Not Bad, For a Guy

Opens with an urgent Spanish finger picking guitar riff atop fast punk drums and gritty bass, Energetic verses feature flamenco handclaps; choruses surge with aggressive electric guitars, Flamenco finger-picking guitar solo, Breakdowns highlight rapid guitar flourishes and percussive footwork, ending in a dramatic genre-melding finale

[Rock rap fusion philosophical anthem] featuring 95 BPM allows rap flow and rock energy, E minor serious grounded feel epic potential, [rock foundation] heavy sustained guitar tones geological weight, solid rhythm section representing stability, dynamic builds releases following emotional arc, chunky mid-tempo guitar riff driving not aggressive, [rap integration] conversational flow not aggressive battling, clear articulation for storytelling, rhythmic emphasis internal rhymes wordplay, [philosophical depth] space for contemplation between sections, musical support metaphysical concepts, production serves message not ego, [fusion techniques] rap verses to melodic singing choruses, narrative spoken-word delivery building instrumental, therapeutic geology over driving rhythms patient wisdom processing

A slow, emotionally raw R&B ballad with jazzy acoustic guitar and finger snaps only, Tempo 84 BPM, The intro features 8 bars of guitar strumming with no vocals or ad libs — let it simmer, Female vocal in a breathy, velvet-toned alto with gentle vibrato, intimate phrasing, and controlled breaks that carry real pain, Vocal delivery is tender, slow, and emotionally exposed, Guitar chords loop through Em9, A13, Dmaj9, Gmaj7, No drums or synths — just fingerpicked and lightly strummed guitar, After Verse 1, insert an 8-bar instrumental rest with guitar and subtle bass to let the moment settle, No background harmonies, the singer is tellling her story alone, Music pauses during last four bars of each pre-chorus, The mood is heavy, lonely, and heartfelt — designed to move listeners to tears, ‑pop, ‑drums

slow, atmospheric soul track, 68 BPM, haunting pads, ambient textures, soft bass, male vocals

Sleek, catchy & dynamically designed Electro-Industrial fused with Dark Ambient & Synth-Rock, Emotive male vocals—sung with grit, clarity, and haunting melody—float above a foundation of sleek, distorted deep bass, Sharp drum machines drive fractured yet hypnotic rhythms, while metallic synth layers, glitch textures, and ghostly soundscapes carve through the mix, Subtle processed guitar feedback and dissonant cello swells add edge without overpowering the electronic pulse, The mood feels like a descent into a digital ghostscape—cold, immersive, and brutally beautiful, where raw emotion is sharpened into sleek industrial elegance

emo, punk, and trap Man vocals

[Grunge alternative rock] featuring 120 BPM with dynamic shifts creating emotional intensity, D minor dark emotional range, [instrumentation] heavy distorted guitars with clean-dirty contrast, driving bass lines simple but powerful, dynamic drums quiet verses explosive choruses, [production] analog warmth with slight tape saturation, loud-quiet-loud dynamics, raw recording aesthetic, [vocal approach] raw vulnerability to explosive power delivery, intimate whispers building to primal screams, conversational vulnerability with growing determination, authentic stutter on "p-p-powerless" showing genuine struggle, [fusion DNA] classic grunge meeting modern emotional processing for authentic addiction transcendence storytelling

raw, acoustic, acoustic drums, adult alternative, rap, trap, syncopated, catchy, unique

A lo-fi trap beat pulsates over warm, hazy synths and subtle vinyl crackle, Verses layer breathy, theatrical male vocals with emo pop punk edge, blending strong, sexy falsettos and intimate spoken phrases, Angelic harmonies swell for the chorus, backed by light guitar distortion and dreamy textures, all threaded together with poetic, fantasy-tinged melodies and occasional lofi rap flows

Create a high-energy punk rock track titled The Struggle, Begin with only vocals, raw and exposed, setting the mood, After a few seconds, add a short 3–4 second drum machine beat, teasing a pop song intro, Do not bring in guitars yet, Then break suddenly into loud distorted guitars and live drums, evoking the chaos of a mosh pit, Verse one strips back to bass, vocals, and drums, with tension building until a guitar riff joins in the build-up, For verse two, keep the riff present from the start, adding urgency, Choruses explode with layered guitars, pounding drums, and bright synths for a pop-influenced lift, The bridge slows slightly, reflective but raw, then rises into the biggest chorus with backing vocals, Outro blends punk grit with synth textures, uplifting yet defiant, Vocals should be high, melodic, and passionate, with a gritty edge—moments of rasp and break, sometimes near a scream, used for emphasis

[Dreamy electronic pop] featuring 85 BPM contemplative emotional breathing, F Major warm hopeful dreamy key, [twinkling synth arpeggios] shimmering analog-style pads with star-like sparkle, gentle minimal electronic beats with soft kick and hi-hats, lush warm bass synth creating spacious cosmic dreamscape atmosphere, [intimate vocal delivery] breathy vulnerable male vocals with soft dynamic control and controlled vibrato, [cosmic intimacy] emotional depth with whispered secrets under starlit night, [production choices] rich layered harmonies, spacious reverb creating ethereal floating space, subtle ambient textures enhancing dreamy mood, digital dreamscape fusion with authentic emotional expression and vulnerability

Alternative r&b, auto-tune, mumble rap, minimalist production, raw, 808, deep bass, melancholic

Slow, stripped-down acoustic folk with a deep, gritty male vocal, Minimalist fingerpicking on a worn guitar, steady tempo with raw presence, The voice carries weight, age, and quiet defiance — low, steady, as if singing through dust and smoke, No background vocals, no gloss, Just one man, one mic, and a truth that tastes like iron

Male rapper, female singer for chorus, Slow, emotional southern-style male conscious rap at 84 BPM, Laid-back hip-hop drums with deep kick, rimshot snare, soft hats, Add tribal percussion underneath for a cold, eerie undertone, Include warm analog bass with modern stuttered bass chops between main notes (like early 2000s R&B/hip-hop crossovers), Use layered acoustic guitars, soft cinematic strings, and minimal keys, Embed female choir “oohs” and “aahs” throughout — airy and soulful, Female chorus vocal should be raspy, emotional, and layered with reverb and light harmony, Lyrics reflect regret, projection, trauma, and healing, The male rapper is apologizing to past lovers, taking accountability, and working on himself

Ambient / Atmospheric Alternative BPM: 70–80 Mood: Intimate, fragile, melancholic, yet hopeful Style: atmospheric, with floating textures and emotional layering Instruments: Piano, cello, soft pads, subtle electronic textures, minimal beats, reverb-drenched guitars Vocal Style: Male vocal very intimate and close-mic in verses (whispered, fragile), gradually opening up into more powerful emotional delivery in the choruses, with layered harmonies and echoes

Dark indie x edm, cinematic strings, longing, tribal chorus, dark glitch, male gravelly vocals, contrabass

[Nu-metal alternative rock foundation] featuring 135 BPM with complete dynamic integration, [instrumentation] distorted power chord guitars with dark electronic programming and atmospheric keyboards plus heavy bass and driving drums creating hybrid rock showcase, [production] layered production with hip-hop influenced beats and rock intensity plus haunting electronic atmospheres, [vocal approach] emotional melodic singing with raw vulnerability transitioning to aggressive rap-rock delivery on intense sections with potential screaming on climactic moments, [fusion DNA] nu-metal primary with alternative rock secondary and rap-rock tertiary for systematic emotional darkness to triumph mastery

Clean Male Vocals, Shoegaze, Sludge, slow, heavy, submerged in reverb, wall of fuzz; soft, breathy vocals, slow tempo collapse — drone guitars, low vocals, clean guitars, delay-soaked — fading feedback

Slowcore and midwest emo merge in a 58 BPM soundscape shaped by minimal, treated piano (delicate analog hammer noise and refracted, glassy resonances drift through asymmetric decay), Synesthetic micro-stutters create grain pulses and subtle digital artifacts, each glitch evolving into new timbral blooms, Breath samples and male vocals weave with spectral phase fields and dust-bloom textures, blooming from introspection to slow emotional lift, Organic circuitry pulses meet spacious post-deconstruction silence, forming a deep, analog-digital hybrid where field mapping redefines each pause and resonance as lush anti-deconstruction aurora

A classic 1950s doo-wop track mixed with post-punk / new wave / dream-goth with warm vocal harmonies, snapping fingers, upright bass, brushed drums, and smooth, nostalgic chord progressions, Lead male vocals delivered in a soft, poetic, emotionally bittersweet tone, Backing vocals add playful “doo-doo, ” “sh-boom, ” “wah-oh” phrases in tight harmony, Production feels vintage and analog — like a lost acetate recorded late at night in an empty diner, Slightly eerie atmosphere beneath the sweetness: gentle reverb, soft tape hiss, and a dreamy, haunting mood hidden under the cheerful doo-wop bounce, Overall vibe is romantic, strange, nostalgic, and beautifully off-kilter

[Male Vocals] Industrial, Gothic-hardcore, Emo-Punk, Synth-cyber electronic rock, new wave, alternative rock, Four on the floor Vibe: Vocal Delivery: Raw, emotive, and slightly raspy, with a mix of melodic singing in the chorus and aggressive spoken-sung verses/bridge, typical of emo-punk and industrial goth, The vocal delivery is raw and emotive, Lo-fi grit with reverb-heavy vocals, sudden dynamic shifts (quiet bridge to loud chorus), and a driving 4/4 beat at a Tempo 120 - 160 BPM, with tight transitions (8-bar verses, 8-bar choruses, 8-bar bridge), Key: D Minor nu metal riffs, The track uses industrial goth emo staples like distorted 808 bass, glitchy vocal effects, and metallic percussion, Synths are detuned for an unsettling vibe, and glitch effects (stutters, chops) emphasize the “edgy” feel

Gothic Punk / Industrial Metal, dark and aggressive, with ritualistic hypnotic repetition; raw punk/gothic sneer in verses, distorted/shouted industrial pre-chorus, layered growls + clean chanting in choruses; jagged detuned guitars, punchy drums, heavy bass, subtle synth drones; fast chaotic verses, tension-building pre-chorus, explosive layered choruses, sparse ritualistic breakdowns; harsh, predatory, elemental — heavy but unmistakably Slozz

Upbeat modern country-pop Christmas track with comedic energy and storytelling charm, Bright acoustic guitar strumming with sleigh bells, warm upright bass, and brushed drums driving a light, bouncy shuffle, Add twangy electric Telecaster riffs, subtle banjo fills, and melodic fiddle lines weaving through verses, The chorus grows wider with layered harmonies, tambourine, and soaring steel guitar slides to emphasize the desperation and humor, Keep the tempo lively, around 148–155 BPM, with tight rhythmic phrasing that supports fast, comedic lyrics, The bridge pulls back into a spoken-word moment over soft acoustic picking, gentle bells, and distant pedal steel for a cinematic holiday glow, Overall mood: cheerful, frantic, heartfelt, and slightly chaotic—perfect for a rom-com holiday scenario, Production should feel polished and radio-ready while still maintaining a down-home charm and warm Christmas sparkle

Gothic punk, Darkwave, industrial, Dreamlike atmosphere, Soft cello, Sparse piano, Trance like beat, Limit duet to chorus only

Laid-Back, Midwestern Emo-Punk, Slacker Rock Track With A Punk Edge, Keep It Simple, Looping Only The Chords G, C, And D, The Mood Should Lean Toward Mellow And A Bit Melancholic, Play It At A Slow, Rolling Tempo, " Shoegaze, Post-Punk, Cold Wave, Dark Synth-Pop, Rave, Electro, Steampunk, Eurodance Irish, Scottish, Punk Rock, Celtic Punk Downtuned, Sludgy Riffs, Rhythmic, Almost Percussive Vocals, Angsty, Raw Lyrics About Inner Conflict, Pain, And Society’s Darkness, Shifts Between Whispered Intensity, Guttural Screams, And Eerie Melody, Fusion Of Heavy Metal, Hip-Hop, Industrial, And Alternative Rock Low-Tuned Grooves, Rhythmic Vocal Flow, Whisper-To-Scream Dynamics, And Raw Lyrics About Inner Chaos, Pain, And Survival, Song Title: Raven Stones of the Silent Sea Artist: Tobias Blanchard (feat, guest female vocalist, e, g, Tracy Blanchard) Tempo: 138 BPM (Driving, Motorik) Key: B Minor  Children's Choir, Harmony, Welsh Lullaby, Simple, Ethereal, A Cappella, Slow, Gentle

Gothic punk/industrial metal, Eerie, menacing atmospheres

Genre: Cinematic Tribal Rock / Viking-Inspired Anthem / Modern Epic Pop-Rock / Pacific Island Haka Length: ~3:00 Minutes Vocal Style: • Deep, Gritty Male Lead — Confident, Emotional, And Commanding, • Group Vocals On Each Section For Impact, • Ethereal Female Harmonies Lightly Layered In Pre-Chorus And Outro For Lift, Mood: Powerful, Human, Defiant, A Warrior’s Vow Wrapped In Melody — Equal Parts Strength And Soul, Instrumentation: • Heavy Floor Toms, Taiko Drums, And Claps (Tribal Rhythm Throughout), • Low Horns And Deep Bass Hits For Cinematic Texture, • Electric Guitars For Modern Energy; Soft Acoustic Layers In Verses, • Atmospheric Synths And Strings For Emotional Build, • Thunder, Wind, And Crackling Fire Fx For Immersive Tone, Tempo: 92 Bpm — Steady, Marching Pulse, Pacific Island Haka chant