Happy- Party In My Living Room / Jack-Ashinaga Remix

genre: Extreme Experimental Hip Hop, P-FUNK subgenre: Brutalist Boom Bap, Tape-Damaged Funkcore, Gospel Dissonance Club gear: Roland SP-404MKII, Akai MPC1000, Elektron Digitakt, Moog Sub37, Akai S950, TR-909, TR-707, Tascam Portastudio, Circuit-Bent Cassette Deck, Ableton Live + Max for Live style: Abrasive intro with vocal stingers and cinematic voice samples, Distorted shout or ritual chant at the first bar, Voice-as-impact FX to trigger the groove, Chopped gospel cries layered over detuned funk guitar, Off-grid and unstable rhythms, Crushed tape textures, Sudden tempo collapses and ruptures, Vocal mangling with extreme distortion, Sub-bass drones with analog wobble, Club percussion clashing with broken structures, Relentless unpredictability and sonic tension

genre: Extreme Experimental Hip Hop, P-FUNK subgenre: Brutalist Boom Bap, Tape-Damaged Funkcore, Gospel Dissonance Club gear: Roland SP-404MKII, Akai MPC1000, Elektron Digitakt, Moog Sub37, Akai S950, TR-909, TR-707, Tascam Portastudio, Circuit-Bent Cassette Deck, Ableton Live + Max for Live style: Abrasive intro with vocal stingers and cinematic voice samples, Distorted shout or ritual chant at the first bar, Voice-as-impact FX to trigger the groove, Chopped gospel cries layered over detuned funk guitar, Off-grid and unstable rhythms, Crushed tape textures, Sudden tempo collapses and ruptures, Vocal mangling with extreme distortion, Sub-bass drones with analog wobble, Club percussion clashing with broken structures, Relentless unpredictability and sonic tension

genre: Extreme Experimental Hip Hop subgenre: Brutalist Boom Bap, Tape-Damaged Funkcore, Gospel Dissonance Club gear: Roland SP-404MKII, Akai MPC1000, Elektron Digitakt, Moog Sub37, Akai S950, TR-909, TR-707, Tascam Portastudio, Circuit-Bent Cassette Deck, Ableton Live + Max for Live style: Abrasive intro with vocal stingers and cinematic voice samples, Distorted shout or ritual chant at the first bar, Voice-as-impact FX to trigger the groove, Chopped gospel cries layered over detuned funk guitar, Off-grid and unstable rhythms, Crushed tape textures, Sudden tempo collapses and ruptures, Vocal mangling with extreme distortion, Sub-bass drones with analog wobble, Club percussion clashing with broken structures, Relentless unpredictability and sonic tension

genre: P-Funk Infused Experimental Hip Hop with Shibuya-kei Pop Sensibility subgenre: Brutalist Boom Bap, Moog Bass Partycore, Neo-Shibuya-kei Groove gear: Moog Sub37, Elektron Digitakt, Roland SP-404MKII, Akai MPC1000, TR-808, SP-1200, Akai S950, Korg MS-20, Tascam Portastudio, Ableton Live with vintage J-Pop sample pack style: Funky and colorful Moog basslines with musical phrasing, Chopped gospel vocals paired with sweet retro harmony layers, Off-grid party drums with jazzy swing, Filtered funk guitar and bright synth stabs, Groovy bass that bumps but doesn’t distort, Vocal cut-ups used as call-and-response hooks, Textures are dirty but playful, Sound design is raw but emotionally charming, A messy, happy, sweaty, stylish explosion

genre: Experimental Dub subgenre: Psychedelic Toasting, Possessed Sound System Sermon, Echo Chamber Funk style: A heavily dub-influenced performance delivered by an older, eccentric male voice—gravelly, theatrical, unpredictable, He mumbles, shouts, chants, and toasts like a prophet halfway between rum-fueled wisdom and full-blown hallucination, The voice is soaked in delay, spring reverb, and sudden tape stop FX, often repeating or warping mid-line ("Y’know—*Y’know?*—*Y’—know—, *"), The rhythm is slow but slippery, carried by wobbling sub-bass, skanking guitars, and dub sirens echoing into deep space, Organ stabs and filtered gospel choirs drift in and out like spiritual interference, Field recordings—lighters flicking, dogs howling, someone shouting "OY!" from a block away—haunt the background, The mix feels alive, unstable, and deeply possessed, like a lost transmission from a Jamaican basement 500 years into the future, delivered by a holy drunkard turned echo priest

genre: West Coast Hip Hop / P-Funk subgenre: Experimental Hip Hop, Gospel-infused Trap, Jazz Rap gear: Roland TR-808, sampled gospel choirs and church organs, analog synths, cinematic pads, funk wah guitar, SP-404, MPC, field recordings (e, g, 40oz pouring) style: A cosmic and confrontational fusion of West Coast Hip Hop and P-Funk, steeped in psychedelic soul and radical street gospel, Forged on the Roland TR-808, it hits with seismic sub-bass kicks, militant snares, and relentless hi-hats that grind like war drums, Funk wah guitars shriek and stab with electrified urgency, saturated in analog grit and soulful distortion, Gospel organs howl like street sermons while jazz-laced chords bend in dissonant rebellion, Cinematic pads and analog synths stretch the sonic space into warped dimensions, EDM drops and hardcore stabs crash in like chaos sirens, underscored by raw field recordings—40 oz pours, ambient street noise, ritualistic screams, In its peaks, choirs erupt in ecstatic release

genre: Dub subgenre: 70's funk chops, rap with call and response, dub-style groove, organ-driven funk, free-tempo rap, vocal chops

Genre: Glitch-hop / Mellow Electronic / P-FUNK Subgenre: Erotic Femininity / Lo-fi Soul / Jersey Chill Instruments & Gear: - Moog synth (warm bass, soft lead) - Rhodes MK-1 (jazzy chords) - TR-909 or flexible drums Effects: RC-20 (lo-fi), VintageVerb (space), Tape Delay (dreamy), Bitcrush Vocals: Breathy female whispers, formant-shifted, soft reverb/delay Style: Slow to mid-tempo track blending jazzy Rhodes, sensual Moog bass, and glitchy textures, Whispered feminine vocals float over Jersey-inspired grooves, Inspired by “Just the Two of Us, ” reimagined as mellow, dreamy, and intimate, Emotional melodies and elegant riffs create a still, immersive mood

genre: hip-hop, electronic-trap-hop, P-FUNK subgenre: laid-back drunk beats, shibuya-kei pop, crossover jazz, lo-fi, DJ style

genre: acid jazz, P-FUNK subgenre: glitch-hop, vaporwave, laid-back TR-909 groove, analog soul fusion, psychedelic funk instruments: Roland MC-8 sequencer loops, Prophet-5 synth chords, Moog IIIc analog bass (front-focused), Polymoog string pads, Roland VP-330 vocoder/choir textures, reactive funk-style basslines with tonal slaps, expressive slides, and avant-garde phrasing, hybrid rhythm section combining virtuosic live-style drumming with tricky rhythmic phrasing and subtle laid-back TR-909 textures style: chill and experimental atmosphere, extremely slow tempo (super slow BPM), laid-back analog groove with dragged swing feel, deep-pocket rhythmic pacing, vaporwave-inspired nostalgia, tasteful glitch processing (occasional cuts, stutters, and degraded transitions), sampled-style vocals using pitch-shifted and chopped fragments for rhythmic texture, analog tape-style dropouts, warm tape delay (Roland RE-201 style), tape stop effects, intentional space between phrases, overall