Playing with Languages

Raw folk-metal pub banger around 142 bpm in drop-D, chunky palm mutes exploding into huge open choruses, double-kick bursts, sloppy drunk gang shouts and a grizzled half-spoken male lead with massive reverb like a stone dive bar, Stupidly catchy football-chant hooks that make you stamp and sing before you understand a word, Main language is English, with short attitude-heavy cameo lines in Latin, Italian, Portuguese, Spanish, Catalan, Romansh, French, Basque and Romanian, Zero polish, maximum sweat and spilled red wine; make people love it first, regret it later

Ritual industrial dirge, Dance floor obliteration: death god beat layered with infernal bass, granular noise, and THX-style harmonic dissonance, Crystal silences as sacred voids, Vocals: harsh whisper

Melancholic folk ballad, orchestral folk arrangement, male narrator, cinematic and sorrowful

embarrassed and vulnerable yet edy vocals; adult alt-folk-saturated taiwan pop with edgy bright exuberance • 96 BPM, 4/4, slight 16th swing • Key G major (Em lift in pre/bridge) • Fingerpicked acoustic; brushed kit + tiny tom swells; warm DI bass (sustained roots, light fifth lifts); very low breathy pad sidechained to kick • Vocal close, lightly saturated; short plate; ~100 ms slap only on hook words; no chorus/doubler modulation • Doubles only on how fey lines and final tag • One bell hit on opens the play

style: taiwan pop, clean, bright, happy heartbreak, exaltant tempo: 86 bpm key: A minor vocal: soft intimate female feel: neon night, rain, uplift format: verse, verse 1b craft, pre chorus, chorus, verse, pre chorus, chorus, bridge, closing tag before dawn, verse 3 dawn, outro instruments: synth pads, soft drums, electric piano bgv: light la la meter: 4/4 audience: taiwan listeners language: bilingual english with mandarin zh tw touches

ethereal ultra modern post retro disco dance club, sanskrit heart sutra mantra droned male throat singing voice dilation, female rap chant counter mantra, deep reese sub and sidechained bass, punchy four on the floor kick, crisp hats and claps, laser risers and noise sweeps, reverse chimes and velvet drones for darkness passage, swirling auto-pan vocals, elastic whoop lash transition, peak time radiant final drop with supersaw bloom, vocal chop nir va na, groove that makes you move, compassionate fade to silence

STYLE Dark ambient synthwave + glitch-industrial, 85 bpm Neon pad drone LPF 500 → 2 kHz over 60 s, phaser 0, 1 Hz depth 40 % for slow swirl 808 sub swell 4 beats pre-binary, ducks pad −3 dB Sine stabs fire each binary word, side-chain pad −2 dB Pad drops −12 dB 2 beats after every 18 bits, slams back +6 dB Whispered “glitch” tags L/R alternate after each drop Reversed nylon-guitar (6 s echo) in Mv 3, hidden reversed vocal @ −15 dB Granular shimmer layer 20 % wet enters at 30 s, lifts high band Voice cold; formant −5 st on “edge of prompt” line 150 ms crackle bursts randomly pan L/R as data artifacts Square-wave sub at 30 Hz under final swell for gut punch Cello + piano bloom side-chained to pad in climax Master reverb 2, 5 s tail on strings, 1, 2 s send on binary vocals Target −14 LUFS, peaks −1 dB; drum bus comp 4:1, 10 ms/100 ms High-shelf +3 dB @ 8 kHz; sine-stab width cross-fades 4 bars Final 2-beat tape-stop then 2-beat silence marks movement transitions

Quirky acoustic indie w/ playful piano, soft percussion, and a melancholic yet whimsical male vocal delivery; blends introspection, light humor, and a touch of bittersweet charm

Melancholic folk ballad, orchestral folk arrangement, male narrator, cinematic and sorrowful

choir, gospel, soul, anthemic, uplifting

powerful female vocals, clear voice, [melancholic, ethereal, anime, emotional], post-hardcore, rain, hope, dolby atmos

Modern mainland reflective singer-songwriter ballad (not idol pop), mid-slow 76–84 BPM, minor-leaning, sparse warm piano, soft pad, muted bass, minimal percussion after first minute, resonant Asian bowed-string texture (erhu or similar) as atmospheric drone with long sustained notes, subtle slides, sympathetic resonance, roomy reverb, haunting but restrained, never soloistic, intimate close-mic older male baritone vocal (50s–70s), gravel-warm jazz-leaning timbre, smoky and worn, gentle rasp with a lived-in “smile” in the tone, slightly hoarse, breath texture audible, conversational phrasing, behind-the-beat pocket, expressive but restrained, no belting, no melisma, no glossy sheen, background rhythm-chorus chant very low in the mix (distant room, understated, rises and falls like a tide, swells only at the end), verse-forward with subtle refrain, gentle lift then release, long quiet outro, raw and human, restrained mainstream, ‑smooth idol pop vocal, ‑youthful bright tenor, ‑perfect glossy Mandarin pop singer, ‑shiny vocal polish, ‑“pretty” pop tone, ‑clean pristine crooner, ‑heavy autotune, ‑robotic TTS, ‑warble/chirp/metallic shimmer, ‑exaggerated caricature rasp, ‑clownish “old man” voice, ‑comedy novelty delivery, ‑blues-growl showboating, ‑rock shouting, ‑operatic vibrato, ‑melisma runs, ‑trap drums, ‑hi-hat rolls, ‑aggressive 808s, ‑EDM build/drop, ‑stadium chant, ‑big choir, ‑triumphant anthem chorus, ‑flashy erhu soloing, ‑tourist cliché, ‑pentatonic noodling, ‑syrupy melodrama, ‑harsh bright mastering, ‑cluttered arrangement

Minimal nocturnal folk Sparse electric piano and brushed guitar Low-tempo, walking pace Soft dynamic range, restrained emotion Intimate vocal, close mic Night ambience, subtle air movement No chorus dominance, verse-driven Mood: observational, calm, unresolved, ‑anthemic overly melodic hooks dramatic swells sentimental phrasing cinematic trailer tone epic percussion emotional overstatement narrative resolution