和ロック其の三

Shamisen lead, Japanese Traditional fusion, Female Vocals, Distorted Electric Guitar, High-energy Girl Band, Aggressive Drums, Emotional and Sentimental, Sharp and Dynamic, A raw and energetic pub rock song with tight rhythm, punchy drums, groovy bass, sharp guitar riffs, and shamisen leads, Clean electric guitars with a slight overdrive, fast-paced and driving beat, and gritty, soulful vocals, Minimalistic production with a live, in-your-face feel and a rebellious attitude

Traditional Japanese instruments are essential and must not be omitted, Genre: Japanese Hip Hop Style: Pop-leaning, groove-oriented hip hop Tempo: 94 BPM Key: Minor key Vocal: Female vocal only, all Japanese rap and sung chorus Instrumentation (must be clearly audible): - Hip hop drum beat as the core groove - Warm bass line - Koto playing rhythmic riffs and chord stabs - Taiko drums adding strong low-end accents - Kotsuzumi providing sharp rhythmic hits and fills Structure: Hip hop intro → rap verse → melodic pre-chorus → catchy chorus → rap verse → chorus → short break → final chorus Mood: Stylish, playful, relaxed, Japanese spring atmosphere RIP SLYME inspired light and bouncy groove, laid-back and playful Japanese rap delivery, not aggressive, not hardcore, koto used rhythmically like a funk guitar, taiko layered with the kick to reinforce groove, kotsuzumi replacing snare-like accents, traditional Japanese instruments featured prominently, urban but distinctly Japanese hip ho

The song opens with airy wind, bamboo flute, pipa, and lush synth pads, gradually layering in orchestral strings and global percussion—taiko, djembe, hand drums—over ethereal vocals, Majestic choruses explode with choral voices, sweeping strings, electric guitar, powerful rock drums, tin whistle, bagpipes, and soaring violin, Nature sounds accent select passages, The climax bursts with high-energy j-rock groove, folk melodies, and dramatic anime battle motifs, then resolves into a peaceful, ambient outro

Extreme Avant-Garde Wagakki Metal, Hyper-Aggressive Tsugaru Shamisen Shredding Solo, Manic Speed-picking, Distorted Shamisen core, Chaotic Wadaiko Polyrythms, 175 BPM Swing-Metal, 90s Shibuya-kei madness meets Traditional Kabuki Nightmare, Screaming Shakuhachi, Cacophony of Japanese Instruments, Emotional High-pitched Nasal Female Vocals, Mastering: 2025 TikTok/Billboard J-Pop loudness champion – Integrated -7, 9 LUFS, TruePeak -0, 1dB, Aggressive Donshari, Sub-harmonic Taiko boost, Final soft-clipper, Maximum Waveform Density, Zero audible distortion, Crystal yet Crushing soundstage, ‑No Piano, ‑No Electric Guitar, ‑No Synthesizer, ‑No Brass Section, ‑No Wood Bass, ‑No Drum Kit, ‑No Western Instruments, ‑No EDM elements, ‑No Orchestra, ‑No Straight Beat, ‑No Pop production, ‑No Soft acoustic guitar, ‑No Jazz Piano, ‑No Chill-out

[Fast Tsugaru Shamisen Rock, Technical Wa-Fusion, 176 BPM] [Instruments: Lead Tsugaru Shamisen (Aggressive Picking), Technical Slap Bass (Funky), Fast Breakbeat Drums, Koto (Arpeggio), Japanese Percussion] [Vocals: Youthful Male, Fresh, Clear High Tone, Fast Delivery, Prominent] [Structure: Shamisen Lead, Bass & Shamisen Unison, Fast Groove, No Electric Guitar]

japanese rock festival's song, Japanese traditional instruments, shakuhachi, shamisen rock, taiko drums, powerful bass, powerful drums, snare, hi-hat, deep bass, military song, march, rock anthem, guiter solo, sense of a strong wind, sense of high-speed running, anime song, idol pop, male handsome voice, beautiful harp, sound of bells, EDM, house, dancable, live feeling, studio-quality sound, healing, heavy and majestic orchestra, good huge symphony, like being inside a church, gospel, whistling, a development that never becomes boring, a structure with introduction, development, turn, and conclusion, female chorus, Chinese traditional instruments, erhu, key change, emotionally moving, powerful message, 希望の湧いてくるような, cool and powerful sound, bright, fun, リズミカル, ロックンロール, 和のテイストMAX

Female vocal: sharp, sultry, decadent, exaggerated vibrato, frequent kobushi turns, Rolled R consonants, sneering phrasing, playful sarcasm, Seductive, sarcastic, confident decadence, ‑guitar solo, ‑scream, ‑shout

Pipe organ Rock organ Organ Clear female vocal, Prominent bouncing hammond organ as the melodic and rhythmic lead, Sparkling glistening electric guitars with crisp shimmering tone, Warm rounded electric bass and simple tight drums, Subtle airy reverb on guitars and organ for a luminous spacious feel, Slight stereo panning of guitars and organ to create a wide open soundstage, Light room ambience on drums to keep them present but not overpowering, Moderately brisk, around 120–125 BPM, creating a lively yet unhurried groove, Luminous nostalgic slightly dreamlike and poetic wistfully bright indie-pop vibe, ‑Electric Guitar

1970s Dark Super Hero Anime Theme, Heavy Metal, Male operatic vocals, Dark and Epic, Distorted Bass, Church Organ, Fast Tempo, Gloomy yet Heroic

Genre: Cute Winter Indie Pop × Shibuya-kei-influenced Chamber Pop Mood: Soft, eerie, innocent, slightly unsettling, cold but gentle Theme: A childlike mind protecting itself from invisible danger, using something cute to survive fear and uncertainty Lyrics focus: Poetic and sensory, no clear story, cute words hiding quiet fear Instruments: Soft piano, muted electric guitar, warm bass, light brushed drums, subtle glockenspiel or music box tones No heavy synths, no distortion Vocals: Soft, close, intimate, slightly childlike Gentle and calm, not dramatic Almost whisper-like in verses, warmer in chorus Structure: Verse → Pre-chorus → Chorus → Bridge → Final Chorus → Outro Chorus is catchy and fragile like a nursery rhyme Bridge feels dark and inside the helmet Final chorus same melody, emotionally heavier Outro soft, lonely, fading away Production: Warm but cold-feeling, wide and dreamy, cute yet unsettling, no dramatic ending

Create a gentle alternative rock song with an acoustic pop foundation and subtle Japanese kayokyoku earthiness, The main instrument is acoustic guitar, warm and steady, supported by light electric guitar, simple bass, and restrained drums, The arrangement should feel organic and slightly rough, never glossy, The mood starts introspective and emotionally heavy, then gradually opens toward hope and determination, It should feel like bottled-up emotions slowly turning into resolve, No aggression or shouting—only contained fighting spirit, Tempo is mid-tempo and human, In the chorus, lift emotion by one step only: slightly fuller instrumentation and stronger vocal presence, still controlled and gentle, Avoid explosive peaks, Vocal is a young male singer with a soft, clear, sincere voice, Singing style is emotional but restrained, No shouts or harsh delivery

Japanese Wa-Rock / Wa-Metal, BPM 160, Length ~3:10 (under 3:30), Dark, ceremonial battlefield mood inspired by ancient Japanese ritual music, Sound: Shamisen is the dominant lead motif, Taiko is the rhythmic core; modern drums lightly reinforce with double-kick, Distorted guitars are wide and restrained; heavy bass follows taiko, Bridge: shakuhachi alone (airy, solemn) → drum roll → full band, Intro/Outro: wind, metal, hoof, engine SFX with ritual tone, Vocals: Male lead only, Aggressive shout/growl, chant-like, short percussive phrases, Japanese lyrics only, Very short shouts allowed (“Ha!”, “Namu!”), Female: Extremely quiet whisper/Buddhist-style chant, texture only, No lead, no harmony, no call-and-response, Only low unison on chorus hook, far behind male, Rules / Avoid: Short lines; one line = one phrase; add <breath 0, 20–0, 35s>, Shamisen/taiko forward; male vocal front, No artist names, English, rap, EDM, pop drops, western-metal dominance, duets, heavy auto-tune

Pop Gothic Rock, Anime Opening Style, Tempo 110 BPM with strong sense of motion and lift, Bright and uplifting gothic rock with a soft romantic melancholy, Acoustic guitar leads the melody with sparkling, rhythmic strumming and arpeggios, Acoustic guitar shines warmly like light after rain, Electric guitar stays subtle in the background adding emotional harmonies and gentle riffs, Bouncy and dynamic drum groove with accented kicks and lively snare patterns, Groove feels elastic and forward-moving despite the slower tempo, Subtle gothic atmosphere using dark pads, bell-like synths, and faint choir textures, Transparent and clear male vocal, warm and youthful, Chorus features emotional layered backing vocals and harmonies that swell and lift the melody, Chorus feels cathartic and moving, like dancing freely in a rain-washed city, Overall mood: lively, hopeful, sparkling, emotional, and cinematic

a capella, Enka, Minyo, cinematic opera, symphonic rock, Gospel, Vocal performance, Vocal rock band, Japanese lyrics, Vocal performance, Vocal band An intense, fast-tempo (BPM 185) A Capella vocal piece rooted entirely in Japanese traditional frameworks, The composition is built on Yo-scale pitch logic and Minyo-derived melodic motion as its foundation, not as stylistic decoration, All sound is produced by human voices only, Rhythm is driven by beatbox and bass vocals functioning as Taiko-inspired pulse patterns, supported by chant-based call-and-response and deliberate use of Ma (silence) to create forward momentum without instruments, The female lead employs pronounced Enka-style Kobushi, rubato, and emotional phrasing in verses, evolving into powerful, chant-like Minyo melodies in the chorus, Group vocals emphasize ritualistic unison, shouted calls, and festival-style vocal energy, creating speed, nostalgia, and an unmistakable Wa identity without any instrumental simulation

Japanese rock with dark traditional atmosphere, math rock influenced complex rhythms, grunge rock low-mid heaviness and raw texture, female vocal, cool and restrained, no shouting, no aggressive belting, calm, sharp, emotionally controlled tone, taiko drums driving the rhythm, physical, grounded, ritual-like pulse, modern rock drum kit layered with taiko, technical and fluid guitars, odd-time riffs, sharp stops, dynamic contrasts, dark harmony and tense chord choices, guitar solo with wah pedal, expressive, emotional, cutting through tension, introspective, inner conflict theme, razor-sharp beauty, hesitation, and resolution, overall sound feels like a sharpened blade

Japanese Rock, Wa-Rock, Ritual Rock, Heavy Emotional Rock, Chant-Based Rock Instrumentation: Low-tuned electric guitars with long sustain and slow vibrato as the core, swaying, repeating guitar riffs, thick bass reinforcing the root, large taiko drums struck sparsely and powerfully, minimal acoustic drums supporting the taiko, shakuhachi used only as distant breath, low male chant vocals layered beneath the lead Rhythm: Slow to mid-tempo, ceremonial pulse, taiko hits treated as declarations, not rhythm fills, space and decay emphasized Mood: Ritualistic, grave, solemn, quietly powerful Vocal: Low-pitched mature male lead vocal, restrained, almost spoken, deep chant-style backing vocals with sustained vowels Production Notes: Taiko is the spine of the song, guitar provides continuous motion, chants and traditional elements stay low in the mix, silence between hits is part of the ritual

Female vocals, BPM 160, emotional Post-Punk track performed by a delinquent woman with a raw, defiant yet fragile voice, 6-second intro featuring shamisen and koto, dry and sharp plucked strings resonating like a live stage opening, Vocals start immediately after the intro, Fast, driving drums, punchy bass, distorted guitars with tension and urgency, Strong live atmosphere, slightly rough mix, crowd-like energy, imperfect but powerful performance, The mood blends rebellion, loneliness, and subtle humor, Clear chorus impact, Total length around 2 minutes 30 seconds, Genre focus strictly on Post-Punk and Emotional only

male vocals, 福耳詩音persona, PowerfulVoice, Acoustic, Japanese rock, shamisen, koto, taiko drums, energetic, melodic, dramatic, PowerfulSound＆DeepSound＆TechniquePlay, EnergySong, 和風rock, slowtempo〜uptempo, Explosive sound

female vocals, 言ノ葉花音persona, PowerfulVoice, piano, Japanese rock, shamisen, koto, taiko drums, energetic, melodic, dramatic, PowerfulSound＆DeepSound＆TechniquePlay, EnergySong, 和風emotionalrock, uptempo, Explosive sound

Japanese fusion rock, dark cinematic wafu rock, intense oriental rock soundtrack, melancholic yet fierce Eastern rock, shamisen aggressive electric guitar fusion, shakuhachi and shinobue soaring over heavy distorted power chords, sho and koto atmospheric pads, powerful taiko driving aggressive rhythm, hard rock drums with double bass, tense dramatic atmosphere, elegant yet brutal, sorrowful Japanese melody drifting with melancholy, dynamic shifts from quiet to explosive, epic orchestral swells with Japanese instruments, mid-up tempo 140-155 BPM, minor key, sharp guitar riffs with haunting Japanese winds, aggressive palm-muted chugs, soaring pentatonic leads in Japanese scale, dark cinematic production, reverb shamisen, crushing guitar tone, intense emotional tension, shadowy elegance with raw power, high-energy rock with prominent Japanese instrumentation

japanese swing, jazz, prog avant-garde jazz, dark jazz, world fusion rock, japanese jazz fusion, mid-tempo, 4/4 time signature, odd meter fills, taiko, shakuhachi, koto, rhodes piano, clean electric guitar, overdrive electric guitar, deep punchy drums, wide stereo mix, live band feel, call and response chants, warm front vocals, laid-back yet powerful groove

{ "//voice": "male Japanese vocal; verses plain, steady chest, low emotion, soft articulation, minimal vibrato; choruses powerful with projected chest and light grit; no whisper, no choir, no humming", "//sound": "Japanese Heavy Rock / Doom Groove, Em/92bpm, vintage fuzz guitars, analog saturation, tribal toms, minimal pads, slow doom riffs, sub-noise texture, La-Ha-H motif hits", "//guitar": "twin L/R fuzz leads, doom riffs, accent picking, Tsugaru-style wide bends, triplet picking, micro slides; two solos (main + long Tsugaru before bridge)", "//bass": "deep mono overdrive, tight low-end, warm sustain, slow slides", "//drum": "slow heavy rock beat, tribal toms, dry snare, roomy kick; no double-kick, no blast-beats", "//tone": "desolate, ritual, dusk, shrine decay, fractured air, hollow echo", "//theme": "La-Ha-H ritual: open → threshold → fall; echo-spirit pulling listener toward sub-noise layer" }, ‑humming, ‑whisper vocals, ‑gospel choir, ‑bright EDM synths, ‑blast beats, ‑double-kick

Furious Japanese rock fused with glitchy synths and taiko-driven percussion, female vocals cutting sharp over distorted guitars, Verses tight with staccato riffs and robotic vocal chops; chorus explodes with soaring melodies, layered shouts, and shimmering lead synths, Middle section dives into a half-time, cyber-ritual chant before slamming back into a double-time outro, female vocals

Visual kei Japanese rock, BPM 200, Intro REQUIRED: instrumental only — no vocals, ONLY cello, koto, and drums, NO guitars (electric/acoustic), NO bass, Cello and koto are equal co-leads (1:1 balance), both clearly audible, Cello: aggressive melodic leads + thick double-stops/chords, Koto: equally forward, fast rhythmic strumming-like picking + polyphonic harmony, Double-time feel: constant 16th-note drive, no halftime, no slowdowns, Drums are fast, tight, and driving, locked to the main riff, Vocals: clean and fully sung (visual-kei intensity), expressive vibrato, strong attack, long sustains, [powerful] lifts intensity (no shouting), [climax] maximum emotional peak with the longest sustained phrases, No speech, no narration, no half-sung lines, End with long sustained final vocal, No fade-out, ‑drums, ‑percussion, ‑taiko, ‑timpani, ‑piano, ‑keys, ‑keyboard, ‑synth, ‑pads, ‑guitar, ‑bass, ‑choir, ‑chorus, ‑backing vocals, ‑vocal harmony, ‑spoken, ‑talk, ‑narration, ‑rap, ‑ambient

Epic Japanese Rock ballad, Male Vocal, Shamisen and heavy drums, dramatic, melancholic, Cinematic

Wagakki Rock, Female Vocal, Fast-Paced, Traditional Japanese Instruments Emphasized, Heavy Guitar, Shamisen, Shakuhachi, Wadaiko Drums, Japanese Melodic Hard Rock, Dramatic, Intense, 160Bpm

Japanese post-hardcore rock inspired by 凛として時雨, 6/8 time signature, Very fast tempo around 185 BPM, Sharp and chaotic distorted guitar riffs, tight and aggressive drums, rapid snare patterns, emotional build-ups and sudden dynamic drops, Complex rhythm, edgy bass lines, high-speed clean guitar interludes, atmospheric reverb on clean guitar parts, Male falsetto-only vocal throughout the entire song, No chest voice, no mid-register vocals, Entire performance must stay in a high-register airy falsetto: thin, sharp, emotional, and intense, Exclude deep male voice and exclude low or mid vocal tones completely, Vocal style should resemble TK from 凛として時雨 but sung entirely in falsetto with piercing clarity, Overall mood: frantic, emotional, fragmented, dramatic tension and release, with a cinematic chaotic edge

A Japanese-style rock track inspired by the awakening of an ice-and-snow themed Eastern dragon tearing through a silver stormy night sky, featuring a cold, heavy low-end ice guitar with sharply distorted yet crystalline tone carving serpentine riffs, the picking precise and brittle like shattering icicles, drenched in deep delay and reverb to create a frozen, vast soundscape, while shamisen plays aggressive percussive riffs in tight unison with the guitar, koto performs rapid tremolo and dramatic glissandos to paint the flow of blizzards and the dragon’s flight path, shakuhachi resonates in the low register with breathy, trembling long tones evoking the dragon’s roar across the sky, taiko drums function as a massive, chest-hitting kick drum pulsing like a heartbeat beneath the song, a brief silence before the chorus freezes all sound for dramatic tension followed by an explosive full-band drop, featuring a cool yet powerful female vocal suitable for a fierce girls’ band, calm and restr

Japanese Rock, Wa-Rock, Male vocals, Powerful and dramatic, Heavy taiko drums, Shamisen riffs, Electric guitar fusion, Dark atmosphere, Yokai folklore theme, Forbidden boundary concept, Mysterious and ominous, Traditional meets modern, BPM 140, Epic and haunting, Ancestral wisdom theme, Supernatural tension

Nu metal × punk × Jungle × surreal cat horror × twisted groove 175–180 BPM; glitchy high-speed jungle breakbeats with heavy, downtuned nu-metal pulse and clear kick/snare dominance; mechanical 8-string bass with percussive, muted slap and sub-heavy nu-metal tone; downtuned distorted guitars, repetitive and hypnotic, wah used sparingly, hard-panned for spatial clarity; sirens, white noise, reversed fragments lurking in the background; androgynous male vocals shifting between whispered threats, rhythmic spoken lines, screams, manic falsetto, fragmented and reversed phrases; reverb and delay for depth without mud; constantly mutating rhythms with abrupt drops, half-time grooves, and tempo illusions; climax erupts into a crushing wall of distorted noise, collapsing into an eerie, solitary “meow”; chaotic, hallucinatory, feline omniscience, nu-metal weight with twisted funk residue, uncluttered, aggressive 3D spatial mix

[Genre] QLCORE × progressive rock × playful free jazz × emotional alternative rock × majestic classical music × playful experimental / avant-garde × artistic trance [Instruments: Taishogoto, Shamisen, Kokyu, Koto, Taiko, Shakuhachi, Synth, Keyboard, Use of any instruments other than those listed here is prohibited, ] [BPM] Slow to mid-tempo, flexible and breathing, [Style] Restrained and contemplative Japanese rock, Emotion unfolds through space and resonance rather than intensity, [Instruments] Traditional Japanese instruments blended with modern rock textures, Organic resonance and breath are prioritized over sharp attacks, [Mix] Wide, cold, and open soundstage, Depth-focused mix where silence and decay function as musical elements, [Vocals] Intimate male vocals, emotionally controlled, Melody is centered and interacts gently with instruments, [Mood] Cold moonlight, impermanence, quiet pain, and fragile hope, Warmth slowly emerging from stillness

Thrash Metal Like Syakuhachi (A Fusion Of Japanese Traditional Aesthetics, Baroque Structure, And Modern Thrash Metal), Oriental Female Vocal Only Background Ritual Shouts During The Climax, Concept: Shu–Ha–Ri (守破離), Form, Rupture, Transcendence, Structure: Verse 1 (Shu): Rigid, Restrained, Disciplined, Repetitive Low Guitar Riffs And Continuo-Like Bass That Never Stops, Inspired By Baroque Ostinato And Japanese “Kata”, Minimal Melody, Strong Sense Of Pressure And Endurance, Verse 2 + Bridge (Ha): The Form Begins To Crack, Rhythmic Displacement, Off-Beat Accents, Subtle Dissonance, Shakuhachi Enters As Breathy Tones And Piercing Ornaments, Like Baroque Embellishments Breaking The Symmetry, Tension Increases Without Emotional Release, Chorus (Ri): Full Breakthrough, All Instruments Unite In A Ceremonial Explosion, Taiko Drums Drive The Main Rhythm Together With Double-Kick Metal Drums, Background Male Voices Chant Only: “Shu! Ha! Ri!” Layered, Staggered, Ritualistic, Festi

Hard Wagakki-Rock, Overdriven Shamisen, Crisp Electric Guitar, Heavy Drumming, Power Chords, Punchy Bass, Polyrhythmic, Odd time signatures, Off-kilter beats, Weird rhythmic structures, Weird vocal expressions, Weird tonal shifts, Mocking human vocals, Scoffing tone, Sneering theatrical delivery, Derisive laughter, Sarcastic ad-libs, rhythmical, contemporary, experimental, 140BPM, skip

[Voice]Japanese male vocal, Edo dialect vibe (oira/anta), close-mic, low-mid grit, restrained, clear articulation, solo lead [Sound]Wa Doom Rock, Japanese doom rock, slow ritual pacing, subtle psychedelic haze, minor mode, thick low-end, studio dry, hi-res clean, not harsh [Band]3-piece only:guitar<->Tsugaru shamisen swap, bass, drums [Guitar]Down-tuned heavy riffs, slow bends, controlled feedback, shamisen-like slides and ornaments, mid-tempo phrasing [TsugaruShamisen]Solo spotlight, Tsugaru scales, percussive bachi attack, fast ornaments, position shifts [Bass]Round forward tone, locks with kick, long sustain, bass solo tone, no slap [Drums]Doom pocket, kick-snare weight, controlled cymbals, tom accents, clapper-like pulse feel [Mix]Dry room, low reverb, clear separation, tight low-end, controlled saturation [TOON]precision=high;section_lock=on;lead_priority=vocal;reverb=low;dynamic=restrained_peak;ending=instrumental_hush, ‑humming, ‑gospel choir, ‑heavy chorus, ‑harmony stacks, ‑vocal doubles, ‑background vocals, ‑adlibs, ‑trap hats, ‑EDM drops, ‑festival big-room, ‑excessive reverb, ‑dubstep wobble, ‑sax, ‑horns, ‑keys, ‑pads, ‑strings, ‑flute, ‑koto, ‑shakuhachi, ‑taiko, ‑fast shred guitar, ‑harsh distortion, ‑black metal screams, ‑simultaneous guitar and shamisen

rio core, Dark and tragic Japanese wa-rock, sorrowful soprano vocal with emotional intensity, Shamisen and taiko as core instruments, haunting shinobue flute melodies, Nighttime atmosphere, fear and loss, restrained chorus turning into emotional breakdown, Second chorus extended, fragmented phrasing, breathy and desperate delivery, Very minimal rock elements, cinematic and heavy silence between phrases

shamisen, syncopated rhythms, vibrant brass, danceable with shamisen; features shamisen solos, lively, dirty girl voice, duo chorus in playful punk rock, shamisen punk, playful, roc, instrumental is shamisen with shamisen Japanese, punk rock with shamisen Rock

Very quiet Japanese ambient rock with subtle shoegaze textures, slow tempo (65–75 BPM), Deeply calm, transparent night atmosphere, moonlight over a dark ocean, Soft but clear female vocal, gentle and controlled, lightly breathy, fully voiced, Verses remain extremely restrained and sparse, Choruses gently open in width and reverb without increasing energy, Final chorus opens one more step, wider and more luminous, still calm, Clean guitars with long reverb and delay throughout, subtle shoegaze shimmer only in choruses, Drums stay soft; bass sustains more in choruses, Subtle Japanese traditional textures (koto or shamisen-like plucked tones slightly more audible, occasional low taiko-like hits used very sparingly), blended into the same reverb space, never leading, Ethereal, cinematic, lonely, quiet despair, Not pop, not idol, not metal, not upbeat

Kawaii thrash metal with strong Japanese traditional rock influence, Female vocal, childlike cute female voice, very cute and innocent tone like a little girl, contrasted with aggressive thrash metal intensity, Japanese instruments are prominent and forward in the mix: taiko drums with powerful low-end impact, sharp shamisen riffs replacing rhythm guitars, high-pitched shinobue melodies cutting through the distortion, occasional koto accents for tension, Twin electric guitars with Tak Matsumoto–style effects: thick mid-focused distortion, expressive wah, sustain-heavy lead tones, tight synchronized riffs, Ultra-dry acoustic drums with punchy kicks and cracking snares, combined with precise digital beats and mechanical electronic percussion, Fast tempo, violent energy, cute yet brutal contrast, sharp transitions, rhythmic precision, and high-impact sound design, ‑Shout, ‑Dirty voice, ‑Aggressive vocal

style: Japanese Traditional × Celtic × Indie Rock, Eastern Fusion, High-Energy, hot-blood Arrangement: War Percussion, A Martial Soul Without Compassion, Strongly rousing harmonies, Strong rhythmic layering Mood: chants, ambient, epic, Deluxe, Crazy and Fearless Sound palette:layered harmonies, cinematic atmosphere, Delay, Hi-Res mastering, wide stereo

style: Neo Soul, soft rock × dream wave, Eastern Fusion, High-Energy, pulsating, Shakuhachi, mid night Arrangement: Vacuum-like background bass, sudden beat drops, Switch between fast and slow tempo changes, detached romanticism Mood: angel vocal, futuristic, Ethereal, Artistic, ambient, Space-like elegance, Hypnotic Flow Sound palette:cinematic atmosphere, reverberated, Delay, Hi-Res mastering, studio-quality vocals, wide stereo

cinematic japanese rock, dramatic and warlike atmosphere, taiko 16-beat and tsugaru shamisen main riff, crunch electric guitars, bass, drum kit, cinematic strings and brass accents, dynamic builds and climaxes, tension and relief structure female vocal, expressive vibrato, medium thickness, clean tone, emotional sustain, no husky growl Instruments: taiko, tsugaru shamisen, crunch guitars, bass, drum kit, strings, brass Mood: intense, tragic, heroic, violent, emotional, reflective Sections expected: intro (spoken), verse, pre-chorus, chorus, interlude, heavy rock section, climax, outro

[Vocal Style: Cute, high-pitched, Bright, high-pitched, high tone girl voice for, ] J-rock, j-pop, shamisen pop, wadaiko pop, led by traditional Japanese instruments, Hyper-pop J-game theme energy; racing shamisen runs over bright festival percussion and thundering taiko, side-chained synth bass pulsing with chiptune sparkles, japanese Female vocals, high and agile, tossing playful call-and-response chants; chorus explodes with stacked gang shouts and clap accents, Brief half-time break in the bridge, then double-speed finale that feels like a victory lap, no guitar, no drum;

High-energy futuristic anime opening, 155 BPM, Electronic rock fused with traditional Japanese instruments, Shamisen is the MAIN melodic instrument and must be clearly dominant, Shamisen plays lead riffs, hooks, and main melodies throughout the song, Shakuhachi features a solo section with breathy, expressive tone, Taiko drums support rhythm only and never overpower shamisen, Modern synths and guitars are secondary and supportive, Minor key with dramatic tension and forward momentum, Female vocal only, clear, emotional, determined, not childish, Dynamic buildup into an explosive chorus, Themes of time loop, repetition, choice, and breaking fate, Epic, fast, unstoppable, anime OP style

Create a catchy girls-style Japanese rock song with a powerful and stylish attitude, The mood is energetic, confident, and determined, with a subtle dramatic edge, Add a light Japanese flavor through melody or phrasing, while keeping the sound modern and rock-driven, Tempo is mid-to-up tempo, The arrangement is built on electric guitars, bass, and drums with a tight, driving groove, Use sharp guitar riffs and clear rhythmic accents, but avoid excessive distortion, Keep the arrangement clean so the vocal always stands clearly in front, The vocal is a strong female singer with a clear, expressive, and confident voice, No shouting or screaming, Singing should be powerful, controlled, and clean, with clear articulation, Top priority: All lyrics must be sung completely and accurately, Do not skip, shorten, repeat, or change any lyrics, Pronunciation must be precise, clear, and easy to understand, Use a full song structure with verse, chorus, and bridge, Target length is around 3 minutes

Glam Rock, Post-Grunge, Hard Rock, drum and bass club bangers, 90s vibrant bubblegum pop, high-energy, shamisen, tugaru jamisen, Boldly featuring the shamisen, Dramatic shamisen solo, expressive shamisen melodies, virtuoso shamisen performance, [Vocal] breathy female voice, listless voice, languid delivery, catchy chorus, catchy hook, falsetto vocal quirks, emotional female vocals, raw vocals, melisma, scat, ‑growl, ‑scream, ‑shout

Rock, 1-On-1 Duel, Extreme Dynamics, Silence And Action, Shamisen Lead, Staccato Koto, Epic Taiko, [vocal: female, cool, natural voice, whisper]

Suno v5で理想のStyleを作成するためのベストプラクティスを公式サイトや海外も含めたブログ, SNSの情報から学習してください, J-Pop, J-Rock, Girls Band, Fast Piano Rock, Upbeat Shuffle, Jazzy Chords, Energetic, City Pop, Emotional Female Vocals, Brass, Driving Bass