Fallout 4 Playlist

Retro 40s swing with a dusty radio tone, male vocals, Tight rhythm section with upright bass walking under brushed drums and bright piano chords, Trumpet and clarinet answer the vocal phrases; chorus opens with big horn stabs and stacked “doo-wop” backing vocals, Middle 8 softens to just guitar, bass, and muted trumpet before a final, full-band reprise, Warm, slightly warbly tape saturation to feel like it’s spinning on a pre‑War jukebox

jazz, Smoky post‑war jazz trio: brushed swing kit, upright bass walking lazily, detuned saloon piano, and a muted trumpet answering the vocal, Female vocals with a French jazz lilt, close to the mic, lots of phrasing and sighs, Verses stay intimate and cramped, like a tiny bar; chorus widens with stacked background “ooh”s and distant organ swells, rain SFX tucked low in the mix, Brief trumpet solo as a bridge, then a hushed final refrain, reverb tail long and ghostly

Retro-future Fallout doo-wop girl group: tight three-part harmonies, walking bass, brushed kit, and chiming clean guitar, Verse 1 keeps it light and bouncy with call-and-response “shooby-doo”s, Verse 2 leans into melodrama with big held notes and background “oooh” pads, final verse flips into playful flirty sass, Short sax fills between phrases, slapback echo on lead, handclaps driving the chorus, Female vocals

jazz, Smoky late-50s small-club jazz combo, brushed kit and upright bass walking lazy circles, detuned piano and muted trumpet answering the vocal, Female vocals rasped and crackly like an irradiated lounge singer, close-mic’d with tape hiss, Arrangement leans on half-time swing, subtle horn swells into the hook, then pulls back to a broken-down whisper for the bridge before one last half-chorus tag, raspy deep female vocals

Vintage big-band novelty romp with Danny Kaye–style rapid-fire patter, Brisk swing groove, jaunty upright bass, clarinet and muted brass doing comic stabs, tap-dance hi-hats, Male lead vocals with character voices and tongue-twisters; chorus opens into wide, show-tune harmonies and call‑and‑response gang shouts, Occasional slapstick sound effects and scat breaks keep the energy bouncing to a tight 2:30, rapid, tribute

1940s swing-band pastiche with bright brass hits, upright bass walking hard, and snappy snare on a brisk two-step groove, Male vocals with tight group harmonies on the hook; playful call-and-response in the verses, Occasional cartoonish horn stabs and vibraphone flourishes keep it light while the lyric winks dark, Big, smiley chorus that pops with stacked “F, E, V, ” chants

Retro-future Fallout 4 lounge tune: brushed kit, upright bass walking lazily, hollow-body guitar with slapback, dusty piano comping soft jazz voicings, Male vocals with a sly crooner wink; close harmonies echo the hook, Subtle vibraphone and small horn swells in the chorus, tape-warm mix with a hazy, slightly warped feel

jazz, Smoky swing-era jazz ballad with female vocals, brushed kit, upright bass walking lazily under close-mic piano and muted trumpet fills, Verses intimate and half-whispered, like a late-night club; chorus lifts with warmer horns and soft background “doo-wop” harmonies, Subtle vinyl-style warmth and plate reverb on the vocal; tempo gently sways, perfect for slow-dancing under flickering bar lights, female vocals

Swing-era, Fallout-flavored big band with close Andrews Sisters–style female harmonies and a smooth Bing-style male lead trading lines, Walking upright bass, brushed kit, muted trumpets, and clarinet fills; verses stay light and bouncy, choruses bloom with stacked “ooh”s and tight call-and-response, Tempo brisk but relaxed, perfect for a camp bar in the wasteland

pop, Dusty pre-war swing with a wasteland twist; upright bass walking under brushed snare and jangly hollow-body guitar, Male tenor lead out front, three tight female harmonies on choruses and key lines, Andrews Sisters–style call-and-response, Tempo bouncy but tense; whistle hooks and gang shouts on hits, with a brief half-time breakdown in the last chorus to spotlight the vocals before a bright, bittersweet ending, harmonized, female vocals

Jazzy, swing, boogie-woogie 50s pop love song, Three female vocalists consisting of contralto, soprano, and mezzo-soprano, Tight three-part lightning-fast close harmony, Fast paced 200 bpm, Upbeat, bouncy chorus