
Jan '26
Hey guys! Loving these tracks so much, had to share them with you. 💖 Oh! The list is just the beginning. I’m still adding to it, so stay tuned... no worries. 💛🥂
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149 songs
3:34

3:08

4:23

British male voice, strong British accent, acoustic alternative rock, acoustic dreamy and romantic indie pop, contemporrary UK pop, acoustic, pop, acoustic guitars, stereo widening, working up to a climax in the chorus
4:09

Young female vocal, melodic and emotive, infectious topline, expressive delivery with a tone of longing and saudade, Genre fusion of hard rock, sertanejo and deep house, Strong distorted electric guitars with a contundent and driving riff, blended with organic sertanejo harmony and rhythmic acoustic elements, Deep house groove with steady kick, pulsing bass and atmospheric synths, Saxophone lines adding melancholy and sensual warmth, especially in transitions and outro, Emotional verses, powerful and catchy chorus, bittersweet mood, nostalgic yet danceable, modern production, cinematic energy, heartfelt and immersive
4:41

5:14

4:34

4:11

A melancholic indie folk rock song in a minor key, featuring a male vocalist with a baritone range, The song begins with a clean electric guitar playing a arpeggiated chord progression, accompanied by a sustained synth pad, The vocals enter with a clear, slightly melancholic tone, A kick drum and snare drum provide a simple, steady beat, A bass guitar plays a supportive, melodic line, The song builds in intensity with the addition of a distorted electric guitar playing sustained chords and a more prominent drum beat, The production is clean with a focus on the vocal and guitar melodies, Reverb is used on the vocals and guitars to create a spacious atmosphere, The tempo is slow to moderate
3:10

Portuguese female-vocal pop reggae song called Teus Braços, Warm, good-vibes groove, Young female voice, soft but expressive, Acoustic guitar as the main rhythm, trumpet accents with sunny, uplifting lines, light off-beat reggae guitar pattern, subtle percussion, handclaps, background whistles, and a catchy bubblegum-style chorus sung in group vocals, Bright, cozy, affectionate mood, romantic metaphors comparing love to a home, Tropical feel, beach-day warmth, relaxed yet energetic, Tags
Vocals: young female lead, soft harmonies, bubblegum group chorus, airy backing vocals, natural breath
Arrangement: pop reggae structure, warm acoustic guitar, trumpet accents, off-beat reggae guitar pattern, handclaps, whistles, percussive layers
Instrumental: acoustic guitar, bass guitar, trumpet, light drums, shakers, snaps
FX: subtle reverb, warm stereo wideners, organic ambience, gentle delay on trumpet and vocals
5:13

Don't you know?
v4.5-all
The song is a moody indie-pop / alternative R&B duet style, very intimate and restrained, The style should feel nocturnal, romantic, and understated rather than dramatic—emotion carried through tone, closeness, and harmony instead of power, Vocals stay soft, breathy, and close to the mic, with layered male–female harmonies building slowly, Instruments should begin minimal: a low, pulsing synth pad or ambient drone, faint vinyl texture or reverb tails, and a muted electric guitar with tremolo or reverb, As the song progresses, add a soft electronic beat (deep kick, brushed snare or snap, subtle hi-hats), warm sub-bass, and occasional piano or synth chords for emotional lift, In the crescendo, layers increase—not volume—by stacking harmonies, widening pads, and adding gentle background vocals, The outro strips back again, leaving pads and reverb to fade, keeping the ending calm, intimate, and lingering rather than explosive
3:23

3:46

있잖아
v5
Quiet Alternative / Indie Rock At A Constant ~85 Bpm, Same Pacing And Intensity From Intro To Outro, Close-Mic Acoustic Guitar Leads With Steady Strum-Only Playing; Audible String Scratch, Pick Drag, And Fret Noise Emphasized On Chord Changes, Soft Melodic Bass Closely Follows Chord Movement, Minimal Brushed Drums Or Rim Clicks Used Strictly For Time-Keeping, No Fills Or Accents, Clean Electric Guitar Is Near-Dry And Minimal With No Ambient Wash, Used Sparingly, Female Vocals Are Intimate And Slightly Husky, Primarily Chest Voice In The Mid–Low Range, Close-Mic Capturing Breath, Texture, And Subtle Imperfections, Falsetto Is Introduced Sparingly As A Soft, Airy Layer: Used Only On Select Phrase Endings Or Sustained Notes (Especially In The Chorus) For Tonal Contrast, Not For Power Or Lift, Falsetto Remains Restrained, Blended Gently With Chest Voice, Creating A Fragile, Reflective Color Rather Than Emotional Escalation, Mood Is Quiet, Contemplative, And Emotionally Restrained
3:48

Raw aggressive 90s-inspired alternative rock with a post-grunge backbone, confrontational female lead vocal delivery with sharp articulation and controlled rasp, vocals unapologetically upfront and dominant, intimate talk-sung verses that feel invasive and observational, erupting into explosive sneering choruses with belted intensity, minimal effects and almost dry vocal presence for realism, heavy distorted guitars with palm-muted chugging pushed slightly behind vocals, ugly but tight crunch tone, brief violent guitar solo after the bridge using feedback and wah as texture rather than melody, punchy aggressive drums with tight snare and forward momentum, bass locked hard to the kick, wide dynamic contrast, no polish gloss, no sentimentality, clean professional recording with a deliberately uncomfortable edge, ‑pop, ‑edm, ‑trap, ‑hyperpop, ‑metalcore, ‑djent, ‑lo-fi, ‑cinematic
3:28

The song is a high-energy K-pop track with a strong emphasis on rhythm and a blend of electronic and acoustic instrumentation, The tempo is fast, around 140 BPM, with a driving beat, The key is A minor, The song features a prominent drum kit with a tight, punchy snare and kick, complemented by a deep, resonant bass guitar that provides a solid rhythmic foundation, Electronic synth pads create atmospheric textures, while a clean electric guitar plays rhythmic chords and occasional melodic fills, A female vocalist delivers the lead melody with a clear, powerful voice, often employing a slightly breathy tone in softer sections and a more assertive, belted delivery in the choruses, The vocal melody is catchy and uses a mix of sustained notes and quick, rhythmic phrases, The song structure follows a typical verse-chorus format with a pre-chorus build-up and a bridge that introduces a slight dynamic shift before returning to the energetic chorus, Production is clean and polished, with a good balance between all instruments, Reverb is used subtly on vocals and some synth elements to add depth, The overall feel is uplifting and exciting
3:20

Motormouth
v4.5+
Hybrid experimental hip-hop and speed rap at 90–110 BPM in C minor, Lo-fi drums, glitchy textures, vinyl crackle, and chopped synths meet aggressive double-time rap sections and ambient guitar overlays, Vocal blend of fast male verses with chant-like sung choruses, Dirty mix with analog warmth, rhythmic distortion, and high-contrast dynamics
4:54

Au Bout
v5
chanson alternative sombre cinématographique française, ambiance grave existentielle introspective, tempo lent progression continue, piano grave et guitare électrique claire très réverbérée, basse lourde profonde, rythmique minimale lente battement sourd ou absence de batterie, textures atmosphériques larges presque silencieuses, voix chantée posée intense sans emphase proche du micro, refrain lourd comme un constat pas accrocheur, montée de tension progressive sans explosion, bridge ample dramatique face à face avec le vide, sensation de marche vers la fin questionnement moral et existentiel, fin ouverte suspendue sans résolution
5:19

2:57

French male voice, husky, acoustic, punk ballad, alternative, acoustic guitar, punk, Intimate indie pop / indie rock, narrow range, conversational delivery, Almost spoken phrasing at times, minimal vibrato, Emotion through restraint, Verses stay minimal, After verse 2: subtle drum pulse enters, Chorus adds melodic electric guitar for lift, not volume, No piano, no orchestral layers
2:34

Miss you
v5
Intimate indie pop / indie rock with contemporary UK pop feel, Husky, vulnerable female English vocal, narrow range, conversational delivery, Almost spoken phrasing at times, minimal vibrato, No vocal runs, no melisma, no long sustained notes, Emotion through restraint, not power, Avoid diva or cinematic ballad style completely, Instrumentation: muted acoustic guitar intro, dry and close, Verses stay minimal, After verse 2: subtle drum pulse enters, Chorus adds melodic electric guitar for lift, not volume, No piano, no orchestral layers, Production is warm, human, slightly imperfect, late-night feel, No “ooh/ahh” intro, no dramatic climax, End restrained and intimate, ‑No sustained notes longer than 1 second, ‑No vocal runs, ‑no melisma, ‑no ad-libs, ‑No dramatic vibrato, ‑no belting, ‑No elongated vowels (“ohhh”, ‑“ahhh”, ‑“yeahhh”), ‑No intro vocalization of any kind, ‑Keep vocal phrasing short, ‑clipped, ‑and speech-like, ‑If a line ends, ‑stop — do not hold the note
4:23

British male voice, low voice, acoustic alternative rock, acoustic melancholic indie pop, contemporrary UK pop, acoustic, pop, acoustic guitars, stereo widening, working up to a climax in the chorus
3:46

En train
v5
Peach! et ses Ωhms, french female rock voice, rock, experimental, techno, electronic, syncopated, fusion drums, complex dissonant harmony background vocals
5:46

rap français narratif lucide esprit Oxmo période réfléchie, tempo medium lent, basse ronde chaleureuse, piano ou guitare feutrée, beat discret évolutif, structure en actes progressifs, acte 1 rap posé intime attachement au pays groove chaleureux, pont musical original ouvre l harmonie, acte 2 rap plus tendu rythmique plus sèche constat social, pont musical décalé rupture légère tension, acte 3 rap lucide paradoxal mélange groove et tension, pont musical glitché micro coupures échos trouble, acte 4 spoken word calme sans rime voix parlée proche introspective, voix masculine grave posée articulée sans agressivité, priorité au texte clarté émotion, musique accompagne sans dominer, fin épurée ouverte sans résolution
4:36

Lentamente
v4.5-all
Smooth jazz foundation merges with bebop touches, setting a slow, elegant swing groove, Warm muted trumpet leads interplay with expressive saxophone lines, Soft piano comps delicately, creating a smoky, intimate club feel, Female vocals in a low, Italian-accented, sensual whisper, drenched in subtle reverb, enhance the seductive, emotional aura
3:58

2:59

Ti Sento
v5
Raw acoustic indie-folk, intimate Male vocals (breathy and close to the mic), Solo acoustic fingerpicked guitar, very minimal production, Sounds like a live recording in a quiet room, Sad, reflective, nostalgic, lots of natural room ambience, 72 BPM, Vocal with very Emotion and Power vocal, very deep vocal, senior vocal
4:36

War Cry
v5
Genre: Cinematic Tribal Rock / Viking-Inspired Anthem / Modern Epic Pop-Rock / Pacific Island Haka
Length: ~3:00 Minutes
Vocal Style:
• Deep, Gritty Male Lead — Confident, Emotional, And Commanding, • Group Vocals On Each Section For Impact, • Ethereal Female Harmonies Lightly Layered In Pre-Chorus And Outro For Lift, Mood:
Powerful, Human, Defiant, A Warrior’s Vow Wrapped In Melody — Equal Parts Strength And Soul, Instrumentation:
• Heavy Floor Toms, Taiko Drums, And Claps (Tribal Rhythm Throughout), • Low Horns And Deep Bass Hits For Cinematic Texture, • Electric Guitars For Modern Energy; Soft Acoustic Layers In Verses, • Atmospheric Synths And Strings For Emotional Build, • Thunder, Wind, And Crackling Fire Fx For Immersive Tone, Tempo: 92 Bpm — Steady, Marching Pulse, Pacific Island Haka chant
2:39

Live acoustic performance (female singer) recorded in a small café with an audience of about forty people, Real crowd sounds with soft clapping, light cheering, and natural room ambience, Warm intimate microphone tone, unplugged acoustic guitar, Include realistic live audience reactions and short applause at the start, Spoken intro before song begins
5:04

Yesterday
v4.5-all
lots of emotion, female vocals, with light sadness, and bright end
3:22

The intro features layered acoustic and slightly overdriven guitars with subtle tape delay, joined by warm analog synth textures, Grunge-infused drums and fuzzy bass anchor the groove, Verses highlight smoky female vocals over folk-rock chord changes, with experimental touches—found sounds, reversed effects, and modulated electric guitar atmospheres, The chorus explodes with swirling psychedelic layers, feedback, and harmonized vocals, Dynamic shifts and ethereal noise interludes add unpredictability
3:43

[Medieval Industrial Phonk mixed with Raw Human Beatbox, Distorted Hurdy-Gurdy riffs, Aggressive Male Rap (Uruguayan/Miami Slang), Cartoon Sound Effects (Squeaky toys/Explosions), Deep Demonic Voice Drops, Satirical, Dark Comedy, Revolutionary Banger, Heavy 808 Bass, 145 BPM]
4:24

Own me
v5
Phrygian mode, Cello-like effects, Classical string virtuoso, Bittersweet Dark Pop, Slut pop, Whispered Confession Layers, Glow FX Reverb, Holy Whisper FX, Mythic Impact Hit (Ethereal Blast FX), Velvet String Texture, French Electro Seduction, Surreal Club Pop, Playful Female Vocals, Whispered Loops, Velvet Reverb Pads, Catchy Chant Hooks, Velvet Choir Pads, French Burlesque FX, Spanish Electro Seduction, Latin Hypnotic Pop, Hypnotic Eurodance Style, Mirror Chant Layers, Explosive Vocal FX, Chant Crescendo FX, Velvet Bassline Crush, Stereo Delay (L/R Alternating Echo), Hypnotic Pulse Synth, Wide Stereo Glow, German Club Synth FX, Eurodance Anthemic Synths, Berlin Techno Pulse, Neue Deutsche Welle Echo FX, Vintage Vocal Samples (Deutsch), 138 BPM, Key: A minor
3:35

A stripped-back song featuring a teen female voice alternating between sultry lead acapella sections and intimate acoustic guitar passages, Verses focus on minimal guitar fingerpicking, while choruses highlight vocal layering and playful harmonies, adding subtle percussive guitar hits
3:09

strong to long
v4.5-all
hypnagogic intro, gradually layer in melodic synths and soft pulsing baseline, verses start soft and build softly with nocturnal space sounds, the rhythm section adds drive as the organic textures build toward an immersive chorus, on the chorus bring in surreal synthesized electronic and light edm in the style of(MGMT), song is heavily layered and features electronic buzz sounds, song is emotional but has a sense of power, late night energy, hypnotic, resonant female vocals
3:11

always come back
v4.5-all
encouraging male vocals, a gentle piano introduction sets a encouraging tone, joined by warm synthesized electronic and soft acoustic guitar, subtle percussion and electric bass enter for the verses, gradually building layers, chorus swells with richer instrumentation, while a delicate bridge leads to a soft graceful final, song features synthesized electronic
3:57

Epic emotional 90s pop ballad, slow tempo 60–80 BPM, orchestral strings, piano, soft percussion, swelling crescendos, soaring heartfelt vocals, dramatic and cinematic, love and longing theme, powerful memorable chorus, in the style of iconic 90s adult contemporary ballads
3:32

Scream It Back #90sFrenzy
v4.5-all
1991, grunge, rock, electric guitar, guitar riffs, female voice, italian accent, deep voice, screams, fingerstyle guitar
3:31

3:24

Any Old..
v4.5-all
Power ballad, over the top hair metal band from the 80s, Full power over singing in an 80s rock male vocal style, Yeah, make it camp
3:54

Warm steel-string acoustic guitar, raspy female vocals, nostalgic, dreamy, emotional, flowing melody, Gradual instrumentation build-up, Dynamic crescendo
3:49

















































