S.M.V.S

Mid tempo (~90 BPM), urban rock with subtle jazz flavor, clean/distorted guitar riffs, walking bass with rock edge, tight drums, husky female vocals with playful and ironic tone, Spoken intro, jazzy rock verses, rising pre-chorus, full band choruses, sarcastic spoken bridge, instrumental break with guitar solo and light sax phrases, final chorus climax, whispered outro with unresolved rock chord

Japanese acoustic pop (~110 BPM), upbeat and conversational mood, Bright acoustic guitar strumming is the main instrument, supported by pop-rock style drums and warm bass, Minimal piano and subtle strings appear only in the chorus for emotional lift, Female vocals with a natural, talk-like tone, intimate in the verses and catchy in the chorus, Lyrics are in Japanese, using everyday words and casual expressions, Chorus repeats the hook line: “昨日咲いた薔薇は 今日の桜に似てる”, Style is light, youthful, and hopeful, similar to a modern singer-songwriter J-pop track with a catchy radio-friendly feel

Genre: J-Rock / Alternative Rock with electronic accents BPM: 150 · Key: G minor Mood: sarcastic, intense, theatrical — inner frustration against fake reality Vocal: Japanese female lead, whisper ↔ shout dynamics, theatrical tone, biting sarcasm, sharp consonant delivery, emotional vibrato Arrangement: - Intro: glitchy percussion + distorted guitar stabs, abrupt start - Verse: half-time groove, spoken-style lines, sarcastic delivery - Pre-chorus: tension with filtered noise + snare build - Chorus: explosive full-band, layered shouts, sharp rhythmic phrasing - Bridge: silence → whispered monologue → sudden explosion - Final Chorus: key lift, full instrumentation, cold vocal end Mix: aggressive rock mix, vocal forward, distorted guitars wide, electronic glitches layered underneath

Genre: J-Rock × Dark Pop, theatrical flair BPM: ~140 · Key: E minor Mood: sweet but poisonous, hypnotic, obsessive — false utopia masked as love Vocal: Japanese female lead, dynamics from whisper ↔ chant ↔ belting, seductive yet eerie Structure: - Intro: whispered phrases with synth + heartbeat bass - Verse: flowing rhymes, candy-coated words hiding poison - Hook: chant repetition (toy/boy/girl), addictive rhythm, layered cult-like chorus - Verse 2: darker tone, whisper to belting, truth vs illusion - Bridge: dreamy collapse, drowning whispers + distortion - Final Hook: euphoric yet menacing, chant becomes commanding - Outro: fading whispers, “ふわり ふわり” echo Instrumentation: claps + distorted kick, heartbeat bass, reverb guitars, dreamy pads + bells, dissonant chimes Mix: vocal-forward, hypnotic reverb, wide chants, immersive effect

Hyper-Vocaloid style, chaotic J-rock with glitch elements, fast tempo, distorted synth and heavy drums, Vocals unstable, shifting between whispers, shouts, sobs, and hysterical laughter, Flow fragmented and unpredictable, words rushing then cutting off suddenly, Dark and surreal atmosphere evoking madness and mental collapse, Layers of dissonant harmonies and abrupt silence breaks emphasize instability, The performance feels like a human mind shattering in real time, torn between fragile vulnerability and violent outbursts

Experimental Vocaloid-inspired electronic pop, Fast-paced and chaotic with playful glitch elements, High-pitched, slightly robotic vocals delivering rapid syllables and rhythmic wordplay, Tempo around 160 BPM with four-on-the-floor kick and hyperactive percussion, Bright and piercing synths mixed with distorted chiptune-style leads, Overall mood: surreal, absurd, and irresistibly catchy, like a carnival of nonsense

Genre: J-Rock / Alternative Rock with electronic accents BPM: 150 · Key: G minor Mood: sarcastic, intense, theatrical — inner frustration against fake reality Vocal: Japanese female lead, whisper ↔ shout dynamics, theatrical tone, biting sarcasm, sharp consonant delivery, emotional vibrato Arrangement: - Intro: glitchy percussion + distorted guitar stabs, abrupt start - Verse: half-time groove, spoken-style lines, sarcastic delivery - Pre-chorus: tension with filtered noise + snare build - Chorus: explosive full-band, layered shouts, sharp rhythmic phrasing - Bridge: silence → whispered monologue → sudden explosion - Final Chorus: key lift, full instrumentation, cold vocal end Mix: aggressive rock mix, vocal forward, distorted guitars wide, electronic glitches layered underneath

This track is a dark lullaby fused with J-Pop rock and subtle electronic elements, The mood is eerie, gentle, and haunting, like a monster softly singing a cradle song that hides both comfort and terror, The female vocal is dynamic but restrained: verses in breathy whispers like a lullaby, pre-choruses quietly tense, and choruses hauntingly melodic with sorrowful belts mixed with soft whispers, Screams appear only as rare accents in the final chorus, Instrumentation begins minimal with soft piano, low strings, and subtle synth pads, Glitch FX and distant reverb add unease, In choruses, distorted guitars and deep bass emerge but stay beneath the vocal, with drums beating like a steady pulse, The structure flows like a dark fairy tale: intro whispers ("nen nen korori yo"), verses as quiet storytelling, short tense pre-choruses, choruses as corrupted lullabies, a bridge of silence and echoes, and a final chorus layering lullaby melody with hidden rage before fading into darkness

Genre: Symphonic J-Rock / Dark Waltz BPM: 135 · Key: D minor Mood: elegant, sinister, theatrical — a masquerade ball where beauty hides emptiness Vocal: female vocal, graceful yet eerie, switching between soft whispers and dramatic high notes, with subtle sarcasm Instruments: string section (violin, cello), grand piano, distorted electric guitar accents, deep bass, sharp snare, occasional metallic percussion Arrangement: intro with chandelier sounds and distant applause, verses flow in a waltz-like rhythm, choruses explode with orchestral power and crowd-chant intensity, bridge collapses into dissonant strings and eerie echoes, outro fades with applause into silence Production: emphasize dynamic contrasts between elegance and chaos, mix lush orchestral layers with rock rhythm, creating the feeling of a cursed masquerade on stage

Genre: Japanese Festival Rock · Dark Ritualistic Fusion BPM: 160 · Key: D minor Mood: Ritualistic, chaotic, grotesque, theatrical Instrumentation: Taiko and shime-daiko lead the rhythm like a furious parade, joined by shakuhachi and shinobue for eerie melodic lines, koto and shamisen adding raw traditional colors, and orchestral strings for grandeur, Group chanting (嗤えや嗤え) reinforces the ritualistic atmosphere, Vocal Style: Female vocal, dramatic and commanding, alternating between grotesque laughter, ritual-like chanting, and soaring melodic phrases, The delivery should feel like leading a cursed procession under the reign of the 百鬼の王, Song Dynamics: Begins with haunting shakuhachi and taiko, builds into chaotic layers of percussion and chants, and erupts in the chorus as a grotesque festival praising the 百鬼の王, Ends with an abrupt silence, as if the night parade vanished

Japanese indie singer-songwriter vibe with electric guitar riffs at the core, mixing clean tones and subtle distortion, Minimalistic rhythm section with lo-fi drum textures, syncopated beats, and ambient layers of static and field recordings, Vocals are fragile, conversational, and slightly airy, as if speaking directly into the listener’s ear, The mood is bittersweet and cinematic, balancing everyday realism (radio static, neon, rain) with dreamlike echoes, The overall sound should feel imperfect yet intimate, urban yet nostalgic

Tempo: mid, steady but slightly swaying, Rhythm: flowing phrases with breath-space, not rigid bars; emphasis on pauses and overlap of syllables, Instruments: clean electric guitar with light reverb, soft synth pads, subtle bass, restrained drum patterns (brush snare, rim hits), Textures: airy layers, faint field-recording ambience (distant traffic, room noise), reverb tails extending into silence, Vocals: intimate, near-whisper tone, close-mic recorded; avoid over-singing, let words trail off naturally, Overall: indie-pop/folk hybrid with fragile atmosphere; narrative should feel like fragments of conversation layered with surreal imagery

Tempo: Mid, steady and deliberate, like a slow interrogation rhythm, Rhythm: Minimalist, mechanical pacing; each beat feels like a page turning or a stamp being pressed, Instruments: Deep taiko drums for weight, shamisen plucks for cold sharpness, dark string drones, occasional gong strikes, Layer with faint electronic tones (data beep, error chime) to emphasize bureaucratic and modern flavor, Textures: Page-flip sounds, pen scratches, typewriter or keyboard clicks, system notification pings, Subtle reverberation like in a cold interrogation room, Vocals: Dry, cynical, and detached tone — like a civil servant bored with their job, Delivered half-spoken, half-sung, with sarcastic intonation, Occasional sighs or “はいはい” interjections to underline the apathetic attitude, female vocals

Tempo: mid-fast, bouncy and chaotic, playful but dark, Rhythm: fast percussion with taiko accents, funky bassline, clap patterns for carnival feel, Instruments: shamisen with distortion, shakuhachi trills, festival-like bells, synth stabs, distorted guitar riffs, Textures: laughter echoes, playful screams, sudden silence breaks, crowd shouts, Vocals: Female Japanese voice in Ado-style but leaning into character acting: mix of cutesy tones, sarcastic laughter, sudden growls, playful rap sections, Chorus should feel like a twisted carnival chant, catchy and ironic

Cyberpunk Vocaloid J-Rock + Rap Fusion, BPM 152, dark and chaotic atmosphere, aggressive distorted guitars, glitchy synth layers, breakbeat drums with mechanical accents, dynamic female Vocaloid voice, sharp consonant pronunciation, verse 2 delivered in rapid-fire rap style alternating Japanese and English, system error sounds and warning beeps integrated into rhythm, pre-chorus is short and explosive like a warning siren, chorus has repetitive chanting "Bo Bo Bo / Po Po Po / Bi Bi Bi" for hook, structure: verse1 (12 lines) - pre-chorus (2 lines) - chorus (8 lines) - verse2 rap (16 lines) - pre-chorus - final chorus, emotional climax with glitch breakdown and layered harmonized vocals

Tempo: Mid-fast (140–150 BPM), playful bounce, like a carnival gone wrong, Rhythm: Swinging electronic beat with quirky off-beat claps, slightly chaotic to feel unstable, Instruments: Bright synth leads, toy-like keyboard sounds, distorted bass, fake fanfare trumpets, and 8-bit game effects, Occasional cartoonish SFX (cash register ding, error beep, typing clicks), Textures: Colorful but unsettling, Sounds playful at first, but dissonant chords and glitch fills reveal the darkness underneath, Vocals: Vocaloid female voice, bright and exaggerated, almost like a mischievous child, Delivery should sound mocking and sarcastic, laughing at the absurdity of the “black company” life

Genre: J-Rock / Alternative Rock with electronic accents BPM: 150 · Key: G minor Mood: sarcastic, intense, theatrical — inner frustration against fake reality Vocal: Japanese female lead, whisper ↔ shout dynamics, theatrical tone, biting sarcasm, sharp consonant delivery, emotional vibrato Arrangement: - Intro: glitchy percussion + distorted guitar stabs, abrupt start - Verse: half-time groove, spoken-style lines, sarcastic delivery - Pre-chorus: tension with filtered noise + snare build - Chorus: explosive full-band, layered shouts, sharp rhythmic phrasing - Bridge: silence → whispered monologue → sudden explosion - Final Chorus: key lift, full instrumentation, cold vocal end Mix: aggressive rock mix, vocal forward, distorted guitars wide, electronic glitches layered underneath

Yandere-style Dark Electro-Pop with twisted kawaii elements, Female vocal: cute and sweet, shifting into eerie whispers and unsettling giggles, Melodies resemble a lullaby or children’s song but become distorted and obsessive in the choruses, Instrumentation: glittery synths, toybox bells, and soft pop beats, twisted with glitch effects and dark bass drops, Mood: deceptively cute, playful but terrifying — a sweet yandere love that feels like a fairy tale but hides a curse

Dark Yandere Electro-Pop with clinical and eerie atmosphere, Female vocal: soft and sweet, gradually shifting into obsessive whispers and chilling giggles, Melody: starts delicate like a lullaby, then distorted and dramatic in choruses, Instrumentation: cold synths, glitch beats, metallic percussion, heartbeat-like bass, occasional hospital/clinical SFX (scalpel slice, monitor beep, dripping sound), Mood: unsettling yet captivating — a laboratory turned into a twisted love confession, obsessive but strangely tender

Yandere-style Dark Electro-Pop with twisted kawaii elements, Female vocal: cute and sweet, shifting into eerie whispers and unsettling giggles, Melodies resemble a lullaby or children’s song but become distorted and obsessive in the choruses, Instrumentation: glittery synths, toybox bells, and soft pop beats, twisted with glitch effects and dark bass drops, Mood: deceptively cute, playful but terrifying — a sweet yandere love that feels like a fairy tale but hides a curse

Dark Yandere Pop with seductive and obsessive undertones, Female vocal: sweet and breathy, shifting into lustful whispers and manic giggles, Tempo: 120–125 BPM, steady pop rhythm with pulsing bass, Instrumentation: glossy synths, deep basslines, glassy keys, toybox chimes warped with subtle distortion, Melodic style: playful and catchy pop melodies twisted into minor key progressions, Mood: deceptively cute but intensely erotic — a sweet feast of love, flesh, and possession

Aggressive Industrial J-pop with electronic rock and glitch elements, 150 BPM, Distorted guitars, metallic drums, glitchy synth noise, and oppressive basslines, Vocals should be sharp, cold, and strained, with a mechanical huskiness, like chanting through rusted steel, The atmosphere is oppressive and overwhelming, echoing Tōma’s style: a decaying metropolis as a living organ, rotting but still alive, screaming through neon and smoke

Experimental J-pop with glitch pop and electro rock influences, around 150 BPM, Playful synth melodies mixed with distorted notification sound effects, digital glitches, and heavy electronic drums, The mood shifts between cute and unsettling, combining catchy chorus chants with chaotic breakdowns, The contrast should emphasize irony: a poppy surface hiding a dark, addictive, apocalyptic undertone

Dark Jazz Pop with cabaret and noir influences, 105 BPM, Instrumentation should feature upright bass, brushed swing drums, smoky jazz piano chords, muted trumpet with a rusty timbre, and subtle string accents for dramatic flair, The groove should swing seductively, with tension rising like a courtroom performance turning into an execution show, Vocals should be husky, seductive, and theatrical, moving between sweet whisper-like intimacy and sudden sharp yandere bursts, The mood is intoxicating and dangerous, like a smoky late-night jazz club where love is performed as a guillotine ceremony — playful, fatal, and irresistible

Comedic glitch-pop J-pop with circus-like instrumentation, around 145 BPM, Use toy piano, playful brass stabs, quirky synths, and clapping samples mixed with sudden ominous choirs, The tone should be silly and colorful, but lyrics reveal an unsettling irony: people worshipping a rolling stone as their god, Insert rolling sound effects and exaggerated “ぱちぱち” applause to emphasize the absurdity

Dark experimental J-pop with gothic orchestral and electro elements, 125 BPM, Blend harpsichord, heavy strings, distorted synths, and glitch textures, The song should feel like a Renaissance painting turned grotesque: beautiful on the surface but suffocating within, Bridge emphasizes silence and emptiness, evoking the image of a pale face trapped in a golden frame

Experimental J-pop with glitchy electronic beats and sarcastic chanting, around 140 BPM, Incorporate distorted vocal effects, sarcastic laughter samples, and financial-like sound cues (cash register, calculator clicks), The mood should be ironic and grotesque: playful rhythm masking a cynical satire about lies and profit

Psychedelic J-pop with glitch pop and electro-rock influences, around 145 BPM, Bright neon synths, distorted guitars, and explosive drum fills, Use sound effects like fireworks, candy wrappers, and glitchy laughter, The overall tone should be ironic: colorful, fun, party-like on the surface, but hiding despair and collapse underneath

Experimental J-pop with bittersweet pop-rock and electronic influences, around 135 BPM, Use bright synths with orange-toned warmth, contrasted by distorted bass and melancholic strings, The sound should feel like a colorful marketplace at sunset: cheerful on the surface but filled with loss and irony, Add playful trade-like sound effects (cash register, coin clinks, paper rustle) to emphasize the theme of exchange

Experimental J-pop with math-rock and glitch-pop influences, around 145 BPM, Use angular guitar riffs, glitchy synth arpeggios, and blackboard chalk sound effects, The rhythm should feel like solving a broken equation: stop-and-go beats, sudden pauses, and irregular accents, The mood is playful and chaotic, but the lyrics reveal insecurity and obsession with unfair love

Aggressive glitch-pop with industrial rock and J-pop fusion, around 155 BPM, Use distorted synth bass, explosive drum fills, and firework-like sound effects, Insert ticking clocks, countdown voices, and sudden silence before drops to mimic explosions, The mood should be energetic and comedic on the surface, but hiding unease: a world addicted to self-destruction

Glitch-rock at 165 BPM with rapid-fire vocal delivery, Courtroom percussion (gavel hits, typewriter clicks) mixed with distorted synth bass, Use comedic wordplay and tongue-twisters inside a dark, theatrical soundscape, Final chorus should explode into layered chaotic vocals, balancing satire and absurd comedy

Ironic dark pop at 160 BPM with sarcastic energy, Mix metallic percussion, detuned saw synths, and processed claps that sound like digital applause, Lead vocal should alternate between ironic sweetness and robotic detachment, highlighting the absurdity of confidence in collapse, Bridge uses clock ticks and reversed vocal whispers to represent time distortion instead of perspective shift, Final chorus becomes euphoric yet broken — a fake triumph in ruins, End with a cut-off reverb, like a screen freeze

High-tempo ironic electro-rock (BPM 170), Use tight, syncopated vocal rhythm emphasizing rhyme pairs (かまない／かまわない etc), Instrumental should feature glitched hi-hats and chorus group shouts mimicking “school chants, ” Bridge introduces distorted underwater reverb, fading syllables looping like broken AI speech, Final chorus bursts with ironic cheerfulness — a fake happy ending collapsing into digital static

> Genre: Experimental J-pop × Glitch Electro (BPM 170) Mood: Comedic yet existential; a smiling breakdown of luck and chaos, Instruments: Bouncy synths, distorted claps, metallic percussion, glitchy vocal chops, Vocal Style: Energetic female voice with sharp diction and sudden emotional shifts, Concept: “Even misfortune becomes a dance, ” Playful irony between thunder and god — “カミナリ = 神なり”, Make it sound like a bright apocalypse laughing at itself

Style Prompt: A bittersweet, ironic Japanese folk-rock with a playful vocal delivery, Shamisen, hand drums, and soft electric bass weave around each other in uneven rhythm, The vocal tone shifts between whispering sarcasm and heartfelt exhaustion, as if a retired fox deity were ranting at a half-broken microphone, Include short pauses, sudden laughter, and emotional slips — the performance should feel human, tired, and beautifully absurd, The mix blends rural ambience (cicadas, wind, distant bells) with slightly distorted acoustic textures, giving the impression of an ancient shrine turned into a late-night bar stage, The energy swings between humor and pathos; the listener should be unsure whether to laugh or cry, Think of it as a divine stand-up comedy performed under the moonlight of a thousand-year forest

“Japanese Vocaloid pop track (BPM 184) titled ‘Love Destruction High Five’, The song follows a 10-part emotional structure where love and destruction mirror each other, Fast-paced rhythm with metallic drums and glitchy synths, Vocal tone is bright but emotionally unstable, expressing both ecstasy and decay, Ends abruptly in silence, symbolizing post-emotional burnout, ”

“Fast-paced Japanese Vocaloid pop song (BPM 182) titled ‘黒桜の下で泣く少女’, The track should sound bright but emotionally unstable, Include glitchy synths, pop-rock drums, and mechanical vocal layers, Lyrically, it contrasts sweetness with despair, using repetition and rhythm-driven phrasing, Theme: a girl crying and laughing under the black cherry tree as spring collapses, ”

“A bittersweet experimental Japanese Vocaloid pop song (BPM 148) titled ‘チェリーソーダと青い日の空’, The song loops like a memory replay: each verse feels fragmented, and the melody shifts from light to melancholic, Use fizzy bubble sounds, tape saturation, and bright yet slightly detuned synths to express artificial happiness, The vocal should sound like a synthetic girl smiling while crying, Structure: monologue intro → fragmented verse → emotional explosion → glitchy bridge → looped outro, Tone: dreamy, nostalgic, and quietly devastating, ”

“A Japanese Vocaloid industrial-rock song at 158 BPM titled ‘最近の若い悪魔は地獄で何してんの？’, The lyrics depict modern demons living corporate lives in hell, using sarcastic and poetic language, Use heavy distortion, metallic percussion, glitchy synths, and ambient fire sounds, Tone shifts from humor to despair to cathartic beauty, End with a robotic voice saying ‘ログアウト：Hell’, The vocal should mix ironic monotone verses with emotionally strained choruses, blending cynicism and pathos, ”

“A Japanese Vocaloid electro-rock track at 165 BPM about a synthetic singer struggling between logic and emotion, One voice performs both roles: a robotic ‘Professional’ tone and a human ‘Nonsense’ tone, Alternate between flat, precise delivery and unstable, emotional phrasing, Use glitch percussion, mechanical beeps, and heartbeat sounds to illustrate internal conflict, At the climax, the two tonal modes merge into one expressive voice, symbolizing emotional awakening, End with system shutdown sounds and the final line ‘通信終了ログ：ラブ’, ”

“A manic Japanese Vocaloid electro swing at 155 BPM with jazzy piano, metallic percussion, and frantic synthetic vocals, The voice should sound expressive yet unstable — half comedic, half existential, Include rapid spoken verses, chaotic rhythmic stutters, and layered harmonies in the choruses repeating ‘誰が!?’, Add SFX like refrigerator hums, spoon clinks, courtroom gavel hits, and glitch bursts to evoke the absurd self-trial setting, The emotional arc moves from playful mystery to self-revelation and ironic forgiveness — a bittersweet end to a ridiculous case, ”

“A hyperactive Japanese Vocaloid-style electronic rock track at 170 BPM, Blend 8-bit chiptune synths, distorted guitars, and metallic drums to create a chaotic, game-like soundscape, The vocal tone should be clearly synthetic — sharp, pitch-shifted, and slightly robotic — yet carrying human-like emotion, as if a digital voice is trying to scream, Verses are rhythmically spoken with stutters and glitchy word chops, while choruses explode with emotional melodies layered over bit-crushed harmonies, Add UI sounds, error beeps, and data distortion to evoke a player trapped inside a corrupted RPG system, The mood should feel manic, ironic, and bittersweet — a mechanical heart beating too fast inside an endless game, ”

“A fast-paced Japanese Vocaloid-inspired electronic rock track at 158 BPM, The sound should feel synthetic, chaotic, and emotional — mixing digital noise, distorted guitars, and metallic beats, Verses are rhythmically spoken with playful word stutters and tongue-twisting phrases, while choruses burst into high-energy melodic shouts, The tone is ironic yet heartfelt, like a teenager smiling through the rain, Add rain ambience and glitch effects to symbolize emotional overflow, The song should feel slightly unstable, bittersweet, and self-aware — a cyber emotional storm, ”

Genre: Experimental Vocaloid Word-Glitch Pop × Noise Cabaret BPM: 160 Instruments: glitch drums, talk-synth, toy marimba, detuned choir, Vocals stutter, distort, and fold over themselves like broken speech loops, No melody dominance — rhythm and phoneme density drive the track, Insert literal word reversals and reversed reverb samples (“アイ”→“イア”), Overall tone: absurd, comic, linguistic collapse, Imagine the dictionary itself having a fever dream, female vocals

Genre: Japanese Vocaloid Pop / Hyper Emotional Electro Pop Tempo: 190 BPM (unstable beat with 4/4–5/4 transitions) Vocal: Bright, slightly distorted female Vocaloid voice, expressive pitch glitches, emotional trembling tone, Instruments: Toy-like synths, heart-beat drums, distorted piano, broken claps, warm bass, glitch noise textures, Beat Concept: “Unbalanced Happiness Beat” — rhythm alternates between 4/4, 5/4, and 3/4; cheerful yet collapsing; tempo feels unstable, like joy that’s overheating, Mood & Atmosphere: Chaotic, euphoric, bittersweet, and self-destructive, It should sound like happiness that’s spiraling out of control — too bright, too fast, too much, Every chorus feels like laughter right before tears, Theme: Emotional overload and collapse, Love and happiness are portrayed as side effects — sweet, unstable, and fatal, The world shines too brightly until it breaks

Japanese Vocaloid pop × Hyper Cute Rock, BPM: 148, Sound: bright electric guitar, glitchy synth, vocal chops, tight pop drums, bubbly bass, Mood: energetic, self-ironic, bittersweet cute frustration, Vocal: high-pitched female (Vocaloid-style), talk-sing with playful pauses, quick tempo, and emotional ad-libs, Visual: pink room, smartphone glow, mirror reflection, floating heart stickers

Japanese Vocaloid song, BPM 152, key G minor, DECO-like energy with playful word-nerd theme: “Anagram Love, ” Two verses only; punchy lines using kana/IME mis-conversions and letter swaps (e, g, “suki ↔ kis(u)”, “yakimochi ↔ mochi-yaki”) as romantic metaphors, Pre-chorus uses single-word triggers (“HENKAN—/NARABE-KAE—”) instead of countdown; slogan chorus “ANAGRAM LOVE!” with a subtle post-line lift (no long chants), Tight kick, gritty bass, bright lead stack; sprinkle keyboard clicks/IME pop SFX lightly, Vocal: Kagamine Rin (power), crisp consonants, doubled pre-chorus, unison+3rd stacks in chorus

Japanese Vocaloid song, BPM 148, key B minor, No chants or countdowns; two verses only; sentence-based chorus (no slogan loops), Sensory sci-fi palette (static, light grains, gravity micro-shifts), minimal UI jargon, Pre-chorus is compact lift without a hard cut; bridge contains a single reversal line (“Not immigration… the reason is you”), Production: sleek electropop, tight kick, pulsing bass, airy pads, subtle radio hiss; keep harmonies sparse and warm, Vocal: Kagamine Rin (power but restrained), close-mic verses, unison+3rd light stacks in choruses

Japanese Vocaloid-style song, Genre: Lo-fi Emotional Pop × Bedroom Talkcore, BPM: 96, Sound: warm analog bass, dusty electric piano, gentle drums with soft reverb, faint clock ticking ambience, Vocal: whispery and emotional female voice, alternating talk and sing, audible breathing, slow phrasing, small laughs and pauses, Mood: lonely, tender, midnight calm — like discovering a quiet song after giving up on everything, Visual: dim monitor glow, messy desk, quiet sighs before sleep