コリオリ各国合唱団

Large Amateur Kindergarten And Early-Primary Children's Choir, Approximately Ages Five To Seven, Singing Every Lyric Together From Beginning To End, Capital Children's Choir-Inspired Contemporary Choral Arrangement, Very Young Small Voices, Tiny Light Treble Tone, Child Speech-Like Phrasing, Very Small Breath Capacity, Very Narrow Comfortable Vocal Range, Soft Uncertain Consonants, Weak Natural Projection, No Mature Resonance, No Vibrato, Raw Untrained Young Children, Imperfect Unison, Noticeably Uneven Entrances, Loose Collective Timing, Small Pitch Differences, Audible Breathing Between Short Phrases, Occasional Late And Early Voices, Raw Classroom Rehearsal Recording, No Pitch Correction, No Older Children, No Teenage Voices, No Adult Vocals, No Individual Soloist

Large Amateur Kindergarten And Early-Primary Children's Choir, Approximately Ages Five To Seven, Singing Every Lyric Together From Beginning To End, Capital Children's Choir-Inspired Contemporary Choral Arrangement, Very Young Small Voices, Tiny Light Treble Tone, Child Speech-Like Phrasing, Very Small Breath Capacity, Very Narrow Comfortable Vocal Range, Soft Uncertain Consonants, Weak Natural Projection, No Mature Resonance, No Vibrato, Raw Untrained Young Children, Imperfect Unison, Noticeably Uneven Entrances, Loose Collective Timing, Small Pitch Differences, Audible Breathing Between Short Phrases, Occasional Late And Early Voices, Raw Classroom Rehearsal Recording, No Pitch Correction, No Older Children, No Teenage Voices, No Adult Vocals, No Individual Soloist

Brooklyn Youth Chorus-Inspired Experimental Choral Writing, Slightly Beyond The Performers' Skill Level, Sung Earnestly By An Under-Rehearsed Beginner Children's Choir, Approximately Ages Six To Eight, Contemporary Art-Choral Textures: Stark Unison, Close Dissonant Clusters, Fragmented Call-And-Response, Shifting Small Groups, Irregular Repetition, Dry Body Percussion And Abrupt Silences, Serious, Concentrated And Slightly Uncanny, Never Cute Or Playful, Very Young Light Voices Trying Hard To Sing Together But Never Fully Matching, Hesitant Attacks, Early And Late Entrances, Unaligned Consonants, Inconsistent Vowels, Uneven Volume, Weak Breath Support, Unsteady Sustained Notes, Pitch Drift And Ragged Cutoffs, Dry Close Ensemble Recording, No Pitch Correction, No Smoothed Blend, No Professional Precision, No Teenage Or Adult Voices, No Individual Soloist

Brooklyn Youth Chorus-Inspired Experimental Choral Writing, Slightly Beyond The Performers' Skill Level, Sung Earnestly By An Under-Rehearsed Beginner Children's Choir, Approximately Ages Six To Eight, Contemporary Art-Choral Textures: Stark Unison, Close Dissonant Clusters, Fragmented Call-And-Response, Shifting Small Groups, Irregular Repetition, Dry Body Percussion And Abrupt Silences, Serious, Concentrated And Slightly Uncanny, Never Cute Or Playful, Very Young Light Voices Trying Hard To Sing Together But Never Fully Matching, Hesitant Attacks, Early And Late Entrances, Unaligned Consonants, Inconsistent Vowels, Uneven Volume, Weak Breath Support, Unsteady Sustained Notes, Pitch Drift And Ragged Cutoffs, Dry Close Ensemble Recording, No Pitch Correction, No Smoothed Blend, No Professional Precision, No Teenage Or Adult Voices, No Individual Soloist

One Voice Children's Choir-Inspired Cinematic Pop Choral Arrangement, Performed Earnestly By A Large Under-Rehearsed Beginner Children's Choir, Approximately Ages Six To Eight, Very Young Boys And Girls Singing Every Lyric Together, Light Small Voices, Clear Japanese Diction, Simple Memorable Melody, Mostly Unison Singing, Brief Two-Part Harmony, Warm Piano, Gradually Expanding Strings, Soft Percussion, Handclaps And Large Emotional Refrains, Intimate Opening Growing Into A Wide Collective Finale, Serious And Sincere, Never Cartoonish Or Nursery-Like, The Children Try Hard To Sound Powerful But Never Fully Match: Hesitant Attacks, Early And Late Entrances, Uneven Volume, Unaligned Consonants, Emergency Breaths, Weak Sustained Notes, Slight Pitch Drift And Ragged Cutoffs, No Pitch Correction, No Adult Vocals, No Teenage Voices, No Featured Soloist, No Professional Choral Precision

One Voice Children's Choir-Inspired Cinematic Pop Choral Arrangement, Performed Earnestly By A Large Under-Rehearsed Beginner Children's Choir, Approximately Ages Six To Eight, Very Young Boys And Girls Singing Every Lyric Together, Light Small Voices, Clear Japanese Diction, Simple Memorable Melody, Mostly Unison Singing, Brief Two-Part Harmony, Warm Piano, Gradually Expanding Strings, Soft Percussion, Handclaps And Large Emotional Refrains, Intimate Opening Growing Into A Wide Collective Finale, Serious And Sincere, Never Cartoonish Or Nursery-Like, The Children Try Hard To Sound Powerful But Never Fully Match: Hesitant Attacks, Early And Late Entrances, Uneven Volume, Unaligned Consonants, Emergency Breaths, Weak Sustained Notes, Slight Pitch Drift And Ragged Cutoffs, No Pitch Correction, No Adult Vocals, No Teenage Voices, No Featured Soloist, No Professional Choral Precision

Tölzer Knabenchor-Inspired German Baroque And Classical Choral Arrangement, Performed Earnestly By An Under-Rehearsed Beginner Boys' Choir, Approximately Ages Seven To Nine, Young Prepubescent Boy Trebles Singing Every Lyric Together, Clear Forward Tone, Firm Consonants, Mostly Chorale-Like Unison, Brief Contrapuntal Imitation And Simple Two-Part Harmony, Brisk Chamber Strings, Oboe, Bassoon, Harpsichord And Small Organ, Formal Cadences, Rhythmic Precision In The Arrangement And A Dry European Concert-Hall Sound, Solemn, Disciplined And Earthbound Rather Than Ethereal, The Boys Attempt A Strict Classical Performance But Never Fully Match: Hesitant Attacks, Early And Late Entries, Uneven Articulation, Weak Breath Support, Unsteady Long Notes, Pitch Drift And Ragged Cadences, No Pitch Correction, No Adult Male Choir, No Female Or Teenage Voices, No Featured Soloist, No Cinematic Pads, No Professional Precision

African Children's Choir-Inspired Rhythmic Gospel And Folk-Choral Arrangement, Performed Earnestly By A Large Under-Rehearsed Beginner Children's Choir, Approximately Ages Seven To Nine, Young Boys And Girls Singing Every Japanese Lyric Collectively, Open Natural Voices, Strong Unison Hooks, Overlapping Call-And-Response, Shifting Small Groups And Gradually Expanding Full-Choir Refrains, Handclaps, Foot Stomps, Shakers, Layered Hand Drums And Rhythmic Body Percussion, Begin With Bare Voices And Footsteps, Build Into A Physical Communal Pulse, Fall Into Stillness, Then Rise Again for The Finale, Serious, Warm And Determined, Never Cartoonish, The Children Sing With Full Effort But Never Completely Match: Early And Late Entrances, Uneven Volume, Unaligned Consonants, Emergency Breaths, Pitch Drift And Ragged Cutoffs, No Pitch Correction, No Adult Vocals, No Teenage Voices, No Featured Soloist, No Polished Studio Blend, No Professional Precision

Columbia Yurikagokai, Archival Japanese Doyo Choral Recording, Early-Primary-School Treble Choir, Ages Six To Eight, One Large Stationary Choir Singing Every Line Together, Very Small Natural Voices, Thin Fragile Head-Register Tone, Short Breath Capacity, Brief Phrases With Frequent Collective Breaths, Narrow Comfortable Range, Soft Consonants, Open Childlike Vowels, Light Unstable Vocal Onsets, Slight Pitch Differences, Plain Unison, Simple Strophic Melody, Acoustic Upright Piano As The Only Accompaniment, Measured Rubato, Modest Dynamics, Restrained Delivery, Dry 1950s–1960s Monaural Radio-Studio Sound, Gentle Two-Part Harmony Only In The Finale

Escolania de Montserrat-Inspired Catalan Monastic Children’s Choir, Performed By An Under-Rehearsed Amateur Boys’ Treble Choir, Tiny Clear Treble Voices, Unbroken Childlike Head Tone, Thin Light Timbre, Small Resonance, Weak Breath Support, Narrow Dynamic Range, Short Phrases And Slightly Unstable Sustained Notes, No Chest-Voice Weight Or Mature Vocal Depth, Ancient Sacred Polyphony, Modal Plainchant, Dark Stone-Basilica Reverb, Simple Open Vowels And Solemn Processional Phrasing, Begin With Bare Unison Chant, Then Add Quiet Pipe Organ, Low Cello Drone And Sparse Handbell, Move From One Small Voice To Two Voices, Divided Groups And Full Choir, Following “ひとり・ふたり・みな”, Use Simple Two-Part Counterpoint, Antiphonal Replies, Slow Descending Cadences And Heavy Silences, Preserve Audible Breaths, Nervous Entrances, Uneven Timing, Inconsistent Vowels, Pitch Sag And Ragged Releases, Innocent, Serious, Fragile And Human

Vienna Boys Choir-Inspired Sacred-Classical Choral Arrangement, Performed Earnestly By A Medium-Sized Under-Rehearsed Amateur Boys’ Choir, Ages Eight To Twelve, Bright Prepubescent Treble Head Voices, Clear Germanic Choral Tone, Rounded Pure Vowels, Formal Sacred Phrasing And Gentle Classical Dynamics, Begin Almost A Cappella In A Reverberant Viennese Chapel, Then Add Quiet Pipe Organ, Sustained Cello And Sparse Chamber Strings, Alternate One Nervous Boy, Two-Boy Pairs, Small Sections And Full Choir, Gradually Expanding Into Solemn Hymn-Like Refrains And A Restrained Cathedral-Sized Finale, Hesitant Attacks, Early And Late Entries, Uneven Breathing, Slightly Different Vowels, Pitch Drift On Long Notes, Unaligned Final Consonants And Ragged Cutoffs, Preserve Nervous Effort And Fragile Sacred Beauty, No Pitch Correction, No Adult Male Choir, No Female Or Teenage Voices, No Operatic Soloist, No Cinematic Pads, No Professional Precision

Libera-Inspired Ethereal Sacred Crossover, Performed By A Large Under-Rehearsed Amateur Boys Choir, Ages Eight To Thirteen, Airy Treble Head Voices, Breath-Led Singing, Luminous Sacred Atmosphere, Expansive Chapel Reverb And Floating Layered Harmonies, Begin With Distant Wordless Voices And Fragile Piano, Then Add Warm Pads, Low Strings, Suspended Cymbals And Sparse Orchestral Percussion, Shift Between One Small Voice From Within The Choir, Two-Part Groups, Overlapping Sections And Wide Full-Choir Refrains, Long Silences And Lingering Reverb Give “動け” And “止まれ” Increasing Weight, Preserve Audible Breaths, Unequal Confidence, Slightly Late Harmony Entries, Weak Lower Notes, Pitch Drift On Long Vowels, Uneven Crescendos, Blurred Japanese Consonants And Unsynchronized Releases, Sincere, Fragile And Human Rather Than Polished, ‑Adult Vocals, ‑Female Vocals, ‑Teenage Voices, ‑Operatic Soloist, ‑Pitch Correction, ‑Perfect Professional Blend, ‑Glossy Cinematic Choir, ‑Cheerful Children’s Television Style

boys choir, boys voices, boys singing, changed and changing voices, Japanese middle school choir, young voices, soft voices, boys and girls choir, teenage voices, adolescent choir, piano, full choir, 40 singers, multiple singers per part, choral blend, balanced sections, straight tone, pure tone, no ornament, concert hall, natural room ambience, distant mic, acoustic, wide dynamic range, pianissimo to fortissimo, cinematic, emotional, amateur choir, student choir, imperfect, raw, unpolished, natural voice variance, school concert, rhythmic drive, percussive piano, marcato, dramatic contrast, subito dynamics, ‑drums, ‑guitar, ‑bass, ‑synthesizer, ‑strings, ‑orchestra, ‑band, ‑electric, ‑percussion, ‑vibrato, ‑auto-tune, ‑rock, ‑pop, ‑EDM, ‑adult, ‑mature, ‑opera, ‑solo voice, ‑soloist, ‑single singer, ‑one voice, ‑solo singer, ‑solo vocal, ‑female solo, ‑female soloist, ‑woman singing, ‑soprano solo, ‑alto solo, ‑male solo, ‑man singing, ‑baritone solo, ‑tenor solo, ‑adult male, ‑adult male voice, ‑adult female, ‑adult female voice, ‑dramatic, ‑aggressive, ‑powerful male, ‑deep bass, ‑close mic, ‑studio, ‑dry, ‑intimate, ‑flat dynamics, ‑compressed, ‑professional choir, ‑trained voices, ‑perfect pitch, ‑polished, ‑melisma, ‑vocal runs, ‑riffs, ‑belting, ‑bel canto, ‑heavy vibrato, ‑ornamental, ‑gospel runs, ‑R&B vocals, ‑chest voice, ‑growl, ‑falsetto, ‑head voice, ‑children choir, ‑child voices, ‑elementary school

boys choir, boys voices, boys singing, changed and changing voices, Japanese middle school choir, young voices, soft voices, boys and girls choir, teenage voices, adolescent choir, piano, full choir, 40 singers, multiple singers per part, choral blend, balanced sections, straight tone, pure tone, no ornament, concert hall, natural room ambience, distant mic, acoustic, wide dynamic range, pianissimo to fortissimo, cinematic, emotional, amateur choir, student choir, imperfect, raw, unpolished, natural voice variance, school concert, rhythmic drive, percussive piano, marcato, dramatic contrast, subito dynamics, ‑drums, ‑guitar, ‑bass, ‑synthesizer, ‑strings, ‑orchestra, ‑band, ‑electric, ‑percussion, ‑vibrato, ‑auto-tune, ‑rock, ‑pop, ‑EDM, ‑adult, ‑mature, ‑opera, ‑solo voice, ‑soloist, ‑single singer, ‑one voice, ‑solo singer, ‑solo vocal, ‑female solo, ‑female soloist, ‑woman singing, ‑soprano solo, ‑alto solo, ‑male solo, ‑man singing, ‑baritone solo, ‑tenor solo, ‑adult male, ‑adult male voice, ‑adult female, ‑adult female voice, ‑dramatic, ‑aggressive, ‑powerful male, ‑deep bass, ‑close mic, ‑studio, ‑dry, ‑intimate, ‑flat dynamics, ‑compressed, ‑professional choir, ‑trained voices, ‑perfect pitch, ‑polished, ‑melisma, ‑vocal runs, ‑riffs, ‑belting, ‑bel canto, ‑heavy vibrato, ‑ornamental, ‑gospel runs, ‑R&B vocals, ‑chest voice, ‑growl, ‑falsetto, ‑head voice, ‑children choir, ‑child voices, ‑elementary school

Classical, Choral inspired ethereal sacred crossover performed by a large under rehearsed amateur boys choir ages eight to thirteen airy treble head voices breath led singing luminous sacred atmosphere expansive chapel reverb and floating layered harmonies begin with distant wordless voices and fragile piano then add warm pads low strings suspended cymbals and sparse orchestral percussion shift between one small voice from within the choir two part groups overlapping sections and wide full choir refrains long silences and lingering reverb give dong ke and zhi mare increasing weight preserve audible breaths unequal confidence slightly late harmony entries weak lower notes pitch drift on long vowels uneven crescendos blurred japanese consonants and unsynchronized releases sincere fragile and human rather than polished, ‑Adult Vocals, ‑Female Vocals, ‑Teenage Voices, ‑Operatic Soloist, ‑Pitch Correction, ‑Perfect Professional Blend, ‑Glossy Cinematic Choir, ‑Cheerful Children’s Television Style

Latvian Folk-Inspired Female A Cappella Vocal Ensemble, Performed By A Small Group Of Mature Adult Women, Clear Natural Voices, Cool Northern Tone, Precise Close Harmony, Gentle Dissonance, Low Alto Drones And Floating Upper-Voice Lines, Intimate And Mystical Rather Than Powerful, With A Quiet Baltic Forest And Midwinter Ritual Atmosphere, Slow Free Pulse Around 70–76 BPM, Moving Between Rubato Solo Invocation, Soft Antiphonal Responses And Light Rhythmic Unison, Begin With One Bare Alto Voice, Then Add Humming, Sustained Vowels And Interlocking Folk-Like Motifs, Treat Each Exercise Name As Ancient Sacred Knowledge, Pronounced Clearly In Japanese, Use Breath, Tongue Clicks, Soft Hand Percussion And Occasional Foot Taps Only, Build Luminous Harmonies On “マッスル, ” “バルク, ” “メロン” And “上腕二頭筋, ” Then Return To Near Silence, No Boy Choir, No Male Bass, No Folk Shouting, No Gospel, No Pop Beat, No Large Symphonic Choir, No Comedy Delivery

Latvian Folk-Inspired Female A Cappella Vocal Ensemble, Performed By A Small Group Of Mature Adult Women, Clear Natural Voices, Cool Northern Tone, Precise Close Harmony, Gentle Dissonance, Low Alto Drones And Floating Upper-Voice Lines, Intimate And Mystical Rather Than Powerful, With A Quiet Baltic Forest And Midwinter Ritual Atmosphere, Slow Free Pulse Around 70–76 BPM, Moving Between Rubato Solo Invocation, Soft Antiphonal Responses And Light Rhythmic Unison, Begin With One Bare Alto Voice, Then Add Humming, Sustained Vowels And Interlocking Folk-Like Motifs, Treat Each Exercise Name As Ancient Sacred Knowledge, Pronounced Clearly In Japanese, Use Breath, Tongue Clicks, Soft Hand Percussion And Occasional Foot Taps Only, Build Luminous Harmonies On “マッスル, ” “バルク, ” “メロン” And “上腕二頭筋, ” Then Return To Near Silence, No Boy Choir, No Male Bass, No Folk Shouting, No Gospel, No Pop Beat, No Large Symphonic Choir, No Comedy Delivery

Eastern European And Eurasian Women’s Vocal Ensemble-Inspired Ritual A Cappella, Performed By A Small Group Of Mature Adult Female Voices, Intimate, Raw And Precise, With Open-Throat Chest Tone, Bright Forward Resonance, Low Alto Drones, Close Seconds, Parallel Fourths And Sudden Dissonant Clusters, Moderate Free Pulse Around 76–82 BPM, Shifting Between Rubato Invocation And Tight Uneven Rhythmic Chants, Begin With One Low Alto Priestess, Then Add Antiphonal Calls From Left And Right, Overlapping Solo Lines And Layered Sustained Notes, Treat Each Exercise Name As A Sacred Incantation, Spoken-Sung Clearly In Japanese, Use Whispered Breath, Short Ritual Cries, Handclaps, Finger Cymbals And Sparse Frame Drum Only, Build To Fierce Ensemble Unison On “マッスル, ” “メロン” And “上腕二頭筋, ” Then Collapse Back Into A Bare Alto Drone, No Boy Choir, No Soft Angelic Tone, No Large Symphonic Choir, No Gospel, No Pop Melody, No Trailer Drums, No Comedy Delivery

Contemporary Adult Treble Choir-Inspired Sacred Concert Work, Performed By A Large Ensemble Of Mature Soprano And Alto Voices, Clear Classical Tone, Precise Intonation, Refined Diction And Transparent Layered Harmonies, Modern Choral Writing With Sustained Tone Clusters, Gentle Dissonance, Divided Upper Voices, Low Alto Drones And Carefully Shaped Crescendos, Slow And Spacious Around 68–74 BPM, Begin With A Single Alto Voice, Then Add Distant Humming And Small Antiphonal Groups Before Expanding Into A Luminous Full Choir, Treat Each Exercise Name As Solemn Sacred Text, Using Rhythmic Unison For Long Technical Words, Brief Silences Before “マッスル, ” “バルク, ” “メロン” And “上腕二頭筋, ” Followed By Radiant Full-Choir Chords, Minimal Accompaniment: Soft Piano Resonance, Bowed Vibraphone, Distant Bell And Subtle Low Drone, End With A Quiet Suspended Chord That Slowly Resolves, No Boy Choir, No Folk Chest Shouting, No Gospel, No Pop Melody, No Trailer Drums, No Comedy Delivery

Bulgarian Women’s Folk Choir-Inspired Ritual Hymn, Performed By Mature Adult Female Voices, Powerful Open-Throat Chest Singing, Bright Nasal Resonance, Sharp Attacks, Dense Seconds And Clashing Parallel Harmonies, Ancient Mountain Ceremony Atmosphere, Severe, Sacred And Uncompromising, Slow To Moderate Pulse Around 78–84 BPM, With Uneven Balkan Accents And Heavy Stomping, Begin With One Low Alto Priestess In Near Silence, Then Answer With Small Groups From Left And Right, Expand Into A Full Female Choir With Layered Drones, Sustained Cries, Short Rhythmic Chants And Sudden Unison Strikes, Treat Every Exercise Name As A Sacred Incantation; Pronounce Japanese Clearly And Deliberately, Build Climaxes On “マッスル, ” “バルク, ” “メロン, ” And “上腕二頭筋, ” Use Brief Stops Before Key Words, Then Explosive Full-Choir Re-Entry, Minimal Instruments: Low Frame Drum, Distant Bell, Foot Stomps And Dark Drone, No Boy Choir, No Soft Angelic Soprano, No Pop Melody, No Gospel, No Trailer Sound, No Comedy Delivery