
HIROの体当たりコメント!!
2026/2/1 - 2/8 の期間 X で募集した他薦曲+自薦曲のプレイリストです。
suno以外(Youtube)の推薦曲は下記の通りです。
1. おさるなもんきちさん他薦曲:「everlast」 深海魚 Fukami Toto
https://t.co/jxJomMBHPn
2. おさるなもんきちさん自薦曲:「咲く花は何処」ふっとマン
https://t.co/lXN9KCXvbZ
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13 songs
4:09

everlast
v5
A male vocalist sings in Japanese over a sparse, melancholic arrangement, The song is in a minor key, with a slow tempo, The primary instrument is a clean electric guitar playing arpeggiated chords, creating a sustained, atmospheric texture, The guitar has a reverb effect, contributing to the spacious feel, The vocal delivery is expressive and slightly operatic, with a vibrato that adds to the emotional weight, There are no drums or bass, giving the piece a very open and intimate quality, The melody is simple but evocative, with long sustained notes in the vocal line, The production is clean, highlighting the clarity of the guitar and vocal, The overall mood is somber and reflective
5:05

竜と歌姫 CoverVersion
v4.5+
Epic, cinematic, and symphonic orchestral score fused with deep “wa” (和) aesthetics, Ethereal “Aether Harmony” textures, multi-layered choirs in a constructed language, and gagaku-inspired modes, Dynamic blend of mystical, dramatic, emotional, and otherworldly fantasy RPG atmospheres, with smooth transitions between tranquil, delicate passages and intense, powerful surges, Minor key, dynamic tempo shifts, expressive vibrato, Contrasts of tragedy, chaos, ritual, sacrifice, hope, and ultimate redemption
5:29

夢からさめた
v4.5+
[Indeterminacy, 3D Surround Sound, ASMR, Wide Dynamic Range]
[Genre: Shoegaze, Math Rock, Experimental Funk, Progressive Rock]
[Slow tempo, Ambiguous and delicate chord progression, softly enveloping sound, composition that makes use of space]
[Vocals: Female, low, raspy, breathy, lazy]
[Guitar: Bouncy rhythm, walking arpeggios, unison]
[Piano: Free-spirited, jazzy, virtuosic]
[Synth Pads: Fluctuating Rhythms, Grooves, Fills]
[Bass: Emphasized timbre, funky and groovy, counterpoint-oriented]
[Mood: Night drive, nostalgia, beautiful loss]
2:30

2:34

配達くるのはわかっていた
v4.5
lo-fi garage rock, noise pop, female vocal, distorted guitar, raw live sound, syncopated drums, humorous lyrics, emotional outburst, grunge influence, low fidelity
4:24

月棲獣
v4.5+
Style – Dark Japanese folk epic with ritual atmosphere
Tempo – 68 BPM, slow and solemn with dramatic build-ups
Key – Minor pentatonic with yo-nuki scale influence
Instrumentation – traditional Japanese instruments (shamisen, shakuhachi, biwa, koto, taiko, kane), layered with low chanting, eerie chorus, and deep drones
Mood – ominous, mystical, ancient, evoking fear and reverence of forbidden beings
Vocal – narrative chanting style, distant and ritualistic, as if retelling an old forbidden legend
Production – echoing reverb, deep taiko resonance, subtle wind ambience, occasional dissonance for unease
3:09

A sorrowful Japanese enka-style ballad fused with cyberpunk textures, The melody uses traditional Japanese minor pentatonic scale (yo-scale) and enka-style chord progressions like Am–Dm–E7, Features a male vocal in classic 1970s enka style, with deep vibrato, expressive kobushi phrasing, and strong projection, Includes a spoken word bridge like a heartfelt monologue, Backed by glitchy synths, shamisen-like plucks, slow taiko-like drums, and a neon-drenched atmosphere, Must feel nostalgic and emotional, like singing alone in a rainy virtual alley on a Tuesday night
3:19

Early 90s alternative noise rock instrumental — Blight tones, electric guitars in alternate tunings, heavy use of dissonance, feedback, and ringing harmonics, raw yet spacious production, loose but driving drum patterns, gritty bass tone anchoring the chaos, dynamic contrasts between hushed, minimal passages and explosive, feedback-laden walls of sound, overall atmosphere: urban, subversive, and art-punk inspired
4:56

A high-energy J-Pop and J-Rock fusion track featuring a powerful male tenor vocal performance, The song begins with a delicate piano and string arrangement before exploding into a driving rock anthem, The instrumentation includes distorted electric guitars playing power chords and melodic leads, a punchy bass guitar, and a fast-paced drum kit with prominent snare and crash cymbals, The arrangement is layered with cinematic orchestral strings and synthesizers that add a grand, emotional scale, The vocal style is expressive and soaring, utilizing vibrato and high-register belts during the chorus, The structure follows a classic verse-pre-chorus-chorus format with a bridge that features a spoken word monologue over a building instrumental bed, The production is polished and modern, with a wide stereo field and a bright, compressed mix typical of anime opening themes, The tempo is approximately 175 BPM in a 4/4 time signature
5:05

九尾の狐と少年 #Mythical 🦊
v4.5+
A slow, mythic Japanese ballad evoking ancient folklore and divine spirits, Inspired by Shinto legends, yokai tales, and sacred forest rituals, Features traditional instruments like koto, shakuhachi, taiko, and hinoki wood percussion, Soundscape includes mist, wind, distant bells, and reverb-drenched ambient layers, Vocals by a soft, youthful Japanese male voice—ethereal, breathy, and solemn, The atmosphere is spiritual, mystical, and otherworldly—like a forgotten god’s lullaby
3:28

90's very fast emotional hardcore, female Twin vocal, Garage rock vibes, Britpop, 90s UK, melancholic, anthemic, guitar-driven, nostalgic youth, emotional chorus, slight British accent, confident but bittersweet tone, clear melody line, expressive yet relaxed delivery, Emo, Real screamo, Skramz, lyrical, Melancholic, carrying a sense of melancholy, Passionate, 8bit synth, cheap keyboads, lo-fi, indie rock, Teenage girl, energetic
Vocal Style:
A cute and coquettish teenage girl voice — sweet, soft, slightly breathy and a little lisping, Playful but fragile, dreamy and emotional, A soft, high-pitched tone with childlike innocence and shy intimacy, like she is singing very close to the mic, Slightly nasal with airy timbre, occasional breaking voice, vulnerable and romantic, Cute “lolita” voice style, expressive and dynamic, melancholic but adorable, noise, Live recordings














