5:58

Acoustic grunge love ballad with raw 90s unplugged intimacy, Male vocal: close-mic, fragile, emotionally cracked, restrained but trembling, Guitars: acoustic strumming with occasional dirty electric swell in the chorus, Bass minimal, warm, heavy like a heartbeat, Drums sparse: soft kick, brushed snare, building only at peaks, Production: unpolished, room-like, vulnerable realism, Mood: feeling unlovable, never enough, love as conditional, fear of abandonment, Dynamic arc: quiet confession verses → aching chorus lift → bleak unresolved outro, Avoid pop sweetness, avoid glossy polish, keep it honest and bruised
4:30

Swing Sets
v5.5
bright emo pop punk, cinematic alternative rock, nostalgic playground atmosphere, airy falsetto male vocals, emotional chest-voice cracks, soft intimate verses expanding into explosive choruses, clean palm-muted guitars, shimmering clean leads, melodic bass locked gently to kick drum, delicate halftime bridge, distant swing-chain ambience, subtle playground SFX, warm tape hiss texture, slow emotional builds, layered harmonies, youthful nighttime melancholy, live-performance energy, emotionally vulnerable delivery, dynamic loud-soft contrast, glowing sunset atmosphere, restrained post-hardcore influence, soaring “whoa-oh” gang harmonies, soft distorted ambience in outro, dreamy but grounded production, bittersweet coming-of-age tone, subtle analog degradation, emotional realism over polish, ‑-screamo, ‑-metalcore breakdowns, ‑-trap drums, ‑-EDM drops, ‑-hyperpop glitches, ‑-robotic timing, ‑-overcompressed vocals, ‑-orchestral scoring, ‑-cinematic strings, ‑-overly polished pop sheen, ‑-chipmunk vocals, ‑-horror ambience, ‑-evil children laughter, ‑-creepy carnival sounds, ‑-jump scare effects, ‑-constant distortion, ‑-muddy mix, ‑-lofi muffled vocals, ‑-deep autotune artifacts, ‑-dubstep bass, ‑-harsh industrial percussion, ‑-anime opening energy, ‑-happy ukulele tone, ‑-comedic delivery, ‑-live performance, ‑-unplugged
4:28

Come What May
v4.5-all
post-britpop, guitar, orchestral strings, breathy male vocal, bass, drums, choir, 120 bpm, UK accent
4:08

RnB trio, dark wave, city 90 R\u0026B, romance hip hop, post-Motown, slut pop, Alt Rock, lofi, romantic, post-industrial, hard rock, futuristic, jungle drum, sensual upbeat, metalcore
5:28

Dark Pop/Trap/Djent/Minimal Techno with melancholic R&B edge: drop-tuned guitars balance clean arpeggios and jagged palm-muted chugs, layered with dark brooding synth pads, fretless bass, and half-time drums, Breathy r&b inspired vocals sit in lush harmony stacks, with glitch edits, detuned leads, and an unstable mix that feels ready to break
6:43

Emotional emo-punk with cinematic clarinet melodies, raw pop-punk energy, melancholic atmosphere, strained vulnerable male vocals, explosive dynamic shifts, layered gang vocals, distorted octave guitars, melodic bass movement, emotionally charged drumming, atmospheric room ambience, tape hiss textures, post-hardcore intensity, decaying emotional endings, intimate close-mic vocal presence, haunting instrumental transitions, bittersweet healing energy, ‑trap percussion, ‑electronic drops, ‑edm synth leads, ‑country elements, ‑happy ukulele tones, ‑funk groove, ‑polished arena rock sheen, ‑jazz swing rhythms, ‑metalcore screaming dominance, ‑hyperpop glitches, ‑orchestral bombast, ‑robotic vocal tuning
4:19

Don't Call My Name
v4.5-all
A UK Drum & Bass track featuring fast syncopated breakbeats, deep sub-bass, and lush pads, Ethereal synth textures weave through the mix, while sampled fragments add intricate layers, The female vocal floats above it all, highly processed with reverb and delays for a dreamy effect
3:44

A chaotic fusion of industrial noise, ambient cinematic and experimental post-hardcore with desperate, cracked male vocals that shift between raw shouting, breathless pleas; delivery is unstable, swinging from intimate whispers to overwhelming walls of voice, Instrumentation avoids traditional structure—metallic percussion, detuned guitar scrapes, bowed cymbals, and low-end drones replace riffs, while distant piano hits and sub pulses mimic a failing heartbeat, Tempo is fluid, drifting between slow collapse and sudden violent surges, The mix feels clinical yet surreal—clean but cold, like a hospital room dissolving into chaos, Arrangement is nonlinear, with sections bleeding into each other, abrupt dropouts, and moments where only breath and pulse remain, Features include vocal layering that builds into suffocating density, sudden silence cuts, and a final collapse into hollow, echoing space, pace and key changes to different time signatures litter the track, whispered ritual vibes
2:19

Modern UK rap stoner anthem with current chart-ready bounce, Clean trap drums, punchy kicks, crisp snares, rolling hi-hats, sliding 808 bass, Minimal dark melodic loop, modern spacious mix, Male UK vocal with Northern accent, confident and cheeky delivery, conversational but sharp, Funny, self-aware weed bars with light swearing woven naturally, Catchy melodic rap hook that feels smug, waved, and repeatable, Tight modern pockets, stop-start cadence, laid-back swagger, Feels current, playful, and effortless — funny but never goofy, modern UK energy throughout
3:29

Stranger Than Fiction
Custom
Opening musical introduction, Alt punk rock, alternative indie rock, theatrical breathy male vocal, theatrical, hip hop beat, jazz, r&b, backing vocals, clapping, choir, acoustic guitar
2:59

3:27

Crave
v5.5
[Top Prompt: Post hardcore with art punk edge and relentless rhythmic drive, Mood: volatile, confrontational, urgent, like barely contained energy spilling over, Lyrical Style: fragmented, metaphor-heavy, self-critical, rapid-fire phrasing with sharp, memorable lines, Recording style: tight live drums with constant fills and sudden stops, angular staccato guitars with sharp accents, driving bass that moves independently, dry upfront vocals shifting between spoken urgency and explosive shouts, minimal reverb, precise but chaotic feel, abrupt cut-offs and dynamic swings, raw but controlled intensity
4:02

Crazy Karens
v5.5
east coast polished pop punk, emo punk, goth rock, pop punk chugs, double kicking drums, bouncing bass, record scratch stop, vocal range flexibility, falsetto range vocals, crisp & clear vocals, studio HQ, studio SQ, ‑Distorted vocals, ‑distorted audio
5:18

ghost emo, orchestral, haunting echos on last words of lines, overall shadowy ambiance, vocals are airy and ethereal androgenous and floaty, slow bpm between 70-85, staccato cadence to deliver punctuation and drive home dramatic moments, cinematic studio quality, ghostly cello stabs and violin twings throughout the song, with a low haunting bassline, vocals are on the edge of breaking into screams but has full control and restraint, ambient and hallow feeling
cello feels almost angry, cello is constantly stabbing through the song always present in, cello is haunting and ghastly
3:37

Acoustic grunge trio with low-gain acoustic guitar, warm DI lows, tape saturation, and raw home-recording intimacy, Raspy, chest-registered, female vocals that's a smoker, stays centered and dry in a mid-forward mix, singer/songwriter acoustic arrangement builds from restrained vulnerable verse to cathartic chorus with two female vocalists in the background harmonizing vocals, with grainy mids, controlled low-end warmth, and a subtle dynamic lift, ‑crowd noise, ‑lo-fi, ‑robotic quantization, ‑artifacts, ‑phase smearing, ‑excessive width causing smear, ‑chorus/phasing artifacts that blur clarity, ‑harsh treble, ‑frequency masking, ‑distortion artifacts
3:14

Rock Box
v4.5-all
Upbeat and energetic indie post brit-pop-rock track with a strong rock influence, characterized by a driving 4/4 drum beat at 125 BPM, The arrangement features a prominent, syncopated electric bassline and keyboard, clean and rhythmic rock-style electric guitar scratching, and bright, punchy brass stabs, A distorted, electric guitar solo appears during the bridge, The male lead vocals are expressive and melodic, utilizing occasional falsetto and rhythmic delivery, The song structure follows a standard verse-chorus-verse-chorus-solo-chorus format, with a high-energy production style featuring crisp percussion and a wide stereo field
3:52

Transformation
Studio
Female-led emotional rock with a post-grunge edge, Haunting melodic acoustic guitar drives the song, slightly dark tone with reverb, carrying the verses and intro, Spoken intro close-mic
3:54

5:54

5:16

4:21

Female-fronted 90s Seattle grunge, gritty raspy vocal with emotional strain and slight vocal distortion, smoky lower register in verses, explosive cracked high notes in choruses, heavy fuzzed-out distorted guitars, thick midrange tone, live drums with aggressive snare and roomy reverb, dark melodic bassline with slight funk groove, raw imperfect mix, subtle amp feedback and tape hiss textures, strong quiet-loud dynamics, 94 BPM, emotionally unfiltered, no glossy pop production, hard stop ending around four minutes, ‑Any length over 6:00
3:46

Bye-Bye
Custom
Alt punk rock, indie rock, theatrical breathy male vocal, theatrical, r&b
3:51

Zozzlin'
v5
Distorted pedal-tone bass, reese layers, tremolo-picked guitars, double-kick drums, FM screech leads, metallic hits, glitch percussion, upright jazz bass, brushed kit, electric piano, tape hiss textures | aggrotech, speed metal, industrial bass, dark jazz | aggressive, chaotic, arcade-demonic intensity, tense → smoky → violent | instrumental leads mimicking vocals: pitch-bent synth screams, guitar divebomb phrasing, MIDI-like stabs | hybrid production: lo-fi MIDI grit fused with high-gain saturation, abrupt genre cuts, tape warmth vs distortion collapse, ‑vocals
5:22

under the weight
v5.5
Atmospheric cinematic metalcore pushed into near-deathcore heaviness, fragile melodic vocals over catastrophic instrumentation, restrained breath-laced verses exploding into massive sustained cleans, layered desperation, rare guttural outbursts used like emotional collapse points, Intro begins with haunting clean guitars, shimmer reverb, reverse delay swells, distant feedback drones, slowly tightening tension before violent impact, Heavy sections detonate into ultra down-tuned 7–8 string guitars, brutal high-gain saturation, chainsaw midrange grind, crushing low-end resonance, relentless palm-muted chugs, dissonant harmonics, syncopated riffs, enormous stereo guitar walls, Distorted sub-heavy bass fused into the guitars, Drums absurdly physical, earthquake kicks, machine-gun double bass, explosive snare cannons, gigantic tom bombardment, cymbal wash, crushing halftime breakdowns, Mix dark, oppressive, over-compressed, nonstop impact, massive feedback tails, emotionally annihilating
4:17

Save Me a Seat
v5.5
Tired alt-pop / melodic hip-hop crossover, about 82-86 BPM halftime feel, Calm spoken-sung male vocal with soft melody, slow legato phrasing, weary intimate tone, no fast rap, no rapid-fire delivery, no double-time verse flow, Verses should feel sung under the breath, relaxed and spacious, with natural pauses between lines, Slight lift in the chorus, still sung and controlled, not aggressive, Moody piano, warm sub bass, crisp but restrained drums, muted electric guitar pulses, dusty organ texture, low cello/viola drones after first chorus, subtle plucked music-box or kalimba notes in the background, Chorus widens with stacked low harmonies, soft string lift, vocal chops bouncing L/R, fuller bass and drums, Dark, raw, exhausted, cynical, catchy, emotional, not happy
3:34

A orchestral haunting industrial hybrid combining cinematic brass/strings with industrial guitars and dark synths, The female vocalist delivers a raspy, emotionally volatile performance with a raw accent and breath-filled phrasing, The mix retains room and imperfection, emphasizing grit over gloss, tension over comfort, and dramatic shifts between brooding and explosive, Dafür, ‑sterile digital drums no bleed, ‑auto-tuned perfect vocal pitch
4:38

4:30

Breathe With Me
v5.5
Deep hypnotic house track with a warm rolling bassline, swinging 4/4 kick, crisp hi-hats and shuffling congas, Lush jazz-inflected Rhodes chords shimmer and breathe in the pocket, giving the groove an organic tribal pulse, A sultry, breathy female voice floats over the track — sensual and meditative, half-sung half-spoken, with hypnotic repetition like a midnight invocation, Backing vocal layers echo and answer her in smoky harmony, The arrangement builds slowly, elements filtering in and out — classic deep house tension and release, Sparse but full, Minimal but emotional, Influences: deep tribal house, late-90s NYC underground, Latin percussion, soulful garage, Mood: midnight, smoky, spiritual, euphoric
4:11

Electronicore/metalcore with a hardstyle build and reggae breakdown, 160 bpm, sidechained supersaw leads, and a bassline that carries the melody over screaming breakdowns, Drop-tuned palm-muted guitars, syncopated double-kick, snare fills, gritty synth stabs, risers, and wide auto-tuned vocal layers floating above the mix



















