和ロック其の二

A sorrowful Japanese enka-style ballad fused with cyberpunk textures and a steady four-on-the-floor beat, Set to BPM 100 for a melancholic but danceable tempo, The melody uses traditional Japanese minor pentatonic scale (yo-scale) and enka-style chord progressions like Am–Dm–E7, Features a male vocal in classic 1970s enka style, with deep vibrato, expressive kobushi phrasing, and strong projection, Includes a spoken word bridge like a heartfelt monologue, Backed by glitchy synths, shamisen-like plucks, atmospheric pads, and slow taiko-like drums layered with a subtle but persistent 4/4 kick drum to give a hypnotic club pulse, Must feel nostalgic and emotional, like singing alone in a rainy virtual alley on a Tuesday night — but with the heartbeat of a distant nightclub echoing under the sorrow

Uplifting Arena Rock, Japanese Shrine Prayer, Shinto, Fast-paced, 140 BPM, Massive Reverb, Driving Post-Punk revival, Mood: Hopeful, Epic, Soaring, Sacred, Elements: Prominent Synth Pads, Aethereal Sho pipes, Arpeggios, Driving Wadaiko drums, Dounaga daiko, shime daiko, Tshuzumi, Biwa Strumming, Driving Breathly Shakuhachi leads, Wide bleathly female vocal leads, Layered natural female Chorus, [Intro]Opening with powerful, reverb-soaked guitars and pulsing Shakuhachi, gradual energy increase [Drums enter: Anthemic, up-tempo] [Verse]Layer twinkling leads over thick, driving rhythm guitars [Chorus]Explode with wide, soaring vocals, pounding toms, and uplifting, echoing hooks [Bridge]Epic bridge features spacious delays, cymbal swells, and a dramatic slowdown, Shakuhachi solo [Build-up to final chorus] [Final Chorus]Massive, hope-filled final chorus, Maximum energy and speed [Outro]shakuhachi, Reverb fades out

Master piece, [Female vocals duet, A Japanese Females singer is clear husky and seductive singing voice], [Hard Rock×和×EDM×stylish×fantasy music, Alternative, The fusion of dark, decadent, and Japanese-style Romanesque hard rock and metal, the melody of Japanese koto and powerful shamisen is characteristic and impressive, and the beautiful tone of Japanese horizontal flutes and Japanese drums not only produces a sense of air, but also strengthens urban expressiveness by adding a synthesizer, a stylish sense of galloping and a lewd and pleasant chorus sound is sung in a powerful and transparent high-tone voice, and a Japanese-style rock song that expresses complex dark eros with a unique Japanese sentiment, ], [High resolution, Dolby Atmos, sound effects], [Synthesizer KORG-TR 61:Electric guitar pad Intense and heartbreaking, Electric bass, Electric sound], [Powerful drums and heavy bass, Suspend Cymbals, Japanese horizontal flute], [Strings: Japanese koto, Japanese sharis], ‑Songs which start with a chorus, ‑Anime song, ‑bright, ‑Non catchy, ‑pop

Japanese introspective alternative rock with cinematic atmosphere, Soft, sorrowful opening with muted piano, subtle koto and shakuhachi, minimal beat, emotionally restrained and fragile, Gradual tension beneath quiet grief and impermanent love, Sudden explosive shift into distorted guitars and live drums, dark art-pop energy turning feral, Final collapse into silence, faint shakuhachi echoes, unresolved and human

​male and female vocal, Atmospheric Sacred Japanese Rock, Progressive Rock, Shinto-mysticism, Rock, Shachihoko-inspired, Gagaku instrumentation (Shakuhachi, Koto, Shamisen), Ethereal female vocals, Distorted electric guitar, Heavy drum beats, Staccato rhythm in chorus, Spiritual, Deep reverb, Dramatic, Tension-fille, Add epic choir harmonies: airy female choir for mystic tone, and mixed choir pads for mythic grandeur

Aggressive Tsugaru-Shamisen Lead, Shakuhachi Scream, Intense Taiko Drums, Japanese Folk Metal, Instrumental, High Tension, Samurai Spirit, Percussive, Traditional Japanese Scales

Genre: Fusion Rock with traditional Japanese elements and Punk influences BPM: 150 Feel: Intense, rebellious, culturally rich, and emotional Rhythm: Driving rock rhythm with a fast-paced punk energy, fully expressed through traditional Japanese taiko drumming patterns Vocal: Female vocal with a mix of traditional Japanese enka-style singing (emotional vibrato and dramatic delivery) and raw, energetic punk-style shouts Instrumentation: Electric guitar with distortion, bass, shamisen, taiko drums Arrangement: Start with a dramatic shamisen melody and rhythmic taiko drumming, Transition into a high-energy rock section with distorted guitar riffs and basslines, maintaining a punk-inspired tempo, Alternate between enka melodies and aggressive punk-rock sections, Dynamic vocal shifts between enka singing and punk shouts, End with a powerful taiko and electric guitar outro

Live Japanese traditional instruments psychedelic garage rock inspired by late-1960s Japanese Group Sounds and post-war kayōkyoku melodies, recorded as an authentic vintage live performance, Youth, raw teenage youthful, reckless energy, fleeting freedom before adulthood, Raw Subtle Japanese traditional instruments (shinobue, taiko, kane) blended into the live mix as texture, not lead; natural room bleed, raw and organic, Male lead vocal in youthful, slightly strained, imperfect, Group Sounds-style harmony vocals in choruses, simple and bold, Shouted phrases and ad-libs in the final chorus, audience-style energy, japanese traditional instruments Small live house or TV studio audience, Crowd noise, applause, occasional shouts, Stage bleed, mic saturation, analog tape warmth, Unpolished, loud, alive, imperfect, Feels like a 1960s Japanese live record capturing a fleeting moment of youth, - modern pop production - clean studio sound - pitch correction - tight quantization - modern soun

和アンビエントロック, 静かで情緒的, 夜の空気のような音像, 和楽器（箏, 三味線, 尺八, 篠笛）を中心に, エレキギターはクリーン主体で深いディレイ, ドラムはブラシや軽いスネアで, 心臓の鼓動のように控えめ, ベースは柔らかく深い音で支える, 全体は“静かな情念”と“雅な余韻”を重視, サビでほんの少しだけエレキが泣くように盛り上がるが, 決して激しくならず, 内側の痛みを表現する, 妖狐の世界観を漂わせる幻想的な雰囲気, 夜風, 余白, 祈り, 未練, 静かな強さ, 女性ボーカル, 歌い方は儚く, 息を多めに, 感情を抑えた切なさ, 和歌のような言葉を丁寧に響かせる, アウトロは和楽器とアンビエントパッドで静かに消えていく, female vocals

Dark experimental minyo + avant dark metal + dark enka + prog shamisen rock + blues, Aggressive taiko, exp shakuhachi, prog koto, scratching, glitch washi-techno, Heavy cassette: hiss, warble, crackle, lo-fi murk, Eerie haunting ritual mood, 70-90 BPM slow-mid, modulations, Vocal: Young boy child voice, fragile, heavy vibrato, falsetto, whisper, high cries, eerie harmonies, Tech guitar solo, prog shamisen, upright bass, pounding taiko

Japanese traditional Music, fast, breath, slow, indie, whisper voice, female vocal, tenor singer, syamisen, wadaiko, Japanese koto, shakuhachi, NO Electric guitar, NO Drum, NO bass, 50BPM, heavy metal, dark, slow

170BPM, shamisen, 和太鼓, no drum, bass, electric guitar, aggressive, Rock

Aggressive Japanese rock with taiko-layered drums, detuned koto riffs, and overdriven guitars, Powerful female vocals, low and controlled in the verses, explode into a shout-along hook, Tempo rides a steady march that surges in the chorus; gang vocals and cymbal swells push the “border between worlds” theme, Mix leans on sharp transients and roomy toms for a mythic battlefield feel

Master of Kobushi: Gritty Japanese folk baritone, powerful Enka-style vibrato, deep guttural shouting, masculine commanding voice, raw traditional soul, intense dramatic delivery, God of Taiko: Massive O-daiko drums, thunderous ritual percussion, earth-shaking rhythmic hits, intricate heavy Shime-daiko patterns, deep wooden resonance, powerful marching stomp, Deep Basal Strings: Heavy percussive Tsugaru Shamisen low notes, deep resonance of oversized Koto strings, earth-shaking wooden sub-bass, monolithic plucking, dark cinematic low-end, Aggressive Tsugaru Shamisen: High-speed percussive plucking, sharp metallic string attack, aggressive bachi-striking sounds, fast pentatonic shredding, frantic and powerful traditional riffs, Dramatic Japanese Aura: Piercing Shakuhachi flute with heavy breath, sharp Shinobue accents, cinematic orchestral Japanese strings, haunting melodic tension, intense traditional crescendo, steady dynamics, consistent volume

Genre: Japanese Hard Rock / Wa-Rock Mood: Heavy, spiritual, powerful, dramatic, passionate, regal Tempo: Mid-fast (120–130 BPM) Key: Minor Vocal: Male, gritty and strong and emotional, slightly husky Instruments: Distorted electric guitar (low tuned, heavy riffs) Shamisen (aggressive picking, rock-style) Shakuhachi (dark, breathy, spiritual leads) Taiko drums (thunderous, tribal rhythm) Rock drum kit (tight, heavy) Bass (thick, driving) Style: Modern hard rock fused with traditional Japanese instruments Dynamic contrast between silence and explosion Chorus is massive and anthemic Bridge features shamisen & taiko break with vocal shouts Theme: Shōhō Muga (impermanence, non-self) Identity born through human connection Self exists only within relationships Structure: Intro (shakuhachi) Verse Pre-Chorus Chorus Verse 2 Pre-Chorus 2 Chorus Bridge (instrumental + chants) Final Chorus (key change) Outro (shakuhachi fade)

Live Concert, Japanese Traditional Instrument Performance, Rockabilly, Minor, 156BPM, Male Baritone Vocals, Live Shout Vocals, Master Shamisen (aggressive percussive picking, sharp metallic twang, rapid-fire melodic runs), Rhythm Shamisen (driving rockabilly backbeat, steady rhythmic strumming, punchy attack), Bass Tsugaru Shamisen (heavy low-end resonance, percussive string slapping, deep thumping bass lines), Master Koto (energetic tremolo, intricate fast-paced melodies, bright shimmering timbre), Koto played by striking with Bachi (sharp percussive impact, rhythmic wooden clatter, aggressive staccato), Koto played with Slide Technique (bluesy pitch bends, long glissando sweeps, haunting sustain), Shakuhachi (breathy overtones, dramatic flutter tonguing, sharp dynamic swells), Shinobue (high-pitched piercing trills, celebratory rapid ornamentation, festive melodies), Odaiko (thunderous deep booms, immense reverberation, earth-shaking rhythmic impact), Wadaiko (precise synchronized pa

genre: wa-rock tempo: 72-84 BPM groove: slow but steady mood_start: sacred calm mood_shift: unease tension mood_end: restrained anger core_traditional: shamisen, koto, shakuhachi shamisen: low riff patterns, repeated motifs koto: rhythmic plucks, pulse support shakuhachi: long tones, emotional bends taiko: slow steady hits, grounding pulse guitar: clean riffs -> mild drive late bass: defined root movement drums: minimal rock beat, present space: wide but grounded focus: rhythm and atmosphere balance climax: controlled, not explosive

Modern rock song with Japanese traditional flavors, Drums are powerful and steady, inspired by taiko rhythms rather than purely traditional, Shamisen-style phrases appear as accents and melodic textures, Afro beat, afro-funk, retro soul, rock-pop, Shamisen and other Japanese traditional instruments are featured prominently and clearly audible in the mix, taking melodic lead roles at key moments, Their sharp, high-register tones cut through the distorted guitars, with a dry, focused sound and subtle ritual-style reverb, ensuring they stand shoulder to shoulder with the modern rock elements

Industrial jig featured shamisen, Rave at abandoned factory, Rhythm: 6/8 jig, dancing foot steps on the metallic flor, metallic and machinery sound, digital modulation, electronic ambient beauty, Shamisen: glockenspiel phrasing, express human percussive footsteps, jig dance body movement by attacks, Shamisen 2: garage tone, industrial and post punk phrasing and play, Shakuhachi: breathy edge, rough tone, DJ scratching style, bagpipe phrasing, industrial core, Vocal: Celtic female and British punk male, 6/8 rhythm, amthemic pop melodies, wide range, emo, Enka influenced, raw chant, breathy, glockenspiel chorus, Unstoppable 6/8 dance groove, Mixed: rave and ambient digital effects

70’s Shōwa Kayō Pop × 帝国歌劇団風 Remix (Orchestral Swing, Female Vocal + Choir, Marching Brass, Strings, Lead Shamisen Rock, Taiko Ensemble, Shakuhachi)

Genre: Ethereal Shoegaze Rock, Japanese Wagakki Rock, Koto, electric guitar, heavy drums, fast paced, energetic, fusion, J-Rock, melodic, samurai spirit

Produce a heavy Grunge track fused with Traditional Japanese instruments, Mood: Moody, raw, and dynamic with high contrast between quiet verses and explosive choruses, Focus: Synergy between fuzzy distorted guitars and the eerie, breathy sound of Shakuhachi, [vocal]: Husky, emotional cute female voice, Whispering grit in verses, shifting to powerful raspy screams in chorus, [intro]: Eerie shakuhachi melody over clean moody guitar and percussive Biwa strikes, [verse]: Minimalist bass-driven rhythm, intimate vocal presence, dark atmosphere, [pre-chorus]: Rising guitar feedback and tension with overblown shakuhachi notes, [chorus]: Massive wall of sound, distorted power chords, piercing flute accents, heavy sludge drums, [bridge]: Slow, heavy instrumental break with feedback and traditional string plucks, [outro]: Sudden return to quiet guitar and breathy flute, fading into feedback, Rules: BPM 90, Vocals must sound raw and unpolished, Shakuhachi is a lead instrument, Grungy, dark

Shamisen-led experimental fusion × Mediterranean symphonic J-rock × epic orchestral rock, prominent aggressive shamisen plucking riffs solos forefront melody, flamenco nylon guitar duduk whispers accents, orchestral strings brass choir taiko thunder drums heavy percussion sea storm FX waves crashes wind howls cliff echoes, Marshall overdrive distortion glitch edges sword clashes, 135 BPM E Phrygian Greek modal shifts syncopated drive symphonic builds (80→135→170 double-time→60 fadeout), husky emotional gritty raspy male vocals J-rock delivery dramatic vibrato powerful choruses Neumann U87 close-mic'd tube saturation 日文発音自然, make epic complex progression massive drops cinematic sea warrior odyssey ambience, ‑cute high-pitched female vocals, ‑catgirl nya adlibs, ‑hyperpop glitch chaos, ‑808 bass drops, ‑EDM synth wobbles, ‑bitcrush distortion overload, ‑kawaii idol style, ‑clean power metal screams, ‑autotune warble, ‑upbeat dance beats, ‑chiptune 8-bit sounds, ‑soft ballad whispers, ‑acoustic folk plucking, ‑reggae skanks, ‑trap hi-hats, ‑rap flows, ‑children's choir, ‑jazz sax solos, ‑country twang, ‑female harmonies, ‑falsetto highs, ‑whispery ASMR, ‑lo-fi chill beats, ‑vaporwave slowdowns, ‑disco funk grooves, ‑smooth R&B crooning

pure tsugaru shamisen electro vocaloid dominant, bitcrush glassy plucks SFX processing, vocaloid female vocals energetic, taiko + electronic percussion support, digital glitch effects, 140 BPM J-rock pizza song, guitar, electric guitar, bass guitar, orchestra, piano, muddy bass, ‑guitar, ‑electric guitar, ‑bass guitar, ‑lead guitar, ‑rhythm guitar, ‑acoustic guitar, ‑guitar solo, ‑violin, ‑cello, ‑string section, ‑orchestra, ‑synth, ‑EDM, ‑808, ‑piano, ‑organ, ‑double bass, ‑modern drums, ‑muddy bass, ‑clipping distortion

Epic Fantasy Japanese Wa-Rock with intense, heroic, and emotional energy, Traditional Japanese instruments (shamisen, shakuhachi, koto, taiko) fused with heavy distorted electric guitars, aggressive bass, powerful rock drums, and cinematic orchestral elements, Tempo: Fast (130–150 BPM) Mood: Dramatic, mystical, fiery, and inspiring, Feels like a final battle anime opening or JRPG boss theme, Female vocal: Powerful, emotional, and commanding Japanese female voice, Verses are mysterious and restrained, Pre-chorus builds tension, Chorus explodes with soaring, heroic vocals and massive energy, Long high notes, emotional vibrato, and passionate delivery, Sound design: Thunderous taiko hits, echoing shakuhachi, epic guitar riffs, and wide cinematic reverb, Atmosphere of ancient gods, destiny, and rebirth, Style references: Anime OP, fantasy battle theme, modern Japanese wa-rock bands, mythological rock, Grand, intense, and unforgettable

Genre: 演歌, 和楽器, alternative, Progressive, agressive, avant, 演歌, 和楽器, alternative, Progressive, agressive, avant, 演歌, 和楽器, alternative, Progressive, agressive, avant, Romantic, Dramatic, Melancholic, Kawaii, industrial, 和楽器IDM, disonance key: A Minor

Epic Japanese-style visual kei rock without guitars, featuring shamisen, taiko, and shakuhachi, Fast tempo, dark, and cinematic, Emotional male vocals filled with passion and sorrow, The sound is dramatic and intense, blending traditional Japanese instruments with a mythical atmosphere, Themes of the moonlight, eight million gods, the cursed sword and the divine sword, demons, and purification, A tragic hero fights to purify his fate beneath the sacred moon, Powerful, mystical, and full of destiny

Japanese female vocal, dark, powerful, dignified, slightly husky Wa-rock and EDM fusion, 128 BPM, strong rock drive Shamisen as the main melody and main riff instrument, leading verses, choruses, and drops Aggressive, percussive shamisen playing replacing electric guitar completely Electric guitars either removed or used only as very subtle background texture Taiko drums are dominant and thunderous, clearly audible, layered with rock drums Driving bass with deep groove, supporting shamisen rhythm Koto used only for intro and breakdown, sorrowful plucked phrases Shakuhachi used sparingly for tension and atmosphere EDM elements support rhythm and impact but never overpower shamisen or taiko EDM drop centered on distorted shamisen and taiko rhythm Cinematic, dramatic structure, strong contrast Emotional spoken-word section before first chorus Final chorus key change for powerful climax, shamisen fully unleashed

Soft But Emotionally Clear Female Vocal, Airy And Slightly Breathy, With Poetic Phrasing, Subtle Japanese Enunciation And Gentle Ma (Silence) Between Phrases, Bright Yet Melancholic Clean Guitar Arpeggios, Hint Of Japanese Pentatonic Nuance In Melodies, Layered With Gentle Overdrive In The Chorus, Occasional Koto-Like Plucked Guitar Harmonics, Light But Driving Drums, Snappy Snare And Crisp Hi-Hats, Blended With Soft Taiko-Style Low Percussion And Hand Claps, Creating A Flowing, Walking-Through-Kyoto-Streets Groove, Warm, Melodic Bass Lines, Smooth And Emotional, Following Chord Progressions Inspired By Traditional Japanese Scale Movement, Dreamy Ambient Pads, Shakuhachi-Inspired Breath Textures And Airy Sustains, Reversed Guitar Swells Like Passing Wind, Soft Piano Accents With Minimal Zen-Like Touch, J-Pop Meets Indie Rock Atmosphere, Infused With Japanese Aesthetic Of Wabi-Sabi, Cinematic, Nostalgic, And Quietly Emotional, Vibe: Bittersweet, Wistful, Introspective, “Running Th

Multi-National Musical Force, Japanese Traditional Melody Line × Rock, Mid Tempo Ballad Rock, Acoustic Session, Experimental Folk, Epic Folk, Brave Anthem, Catchy Melody, Choir, Glitch, Vocal FX, Dj Scratche, Clear Sound Mixing and Mastering, Multi Space Tremolo Wide Panning, Distorted Guitar, Piano, Jazz × Flamenco, A bold alternative rock arrangement, opening with syncopated drums and a driving bassline, Electric guitars blend crunchy riffs and bright arpeggios, weaving through spacious verses and anthemic choruses, Occasional organ chords add warmth, with dynamic shifts keeping the energy, ‑excessive layering, ‑overlapping piano/guitar, ‑harsh transients, ‑phase smear, ‑distorted saturation, ‑sub-bass overload, ‑overcompression, ‑long reverb tails

Multi National Musical Force, High Energy, Evolution, Revolution, Gloy, New World, Hopeful, High Technique Rock, Math Rock, Japanese Traditional Melody Line, Heavy Groovy Bass and Drums, ‑excessive layering, ‑overlapping piano/guitar, ‑harsh transients, ‑phase smear, ‑distorted saturation, ‑sub-bass overload, ‑overcompression, ‑long reverb tails

#genre: Japanese Rock, Alternative Rock, Girls Punk, J-Pop Rock Fusion #style: Energetic, Traditional-Japanese-infused, Raw, Anthemic #bpm: 138 #instruments: Shamisen power riffs, deep Taiko drums, fast Biwa plucks, Tsuzumi rolls, bright Koto glissando, aggressive Shakuhachi and Kagura flute melodies, overdriven electric bass #vocals: Female rock vocal with raspy edge and emotional intensity, shout-style backing in chorus #mood: Wild, Rebellious, Passionate, Youthful Rage #arrangement: Intro with Shamisen tremolo and Taiko, verses with layered traditional rhythms, choruses exploding with full ensemble, Biwa replacing guitar solo in bridge, outro fading with shakuhachi and koto echoes #sound design: Clean mix with traditional instrument spotlight, minimal electronic elements, gritty rock texture blended with Japanese acoustics

Live concert, Dark Surf Rock, performed only with Japanese instruments, Minor, 152BPM, Powerful male baritone vocal, live shout chorus, Shamisen master (expressive slides, dynamic plucking with bright timbre), rhythm shamisen (percussive sharp attacks, muted plucks), bass tsugaru shamisen (deep resonant low tones, strong rhythmic drive), koto master (smooth glissandos, arpeggios with rich resonance), choking koto (pitch bends, expressive slides creating tension), shakuhachi (breathy melodic phrases, dynamic articulation), wadaiko (conga-style percussive rhythms, explosive hits), tsuri-daiko (bongo-style rhythms, crisp attack), Overall impression (intense, gritty, passionate, reflecting a man's struggle at life's lowest point, dynamic energy, rhythmic drive, detailed articulation of every pluck and strike, immersive stage presence, authentic Japanese instrument textures, maintaining surf rock rhythm feel, interplay between melodic and percussive elements, focus on raw emotional delivery

[Genre: Math Rock / Experimental / Progressive / Japanese Fusion / Electronic Noise / Electronic Rock] [Tempo: 190 BPM] [Song length: under 4 minutes, concise structure, no extended outro] Instrumentation: Crunch/Clean/Low Cut/Light OD guitars, chopping bass, electric drums, shamisen, glitch effects, Mood: Cold, chaotic, hypnotic, dark, aggressive, ephemeral, Style: High-energy but sparse; stop-start math rock riffs; polymetric accents; glitchy and experimental, Arrangement: Shamisen is the main accompaniment with steady, sparse percussive plucks throughout, Guitars are NOT accompaniment—only short cutting riffs and color accents with clear gaps, Bass leads the groove, Drums bounce rhythmically, Vocals are single-word ad-libs in thin, young, layered female tones, Production: Dry, articulated mix; avoid reverb wash, Prioritize rhythmic hits, silence, and space, Shamisen and bass forward; guitars are accents only

Japanese post-rock with shamisen featured strongly in the outro, Intro has light shamisen accents; main sections are driven by clean electric guitar with delay and wide reverb, Slightly faster tempo (90–105 BPM), In the outro, shamisen becomes prominent: sharp plucked phrases, expressive slides, and resonant tremolo, Electric guitar fades into atmospheric pads while shamisen takes the lead, Bass remains deep and steady; drums become minimal or drop out, Vocal is calm and clear, close-mic, not shouting but with precise articulation, The ending feels intimate, spacious, and emotional, closing with a strong shamisen presence

Japanese Enka Soul × Cyberpunk Gothiccore × Dark EDM, Deep emotional Kobushi (vocal trills), Enka-style dramatic vibrato, Aggressive Girl Alto Vocal, Electric shamisen riff, Crying bamboo flute, Taiko drive, Koto Ambient, Biwa, Japanese Synthesizer, Neon-lit melancholic atmosphere, Heavy bass, High energy but sorrowful

[Core] Aesthetic Japanese Baroque Rock, 105BPM, Crystal Clear Neoclassical Metal, High-Definition Audio [cite: 2026-01-14] [Instruments] Sharp Piercing Harpsichord, Brilliant Shamisen, Bright Grand Pipe Organ, Sharp-edged Distorted Heavy Guitars, Punchy Deep Taiko, Super High-Fidelity [cite: 2026-01-14] [Technique] High-Definition Audio, Transparent Mix, Crisp transients, Direct Sound, No-muffle EQ, Baroque Counterpoint, Symmetrical Fugue, Wide Dynamic Range [cite: 2026-01-14] [Vocal] Close-miking Husky and breathy female vocal but with clear articulation, bright airy tones, sensual, -muffled, -lofi [cite: 2026-01-14] [Negative] -muffled, -muddy, -lo-fi, -distorted master, -clipping, -ambient wash, -lush pads, -reverb wash, -kakegoe, -yo/hoi/soiya, -male lead

Wa-fu math rock, heavy impact funk industrial textures, hyper tension crystal bright vocals, shakuhachi, boom-bap swing hats, taiko on downbeats, japanese style bounce funk wah bass, scratch, ‑Humming, ‑Ad-libs, ‑Glitch, ‑Happy, ‑Upbeat, ‑EDM, ‑House, ‑Techno, ‑Cute, ‑Anime, ‑Generic Pop, ‑Acoustic Ballad Only, ‑Clean Production, ‑Intro Vocals, ‑Humming, ‑Ad-libs, ‑Choir Intro, ‑Hi Tech, ‑Post-Rock, ‑melodic instruments, ‑robotic vocals, ‑guitar, ‑snap

Elegant Wafu Rock Ballad, 88 BPM, Japanese aesthetic centered, Wagakki-forward arrangement with restrained rock support, Melody: intimate talk-singing in verses → noble rising pre-chorus → wide, pure leaps in chorus (A3–G5), Harmony: minor with lush extensions (add9/11), final chorus lifts +2 semitones for brightness, Instruments: koto as main rhythmic bed (sparkling arpeggios), shamisen as tight percussive drive, shakuhachi as emotional lead motifs, sho as airy sustained halo, kokyu as lyrical counterline, taiko + kane/suzu as elegant accents, Rock layer: clean electric guitar arps + very light warm overdrive swells, round bass, soft drums (no heavy hits), all secondary to wagakki, Vocals: emotive female, close-mic whisper→clear open tone, subtle harmonies, Mix: refined, spacious, silky reverb, warm analog, high clarity, cinematic but delicate, no EDM, no metal, ‑Avoid styles (negative prompt): - EDM / festival build-drop, ‑big sidechain pumping - Trap / Drill (808 subs, ‑rapid hi-hat rolls) - Metal / Hardcore (aggressive distortion, ‑double-kick, ‑screaming) - Enka-style heavy kobushi / overly traditional old-school vocal phrasing - Lo-fi cassette wobble, ‑heavy noise, ‑low-res demo sound - Hyperpop / glitch pop, ‑extreme stutters, ‑chipmunk vocals - Prog / math rock complexity, ‑constant time-signature gymnastics - Bright neon cyberpunk synthwave vibe, ‑oversaturated retro 80s sound

Music Genre: [Modern ACG J-POP influenced by Japanese melodic punk, pop punk, and 2023 anime songs][High-fidelity production][Bright Tone, Catchy Hooks] Language: [Japanese + English] Tone: [Dual vocals, a vibrant female lead vocal, complemented by a male duet that adds emotional depth; clear and youthful voice][Deep, husky voice contrasts with soaring falsetto][Harmonious vocals] Atmosphere and Mood: [Uplifting, Determined, Emotional, High Energy, Nostalgic, Hopeful, Driving] Temperature: [122 BPM (steady, powerful mid-tempo)] Instrumental Rhythm: [A bright and resonant acoustic guitar, featuring Octave Riffs, Driving Drums, Aggressive Melodic Bass, and Fast Drum] [Fills] Sound Quality: [High fidelity, wide stereo, studio quality, clear mix] Structure: [Verse-Chorus Structure, Anthemic Chorus, Emotional Bridge, Guitar Solo Outro] Atmosphere: [Growth, Persistence, Breaking the Cycle, Journey, Overcoming Darkness]

Japanese Traditional Ambient, Koto Lead, Sensual Shakuhachi, Elegant Flow, Oiran Dance, Slow Groove, Ethnic Fusion, Minimalist Beat, Cinematic, 85 BPM

hyperpop, glitchcore, funk rock, j-rock, breakbeat, orchestra, symphonic metal, heavy metal, progressive rock, dungeon synth, epic cinematic, shamisen, clean production, no clipping, 8D surround audio, 360 degree spatial rotation, wide stereo depth field, dynamic movement panning, High Quality, Studio Production, World-Class Studio Mix

High-octane pop rock, energetic female vocals, punk influence, driving beat, electric guitars, synth accents, intense, raw emotion, Japanese anime opening theme Modern Japanese rock, husky and powerful female singer, vibrant, chaotic blend of supernatural thrills and youthful emotion, dark pop dynamism Upbeat J-Pop rock, fast tempo, passionate singing

A powerful emotional J-rock track mixing clean and distorted guitars, dynamic drums, and cinematic strings, Starts with a calm, melancholic verse, builds tension with emotional vocals, then explodes into a passionate chorus with soaring melody and screaming energy, Themes: loss of purity, power corrupting ideals, inner conflict and redemption, Tempo around 150 BPM, key of D minor, with modern rock production and stadium sound

Japanese-style rock featuring shamisen as the main instrument, supported by taiko drums and gagaku flutes (shinobue and ryuteki), Powerful and emotional female vocals, A dramatic fusion of traditional Japanese melodies and modern rock energy, The theme is “snow falling on plum blossoms” and the longing for spring, Ethereal, cinematic, and intense Japanese rock with a strong, driving rhythm and a soaring emotional chorus, Use [Spoken words]

Japanese Boss Instrumental with Shamisen, Koto, and Piano; sharp percussive plucks and sparse ma with long resonant decays; deep grounding sub-bass pulses, subtle, rear-positioned and felt more than heard; taiko and shōko pointillistic accents; glitched microtonal arpeggios, non-integer rhythms, ultra-fast sequences; subtle bells, harps, lightly filtered glimmering synth motifs; short repeating shamisen/piano phrases with microtonal variations; shattered crystal bursts at dramatic peaks; fractal timing, slight temporal drift, occasional reverse/glitched fragments; large cathedral hall reverb with long decay and wide stereo spread; dynamic interplay of piano, electronics, bells, crystal shattering, and resonant silence — mood: Yugen, Mysterious, Hypnotic, Ceremonial, Uncanny, Secret, Beyond

BPM 105, Modern Dark Mixture, Nu-Metal, J-Rock, Powerful and edgy female vocals (like LiSA), Aggressive male rap flow, Atmospheric intro with shouting crowd and clashing sounds, Sudden silence, Distorted Shamisen, Heavy Sub-Bass, Emotional melodic female chorus, Japanese Vocals

Post-Hardcore / Alternative Rock / Japanese Fusion Mood: Aggressive yet melodic, dark, rebellious, emotional, energetic Instruments: Shamisen as a clear lead and rhythmic hook Fuzz electric guitar (raw, gritty, not metal) Dynamic drums with strong accents Deep supportive bass Vocals: Wild female vocal Melodic verses and choruses Controlled shouts for emphasis Thick layered choruses Structure: Intro (inst, shamisen) Verse (lyric-dense) Pre-Chorus Chorus (catchy) Verse 2 Pre-Chorus Chorus Short Bridge (shouted) Short Extra Chorus Final Chorus Outro (shamisen fade) Theme: Refusing obedience, untamed independence Tempo: Mid-tempo (120–140 BPM)