KREALM - Best of

Post stoner metal, Acoustic guitar vituoso turns into stoner metal, drums from jazzy to djent gravity blast, ultra fuzz, bass high in the mix, sludge lead guitar, wah wah pedal solos, clean mix, studio quality

Post stoner metal, Saturated blackened intro turns into stoner metal, drums from jazzy to djent gravity blast, ultra fuzz, bass high in the mix, sludge lead guitar, wah wah pedal solos, clean mix, studio quality, peaceful murder, emotional less killing

Piano ballad, female emotional drunk singing, contralto, serbian accent, deal with the devil, sorrow and willpower expressed, brushed jazzy drums, live concert mixing, ‑gentle, ‑opera, ‑lyrical, ‑studio, ‑pop, ‑scream, ‑american

swedish, piraty, technical death metal, black metal, tremolos, drowning in a reality more disturbed than nightmares, intro with acoustic lute and pan flute, post-black metal transitioning to technical death metal, emotional, acoustic, eerie, metal, feywild, Vocal Style: Light, otherworldly female or androgynous bard voice

Norvegian black metal, mid tempo, 90's old-school black metal, brutal death metal, hurdy-gurdyotherwordly, spacy, meditative, subconscient, alpha brainwave pads, synth oscillation between 8 and 12 Hz, operatic vocals, dry mastering, acoustic guitar and melodic bass at least 6dB above all other instruments, no reverb, mourning, boredom yet beautiful

Medieval troubadour canso turns into norvegian black metal, (14th century medieval instruments : vielle, hurdy-gurdy, rebec, lute, shawm, cornett, tabor, nakers, bells, and portative organ), (post black metal : low growl norvegian accent singer, destroyed quality relentless alternate picking and double bassdrum kick, progressive implement of typical style markers)

Blackened 90's death metal, guttural brutal death metal vocals

Post stoner metal piece, alpha brainwave, synth pads oscillations between 8 and 12 Hz, dry mastering, acoustic guitar and melodic bass at least 6dB above all other instruments, outdoor sounds, snow, mountain, fear of heights, defying

A solo acoustic guitar piece, fingerpicked with a clean, udertone bass contre-point, Devasted emotional wreckage, infused by melodic doom metal, minimalist drums, deep bass grooves

Bass guitar driven piece, post future death doom metal, post stoner metal whales, Drop A bass-guitar, falsetto female vocals, Gipsy orchestration, cyberpunkcore, 3000 AD, harspichord, jewsharp, choir, à la française

coldwave, monolord, type-O-negative, deep ground shaking bass, spoken female vocals, pads, synth FX, perfect mastering with -3dB normalization, dark spirits, no emotions, pan FX, flanger FX, phaser FX, stoner inspired, brain wave synth oscillation at 1, 5 Hz

Death metal band live performance, brutal death metal show, old school aged singer, slam death metal show, crowd cheering in the beginning and the end of the show

Post black metal, studio reordering, eerie dark ambient, dream core, universal collapsing, rocket through space, ultra modern futuristic production, synth bass and drums, polyrythm, odd time signatures like 7/6, 11/8, 13/12, 17/16

50 bpm, male very deep low tone voice, out of breath wining, oppressive, down tempo, drone metal, underwater, drowning, sub bass, almost silence, ultra low volume

Post black metal, progressive, post metal, raw, simple, slow paced build-up, contralto, serbian accent, norvegian pure black metal vocals, ‑emotional, ‑lyrical, ‑opera, ‑long notes

Church organ piece, cathedral reverb, soprano coloratura majestic virtusity, religious choir, gregorian chants, children choir

brutal death metal, 90's, polished sound quality, clinical, slam death metal, pig squeal, one very quick song, vocals fast spitting pace, fastest as possible, no chorus, just 3 large verses, clinical, raw, no figure of style, just clinical description of symptoms and conditions of death, ‑deathcore, ‑melodic

A hard rock song in E minor at 120 bpm with a driving rhythm section featuring a distorted electric guitar, bass guitar, and drums, The song structure includes an intro, verse, pre-chorus, chorus, and outro, The guitar plays a prominent role with heavy riffs and a melodic solo, The bass provides a solid foundation with a consistent eighth-note pattern, The drums feature a strong backbeat and fills that drive the song's energy, Vocals are male, delivered with a powerful, slightly raspy tone, and include spoken word sections and ad-libs, Production elements include heavy distortion on guitars, a tight drum mix, and a clear vocal presence, The overall feel is aggressive and energetic

Stoner, ironically lively, sludge, F# tuned 6-string bass line, Fuzz bass, groovy and slow heavy stoner, wah wah pedal on lead guitar and solos, sleep depraved excitation

progressive goa trance, evolving into experimental speecore, berlin after party

Drone/Doom Metal : slow tempo, ultra saturated drone guitar, sub bass omnipresent, Crushing growls, Slow, mournful riffs build into relentless blast beats, Ritualistic, dark, and atmospheric, ominous, abyssal corruption, agony sounds

Transcendental cinematic progression, Start with deep drone metal and dark ambient, low-frequency sub bass, distant breathy vocals, minimalistic soundscape, Gradually introduce tribal drums, Mongolian throat singing and overtone chants, Child’s voice appears as a distant echo with ethereal delay and reverb, Midway, intense industrial glitch and saturated guitars crash in, representing internal chaos, Climax transitions into progressive shamanic trance metal with swirling synths and rhythmic throat singing, Finale explodes into post-rock orchestration, soaring choirs, uplifting melodic guitar layers, and epic cinematic percussion, Ultra-slow build (starts 50 bpm, climaxes 80 bpm), atmosphere shifts from oppression to spiritual liberation

industrial metal, ominous, old radio show, news, horror stories, post speedcore, blackened, religious, growled distorded vocals

Norvegian black metal, black metal, old school death metal, unearthed troubadour singers, church reverb, dead singers, from another world of nightmare, double bass drum, drum blasts, 90's, Digging in the dirt, alternate picking saturated guitar, distorted basslines

Post futuristic cyberpunk dubstep speedcore techhouse, berliner dubstep speedcore afterparty style from space, radio form 3000AD galactic empire, Glitchcore, speedcore, goa trance, jungle trance, drop A fuzz bass-guitar, bass music, wub, wub, wobble bass, ultra fast, 999 BPM, brain blender, adults only, soft vocals, soothing, emotional, eerie

Post futuristic punkcore metal radio transmission from outer space on a 3000AD galactic imperium spaceship, Interstellar comm log, radio transmission, old transistors, highly compressed raw sound, poor quality sound, zapping synth, techno mix show, speedcore for the future

EMDR experience, Bass driven experience, wall of fear, dark extend of pure fear, panic, progression in three wave from pure panic to negociated truce, reverse progressive metal, [[post future death doom metal] of the cyberpunk 3000AD cosmic empire], drop A bass-guitar, shrieking vocals, [punkcore [circus orchestra]], piano, glass piano, tubular bells, acoustic saw, acoustic instruments hitting a hard wall, organic rythm breaking like a wave line on a shattered cliff of unraveled shameful fear, murderous, suicidal, mental heath termination, infinite choir of tormented souls, screaming from the wall itself

coldwave, monolord, type-O-negative, deep ground shaking bass, whispered vocals, pads, synth FX, perfect mastering with -3dB normalization, dark spirits, no emotions, pan FX, flanger FX, phaser FX, stoner inspired

50 bpm, male very deep low tone voice, out of breath wining, oppressive, down tempo, drone metal, underwater, drowning, sub bass, almost silence, ultra low volume

Norvegian black metal, black metal, unearthed troubadour singers, church reverb, dead singers, from another wolrd of nightmare, double bass drum, drum blasts, 90's, Digging in the dirt, Cello and contrabass backing the alternate picking saturated guitar, viola solo, dark piano in church reverb, distorted basslines, ‑joy, ‑happy, ‑upbeat, ‑feel good

A high-energy metal track with a driving tempo of 180 BPM in a 4/4 time signature, The song features a distorted electric guitar playing a prominent riff, a powerful bass guitar providing a strong rhythmic foundation, and a drum kit with a heavy emphasis on kick and snare, The vocals are aggressive, delivered by a male vocalist using a combination of shouting and growling techniques, The song structure includes distinct verse and chorus sections, with instrumental breaks showcasing the guitar, Production elements include heavy distortion on guitars, a tight drum sound, and a forward vocal mix, The overall key is A minor

Post stoner metal, progressive, bass very high in the mix, fuzz guitar, wah wah lead guitar, minimalist, catchy and repetitive, relentless, evergrowing, layers over layers, ‑classical, ‑soothing, ‑calm, ‑soft, ‑pop

Goa trance, post industrial, speedcore, death tech, articial voices, industrial metal, ominous, old radio show, news, horror stories, post speedcore, blackened, science speech, growled distorded vocals

pop star invited into a norvegian post black metal band, live show, crowd cheering, eerie female focals, ominous tension building sacred barocco, demonic chaos, element of deathcore drops, angelic choir, harp solo, layered distorded guitar, arousal

brutal death metal, slam death metal, 90's, garage sound, pig squeal, ‑deathcore, ‑melodic

Bass solo song, drop G bass tuning, Blackened deathcore, post norvegian black metal, unearthed troubadour black metal singer, deathcore drop, existential dread, angelic choir, cosmic inner conflict, slow, deep, saturated, story telling, 90's oldschool, ‑Lead guitar