3:43
folk, acoustic guitar, 130 BPM, male vocals
3:17
folk, acoustic guitar, 130 BPM, Upbeat, driving rhythm, Use the original audio as a reference for the song’s lyrical structure
4:18
2:47
Soft piano ballad, light and intimate mood, vocal gentle, emotional but restrained, The existing audio must be followed as closely as possible in melody, rhythm, tempo, and dynamics, Piano remains minimal and delicate, No major rearrangement, no added intensity — stay subtle, sincere, and airy, Male vocals in verse 1 and chorus 1, Female vocals in verse 2, Duet in chorus 2
2:39
Piano-driven song with a warm, emotional piano arrangement, Male vocal with a fairly deep, rich tone, Crystal-clear, perfectly balanced audio quality, Add energetic, expressive violins in the chorus to lift the intensity, Lyrics must rhythmically slower than the music, Song structure: short intro, verse 1, chorus, verse 2, chorus, verse 3, short outro
3:29
A solo romantic piano étude in E minor, slow adagio tempo, inspired by Chopin, Expressive legato melodies flow over arpeggiated left-hand patterns, rich harmonic tension, delicate rubato, and intimate dynamics, creating a deeply emotional and sorrowful atmosphere
4:02
3:44
3:29
Folk, acoustic guitar, 130 BPM
3:55
Folk, acoustic guitar, 130 BPM
3:11
Folk, acoustic guitar, 130 BPM
2:34
2:58
3:26
4:42
3:10
Folk, guitar, 120 BPM
5:00
3:39
Folk, acoustic guitar, 130 BPM
4:14
Folk, acoustic guitar, 130 BPM, ‑violin
3:19
Piano song, male vocals, 130 BPM, I want a musical intro with piano only, and lyrics starting later, The initial audio must be used throughout the entire track, without adding other instruments, or only in a very subtle way, The chorus should slow down vocally, adding weight and emotional impact to the lyrics
4:05
Ultra high quality production, maximum realism, real instruments only, Louisiana blues rock, swampy and raw atmosphere, Tempo 85 bpm, Intro: solo jaw harp, dry and hypnotic, Instrumentation: banjo, electric bass, double bass, musical spoons percussion, jaw harp textures, gritty harmonica riffs, Vocals: deep male voice, soulful and spiritual tone, expressive and slightly raspy delivery, Groovy swamp rhythm, dusty barroom energy, organic live band feeling, warm analog sound, dynamic performance
3:54
Dark minimal acoustic ballad, melancholic and cinematic, 130 BPM, No bass or extremely subtle low-end, Sparse piano, muted guitar, distant ambient pads, Very minimal percussion, soft and dry, almost absent, Male vocal, low register, breathy and intimate, never belting, Somber atmosphere, restrained emotion, fragile intensity, Subtle instrumental breaks every two lines, Slight tempo lift in the chorus but darker harmonies, Intro and outro purely instrumental, Cold, tense, dramatic mood
3:37
A folk song with acoustic guitars at 130 BPM, featuring breaks between verses and choruses, with vocals becoming more intense during the choruses
4:24
Folk song, acoustic guitars, piano, and cellos, 130 BPM, Tempo changes after each verse, again on the second line of the pre-chorus, then throughout the entire chorus, The outro should be sung in a lower register, then transition into a 30–45 second instrumental section
4:29
High-energy French pop-rock track with a fast-paced, driving 4/4 rhythm at approximately 160 BPM, The arrangement features bright, distorted electric guitars playing rhythmic power chords and melodic lead lines, supported by a punchy, compressed drum kit with prominent snare hits and shimmering hi-hats, A melodic bass guitar provides a solid foundation with a slightly overdriven tone, The vocals are performed by a male singer with a clear, energetic, and slightly raspy delivery, often reaching into a higher register during the chorus, The song structure follows a traditional verse-chorus-verse-chorus-bridge-chorus format, with dynamic shifts between the more rhythmic verses and the anthemic, melodic choruses, Production is polished and modern, with subtle use of reverb on the vocals and a wide stereo field for the guitars, The bridge features a brief instrumental section with a focus on the guitar melody before building back into the final chorus
3:31
Song blending folk and electronic music, A clever fusion of warm acoustic guitars and the drive of an electro beat, The acoustic guitars must lock in with the original audio, supporting it without overpowering or making it disappear, Male voice, already created audio, Verses sung calmly, taking time to clearly articulate each word, Pure instrumental breaks between the tercets, The outro should be spoken increasingly slower, The final line must end the song like a vinyl scratch
4:03
4:09
An energetic piano song in the style of a lyrical, storytelling French chanson, Gradually, heavy cellos join, growing in depth and intensity as the song unfolds, The energy should continuously build throughout, with seamless transitions between lines, while every lyric remains clearly articulated and expressive
4:44
3:49
xperimental orchestral score with Slavic influence, asymmetrical rhythm in 7/8, dark string section, sul ponticello violins exploring psychedelic and unconventional textures, gliding and wind-swept motion as if carried above vast open steppes, deep contrabass drone around 110 Hz, subtle dark accordion texture, raw emotional intensity, modal harmony (aeolian / phrygian), strange floating sensation, organic and archaic atmosphere, bold harmonic shifts, evolving tension, cinematic but non-Hollywood, no choir, no vocals, no pop structure, male vocals
3:39
Ballad, piano, 130 BPM, ‑electric guitar, ‑humming, ‑la la la
2:34
4:57
3:39
3:08
Piano ballad with a dark, somber atmosphere, 130 BPM, The audio should be reused as the structural foundation of the song, Deep male vocal, Vocal and instrumental build-up in the choruses, Breaks between verses and choruses, Piano intro before the first verse and piano outro after the final chorus
3:33
folk, acoustic guitar, 130 BPM
acoustic guitar, piano (from provided audio), heavy bass, subtle percussion
male voice, deep voice, expressive, melodic chorus
dark, intense, dramatic, shadowy, raw energy, punchy
dynamic contrast between verse and chorus
4:14
Folk, acoustic guitar, 130 BPM, male vocals
4:07
Folk, acoustic guitar, 130 BPM, ‑electric guitar
3:51
Folk song, acoustic guitar, 130 BPM, Use the original audio as a reference for rhythm and tempo, removing all non-folk instruments
2:54
3:33
Experimental electro-noir, slow heavy pulse, looping bass motif, Structure: 30s intro, Verse/Drop/Chorus, drop after each verse, 30s outro, Cold dense verses, sparse percussion, clipped glitches, metallic ticks, reversed swells, industrial textures, sub drops, Chorus: layered vocals, distorted synth pressure, crushing low-end, cinematic stereo width, Use provided voice only, Strictly preserve original timbre, tessiture, phrasing, articulation, and vocal identity, Close-mic grave vocal, low harmonies, whispered ad-libs, reversed vocal fragments, Drops: violent subs, distorted bass bloom, granular glitches, mechanical pulses, Atmospheric bridge with drones and tape degradation, Electro / experimental / noir / industrial