmth, while upright bass anchors the modern hip hop beat
2:47

A high-energy techno track drives forward with punchy four-on-the-floor kicks, pulsing synth bass, and playful, glitchy FX, Staccato leads punctuate the beat, dropping back for breakdowns with sparse percussion and robotic vocal snippets that cut through the club-ready mix, highlighting the satirical edge
3:38

Generate a melancholic and nostalgic indie folk-pop song with east swabian dialext lyrics, inspired by the sound of AnnenMayKantereit's 'Tommi', Use a raspy, raw male vocal with a deep and powerful tone, The vocal delivery should be emotional and slightly unpolished, carrying a sense of longing, The melody should be simple but heartfelt, with subtle backing harmonies in the chorus, Instrumentation should include:
Clean electric guitar with warm, muted tones, soft strumming, and occasional fingerpicking, A gentle piano playing arpeggiated chords with sparse melodies, A round and supportive bass line, keeping the groove grounded, Minimalist drums using brushes or soft sticks, creating a laid-back, intimate rhythm, Ambient reverb for a spacious, reflective atmosphere, The harmonies should be based on a four-chord cycle in a major key, occasionally switching to a minor for contrast, The overall sound should feel live and authentic, capturing the bittersweet feeling of homesickness
3:21

Kölsch, Deep male voice, like B, A, P, Wolfgang Niedecken, 80s rock
3:53

2:54

Upbeat German Pop track kicking off with bright synth stabs, lively rhythmic drums, and melodic bass, The verses introduce perky guitar plucks and crisp claps, while the infectious chorus layers rich harmonies, playful keyboard hooks, and dynamic electronic fills for punch
2:40

2:19

[intro} (Remix)
v4.5
Der Song beginnt mit knallharten Trap-Beats, fetten 808s, Sirenen und Großstadt-Atmo, auf die der Berliner mit rotziger Schnauze einrapppt, Nach jedem Vers platzt der Odenwälder in kernigem Dialekt mit schräger Blasmusik rein: Tuba, Trompete, schunkeliger Polka-Groove, musikalisch angetrunken, voller ruralem Stolz, Im Refrain battlen sich beide über wild kollidierenden Dämmerschoppen-Polka und Trap-Sounds, Kontraste maximal: Sampling von Marktschrei, Döner-Chop, Gockelkräh, Sneaker-Squeak, laute Gesten, Die Nummer lebt von der prallen Kollision der Welten, treibt von Battle-Passagen und schrägen, mitreißenden Bläserbreaks, Abschluss: Polka-Beat mit letzten Rap-Adlibs, klare aussprache, glas klarer klang
3:50

Der Oldschool Hip-Hop Beat baut auf langsamen Boom-Bap Drums mit knackiger Snare, tiefer Kick und entspanntem Swing auf, Warmes Vinyl-Knistern und ein melancholischer Soul-Sample mit gesampletem Frauen-Vocal untermalen die melodische Hook, Bass klingt rund und sonor, Regen- oder Donner-Soundeffekte erzeugen ein nostalgisch-authentisches Straßenflair, Strophen sind roh und direkt im Berliner Dialekt gerappt/gesprochen, das Instrumental bleibt reduziert, groovt aber konstant auf ca, 85 BPM; keine Trap- oder Autotune-Elemente, alles bleibt rau und ehrlich
3:29

German Rock, Folk Rock, Carnival Music, Celebratory, Upbeat, Singalong, Electric Guitars, Driven Bass, Brass Section, Gritty Male Vocals, Gang Vocals, Big Sound, Fast Tempo, Catchy Melody, Driving Rhythm
3:54

Opening with syncopated cajon, shakers, and a playful nylon guitar riff, the lively pop bilingual duet introduces a quirky electro groove, pulsing Moog sub-bass, and modular synth textures, Verses swap Swabian and Swiss-German, while the raw, loosely harmonized "la, la, la" choruses explode into polyphonic, dialectal voices, all riding an anime-inspired rhythmic bounce
2:07

2:36

silesian dialect, Polka, folk song, storytelling, acoustic guitar, deep male vocals, humorous, rustic, lively, authentic, regional German flavor, Dresden vibe, ‑female vocals
3:08

3:02

austrian vocals, love song, acoustic guitar, ballad, 80s
3:56

2:22

3:48

Songwriter, cabaret live performance, theatrical storytelling, expressive vocals in schlesischer Mundart, Mood: witty, dramatic, playful, Instrumentation: piano, upright bass, light percussion, occasional brass, Atmosphere: intimate club, spotlight, audience sounds
4:09

Intro sets a creepy dark horror scene with cello and contrabass and wind and wolf sfx and creaky music box and narrator whisper, Verse 1 begins slow minor key waltz with storyteller tone shifting to Dwaallucht's playful whisper with theremin and celesta, Chorus erupts as unsettling waltz with lead Saterfriesisch vocal and faint ghostly choir echoes and rattling chains sfx, Verse 2 builds tension with urgent narrator and discordant piano and creaking sfx, Chorus repeats more intensely, Bridge becomes climactic with pipe organ and theremin and desperate Saterfriesisch spoken word and organ crash to ominous hum, Outro fades eerily with distorted music box and Saterfriesisch fading whisper and final wind and creak sfx into silence, High quality instruments and vocals and sound effects, cinematic horror, Insert sounds at SFX tags
3:49

German Hessian Comedy Rock, The style should be a frantic, ranting spoken-word performance in a heavy Frankfurt German dialect, The vocal delivery should sound anxious, frustrated, and comical, in the style of the German comedy duo Badesalz, The music is a driving, simple, and raw punk rock beat with a straightforward electric guitar, bass, and drums, reminiscent of early German punk, The overall vibe is unpolished, direct, and neurotically funny
3:23

Ei Gude!
v4.5+
Spoken word dialogue with subtle bar music in background, Bodo: A deep, gravelly, and good-natured baritone, His voice has the warm, rolling melody of a thick Hessian dialect and often booms with hearty laughter, Arthur: A clear, crisp tenor with precise, slightly formal English enunciation, His tone is perpetually polite and bewildered, often rising in pitch with sincere confusion
5:17

Dribb de Bach
v3.5
techhouse, chillhouse, witchhouse, deep bass, bass synth, deep bass male vocals, spoken, 60bpm, lyrical
3:44

An EDM Pop/Disco mix kicks off with a pulsing beat layered with bright synths and groovy bass, Sections first from German female (Rheinland) vocals and later from Austrian male (Austrian Dialekt), weaving in playful spoken word, quirky recorder riffs, whimsical FX, dance floor-ready chorus explodes with offbeat vocal ad-libs and rhythmic, instrumental breaks, The bridge leans heavily on recorder and oddball percussion before returning to a final, energetic chorus
4:44

2:39

swiss german, wallis, valais, swiss folk, accordion, punkrock
2:39

A fusion of reggae groove and bayerisch rhythms, the track opens with syncopated offbeat guitar, a rolling Jamaican bassline, and crisp percussion blended with Bavarian brass instruments, Accordions add melodic color, while dub-inspired effects interact with tuba and snare for texture
3:08

A minimalist, cynical lo-fi trap style, mixed with funk and jazz, saxophone, rooted in the Swiss German (Zurich) dialect, The soundscape is dominated by a cold, sparse beat with nervous, sizzling hi-hats, A unique feature is its integration of urban, everyday sounds like squealing trams or email alerts, creating an authentic yet claustrophobic sonic environment, The rap flow is deliberately lethargic and disillusioned—a monotonous, world-weary delivery that forgoes aggression, Lyrically, the style is a sharp, sarcastic social commentary on the pressure to perform, status anxiety, and the soulless hustle of modern city life in Zurich, The result is a dark, atmospheric, and hyperlocal form of conscious hip-hop
3:38

Sad Blues, Solo Accoustic Guitar, Deep Male Voice, Smokey Voice
2:59

4:31

Medieval folk with lute and flute bardic chant, tribal drums male vocals and spoken word
4:34

Bünzli-Wave, Alpine, Experimental, grumpy voice, Swiss-German Accent, Yodel, Alphorn, Talerschwinge, Schwyzerörgeli, Cuckoo Clock, Sampled Sounds
2:53

Ach Mädle
v4.5+
Up-tempo Schwabenrock: Rockabilly with Punk undertones, opens with twangy rockabilly boogie guitar riffs, jangly acoustic rhythm guitar, Upright slap bass, twangy guitar, snare with brushes, handclaps, rowdy barroom energy, expressive dialect vocals (Schwabian), playful, ironic, with 1950s Rock’n’Roll attitude, Tape warmth, raw mix, Extended fuzzy guitar solo during the bridge, band shouts and call & response in the chorus, outro fades down on guitar riff
3:14

Falsches Madl
v4.5+
Modern Austrian folk-rock polka in 2/4 with earthy, driving energy, Intro begins with solo Styrian harmonica riff (steirische Harmonika) before the full band joins, Instrumentation: clarinet for melodic lines, accordion and harmonica for rhythmic drive, acoustic guitar with percussive strumming, and deep double bass, Minimal percussion (kick drum, stomps, hand claps) for raw alpine energy, Male lead vocal in Austrian dialect, rough and expressive, Song structure includes sung verses and refrains, a long instrumental section led by harmonica and clarinet, and an outro that returns to solo harmonica, The mood is festive, raw, and powerful, in the style of Hubert von Goisern
2:24

österreichischer dialekt, Austrian Female, Bluegrass
2:22

At 145 BPM, party-ready Deutschrap verses in Berlin dialect drive over thumping bass, distorted beats, and aggressive Elektropunk synths, The Hardstyle kicks add relentless energy, Choruses explode with euphoric Ballermann hooks, electrified textures, crowd chants, and rapid-fire rap, Pre-chorus features a sung female vocal, providing contrast and lift
4:29

Compose a very slow and dark, cinematic music piece inspired by a Bavarian horror fairytale about a robotic child from the future, Blend traditional Bavarian folk instruments with eery mistery textures, Vocals must be performed in extreme male Bavarian accent, words pronounced phonetically, rolling r, shift vowels (e→ä, i→io, a→aa), Use dissonant, stretched tones and eerie pacing similar to the theme from a mistery series on tv, The mood should be haunting, mysterious, and emotionally heavy, Avoid modern clichés like “neon” or synthpop tropes, Structure the song with distinct sections (verse, chorus, bridge), each with unique instrumentation and vocal treatment, The final result should feel like a cursed lullaby echoing through a haunted alpine forest
3:10






























