Social Critique, Satire & Cynicism

[Anti-War Hymn Dub, 85 BPM, G# minor, Warm Organ: A4-G#4-F#4-E4, Quarter Notes, +4 dB, Guitar Skanks: G#4-D#5-G#4, Offbeat, +3 dB, Bassline: G#3-D#4-G#3, Quarter Notes, +4 dB, Theremin Drone: F#4-G#4-F4, Eighth Notes, +3 dB], [Effects: Reverb: 1500ms, Echo: 1000ms, 50% Feedback, Glitch Stutters: 4Hz, +4 dB, Factory Clanks: Metallic, +3 dB, Distant Sirens: G#4-F4, -5 dB, Explosion: Low Rumble, -5 dB], [Ad-libs: Whispered Male Voice: Pssst… 3-5-0-0…], [Mix: Vocals: -2 dB (Intro-Verse 2), 0 dB (Dub Section-Outro), Bass: +4 dB, Ambience: -5 dB], [Mood: Solemn, Tense, Anthemic], [Story: German

Reggae-Dancehall, heavy bass, hypnotic bass, super bass, männliche Gesangsstimme, spöttisch, Chor 300% ad-libs, funky Bridge, langes Outro, psychedelische Effekte, Glitch, Echo, Reverb, Naturgeräusche male narrator, rap, drill, choir, high, haunted to confident, deep voice, scene-shifting arc (80 BPM E minor to 100 BPM G major), scriveling effects riddim (pen clicks, scritches), stage riddim (whistle, steel drum, dancehall drums), sparse hi-hats to bold kicks/snares/rimshots, choir harmonies (mournful Em to uplifting G major), dread vocal scats, ad-libs, dub bass drops, glitch delays, vinyl pops, tape glitches, reversed loops, static buzz, modulated echo spirals, phaser sweeps, flanger pulses, tape hiss, urban hum, wind gusts, crowd cheers, claps, distant horns, delicate vinyl crackle, subtle crowd murmurs, modulated delays, tremolo vocals, tape saturation, rebellious, urgent, soul-stirring, deep dub bass, syncopated drums, clean, wide stereo mix, cinematic analog vibe, DUB DUB DUB!!!

male vocals, rap, drill, female ad-libs, heavy bass, long outro dub reggae

Slow German, sad emotional female lead, all lyrics spoken, summer vibes, chamber folk, cinematic strings, soft piano, subtle acoustic guitar, melancholic background, very long outro, nature

Reggae-Dancehall, heavy bass, hypnotic bass, super bass, männliche Gesangsstimme, spöttisch, Chor 300% ad-libs, funky Bridge, langes Outro, psychedelische Effekte, Glitch, Echo, Reverb, Naturgeräusche [C minor to C major], 48-bar arc, [120 BPM], [vocals [pitch shift +2 semitones, -2 dB]], [Upright Bass [C-E-G, +5 dB]], [Rootsy Drums [C-E-G, +3 dB]], [Organ [C-Eb-Ab, +3 dB]], [Horns [C-G-Ab, +4 dB]], [Theremin [A-C-D, +4 dB]], [Synth [D-F-A, flanger 0, 3Hz]], [Outro [4:30-6:00]] with [countermelody 1 [A minor pentatonic]], [countermelody 2 [D minor pentatonic]], [warp sounds [oscillator sweep, 300-600 Hz]], [long echoes [3000ms]], [reverse cymbal crashes], [tape loop glitches [2, 5s]], [dub drops [C-E-G-C]], [vinyl scratches], [reverb theremin stabs [4s]], [bass wobble [LFO 4Hz]], [low pass [2kHz to 400Hz]], [choir vocals [C-E-G, +4 dB]], [Effects: Reverb [800-4000ms], Echo Chamber [700ms], Spring Reverb [4s], Flanger [0, 3Hz, 15%], Granular Stretch [2, 5s]], [Mix: vocals -2 dB]

Reggae-Dancehall, heavy bass, hypnotic bass, super bass, männliche Gesangsstimme, spöttisch, Chor 300% ad-libs, funky Bridge, langes Outro, psychedelische Effekte, Glitch, Echo, Reverb, Naturgeräusche

A dub track fusing glam rock swagger and orchestral psychedelic pop grooves with 1960s counterculture rebellion, Set at ~80 BPM with a slow skanking rhythm, shifting to half-time in dub sections for a trippy, defiant vibe, Harmonics use Em - G - A - Em for verses and outro (bluesy, driving pulse) and G - A - Em - G for choruses (soaring, anthemic), Instruments: deep dub bass, skanking guitar, organ stabs, shimmering sitar drones weaving through verses, swirling psychedelic pads, Orchestral violins, brass, timpani swell in outro’s coda for cinematic drama, Apply heavy spring reverb, tape delays, phasing on vocals, guitars for hypnotic texture, Sound effects evoke protest: crowd chants (e, g, “Hell no, we won’t go”) pulse in verses, bridge; wailing sirens fade in intro, outro; trampling feet drive dub verse; stones clatter with snares; machine gun bursts snap in choruses; cries of loved ones haunt meta-coda, Time effects: chants swell, cries linger in fades, Mood: defiant, cosmic, intense

Dub reggae with dark, rebellious mood, built on 'Lockdown Riddim'—slow, heavy, Melody arc in Dm minor: Dm - Bb - F - C for verses, Dm - Gm - A - Bb for tension, Dm - F - C - Bb for coda resolve, Instrumentation: skanking guitar [GUITAR_WITH_DUB_EFFECTS, WAH_WAH], wobbly dub bass [BASSLINE_MANIPULATION, SUB_BASS_ENHANCEMENT], drums [DRUM_PATTERN_VARIATION_WITH_EFFECTS], organ [ORGAN_WITH_REVERSED_REVERB], and horn stabs [HORN_STABS_WITH_EFFECTS], Production: heavy [FEEDBACK_LOOP_DELAY], [SPRING_REVERB], [MULTI_TAP_DELAY], [ECHO] with [HIGH_PASS_FILTER] for clarity, [SIDECHAIN_COMPRESSION], [TAPE_SATURATION] for warmth, Ad-libs: prison door slams [ECHO, REVERB_FREEZE], chains rattling [GRANULAR_DELAY], help cries [HAUNTING_VOCAL_TREATMENTS], Story: In a jail, a male rebel leader with a very deep and resonating voice, wronged by corrupt powers, vows revenge, voice echoing as chains clank, sirens wail, and damp walls shiver, rallying the oppressed with gritty resolve, Lockdown riddim loop

Electro-Folk influenced Dub-Reggae with 1950s vintage Schlager lead vocals and 1960s psychedelic cinematic orchestral Pop for choir & epic soundscape swells, Long improv runs, epic coda echo meta coda climax loops as riddim

Reggae-Dancehall, heavy bass, hypnotic bass, super bass, männliche Gesangsstimme, spöttisch, Chor 300% ad-libs, funky Bridge, langes Outro, psychedelische Effekte, Glitch, Echo, Reverb, Naturgeräusche

Reggae-Dancehall, heavy bass, hypnotic bass, super bass, männliche Gesangsstimme, spöttisch, Chor 300% ad-libs, funky Bridge, langes Outro, psychedelische Effekte, Glitch, Echo, Reverb, Naturgeräusche

Reggae-Dancehall, heavy bass, hypnotic bass, super bass, männliche Gesangsstimme, spöttisch, Chor 300% ad-libs, funky Bridge, sehr langes Outro mit varierten riddim loops, dazu psychedelische Effekte, Glitch, Echo, Reverb, Naturgeräusche

Genre: Dub Poetry, Reggae, Minimalist Dub meets Cinematic Orchestral Symphonic Dub inspired by "Das Boot" OST, Vocal Style: LKJ-inspired Jamaican patois, rhythmic spoken word, deep baritone, reverb-heavy, Outro hums use “Jah-jah, ” “Waan-waan, ” “Why-y-y” from lyrics, layered, non-repetitive, Instrumentation: One-drop drum, skanking guitar, deep bassline, Verse 1: tape delay, spring reverb, reverse vocals, vocal chops, Verse 2: sub-bass pulse, eerie siren FX (panning wails), subaqueous reverb, Outro: orchestral swell (strings, brass, flute, timpani), flute countermelody, infinite coda, 80 BPM, reggae pulse, Mood: Satirical, reflective, epic, spiritual, Shifts from witty to cosmic, Effects: Verse 1: heavy reverb, echo, tape delay, vocal fragments, Verse 2: minimalist bass, siren wails, panning FX, Outro: orchestral layering, dynamic swells, hummed vocal loops, Production optimized for stereo imaging, dynamic range, cinematic fade

The verses use Jean Jaurès voice profile (warm, resonant, vibrato-heavy, vintage), based on historical accounts: Timbre: Warm, resonant, sonorous (200–800Hz), with slight vibrato (#71 SUBTLE_PITCH_DRIFT, ±25 cents) for an enigmatic, prophetic quality, Speech Pattern: Rhythmic, deliberate, with clear enunciation on key terms (“courage, ” “vérité, ” “paix”), dynamic shifts (soft for reflection, forceful for rallying cries), and pauses for emphasis, Effects: VINYL_CRACKLE+TAPE_SATURATION for vintage speech, DYNAMIC_EQ to highlight key terms, PING_PONG_DELAY and DELAY_CASCADE for cool echo loops, PANNING_EFFECTS for L-R movement, VOCODER+TAPE_STOP+ECHO_CLUSTER for dramatic pauses, FLANGER_COSMIC and PSYCH_CHIRP_LOOPS for psychedelic beach shimmer, PITCH_UP for ad-lib uplift, Spoken Verses: The 1903 speech (courage) will form Verse 1, delivered introspectively with softer dynamics and reflective effects, The 1914 speech (peace) will form Verse 2, delivered urgently with forceful effects

psychedelic folk, dub, reggae, trap, progressive rock, psychedelic rock, art rock