
Not mine
Wonderful masterpieces of SUNO kings and queens.
Thank you for the music <3
·
70 songs
4:24

Just Because
v4.5+
Atonal art-pop with prepared piano and tape hiss sets a disorienting intro, Verses weave brushed drums with unpredictable upright bass and tense harmonies, Refrains blend dissonant vocal stacks, fuzzy guitar, and amp hum, Synth pad instability, angular bass, and layered vocals fuel controlled chaos, The bridge strips back to haunted piano and vocals, rough with tape artifacts, A warped string section heightens the finale’s catharsis, ending abruptly as fractured, gravelly vocals cut through tension, ‑screaming vocals, ‑death metal, ‑contemporary folk, ‑studio polished production, ‑major key progressions, ‑4/4 time signature consistency, ‑synthesized strings, ‑digital reverb, ‑compressed dynamics, ‑radio-friendly mixing
3:24

3:46

Indie Folk, Industrial, Heartfelt, Infectious, Romantic, Synthwave, Indietronica, Dream Pop, Smooth, Americana
3:37

UK Post-Punk + Baroque Chamber Pop, [mood: aggressive, cynical, manic certainty, style: angular, high-mix, dramatic transitions, tempo: moderate, steady-drive], The core sound is defined by sharp, hollow-body electric bass and treble-heavy electric guitar playing tight, repetitive counter-rhythms, Percussion is tight, dry, and focused on snare/hi-hat decay, The arrangement features the dramatic juxtaposition of this rigid rhythmic section against highly ornamented, dark-toned string ensemble arrangements (violin, cello) that swell in volume and dissonance during choruses and the bridge, Vocals are delivered with a gritty, arid, and steely timbre, utilizing glottal fry and a clenched, sardonic tone, Delivery style is clipped, syncopated, and deadpanned, building towards a strained, projectile shout at the climax, Production is heavily compressed with a metallic clang texture, set in a fictionalized 1980s London, hyper-focused aesthetic, ‑humming, ‑hum, ‑vocalise, ‑humming, ‑vocalisations, ‑vocalised, ‑autotune, ‑intro
3:00

murder folk, gravelly vocals, old elderly vocals, old grizzly male vocals, slow banjo, swing style beat, theatrical vibe, dark vibe, baritone voice
3:08

2:41

Stage play, Klezmer Punk, sinister cabaret, dark vaudeville cinematic epic, Scottish rock, male vocals
1:58

1980s Synth Pop, Twee, Minimal, New Wave, Hammond Organ, Group Chant, Harmony Vocals, Organ, 1960s Folk, Hand Claps, Tambourine, Upbeat
3:50

Вчерашние тучи
v4.5
An atmospheric, haunting electronic soundscape emerges with layered synths, distorted bass, and pulsating rhythms, Somber piano melodies intertwine with folk-inspired motifs and occasional classical string accents, Female vocals float ethereally—sometimes whispered, sometimes forceful—over hypnotic witch house beats and gothic textures, Industrial percussion, eerie choral pads, and subtle horror punk guitar create an intense sense of darkness and decay, pushing the arrangement into rich, immersive territory, The outro dissolves into sparse piano and faded electronic echoes
4:00

I’m still here
v3.5
wall of sound, dense orchestral, chorus, high harmonies, reverb, echo, Theremin, electric bass, bass clarinet, piano
2:00

4:00

3:18

3:12

6:15

2:05

Soviet, surf rock, 60's, Experimental, man voice, deep bass
3:37

Feelings of emptiness, despair, and regret, Reflect on past mistakes and lost opportunities, Lament the cost those experiences, Slow and somber, focus on acoustic guitar and piano
4:33

4:00

sad, depressing, emotional, classical piano, ambient, 16-bit synth, video game level
2:04

1:55

Clear, fun UK male voice, A lively, fast-paced joke song with faint strings, Emphasize vocal clarity and playful energy, ‑modern
3:04

3:43

Romantic ballad with magical tones, Elegant waltz rhythm, deep gutt male voice, soft orchestration with strings, harp, and warm piano melodies, beauty and the beast
3:39

female voice, futurepop, beat, keyboard synthesizer, electro, pop, ambient
4:41

4:23

Pop, dark, and minimal with haunting female vocals, sparse instrumentation, and a brooding atmosphere, Focus on intimate storytelling and emotional intensity through subtle dynamics and layered textur
3:41

cinematic ballad, Epic Orchestral Rock, Emotional Acoustic Melody, Dynamic male Vocals
2:24

3:28

1:55

5:23

A Fool’s Wager
v3.5
progressive psychedelic rock, atmospheric electric guitar, jazz-influenced drums, haunting mellotron, melodic flute
2:46

1mmorap, [(genre: Ragtime—Trap—Bebop)—(instr: Piano—Clarinet—808s)—(env: Neon Club)—(meter: 2/4 Swing-Trap)—(vocals: Rough—Layered—Chopped)—(texture: Bouncy—Deep—Sexy)—(mood: Playful—Eerie—Hypnotic)]
1:43

piano, classical, death, sadness, dark music, decay, female vocals, gothic alternative, witch house, horror punk
2:44

piano, classical, death, sadness, dark music, decay, female vocals
2:47

2:58

Psychedelic Folk, Female Vocalist, Dreamy
3:03

4:00

1:47

4:08

1:59

Meet Your Shadow
v3.5
Deep female vocals, darkwave, shoegaze, Psychedelic flow, Funky catchy, reverb, postpunk, Ethereal, lo-fi, Vintage 70s, dreamy, Trippy reverb, 70s retro, Timeless, 60's, Nostalgic, bass Guitar, synth
3:45

fast, dark creepy, power waltz, violin, cello, flute, percussion, constant rhythm, female opera soprano singer, evil tritone intervals, sailor hymn
2:39

How Many Times
v4.5
howling, belting tenor, thick irish accent, yearning, angst, grunge, jangle pop, melodic rock, alternative rock, expressive softcore, major, mixolydian overlay, dorian overlay, suspended fourths, open fifths, modal cadences, | inverted triads, add9 chords, extended dyads, sustained phrase openings, consonant-rich line endings, emotionally articulate, dynamically alive, musically sincere, hardcore punk, ‑lofi, ‑muddy, ‑lowpass, ‑highpass, ‑bandpass, ‑clip, ‑peak, ‑compression, ‑reverb, ‑shimmer, ‑ringing, ‑wide, ‑wide stereo, ‑sludge
3:29

darkwave/coldwave sparse instrumentation (floor tom, analog drone, scraped strings), vocals move from monotone to chanted to cracked, the mood is tense, haunted, and increasingly unhinged, Intro: whispered chant with warped zipper-like scrape
Verse 1: monotone, restrained
Pre-Chorus: breathy, internal rhyme emphasized
Chorus: layered chant, heartbeat percussion
Verse 2: half-whispered, rising unease
Pre-Chorus: breathy, internal rhyme emphasized
Chorus: swelling and layered
Bridge: spoken, fragmented, quiet tension
Final Chorus: fragmented, layered with cracked whispers
Outro: zipper-scrape distortion layered with whisper loops
2:53

An accordion driven glam pop track with theatrical flair and surreal circus undertones, Fused with hurdy gurdy and bluegrass folk, Use expressive accordion as the main melodic instrument, weaving through a cabaret-inspired waltz rhythm, Combine it with glittery synths, upright bass, and tight glam-style drums with handclaps and floor toms, Verses should feel unhinged and lyrical, with dramatic male vocals, while choruses explode into lush, anthemic glam pop harmonies, Include spoken word in the bridge with ambient textures and a brief musical breakdown, Add subtle psychedelic elements like warped organs, reversed effects, or pitch-shifted whispers, The overall mood is strange, theatrical, ironic, and catchy — like a carnival trapped inside a mirrorball
5:33

Minimalist glitch-hop with trip-hop influences, The groove is built on a dusty, sampled breakbeat, heavily syncopated and intentionally behind the beat, creating a lazy, off-kilter feel, The atmosphere is melancholic and claustrophobic, dominated by a simple, detuned music box melody and the constant presence of low-level vinyl crackle and tape hiss, A solitary, mournful cello provides legato counter-melodies, played with audible rosin grit, Harmony is minor-key with surprising modal interchange and unresolved, dissonant passing chords in the bass, The arrangement is sparse, building and collapsing abruptly











































