4:27

dark pop, operatic chorus, 96 BPM, cathedral reverb, industrial synth bass, distorted drum machine, tom-heavy march, baritone synth lead, choir stabs, gated snare, tape-hiss texture, minor key, breakdown drop, call-and-response hooks, apocalyptic menace
3:24

3:37

2:09

My Zombie Love
v5.5
a playful Vaudeville / British dance hall track written in the key of \(D\flat\) Major at roughly 138 BPM, The song relies on ragtime syncopation, a bouncy homophonic piano line, and a distinct clarinet trio to create a nostalgic, cabaret-style bounce
5:30

Pinhead Pikachu
v5.5
dark alternative rock, melodic metal, detuned electric guitar chugs, fuzz octave riffing, brooding bass, tom-heavy drum fills, choral backing vocals, baritone lead vocal, tape hiss intro, analog saturation, plate reverb, wide stereo guitars, gated snare, halftime breakdown, ominous menace, midtempo pulse
4:12

Pikathullu
v5.5
Dark horror soundtrack with detuned piano clusters, bowed metal drones, sub-bass rumble, and eerie string harmonics, Sparse taiko hits, reversed cymbal hits, and granular synth whispers creep under a melody-first chorus carried by ghostly choirs, tape echo, and sudden silence for tension
4:24

Pika Vorhees
v5.5
dark horror rock, doom metal, industrial metal, base spoken lead, whispered Pi-pi-pi-ka-ka-ka, brushed snare, upright bass, distorted bass guitar, electric guitar chugs, detuned power chords, tape hiss intro, found sound hits, analog synth drones, hockey mask percussion, gated reverb snare, sidechain pumping, midtempo march, funeral groove, bleak menace, electric knife edge
2:51

2:32

5:01

4:52

3:00

2:32

3:59

Machine man
v5.5
heavy electro synth and techno, no other instruments, voice is robotic and modulated
3:35

funk soul, 1974 studio funk, deep base lead, call and response chorus, clavinet stabs, Rhodes comping, percussive electric bass, tight horn section, rimshot backbeat, syncopated guitar chanks, tape saturation, spring reverb, mono drum bus, 96 BPM groove, swaggering uplift, menacing charm
6:48

Cthullu Rises
v5.5
doom rock, funeral march groove, pounding, heavy walking base beat, deep base solo, base drum of doom solo
5:39

3:59

4:12

Pika Meyers
v5.5
dark and brooding, building dread and anxiety, minimalist, electronic horror instrumental Soundtrack-Universe, it relies heavily on an eerie, repetitive synthesizer lead and staccato piano, Written in a rare and asymmetrical 5/4 time signature (felt as a 3+3+2+2 subdivision), Features a stark, three-note piano motif layered with sliding dissonant tones and wavering triangle wave synths, "simple and unsophisticated"
5:19

pounding base drums, heavy stand up base dominating the beat, driving base guitar
5:39

Cyberpunk 2
v5.5
spoken word rap rock, baritone monologue, cyberpunk rock, industrial chrome rock, distorted electric guitar, palm muted riffing, synth bass drones, brushed snare, tom tom marches, tape hiss intro, overdriven bass guitar, gated reverb, radio static samples, ominous defiance, dystopian urgency, midtempo stomp, chant refrains, breakdown stops
4:58

Cyberpunk 1
v5.5
spoken word rap rock, baritone monologue, cyberpunk rock, industrial chrome rock, distorted electric guitar, palm muted riffing, synth bass drones, brushed snare, tom tom marches, tape hiss intro, overdriven bass guitar, gated reverb, radio static samples, ominous defiance, dystopian urgency, midtempo stomp, chant refrains, breakdown stops
3:43

Electro-Symphonic Rock / Funk Metal / Sci-Fi Power Anthem
Fast, Weird, Heavy, Danceable, Absolutely unhinged
4:50

disco song that captures the upbeat, falsetto-driven, four-on-the-floor energy of classic late-'70s disco
5:54

a cinematic western ballad with a slow-burn, duel-at-high-noon atmosphere, The chorus is designed to feel like it could explode into whistling, tremolo guitar, and dramatic pauses, perform it very slowly, leaving long pauses between lines, with sparse acoustic guitar, distant whistling, tremolo electric guitar, and a snare drum that doesn't fully enter until the final chorus
4:24

Weird Weird West
v5.5
sung slowly with a deep, weathered voice, long held notes on “Weird Weird West, ” and a minor-key melody that rises dramatically into each chorus—very much in the spirit of Ghost Riders in the Sky, a serious, cinematic cowboy ballad where the singer treats the absurd horrors of the frontier as ordinary daily occurrences
5:11

pounding base drums, heavy stand up base dominating the beat, driving base guitar
3:56

5:37

7:22

5:24

5:07

3:49

6:24



