Between two worlds (K-Liz's set)

Traditional Japanese style, female suave voice, shamisen, cyberpunk, elettro-punk

female vocals, counterpoint, sytnh pad in crescendo, harmonics, shamisen, taiko, bass, koto, electro-drum entwines with taiko, while shamisen leads with sharp melodic lines, Mellow, high female vocals float over the top, The intro theme recurs as a transitional fill, unifying the arrangement between sections

Traditional Japanese but funky, Shamisen shitting in funky storm, ironic female mellow vocals, slap bass, did I said funky, ah, The bass too must be slappy and funky, And there will be hammond (with leslie and stuff), rhodes and clavinet and wathever you think can give some groove to this track, The groove should be funky, Sexy, Ironically sexy, Also sarcastically sexy, Put in a kazoo too, if you dare, but I guess that wa-wa guitar is the easy choice, Solo must be performed by shamisen only and, open your ears, they must be traditional but funky, The female voice is the one of K-Liz and she's mellow, sexy and ironic, And funky, Shamisen, Funky, Funky shamisen, Shamisenly funky, Fynkysh, Old porn funk too

Female mellow voice Chill lo-fi, atmospheric and relaxed Main instruments: Warm, smooth Rhodes electric piano, vintage hip-hop scratching Harmonies: Chord progressions inspired by traditional and modern Japanese music, using Japanese modal and pentatonic scales (e, g, Insen scale, Hirajoshi scale), Slow, laid-back tempo around 70-80 BPM, Warm texture with light vinyl crackle and soft urban ambient sounds, vl Soft, arpeggiated Rhodes lines with rich, tension-filled chords (such as sus2, sus4, add9, minor7, 9th chords), Discreet, rhythmic scratching that enhances the groove without overpowering, Nostalgic atmosphere Use chords like Gmaj7sus2, Am7add9, D7sus4, Em9, Bm7sus2, scratching on classic hip-hop breaks with sharp but smooth cuts, Kkep percussion light — focus on soft kicks, snares, and rim shots rather than heavy drums

Traditional japanese, shamisen, xylophone, koto, 808 bass, tuba, electro drum, female mellow vocals, seamless theremin with portamento

Electro funky, The track start with a police siren, measue after measure layers add: percussive techno drumbass, then syncopathed clavinet, then dark synth pad, Sirens is always under these layers during the verses, The track evolves in electro funky punctuated by shamisen stokes, transitioninf from a 4 measures prechorus and a fully groovy 4 measures chorus

Female mellow voice Chill lo-fi, atmospheric and relaxed Main instruments: Warm, smooth Rhodes electric piano, vintage hip-hop scratching Harmonies: Chord progressions inspired by traditional and modern Japanese music, using Japanese modal and pentatonic scales (e, g, Insen scale, Hirajoshi scale), Slow, laid-back tempo around 70-80 BPM, Warm texture with light vinyl crackle and soft urban ambient sounds, vl Soft, arpeggiated Rhodes lines with rich, tension-filled chords (such as sus2, sus4, add9, minor7, 9th chords), Discreet, rhythmic scratching that enhances the groove without overpowering, Nostalgic atmosphere Use chords like Gmaj7sus2, Am7add9, D7sus4, Em9, Bm7sus2, scratching on classic hip-hop breaks with sharp but smooth cuts, Kkep percussion light — focus on soft kicks, snares, and rim shots rather than heavy drums

Mellow female vocals, Trip-hop, Theremin, female vocals, counterpoint, acoustic guitar, harmonics, shamisen, taiko, bass, koto, shakuhachi

Theremin, female vocals, counterpoint, acoustic guitar, harmonics, shamisen, taiko, bass, koto, shakuhachi

The J-punk track opens with an ironic, mellow spoken intro over subtle koto and shamisen plucks, Distorted guitar and bass enter with pulsing, syncopated energy, shamisen keeping the rhytm base, Shakuhachi flits through melodic counterpoint, Female vocals layer atop the verse, switching from an ironic delivery to angry one, fusing punk drive with traditional textures

J-punk but during Christmas, not a J-Chirstmas, a regular one, But punk must be J, J stands for Japan, That means punk but with kawaii accent, until the mellow voice get sick of being mellow and kawai became gritty and sarcastic, Or ironic, I guess you don't get the difference, Of course there must be shamisen that spins intricate, circular fingerwork and harmonics, Of course this is a Suno invention, because I fear that fingerwork on shamisen mean severe finger bleeding, All over jingle bells; a fucking lot of jingle bells, People must be wondering, where the fuck this jingle bells come from? Ah! I got a pun! J-bells for J-Punk, You got it? Ah! Now go and don't disappoint me because this is the best prompt ever

Allegro tempo sets a lively Neapolitan tarantella groove, driven by crisp percussions and bright tambourines, Gentle mandolin and shamisen open with interlocking picking, joined by subtle bass and airy shakuhachi lines, Female vocals float in napolitan dialect, entwined with layered harmonies and intricate counterpoint, Taiko and shamisen intensify the rhythmic pulse, while theremin and koto weave in ethereal, haunting textures that drift through each section, adding depth and mystery to the lively folk-dance energy