3:07

3:36

Dança da Terra e do Céu
v4.5-all
folk, r&b, pop, alegre e festivo, com vozes harmonizadas e ritmos vibrantes inspirados no cante alentejano, pop-folk com influências de r&b e folclore português, guitarra acústica e palmas percussivas, usando instrumentos como adufe
3:19

Fisionomia
v4.5-all
textured synth layers, pop, male vocals with a lisbon accent, rhythmic beats, intellectual yet heartfelt lyricism, synth-pop, urban influences
3:11

Caminho Sem Fim
v4.5-all
pop, pop-folk fusion with r&b groove and alentejo-inspired polyphonic chants, upbeat tempo with acoustic guitar, folk, hand claps, r&b, and layered vocal harmonies
3:01

Azeite e Sol
v4.5-all
pop-folk with r&b groove and traditional alentejo polyphony, upbeat and lively, folk, pop, acoustic guitar with rhythmic hand claps and layered harmonies, r&b
2:25

Alvorada De Ressaca
v4.5-all
pop, midtempo acoustic street feel with raw live band energy male vocals 12‑string guitar and nylon guitar in tandem subtle upright bass sparse cajon and rim clicks background vocals echoing like distant student choirs slight room reverb to keep it live and intimate small imperfections left in for charm, folk
3:24

Preso no Sonho
v4.5-all
pop, pop rock com influências urbanas, pop rock, guitarra portuguesa, batida pulsante e vocais melódicos mas intensos
2:35

Lua Trocada
v4.5-all
pop, pop rock, criando uma sensação de mistério e transformação, batida pulsante e texturas etéreas, pop rock com influências urbanas, guitarra portuguesa
3:22

Folhas ao Vento
v4.5-all
pop, pop rock with fandango influences, driven by electric guitar riffs and rhythmic clapping, explosive and emotional chorus, male vocals, pop rock, upbeat and melodic
3:14

Estranha Forma de Vida (Remix)
v4.5-all
remix, pop, pop rock upbeat with portuguese folklore influences; lively electric guitars, traditional percussion, pop rock, and a hint of fado-inspired melodies
2:23

Esquece O Que Te Faz Mal
v4.5-all
upbeat and catchy rhythm, vibrant and textured instrumentation with layered percussion and dynamic synths, pop with urban influences, modern beats, pop, raspy male vocals
3:01

Passarinho às 4 da Madrugada
v4.5-all
pop, urban touches, folk, blending modernity with traditional tones, pop folk with alentejo influences, upbeat and captivating rhythm, accordion in the background
2:39

Mitos e Verdades
v4.5-all
pop, ritmo cativante, influências urbanas, pop acústico, vocais robustas e emotivas
2:46

Caminhos de Terra
v4.5-all
pop folk, folk, pop, fingerpicked acoustic guitar, portuguese folk influences with soft percussion and traditional choral harmonies
3:06

Entre Virgulas do Coração
v4.5-all
pop, Bright pop-acoustic groove with hand percussion and nylon guitar; subtle urban bounce from warm sub-bass and tight rim-clicks, Verses stay intimate with close-mic, raspy male vocals in a fado-tinged delivery; chorus opens into bold, chesty belts with group “oh” responses, Occasional reverb-drenched electric guitar fills answer the voice, energy lifting from reflective puzzles in the verses to an anthemic, smile-through-the-pain hook
2:48

Saber Ser
v4.5-all
pop, Bright acoustic-pop with urban percussion and a lilting Iberian groove; raspy, intense female vocals in a Fado-influenced delivery, Verses stay intimate with nylon guitar, finger snaps, and subtle bass; chorus lifts with gang vocals, tambourine, and claps, Occasional minor-key turns for drama, then back into upbeat, danceable swagger
3:44

Doce Donzela
v4.5-all
folk, Warm pop-folk with a nostalgic blues sway; nylon guitar and Portuguese guitarra trading licks over brushed drums and upright bass, Verses stay intimate and close-mic’d, with soft male vocals and subtle organ pads; chorus widens with group claps, tambourine, and stacked harmonies, Slide lines answer the vocal on turnarounds, and a brief mid-song break lets the guitarra sing before a final, big sing-along hook, blues, pop
4:23

Canção de Domingo
v4.5-all
pop, Warm acoustic pop with Iberian folk colors; nylon-string guitars and hand percussion drive a mid-tempo groove, male and female vocals in call-and-response, Choruses bloom with stacked choral harmonies inspired by Cante Alentejano—open-throated, earthy, slightly reverbed, Verses stay intimate with close-mic vocal, light shaker and fingerpicked guitar, then expand into clapped rhythms and group chants on the hooks, Bright, expressive delivery, smiling energy throughout
3:54

Entre o Teu Riso e o Mar
v4.5-all
folk, Bright acoustic pop-folk with a touch of modern R&B groove; male vocals slightly raspy up front, doubled on key phrases, Nylon and steel-string guitars in tight strums, warm upright bass, brushed drums and light percussion, Choruses bloom with stacked harmonies, handclap patterns, and simple sing-along vocal riffs, Subtle violin swells in the bridge, then a stripped final hook with just guitar and voice before full band returns for a joyful outro, r&b, pop
3:24

Barco de Papel e Fado
v4.5-all
folk, Bright acoustic folk-pop with R&B swing; male vocals slightly raspy up front, doubled in choruses, Driving hand-strummed guitar, warm upright bass, brushed snare and claps, subtle fiddle lines answering the voice, Verses stay intimate and close-mic’d, chorus opens with stacked “oh-oh” gang vocals and stomps, A short hummed breakdown before the last hook keeps it playful and catchy, r&b, pop
3:32

Abraça-me, Conta Aquela História
v4.5-all
rock, Pop-rock groove with Portuguese guitarra lines and dramatic female vocals; verses lean on moody electric piano and rimshot drums, chorus opens with wide distorted guitars and stacked harmonies, fado-style melismas float over a modern, punchy rhythm section, fado, pop
2:25

Grafiti Por Trás Dos Teus Olhos
v4.5-all
pop, Warm acoustic pop with gentle urban groove, male vocals, Nylon guitar and soft rimshot beat carry the verses, subtle Rhodes and airy pads under the chorus, Light percussive loops and finger snaps give street-corner energy; stacked harmonies and a humming hook on the title line make it stick, Dynamic lift in the last chorus with extra ad-libs and a simple melodic guitar line answering the vocal
3:18

Horas Tordas na Torre
v4.5-all
rock, Gruff male vocals over pop-rock band locked with a slow, stomping Alentejo choir pulse, Verses start sparse with dry electric guitar and floor toms under held group harmonies; chorus explodes with claps, stacked “ei” responses and bright overdriven guitars, Mid-song call-and-response section pushes the cante feel forward, then a final big double-chorus with gang vocals and open cymbals closes it out, pop
3:37

Fica Só Mais Um Pouco
v4.5-all
Modern pop-acoustic song with soulful 80s influences and subtle urban rhythm, Emotional and intimate male vocals, warm and melancholic tone, Acoustic guitar, soft beat, contemporary production, Lyrics in European Portuguese (Portugal), themes of vulnerability, uncertainty and emotional closeness
2:40

Vem Contar-me ao Ouvido
v4.5-all
pop, Sunny acoustic pop groove with light Afro-pop percussion, nylon guitar, and hand percussion, Verses stay intimate with close-mic female vocals in a Fado-inflected delivery; choruses bloom into bright harmonies and claps, Subtle bass and shakers keep it dancing, with a short mid-song lift using layered “ahh” backing vocals for extra joy, fado
3:17

Fotografia na Gaveta
v4.5-all
pop, Acoustic pop with urban swing in Portuguese, male vocals, Tight nylon guitar groove and fingertip percussion lock in with a warm, bouncy bass, Verses stay intimate and rhythmic with close-mic vocal, choruses blossom into bright, layered harmonies and a simple 90s-tinged hook, Add subtle vinyl crackle and a whistle line doubling the main melody to make it instantly memorable
2:48

Coração de Estrada de Terra
v4.5-all
pop, Intimate acoustic pop with rural folk colors: nylon-string guitar and brushed snare, soft male vocals up close, Verses stay sparse with subtle pedal-steel swells and distant field ambience; chorus blooms with warm harmonies, stomps, and handclaps, Gentle push-and-pull tempo, bittersweet lift on the hook; mix highlights lyrical nuance and small dynamic sighs
3:25

pop, Upbeat synth-pop with classical string motifs and bright piano arpeggios; steady four-on-the-floor groove under playful, thoughtful male vocals, Verses stay rhythmically tight with plucky synth bass and pizzicato strings; chorus blooms with wide pads, staccato violins, and stacked harmonies on the hook, Middle section strips back to piano and voice, then slams back in with full drums and a soaring final chorus
3:29

Teorias Ou Não
v4.5-all
pop, Bright acoustic pop with nylon-string guitar and pizzicato strings, mid-tempo groove, Male vocals, playful and articulate, with quick rhythmic phrasing on verses, Pre-chorus leans into rising string lines and light piano; chorus opens wider with stacked harmonies and claps on the backbeat, Keep it bouncy and witty, with a wink in the delivery and a dynamic lift on each return to the hook
3:06

Festa na Varanda
v4.5-all
folk, Mid-tempo modern Portuguese pop with bright acoustic guitars, cavaquinho riffs, and subtle accordion phrases over a bouncy four-on-the-floor groove, Group male/female vocals in tight unison and call-and-response; verses feel intimate and conversational, chorus explodes into layered gang shouts and claps, Percussion leans on hand drums and festival-style clapping with polished pop low end and sparkly synth pads lifting the hook, pop, portuguese pop, strong
3:28

Mapa Dentro de Mim
v4.5-all
folk, Modern acoustic pop with global folk colors; male vocals over warm fingerpicked guitar, soft brushed percussion, and subtle world‑folk plucks, Verses stay intimate and close-mic, with rhythmic internal rhymes; chorus widens with stacked harmonies and airy pads, Gentle build across song, finishing with a hushed, reflective outro and a small melodic guitar motif echoing the hook, pop
2:57

Teu Nome na Luz do Bairro
v4.5-all
dance, Hybrid synth-dance banger with urban drums, Portuguese guitar ornaments, and a slow-burning build into a huge drop; male vocals, sharp and percussive on verses, opening into soaring, fado-tinged belts on the hook, First half rides a mid-tempo pulse with tight bass stabs and claps, then layers arps, crowd chants, and dramatic strings for an explosive second-chorus lift and extended outro, fado
3:05

Fado De Betão
v4.5-all
rock, Hybrid stadium rock x synth-dance banger; male vocals, Tight mid-tempo groove with clipped drum programming, bass stabs, and claps under percussive verse delivery, Choruses bloom into wide, fado-tinged belts over distorted guitars, Portuguese guitarra lines, and harmonica ornaments, Second half stacks arps, crowd-style gang vocals, and cinematic strings, swelling into a massive drop and drawn-out, chantable outro, soaring, fado, slow, dramatic, male vocals
3:36

Luz de Neon em Lisboa
v4.5-all
rock, High-energy synth-dance with modern rock crunch, Portuguese guitar answering the vocal lines, and subtle Fado-inflected melodies; four-on-the-floor kick, elastic sidechain bass, and bright arps, Verses start tense and clipped, pre-chorus lifts with rising pads and tom fills, chorus explodes with stacked male/female vocals and gritty rhythm guitars widening the stereo field, Middle-eight breaks down to voice and Portuguese guitar before a final full-power chorus, fado
4:20

Piropo Do Trolha
v4.5-all
pop, Acoustic pop with urban swing in Portuguese groove; nylon guitar leads with cavaquinho filigree, adufe and cajón driving a streetwise pocket, subtle accordion swells on pre-chorus; male vocals with cheeky grit, stacked gang shouts on the explosive chorus, brief fado-tinged bridge that flips into a festa-style final hook
4:24

Entre o Chiado e o Bairro
v4.5-all
pop, Acoustic pop with subtle urbano swing, rich Portuguese traditional colors (guitarra portuguesa, cavaquinho, adufe, soft bass), Mid-tempo groove that starts intimate with close-mic male vocals and fingerpicked guitar, then flares into an explosive, chantable chorus with group shouts and claps, Verses stay agile and wordy, chorus goes bold and melodic, bridge strips back to voice and guitarra before a final, anthemic lift with layered harmonies
2:39

Giro da Cidade
v4.5-all
folk, Playful acoustic pop with a Euro-Portuguese street groove; nylon guitar and cavaquinho locking a bouncy, percussive pocket over adufe and cajón, Verses intimate and cheeky with close-miked male vocals, accordion easing in on the pre-chorus for a subtle lift, Choruses burst wide with stacked gang shouts and rowdy claps, everything jumping, Brief fado-tinged bridge with held chords and vocal melisma, then a festa-style final hook that turns the outro into a chant-along, accordion, pop, fado, swing, acoustic pop, male vocals
3:44

Ohi Ohai na Planície
v4.5-all
pop, Warm rural pop groove with handclap pulse and subtle electronic bounce, male vocals, Verse sits on nylon guitar and soft bass, brushed kit and palms giving an earthy sway; chorus blooms with stacked Cante-style harmonies, tambourine, and a bright synth counter-melody, Bridge strips to near a cappella chant then slams back into a final hook with crowd-style backing vocals
3:51

Sombra Que Assustou o Coração
v4.5-all
folk, Acoustic pop-folk with a playful R&B bounce; male vocals, slightly raspy and up-front over bright steel-string strums, cajón and hand percussion, Verses stay nimble with picked guitar and soft bass; chorus opens with stomps, claps, layered “ô-ô-ô” gang vocals and call-and-response ad-libs, Bridge brings a brief breakdown with just voice and guitar before a final, euphoric chorus with stacked harmonies and melodic whistles riding out, r&b, pop
3:41

Amor Teoria da Conspiração
v4.5-all
rock, Laid-back garage rock revival with male vocals; twin slightly gritty guitars weaving tight riffs over a relaxed but punchy drum groove and warm bass; verses stay low and talk-sung, then choruses open into a melodic hook with doubled vocals and subtle tape-style saturation; lo-fi-indie texture but crisp top-end, short plate reverb on vocal, occasional gang shouts in the hook to boost the restless nighttime energy, male vocals, garage rock, emotional, lo-fi, nostalgic, smooth, tone, vocal, electric
3:07

Carta Que Nunca Mandei
v4.5-all
pop, Upbeat acoustic Portuguese pop with cavaquinho, nylon-string guitar, light percussion, and subtle accordion swells, Male vocals, warm and conversational, with stacked harmonies in the choruses, Verses sit close and intimate; choruses open wider with claps and group vocals, Rhythm stays bouncy and modern while melodic turns and ornamentation nod to fado and traditional folk
3:46

Carta de Verão
v4.5-all
rock, Upbeat pop-rock with Portuguese folk flavor: bright concertina riffs over strummed acoustic guitar and driving drums, Male vocals, smiling and grounded; verses stay intimate and narrative, chorus opens with bigger gang vocals and claps, Energy builds from nostalgic warmth into a communal, singalong ending, with a short concertina break before the final chorus, pop
4:29

Entre A Cidade E O Céu
v4.5-all
folk, Upbeat acoustic pop with a busker-meets-stadium feel: bright steel-string guitar groove, rim-clicks and light percussion, crowd claps and call-and-response moments kept high in the mix, Male raspy vocals up front, melodic backing “ohs” on choruses, Harmonic lifts on pre-chorus, subtle synth pads to widen the hook, big last chorus with crowd sing-along and delayed vocal ad-libs, acoustic pop
3:49

Entre Linhas e Luzes
v4.5-all
rock, Upbeat pop-rock with urban edge; bright overdriven guitars open with a melodic solo over live crowd ambience, then lock into a tight drum groove and warm bass, Male raspy lead vocal up front, energetic call-and-response with the audience, Verses carry literate, conversational phrasing; choruses explode with stacked harmonies and a soaring lead line, Subtle synth pads and percussion loops add a modern urban sheen while guitars stay constant in the back, driving the stadium energy, pop, classic, electric

