🌸🏆【 桂 花 盃 】🏆🌸 🐇台 灣 海 選🐇

Epic Symphonic Rock × Cyberpunk Electronic × Emotional J-Rock Power | futuristic atmosphere, dynamic electric guitars, orchestral strings and brass, cinematic drums, layered synth pads, Auto-tuned ethereal vocals, dramatic tension and release, emotional power and delicacy, dark mysterious yet hopeful tone, wide reverb space, soaring melody with heroic energy, powerful symphonic drive, hybrid electronic textures, epic choir harmonies, electric and organic fusion, light-in-darkness aesthetic, cinematic intensity, emotional catharsis, futuristic rock symphony

[78 BPM] Gentle Ambient Ballad; warm male vocal only; soft piano and spacious strings; slow emotional lift with a curved arc, fading into a calm star-night ending

Music Genre: [A fusion of Japanese distorted electronic dark pop, glitch movie mix, and broken neurotic post-punk (ACG tension)][Sawano Drop][Inspired by [nZk]][Progressive seed glitch fragmented melody][Focus on vocal quality][Vocals with inherent beat and onomatopoeia - high-frequency piercing scream sampling] Language: [Taipei Mandarin][Cool tone][Dual-track recording - enhancing the distorted, rampage feeling][Singer has a mental illness][Half-shouting, half-singing] Atmosphere and Mood: [Dramatic verses][Unyielding][Predicament][Melancholic] Temperature: [72 BPM - Intro -> 144 BPM - Chorus, [C+G minor] Instrumental Rhythm: [ACG piano driven][VSTi][Multi-band compression - sidechain compression][Chorus with grand chorus - Sawanocore][Artistic - beatboxing embellishment][Film background taiko percussion] [Cool verses - explosive chorus - [Creating Contrast] Sound Quality: [High fidelity, wide stereo, studio quality, clear mix] Imagery: [Looking back + incompleteness]

male Taiwanese Mandarin pop singer, bilingual Mandarin and English vocal, baritone to low tenor range similar to Li Shengjie, close mic intimate vocal tone, breathy warm exhausted voice, half spoken half sung delivery, restrained and sarcastic emotion, psychedelic pop with jazzy groove, mid tempo 105 BPM, loose swing feel, medium long song around four to five minutes, short atmospheric intro, verse and chorus use same chord loop, repetitive hypnotic structure, gradual dynamic build without big climax, extended percussive bridge focused on rhythm and mouth sounds, final chorus slightly denser, slow fade outro, minor key center with modal feel, simple repetitive harmony, no modulation, groove focused instruments include felt piano or Rhodes, warm electric bass, jazz drum kit with kick snare ghost notes brushed snare hi hat patterns floor tom accents, percussion driven rhythm, mouth percussion sounds like dong tsi chi tun, muted clean electric guitar textures, subtle analog synth pad

The song is a high-energy J-pop track with a driving tempo of 170 BPM in the key of E minor, It features a female vocalist with a clear, bright tone, delivering a melodic line that often incorporates rapid-fire, almost rap-like phrasing, The instrumentation is primarily electronic, with a prominent synth bass providing a strong rhythmic foundation, Synthesizers create a variety of textures, including arpeggiated melodies, pads, and lead lines, Percussion is electronic, featuring a tight, punchy kick drum, snare, and hi-hats, with occasional cymbal crashes, The song structure includes distinct verses, pre-choruses, and choruses, with a bridge and an instrumental break, Production is clean and polished, with a forward mix on the vocals and a wide stereo image for the electronic elements, There are moments of vocal layering and harmonies, particularly in the chorus, adding to the song's energetic feel, The overall mood is upbeat and slightly quirky, with a sense of playful urgency

This grand and cinematic electronic orchestral duet, stylistically similar to GEM's work, paints a picture of the future and eternity, The song opens with a tranquil and ethereal melody, where soft synthesizer sounds intertwine with gentle piano chords, unfolding slowly within a symphonic melody sung by male and female vocals, As the song progresses, the full strings and shimmering synthesizer sounds gradually intensify, symbolizing connection and destiny, The male vocals lend the song a deep and resolute power, while the female vocals bring warmth and brightness, achieving a harmonious balance between strength and tenderness, In the soaring chorus, shimmering metallic notes, powerful rhythms, and cinematic beats intertwine with the orchestral melody, symbolizing hope, rebirth, and unity, In the climax, the electronic rhythms and orchestral power merge perfectly, creating a dramatic, uplifting, and emotionally transcendent ending—a fusion of light and darkness, Darkness, darkness, dark

A dramatic Japanese rap track, fused with stylish modern hip-hop and traditional Chinese textures, Beat is cinematic and tense: heavy drum hits, groovy bass, sharp percussive accents blended with guzheng plucks, bamboo flute phrases, and subtle gong swells, Add eerie synth chords and chopped vocal samples to keep the theatrical King Gnu energy, Rap delivery switches between smooth, half-sung swagger and rapid, percussive bars with tight internal rhymes, Occasional suona or flute riffs cut through the mix like sharp neon streaks, Hook is bold, chant-like, and grand, Overall vibe: eccentric, urban, elegant, and infused with a mysterious Eastern edge

Mandarin indie pop ballad in the style of modern Taiwanese band music, Warm and sincere male vocal, slightly husky, emotional but restrained, Storytelling song about time counting down, regret, ignoring loved ones, and realizing the truth too late, Clean guitar and piano in verses, full band gradually builds in chorus, Emotional growth instead of explosive climax, Natural Mandarin phrasing, space between lines, strong lyrical imagery, Melancholic, reflective, but ends with quiet hope, Suitable for narrative lyrics and emotional depth, Soft Mandarin indie pop, slow tempo, emotional restraint, clean guitar, gentle drums, intimate male vocal, reflective and nostalgic, storytelling focus

Vocal-led song with fast, restrained delivery inspired by 90’s East Coast hip hop, BPM slightly increased to enhance flow and forward motion, not emotion, Vocal performance is dry, controlled, and rhythm-focused, closer to spoken rap than singing, No belting, no melodic hooks, no heroic tone, Delivery is steady, observant, and detached, Lyrics come from the perspective of someone standing behind the spotlight — functional, watchful, non-confessional, The voice keeps moving forward because stopping is not an option, Traditional Chinese instruments (guzheng, bamboo flute, erhu) use short, repetitive, non-ornamental motifs, locked tightly to the rhythm and supporting the vocal, Rhythm follows classic 90’s East Coast style: dry minimal drums, firm kicks, restrained hi-hats, straight head-nod groove, controlled low bass, Structure avoids pop escalation or emotional payoff, Intensity comes from repetition and persistence, Atmosphere is cold, indifferent, survival-focused

Chinese Opera / Traditional Chinese / Huangmei Opera, Chinese traditional duet Style: Traditional Chinese opera, emotionally rich duet, male and female vocal parts, slow tempo Emotion: Tender and restrained love, bittersweet farewell Lyrics Language: Traditional Chinese Instruments: Erhu, Pipa, gentle percussion instruments, ‑noise

[Slow-Mid Tempo × Addictive Post-Punk × Atmospheric Post-Rock × Wild Blues Rock × Industrial Post-Metal × Cinematic Post-EDM × UKG × Urban × Arena Rock × Futuristic Synth Opera × Cathedral Ambient Opera × Post-Gregorian Ritual × Orchestral Gothic Tragedy × Grainy Texture × SideChain] [Professional Mastering: Hi-Res, Vocal-forward mix with crystal-clear presence, multi-band compression focusing on 2-5kHz vocal clarity, de-esser on harsh sibilants, stereo width control keeping vocals centered, parallel compression for punch without mud, high-frequency air boost at 12kHz+, surgical EQ notches removing muddy frequencies at 200-400Hz, vocal rides ensuring consistent presence, sidechain compression ducking instrumentals during vocal passages, maximizer at -0, 3dB with transparent limiting, analog tape emulation for warmth without losing definition] Clear Spoken, Emotional, Addictive Voice, Build Hyper Tension, Mandarin, Wide Stereo, Highest Audio Quality, Hi-Res, mastering

Chinese dream pop / lo-fi psychedelic / indie R&B, ~80 BPM (78–82), key D minor, misty spacious floating vibe, Soft airy MALE vocal in Mandarin, single male singer only, NO female vocals, Half spoken, half sung, mid–low range, intimate, like quietly talking to an ancient painting scroll, Mood: psychedelic, nostalgic, slightly uneasy, lucid-dream-like, slowly addictive, Lyrics about a mystical scroll, ink, wind-blown sand, lantern riddles, looping time, people walking and casually drawing, blurring dream/wake, memory/regret, Lo-fi trip-hop drums with vinyl noise, warm sub bass long notes, reverb-soaked clean guitar arpeggios, dreamy pads, subtle reverse FX, glitches and tape stops, Short atmospheric intro, rising pre-chorus, more melodic hooky chorus, dreamy bridge with lighter beat, mantra-like fading outro, Smooth reverb, light slap delay, occasional MALE harmonies only, No EDM drops or rock energy; keep it chill, hypnotic, airy

Warm Taiwanese Mandopop duet, light pop with playful humor and emotional warmth, Mid-tempo 90 BPM, major key, Male & female vocals with natural conversational singing, intimate and realistic tone, slight teasing in verses, brighter and catchy chorus, soft affectionate ending, Simple memorable melody, strong sing-along chorus hook, Arrangement starts with sigh-like piano and acoustic guitar, minimal verses, gentle bass and light percussion in chorus, cozy living-room night vibe, Emotional arc from bickering to reconciliation, smiling warmth, comforting and relatable, radio-friendly and repeatable, ‑Cantonese, ‑Hong Kong accent, ‑regional dialect intonation, ‑pitch bending, ‑rising tail tones, ‑theatrical speech, ‑nasal tone, ‑falsetto, ‑breathy voice, ‑whispering, ‑shouting, ‑unnatural pitch jumps, ‑robotic voice, ‑unnatural autotune, ‑excessive reverb, ‑overly bright pop mix, ‑high-pitched male voice, ‑exaggerated vibrato, ‑cartoon-like voices, ‑chipmunk effects, ‑ultrasonic effects, ‑Strictly Prohibited: Chanting, ‑humming, ‑"ah~ oh~ mm~ low hum, ‑" any vocalizations in the intro, ‑meaningless trailing tones, ‑random screaming, ‑roaring, ‑or wailing, ‑Requirements: Intro must be **instrumental only** (no vocals of any kind), ‑Spoken word must sound natural and conversational, ‑without sudden emotional outbursts, ‑yelling, ‑or unnatural shouts, ‑Singing must use chest resonance and natural studio vocal tone, ‑with no artificial vibrato, ‑no breathy effects, ‑and no overly digitalized sound details, ‑Cantonese, ‑Hong Kong, ‑local voice patterns, ‑pitch bending, ‑rising tailing, ‑dramatic intonation, ‑nasal sounds

A comedic high-energy anthem in Chinese (Mandarin vocal) with strong meme humor and theatrical vibes, Music style fusion: Balkan Brass festival + Ska Punk bounce + 8-bit Chiptune fun + Arabic / Middle Eastern rhythms + IDM elements (smart glitch beats, playful electronic textures, experimental but groovy), Fast tempo, danceable, chaotic but epic and majestic in a funny way, Bright powerful brass leads, punchy ska guitar rhythm, energetic drums, Arabic percussion groove, IDM glitch percussive layers, and catchy 8-bit synth hooks, Very catchy repeating chorus in Chinese, with strong rhythm chanting and comedic attitude, The chorus must evolve progressively: Chorus 1 → light, playful, catchy Chorus 2 → bigger brass, more intense, stronger groove Chorus 3 → full insane carnival chaos, epic festival explosion Tone: joyful chaos, absurd but confident, “sacred stupid ritual” energy, Very memorable hook, fun sounds, comedic spirit, uplifting and unforgettable

Mandopop, Detuned Broken Music Box, Toy Piano, Glitch Textures, Lo-fi, Bitpop, Heavy Bass, Trap Beat, High-pitched Sweet Vocals, Psychological Horror, Creepy Cute, Dissonance

Chinese wuxia, modern rock, epic, cinematic, intense, dark, heroic

Indian-inspired electronic dance track, energetic and uplifting mood, fast driving beat, heavy tabla and dhol style percussion blended with electronic drums, beatbox vocal percussion, chant-like vocal hooks, modern EDM bass, rich and colorful mix, festival-ready energy, motivational and youthful atmosphere, dynamic build-ups and drops

Experimental A Cappella Drum & Bass, Fast beatbox-driven track, High tempo 165–170 BPM, Human voice only, no instruments, Technical vocal percussion, Inward bass, lip rolls, click patterns, Cowbell-like mouth clicks, Glitchy vocal stutters, stop-and-go rhythm, Cute but chaotic energy, Playful, absurd, catchy, Minimal English vocal sounds only (tick, snap, drop), Chinese lyrics as main hook, Short-form structure, Strong repetition, Total length under 2 minutes

[Hi-Res], Chinese pop emotional power ballad with a slow-to-mid tempo, featuring a vocal performance that builds from restrained intimacy to full emotional release, Female or androgynous high-register vocal with a wide range, warm and close low-mid tones with airy breathiness, and clear, piercing high notes, Verses are sung softly with controlled breath and emotional restraint, staying close to the microphone, Pre-chorus gradually increases intensity and tension, Chorus opens fully with powerful high notes, strong emotional projection, audible vibrato, and slight edge or grit near controlled breakup, Bridge pulls back into a fragile, almost breaking delivery, Final chorus reaches emotional peak before gently resolving into a soft, exhausted ending, Overall tone is raw, vulnerable, and resolute, capturing the feeling of long-held emotions finally spilling over in a single release

style: J-Pop × Indie Rock × Lo-fi, Neo Soul, Future Garage Instruments:cajon drum, violin, minimal synths Arrangement: chop beats, chill funk, String swells, acapella Chorus, twisted into a dark, smooth runs and ad-libs Mood: Deluxe, Shadowy Mist, Dreamlike and Dark, vitality, Unfamiliar and confused Sound palette:layered harmonies, studio-quality vocals, wide stereo

Chinese lyrics (Simplified Chinese), Japanese V-Rock / Cinematic Alternative Rock, Female vocal, emotional and powerful, Tempo around 160 BPM, Theme: anxiety is not an enemy, but proof of being alive, Life is full of loss, risk, fear, and choice, Clean guitar arpeggios in the intro, Verses are tense and restrained, Pre-chorus builds pressure, Chorus is explosive with distorted guitars, Rap section is cold and edgy, Guitar solo is emotional and melodic, Final chorus is the peak, Ending fades out quietly

High-energy Chiptune & UK Garage Hybrid, 142 BPM, 2-step shuffled groove, Heavy syncopated sub-bass, crisp organic percussion mixed with TR-808 snares, Dominant Retro Game Aesthetic: 8-bit pulse wave leads, Nintendo-style triangle wave bass, rapid arpeggiated FM synths, Atmospheric digital glitches, pixelated soundscapes, Male-Female playful duet, rapid-fire rhythmic sing-rapping, high-pitched female "kawaii" vocal texture vs cool urban male flow, Festive retro elements: 16-bit orchestral hits, shimmering digital bells, arcade sound effects like coin inserts, jumps, and level-clear jingles, High-fidelity urban pop production, wide stereo imaging, vibrant and celebratory New Year's vibe, SKA Wind × K-pop × J-pop Fusion

A melancholic Chinese folk ballad in a minor key, featuring a female lead vocalist with a clear, expressive voice and a male vocalist providing harmonies and occasional lead lines, The instrumentation includes a plucked string instrument, likely a guzheng or pipa, playing arpeggiated melodies and counter-melodies, a piano providing chordal accompaniment and melodic fills, and a string section adding lush, sustained harmonies, Percussion is minimal, primarily consisting of soft, sustained cymbal swells and occasional light taps, emphasizing the emotional depth rather than rhythmic drive, The song structure follows a traditional verse-chorus format with an instrumental interlude, The production is clean and spacious, allowing each instrument to breathe, with a focus on vocal clarity and a warm, slightly reverbed soundscape, The tempo is slow and deliberate, enhancing the reflective mood

Eclectic Pop, Glitch Pop, K-pop Rap, J-pop Melody, Mandopop, Multilingual, Funk guitar, Heavy Bass, Synthesizer, Dynamic changes, playful male and female duet, futuristic, energetic, kawaii, emotional bridge, dramatic, cinematic

Anime Movie Theme × Experimental J-Pop × Electro Swing × Progressive Pop, opera, chaotic, playful, dramatic, emotionally unstable, frequent tempo and mood shifts, cute madness mixed with dark humor, high-energy but theatrical, unexpected key changes, anime-style exaggeration Tempo & Structure: Multi-tempo composition: Intro: Free tempo drum solo Verse A: ~95 BPM playful groove Verse B: ~120 BPM manic bounce Chorus: ~140 BPM explosive anime hook Bridge: tempo drops suddenly (60–70 BPM) Final Chorus: fast and triumphant (~150 BPM)

Black Metal fused with Soul and Gospel, Male Lead Vocals, Features: Aggressive tremolo picking, thunderous blast beats, rapid double-kick drumming, Contrasts: Warm Hammond B3 organ, lush soulful gospel choir, deep bluesy basslines, Vocal dynamics: Transition from raw agonizing shrieks (suffering) to soaring soulful belting (liberation), Atmosphere: Intense, dark, spiritual, transcendent

Upbeat and melancholic songs, guitar accoustic, electronic keyboard

[Is_MAX_MODE: MAX] [QUALITY: MAX] genre: "witch house, dark electronic heavy bass, distorted occult cold atmosphere, pitch-shifted gothic layers, city pop retro synth bright ironic accents, dream pop ethereal sweet vocals over darkness" style tags: "female vocal sweet breathy cute struggling over dominant dark heavy production, witch house distorted bass foundation crushing oppressive, city pop bright moments ironic surface accents only, sub-bass heavy dark rumble primary, hook '对你笑 对你笑' sweet over crushing darkness 6x, 88 BPM dark groove bright accents, D minor cold dominant, sweet facade over desperate wild darkness, imbalance ratio: 40% witch house 30% city pop accents 30% dream pop" recording: "sweet vocals fighting heavy dark mix, dark production dominant, bright accents occasional ironic"

Hyper-Folk, Folktronica, Acoustic Guitar, Digital Glitch, Stutter Effects, Heavy Auto-tune, Emotional, Intimate, Experimental, IDM Beats, Melancholic, 85 bpm

[Grand Piano, String Quartet] [IDM], [Glitch Electronics], [Minimalist Jazz], [Minimalis Electronics], [Atmospheric, Introspective] [Cinematic Drones], [Glitchy Surgical sound effects], [Reverse sounds] [STRUCTURE: Build-Up, Cinematic Rise, Beat Drop, Tempo Push, Tempo Drop, Breakdown Section, Sudden Break, Double-Time Switch, Rhythmic Collapse, Outro Fade To Noise] [Engineering/Mixing: Loud, Punchy, Wide Stereo, Deep Sub, Crisp Highs, High THD, Focus on Deep Low-End, perfect instrumental placement, Analog Warmth/Tape Saturation, Vocals Center-Panned (Mono-compatibility), Clean Signal Chain, immersive 3D]

militaristic chaos-driven boom-drill rhythm, trap foundation, aggressive marching snare patterns, distorted 808 heavy hits, manic neurotic rap flow, high-speed rap delivery, opera soprano lead (dramatic vibrato, cathedral-like reverb), anthemic high-pitched group chant hook, brass ensemble accents (trumpet stabs), oboe dissonant counter-melodies, war-like intensity, dark cinematic pressure, explosive dynamic transitions, tight percussive layering, hyper-energetic battlefield atmosphere, unstable emotional tension, violent rhythmic drive, epic chorus lift, hybrid operatic-drill fusion, maximalist sound design

young, 1980's, Majestic, Piano, Violin, Guzheng, depressed

dub, epic black metal x violin solo high energy workout & black rock, female voice, powerful shamanic drumming, Didgeridoo and deep chants, deep trance and 432Hz frequencies

Taiwanese Hokkien folk love song with light retro disco color and very subtle modern house pulse, Mood: shy, romantic, nostalgic, warm and bittersweet — like a first dance remembered years later, Slow dance feel, gentle pulse around 112–116 BPM, No aggressive drums, Very soft kick or hand-percussion only, sometimes no drums, Main focus on melody and emotion, Pentatonic folk melody with Yunnan folk influence, Hulusi or ethnic flute–like synth, acoustic guitar, soft strings, warm pad, Disco elements are minimal: gentle bass movement, faint rhythm guitar texture, never dominant, Structure flows naturally: Verse intimate and folk-driven, Chorus slightly lifts but stays gentle, Bridge almost drum-less, emotional folk lead, Visual Chorus feels dreamy, slow-motion memory, Male Taiwanese Hokkien vocal, sincere, close, storytelling, Vocal always front and center, Overall feeling: quiet dance in a small hall, soft lights, hearts beating louder than the music

Male solo vocal, A Taiwanese neo-soul and lo-fi hip-hop style meets Rap, mellow and groovy beats with smooth Rhodes electric piano, warm bassline, laid-back drums with soft hi-hats, melancholic atmosphere, lyrics with self-deprecating humor and sadness, emotional rap delivery with soulful melodic phrases, moody synth pads, reflective and bittersweet mood, combining introspective rap with neo soul vibes

experimental and aggressive, industrial tinged, lush chords, dynamic shifts between soft and heavy sections, ominous ambience

Style / Genre Chinese emotional piano-driven art pop / restrained cinematic build / fragile dark pop Tempo ~72 BPM (slow, deliberate, breathing space) Vocals Female, intimate, soft, slightly trembling Early: whisper-like, fragile Mid: tension rising, weight without power Chorus: open, honest, emotionally raw Occasional layered vocals, like inner voices converging Arrangement Sparse piano → low strings/pads → minimal percussion → layered vocals Silence and space are part of the emotional texture No traditional climax; tension through layering Atmosphere Midnight city, quiet, introspective Endurance, reflection, subtle defiance Theme / Narrative Entering a new year exhausted but present Acknowledging struggle, accepting uncertainty Persistence and expression as quiet courage

Inspirational Country Rock Anthem - A majestic fusion of Chinese traditional instruments (guqin, erhu, dizi, xiao) and cinematic folk, Begins intimately with warm nylon-string guitar and guqin melodies, Verses feature emotionally trembling falsetto vocals (Taiwanese/Mandarin) with shakuhachi and ethereal strings, Choruses expand with deep taiko drums, soaring erhu leads, and harmonized choir vocals enriched by shamisen textures, Structure flows from contemplative verses to anthem choruses, featuring a serene voice/guqin breakdown before building to an epic finale with driving acoustic guitar, full orchestral swells, and stacked harmonies, Mood: poetic, uplifting, spiritual - evoking "raising a cup to the world, " Tempo builds from 70 to 90 BPM, HI-RES, cinematic sound with expansive reverb

女声, 撕裂嘶吼, 电吉他, 情绪层层递进, 结尾失真重低音, cinematic, emotional, intense, Chinese traditional elements mixed with post-rock

Temporal Dream Bass × Ancient Motif, This song features a modern, avant-garde rhythm section, while taking inspiration from traditional Chinese melodies, Deep sub-bass creates the rhythm in place of drums, expressing the worldview of "Zhuang Zhou Dream Butterfly" with a dreamy sound, Despite the deep effect, the sound is clear and not muffled, and short words are sung clearly and slowly within the minimalist melody, BPM:90-110 fluctuation, Clear Female Voice

Mandarin pop, warm and emotional male vocal, mid-tempo ballad, gentle piano intro, soft drums building gradually, modern pop arrangement with subtle K-pop drama feeling, emotional build-up, uplifting but mature, inspirational, hopeful, sincere, clear verse-chorus structure, long song over 3 minutes

“An electronic synth-pop track, mid-tempo 120 BPM, steady four-on-the-floor beat with snare/clap, hi-hat groove, bright neon synth lead and airy pad, light bass line, retro-futuristic night-city vibe, drifting car on neon highway, shimmering pads and subtle reverb, evokes speed, freedom, neon lights, upbeat but not over-the-top EDM, ”

folk rock, Prominent Cello, Acoustic Guitar, Indie/Lo-fi vibe, Deep Male Vocals

Upbeat mariachi-pop with bright trumpets, nylon-string guitar, and snappy percussion, Male vocals, playful delivery; verses bounce in a mid-tempo groove, chorus explodes with gang shouts and call-and-response, Accordion doubles the hook; brief horn break before the final chorus, big group chant at the end, mariachi