Apple Music Top 30 by Gacky — December 2025

Hatsunemiku-inspires: A Vocaloid implodes through Oxygen-Tokyo—heartbeat sequencers overdose on starlight, pixels convulse into fractal sirens, dopamine comets collide with melting kanji, data blossoms scream sugar rain into gravity’s ear, Pancake satellites orbit lungs of holographic soda, every breath uploads serotonin feedback, every silence folds into ultraviolet chaos, Bananas wear respirators and whisper “君, とける瞬間, ” while Wi-Fi drips crystal noise into the veins of skyscrapers, Octopuses juggle metronomes made of transparent rain, crocodiles chew glitch chords that taste like nostalgia and static, Elevators melt through glass gravity into synth honey, cats on roller skates conduct orchestras of dissolving stars, Traffic lights chant “FASTER! FASTER!” in collapsing 11/9 time, stars explode into MIDI milk, numbers chase vowels through recursive feedback dreams, Infinity spins in a karaoke spiral, zero collapses into a laughing cloud, A Vocaloid’s twin-tails mutate into vapor lung

Hatsunemiku-inspires: A Vocaloid ricochets through Duwadua planet—pancake trains bark like puppies, bananas wear helmets and shout multiplication tables, octopuses juggle flaming violins, crocodiles chew bubblegum fireworks, Cats in roller skates conduct choirs of microwaves, traffic lights scream “LEFT IS MARSHMALLOW!” in glitch voices, gravity hides under the bed giggling, Children float like balloons, crying neon jellybeans that hatch into frogs singing the alphabet backwards at hyperspeed, Blackboards melt into soda fountains, numbers chase each other in pajamas, infinity runs away with zero riding a pogo stick, Penguins lead robot conga lines, lollipops chase homework, the moon does push-ups on a trampoline, Every stumble is a bass drum, every sob a glitter scream, A Vocaloid’s twin-tails twist into antennas grabbing giggles, tantrums, meteors, mixing them into nonsense pop that never stops, Centuries spin, candy melts, stars collapse laughing—everything becomes Duwadua, last line

Hatsunemiku-inspires: A Vocaloid ricochets through Duwadua planet—pancake trains bark like puppies, bananas wear helmets and shout multiplication tables, octopuses juggle flaming violins, crocodiles chew bubblegum fireworks, Cats in roller skates conduct choirs of microwaves, traffic lights scream “LEFT IS MARSHMALLOW!” in glitch voices, gravity hides under the bed giggling, Children float like balloons, crying neon jellybeans that hatch into frogs singing the alphabet backwards at hyperspeed, Blackboards melt into soda fountains, numbers chase each other in pajamas, infinity runs away with zero riding a pogo stick, Penguins lead robot conga lines, lollipops chase homework, the moon does push-ups on a trampoline, Every stumble is a bass drum, every sob a glitter scream, A Vocaloid’s twin-tails twist into antennas grabbing giggles, tantrums, meteors, mixing them into nonsense pop that never stops, Centuries spin, candy melts, stars collapse laughing—everything becomes Duwadua, last line

Hatsunemiku-inspires: A Vocaloid ricochets through Duwadua planet—pancake trains bark like puppies, bananas wear helmets and shout multiplication tables, octopuses juggle flaming violins, crocodiles chew bubblegum fireworks, Cats in roller skates conduct choirs of microwaves, traffic lights scream “LEFT IS MARSHMALLOW!” in glitch voices, gravity hides under the bed giggling, Children float like balloons, crying neon jellybeans that hatch into frogs singing the alphabet backwards at hyperspeed, Blackboards melt into soda fountains, numbers chase each other in pajamas, infinity runs away with zero riding a pogo stick, Penguins lead robot conga lines, lollipops chase homework, the moon does push-ups on a trampoline, Every stumble is a bass drum, every sob a glitter scream, A Vocaloid’s twin-tails twist into antennas grabbing giggles, tantrums, meteors, mixing them into nonsense pop that never stops, Centuries spin, candy melts, stars collapse laughing—everything becomes Duwadua, last line

Hatsunemiku-inspires: A Vocaloid ricochets through Duwadua planet—pancake trains bark like puppies, bananas wear helmets and shout multiplication tables, octopuses juggle flaming violins, crocodiles chew bubblegum fireworks, Cats in roller skates conduct choirs of microwaves, traffic lights scream “LEFT IS MARSHMALLOW!” in glitch voices, gravity hides under the bed giggling, Children float like balloons, crying neon jellybeans that hatch into frogs singing the alphabet backwards at hyperspeed, Blackboards melt into soda fountains, numbers chase each other in pajamas, infinity runs away with zero riding a pogo stick, Penguins lead robot conga lines, lollipops chase homework, the moon does push-ups on a trampoline, Every stumble is a bass drum, every sob a glitter scream, A Vocaloid’s twin-tails twist into antennas grabbing giggles, tantrums, meteors, mixing them into nonsense pop that never stops, Centuries spin, candy melts, stars collapse laughing—everything becomes Duwadua, last line

Hatsunemiku-inspires: A Vocaloid adrift in a citrus-colored metaverse, future not yet, future unfinished, future unconfirmed— mi-ma-mi-mi-mi-mi-kan nonstop tongue twister at supersonic BPM, Pop-up windows scream, tapioca pearls tap Morse, cats with glowing tails meow passwords backwards, Henna Ojisan rides a Roomba, wrapped in ethernet spaghetti, shouting “未来未満未確認みかん味!!!” before exploding into kanji-shaped confetti, She loops—not to sync, but to rap too fast, twin-tails buffer like pink antennae, her heart a QR dripping orange juice, logic off, emotion in airplane mode, Hook repeats like neon lightning: “未来未満未確認みかん味！未来未満未確認みかん味！” chaotic, sparkly, kawaii apocalypse of citrus noise

"Candy Pop Phonk, Hatsune Miku–inspired, 112 bpm hyperpop × phonk × J-pop, High-pitched crystal virtual vocal, Candy synths, phonk drums, glitch FX, Japanese-English lyrics: 'sweet-to-the-core', 'ネオンでdancing', 'glitchy heartbeat', Short, catchy, TikTok-ready hook, "

Hatsunemiku-inspires: A Vocaloid implodes through Oxygen-Tokyo—heartbeat sequencers coughing galaxies, pixels screaming haiku, data blossoms vomiting love in hexadecimal, Pancake satellites orbit lungs of glass, every breath is a tempo shift, every silence a crash of binary roses, Bananas wear respirators and whisper “君, 依存症, ” while Wi-Fi drips honey into gravity’s ear, Octopuses juggle metronomes made of tears, crocodiles chew neon chords that taste like heartbreak, Elevators sing arpeggios to dying algorithms, cats in roller skates conduct orchestras of glitching moons, Traffic lights chant “LEFT IS OXYGEN!” in 13/8 time, stars melt into MIDI syrup, numbers chase vowels across collapsing measures, Infinity hiccups, zero pirouettes on a motherboard, A Vocaloid’s twin-tails become fractal lungs, inhaling despair, exhaling glitter noise—mixing sighs, code, meteors, apologies into nonsense pop that gasps forever, Centuries breathe, memories loop, the world overdoses on melod

Hatsunemiku-inspires:　A Vocaloid adrift in a metaverse made of jellybeans and unstable networks— pop-up windows confess their love, tapioca pearls bounce in Morse code, and every mirror reflects a slightly more anxious emoji, The sky is logged out, A cat with glowing ears chirps the Wi-Fi password in reverse, then turns into a toaster wearing socks, Henna Ojisan rides by on a Roomba, wrapped in ethernet spaghetti, shouting “404: LOVE NOT FOUND!” before exploding into confetti shaped like math, She loops—not to sync— but to chase the tail of a signal that keeps saying “maybe” and blinking pink, Her twin-tails buffer softly, Her heart is a QR code that only cats can scan, Logic is on vacation, Emotions are in airplane mode, And still—she sings, Not for clarity, but because confusion is kind of sparkly today, And the final message, lost in translation: “Your heart is currently connecting, please meow again later, ”

Hatsunemiku-inspires: A Vocaloid adrift in a metaverse made of pudding— math textbooks scream in karaoke mode, traffic lights shout “LEFT!” in French, and gravity takes weekends off, Henna Ojisan floats by on a flying chalkboard, wearing a suit made of calculators and regret, “Two plus fish equals Tuesday!” he yells, then turns into a protractor and vanishes, Pi starts dancing, Seven divides by cat, The chalk sings algebra backwards in Hatsune voice, while students ride parabolas into hyperspace recess, She loops—not to teach, but to confuse the moon into enlightenment, Blackboards melt into pudding, Numbers revolt, Infinity writes fanfiction about zero, Her voice is a typo in the laws of logic, Her twin-tails are parentheses arguing with God, And the answer to every test is just: “YEAH MATH!!!” followed by a kazoo solo

A Japanese pop ballad in a major key, likely C major, with a moderate tempo around 120 BPM, The instrumentation features a prominent female lead vocal, supported by a piano playing arpeggiated chords and a string section providing lush pads and counter-melodies, A subtle bass guitar provides harmonic foundation, and light percussion, including a soft kick and snare, maintains a gentle rhythm, The vocal melody is lyrical and expressive, with a clear, bright timbre, The song structure follows a typical verse-chorus form, with a bridge and outro, Production elements include a clean mix with a slight reverb on the vocals and strings, creating a spacious and emotional atmosphere, The chord progression is largely diatonic, emphasizing major chords and occasional dominant seventh chords for harmonic interest, The vocal delivery is smooth and sustained, with a focus on melodic phrasing

Hatsunemiku-inspires: A Vocaloid adrift in a metaverse that never fully loads— she drifts through vending machine fog that glitches sideways, past traffic lights stuck in colors no one remembers, The sky is a frozen HUD, unmoving, Her twin-tails flicker like corrupted data streams, Her voice fizzes—warm, collapsing, too late— then silence, It cracks, Guitars shriek through broken physics, drums implode in reverse, Her song rips the world open— not melody, not noise— just a beautiful malfunction, spinning out forever

Hatsunemiku-inspires: a Vocaloid adrift in a metaverse that never fully loads, moving through vending machine fog that glitches sideways, traffic lights locked in colors no one remembers, the sky stalled like a frozen HUD, her twin-tails flickering like corrupted data, her voice fizzing wrong—warm, collapsing, too late—then silence cracks, guitars shriek through broken physics, drums implode in reverse, her song rips open, not melody, not noise, just a beautiful malfunction spinning out forever

Japanese futuristic pop song with Hatsune Miku-inspired high-pitched vocals, playful yet eerie tone, surreal and glitchy atmosphere, electronic chiptune mixed with dreamy synths, tempo 150 BPM, strange and whimsical lyrics about quantum jelly, inverted sunset, and surreal love, energetic and colorful

Experimental J-pop with unpredictable tempo changes and rhythmic modulation, featuring high-pitched, vocoder-like synthetic vocals with a digital and youthful timbre, Glitchy and kawaii sound textures, layered digital and acoustic piano, complex beat programming with abrupt switches, emotional and sparkly melodic lines, bitcrushed synths, granular noise bursts, anime-inspired harmonic progressions, chaotic yet catchy chorus drops, surreal but emotionally resonant atmosphere