🍎Remix🙏🏻‎✨

142BPM, UK Hard House, glitch textures, aggressive 4x4 kick, tight punchy drums, distorted reese bass, heavy sidechained bass, rolling sub bass accent in bridges, TB-303 acid lines, chopped vocals (CPR, Zombie), vocal loops, stutter FX, bitcrush glitch, reverse FX, flatline FX, addictive rhythmic loops, tension and release, festival-ready, high energy, immersive build ups, bridge with psychedelic floating layers, lush reverb and deep delay, wide stereo imaging, hard hitting drops, clean and powerful mix, vocal chops focus, glitch accents, dark but energetic atmosphere, driving low end, hypnotic breakdowns, evolving acid lines, trippy accents in bridges, intense final drop, addictive groove, relentless driving momentum, experimental edge but danceable, futuristic vibe, club ready, hybrid hard house with subtle psy influence, hypnotic and aggressive style, perfect for dark rave floors, immersive soundscape, heavy pumping sidechain, dynamic transitions, sharp hi hats, clean snares, cinema

132bpm, Filter House, French House, Disco, Neo City Pop, Emotional Club Track, driving four-on-the-floor beat, tight kick, deep sidechained bass, groovy bassline, smooth filter sweeps, extended 16-bar intro, extended 16-bar outro, DJ friendly, high energy build, emotional vocal chops, rhythmic vocal loops, harmonized chopped phrases, warm analog pads, shimmering synth textures, crisp hi-hats, digital conga accents, subtle percussion layers, floating arpeggios, wide stereo mix, pumping compression, balanced low-end, warm midrange, sparkling highs, retro-modern fusion, melancholic but uplifting, stylish urban night vibe, city lights, deep emotional groove, peak-time club energy, hypnotic drops, dynamic breakdowns, short but emotional bridge, build and release structure, vocal forward mix, subtle reverb, tasteful delay, modern mastering, clean polished sound, Daft Punk inspired, Disclosure style, Night Tempo vibe, lush spacey ambience, smooth transitions, immersive soundscape, floor-ready

BPM 132, extended 5-minute NY Hard House, metallic groove with tight punchy kick and rolling sub bass, aggressive but groovy, club-ready energy, [Intro] 16-bar DJ-friendly intro, metallic stabs and filtered kick tease, reversed drip FX for tension, [Verse] full vocal base, chopped and looped phrases, whispery female vocal layered with airy growl, metallic stabs, sidechain pumping bass, glitchy accents, [Drop 1] 24-bar hard clean groove, sharp lead synth with metallic tone, rolling sub bass, sidechain pumping, [Bridge] sparse beat with blender FX and reversed sweeps, whisper-rap sly and threatening, [Break] extended break with silence, reversed drip FX, metallic swirls, filtered buildup, tension rising to explosion, [Drop 2] 24-bar chaotic glitch-heavy drop, distorted bass, metallic screaming leads, wide atmospheric chords layered behind, chopped vocals and glitch stutters, [Chorus] obsessive and melodic, whisper and scream layers, metallic chords with rolling bass, [Final Drop] 24-bar

lo hi jazz with shatta piano with clap hands, ‑rock, ‑drums, ‑dance

BPM 120, swingy and catchy groove, quirky and stylish, Funk × hip hop × jazz × dance fusion, [Verse] Up-tempo, playful but twisted, Toy-like synths with drip FX, funky slap bass 16th runs, shake beat drums, Vocal: fast, whispery, airy, slightly unstable, teasing but unhinged, [Chorus] Swing groove, 4-on-the-floor touch, sparkly synths like IV drops, Catchy, melodic, obsessive, Vocal: whispery with a sharp edge, [Bridge] Rap-style, dark humor, sparse beat, glitchy chops & blender-like FX, Vocal: whisper-rap, sly, a bit threatening, [Final Chorus] Chorus returns louder, distorted bass, sharper drums, layered vocals with whisper + shouting/growl (ganari) for insane climax, Female vocal: whisper

BPM 132, UK Garage 2step groove with shuffling hi-hats and syncopated snare, dreamy yet catchy atmosphere, lush city pop revival chords and nu-jazz Rhodes textures, fragile female whisper vocals layered with airy reverb and delay, vocal cut-ups and chopped phrases used rhythmically, glitchy vox stutters and playful granular edits, warm sub-bass with both sustained waves and rhythmic stabs, deep bass presence before drops, three massive drops with evolving intensity, breakdowns that shift between bright dreamy bells and darker filtered pads, crowd call elements shouting "Overflow!" and "Tune in!" adding club energy, lo-fi but stylish texture, delicate saturation for tape feel, spacious mix with stereo wideners, glitch accents at key moments for impact, DJ-friendly 16-bar intro and outro for seamless mixing, clean club-ready mastering, sweet but toxic like candy with a hint of melancholy, uplifting yet hypnotic UKG fusion, modern underground vibe with addictive charm, rhythmic vocal chop

acid jazz, alternative rock, psychedelic hip hop, R&B, Album-Oriented Rock, hip hop/rap

142 BPM, Dutch Trance (Anthemic) with Hard Trance edge, A minor, long build → huge drop, supersaw lead (7–9 voices, slight FM), offbeat bass + pre-drop 16th syncopation (surprise), crowd call-and-response “Goodbye, Dickie!” / “the answer is zero”, Break 1 vocals dry & intimate, Build snare roll (1/4→1/8→1/16→1/32), white-noise riser + pitch riser + reverse impact (three-step FX), [Silence 1 beat] pre-drop, Drop 2 extended (64 bars) with added harmony & harder layer, sidechain on pads, big room verb on claps (gated), telephone EQ + ping-pong delay on Mid Break vocals, DJ-friendly 16-bar intro/outro, club-leaning master (kick forward, LUFS ~-6 to -7), keep hooks repetitive for ear-worm effect

UK Garage / 2-Step, BPM 134, swinged hats & ghost snare only, straightish kick, soft pyon-pluck lead (short pitch-EG), plucky sub-bass with sidechain, vocal chop-loop on “タンバリン/ゆら/クルう” (DAW), female vocal upfront, dry verses / wide hooks, short plate on vox, dubby 1/16D delays, HPF sweeps on fills, hook-only stereo tambourine motif (small), modern garage sheen (Disclosure/MJ Cole lineage), Only sing the provided lyrics, No additional vocalizations, no choir, no humming, no “ah” or “oh” sounds

Lammtarra Neuro-Core : [GIST : Happy hardcore x euphoric hardstyle x happy techno x Frenchcore x Japanese kawaii style x intense synthesizers], [Fusion factor : Kawaii- jungle], [Weirdness : 70%], [Style Influence : 70%], [Audio Influence : 0%], [BPM : 160-200], TR-808, TR-909, TR-1000, DRUMMACHINE, SAMPLER, WAH GUITAR, WAH-WAH PEDAL, HEAVY BASS, SLAP BASS, CUTTING GUITAR, SYNTHBASS, Cheap Drum Machine, KEYBOARD, STRINGS, censorship sounds, A sweet little giggle, Voice pattern1 : [brat very cute and kawaii girl vocals, very pop and kawaii girl vocals, A profound and grandiose atmosphere, a sense of speed and dynamism, and a lustrous high-pitched kawaii female vocals], Voice pattern2 : [brat very cute & sweet spoken girl voice, a profound & grandiose atmosphere, a sense of speed & dynamism, boosted bass], DYNAMIC RANGE, BOOSTED BASS, 8D, HIGH DEFINITON SOUND, CLEAR SOUND, ‑VOCALOID VOCALS, ‑TWIN VOCALS, ‑DUET VOCALS, ‑MALE&FEMALE VOCALS, ‑BOY VOCALS, ‑MALE VOCALS

Lammtarra Neuro-Core : [GIST : LIVE bossa nova], [Fusion factor : LIVE OLDSTYLE JAZZ x LIVE A sorrowful and profound orchestra opens with plaintive strings and soft woodwinds, building tension with mournful brass and gentle timpani swells, Midway, cellos and horns intertwine, while a full string ensemble crescendos, leading to a hushed, contemplative coda], [Weirdness : 60%], [Style Influence : 60%], [Audio Influence : 0%], [BPM : Do whatever you want], TR-808, TR-909, DRUMMACHINE, SAMPLER, WAH GUITAR, WAH-WAH PEDAL, HEAVY BASS, SLAP BASS, CUTTING GUITAR, SYNTHBASS, Cheap Drum Machine, KEYBOARD, STRINGS, censorship sounds, A sweet little giggle, Voice pattern1 : [brat very cute and kawaii girl vocals, very pop and kawaii girl vocals, A profound and grandiose atmosphere, a sense of speed and dynamism, and a lustrous high-pitched kawaii female vocals], DYNAMIC RANGE, BOOSTED BASS, 8D, HIGH DEFINITON SOUND, CLEAR SOUND, ‑VOCALOID VOCALS, ‑TWIN VOCALS, ‑DUET VOCALS, ‑MALE&FEMALE VOCALS, ‑BOY VOCALS, ‑MALE VOCALS

A WryCrossfader-style experimental Plunderphonics track inspired by vintage Japanese mood pop and smoky lounge jazz, built almost entirely from aged sampled sounds, with dusty Rhodes piano loops as the main harmonic base — the sound drifts like cigarette smoke in a late-night bar — plus sampled clavinet, organ, muted brass, and nylon guitar fragments recorded through tape, vocal samples are chopped, reversed, and scattered, layered with faded harmonies and echoing whispers, sample-based drums with turntable scratches, vinyl crackle, and analog tape stops create a nostalgic groove, the mix carries warm tape hiss and lo-fi textures, evoking dim neon lights, rain-soaked streets, and memories spinning on a record, [Sample instructions: slice and rearrange vocal phrases; mix in tape noise between scratches; reverse short melodic bits; layer vinyl hiss for texture; keep rhythm loose but groovy; let vocals feel aged and fragile, ]

“Fusion of cute enka, avant-garde garage rock, experimental techno, and musical theater, Adorable high-pitched female vocal with rich vibrato, layered chorus harmonies, breathy whispers, and ASMR intimacy, Bold mix pushes vocals upfront, Dual distorted guitars trading cutting riffs and twin leads, chunky distorted bass, accordion swells, twinkling handbells, Shifting time signatures (5/4, 7/8, 4/4), Fast energetic sections slam into slow, dreamy passages, Raw, lo-fi garage energy meets theatrical grandeur and glitchy techno pulses, ”

BPM 142, phonk-inspired trap × UK drill, dark, psychedelic and emo but still powerful and defiant, create a hazy late-night atmosphere with lo-fi texture, vinyl noise and subtle tape hiss, use heavy distorted 808 slides, punchy kick, sharp UK drill hi-hat rolls, crisp rimshots and scattered Memphis-style cowbells, sprinkle in percussive “popping” sounds to echo microwave buzzing and popcorn popping, contrast smooth airy pads and melancholic bell leads with glitchy cuts and reversed FX, vocals: fragile female lead, slightly breathy and intimate, surrounded by distant echoes and occasional pitched-down ad-libs that feel like an alter ego, focus on hypnotic repetition and an endless loop feel, sections should blur dream and reality, like running full marathons during sleep, being banned online and waking up in another nightmare, perfect for moody, chaotic modern society themes and loop-friendly edits

Night Pop, Neuro Dream Pop, Dark Slow Future Bass, Kawaii, Chillout, BPM: 96, heavy dragging groove, behind the beat, neuro-bass with slow modulation, Binaural 3D ASMR, extreme left-right panning, swirling stereo field, ear-to-ear movement, intrusive close-mic whisper, wet lip noises, brain-scratching texture, sugar-crushed voice, innocent baby-doll tone, sweet anime vocal, slight auto-tune, melting synth pads, underwater filter, narcotic and sluggish

BPM 174, hyper-detailed IDM × Drill’n Bass × jazz fusion, ultra-chopped amen breaks with micro-edited snares, ghostly swing groove and fragmented breakcore fills, brushed jazz piano chords and upright bass walking under chaotic drums, sliced big-band brass stabs, clarinet riffs and spectral sax accents, bitcrushed percussion and granular ghost glitches, occasional half-time drops then exploding back into frantic velocity, female vocal girlish yet cool with fast Japanese–English diction, clear hooks in the chorus, heavy vocal chops and stutters in breaks, surreal midnight highway ghost race atmosphere, eerie-cute but emotionally hollow, cinematic spectral reverb tails, dark neon edges and bright ghost shimmer, focus on speed, afterlife race, and a white ghost cat running toward reincarnation, studio-quality wide stereo mix suitable for headphone listening, experimental yet still catchy and groovy

130–132 BPM, festival big room EDM x Melbourne bounce x tribal hard house (circuit-style energy), bright major-lift supersaw anthem hook based on “My name / Call me Offbeat” melody, minor verses + dramatic tribal breakdown, massive wide supersaw stack lead, layered detuned saws, stereo spread, strong sidechain pump, punchy festival kick, tight snappy clap on 2&4, crisp clicky hats, rolling tribal toms / congas throughout, offbeat bouncy bass stabs (rubbery bounce groove), no guitars, no rock fills, no big strumming, horn/hoover-like stabs answering the saw hook in Drop B, risers and snare rolls for long build-ups, low-cut tension then slam back, micro-glitch edits as “buffering” motif (1/16 stutters, buffer pops, bitcrush flickers, very short hard mutes then instant full return), reverse reverb vocal throws, vocal is girlish whisper close-mic in verses, chorus layers add unison doubles + crowd-chant responses (“Call me Offbeat”, “Wonderland”), playful ironic cynical art-pop attitude

BPM 142, Jersey Club × Kawaii Future Bounce, hard triplet kick bounce, chopped vocal one-shots, staccato samples, call-and-response hooks, aggressive but playful energy, major key bright rave chords, heavy sidechain pump, bouncy festival drop, kawaii bell & mallet plucks, toy piano hits, candy synth blips, glitter arps, fast Moog-like lead runs with baroque ornaments, syncopated accents, micro stutters, beat-repeat, gate chop, tape-stop, bitcrush bursts, 1-beat mute before drops, quick snap-back to groove, modern clean loud mix, stereo left-right ping-pong motion, Japanese girlish edgy ironic vocal, club-ready, chaotic but fun

Guitars and basses crowded together, Dark rockcore, Vocals: Michael Jackson's voice is powerful and emotive, womanvoice, sad, dark, experimental, raptic, guitar