4:59

Graves We Dug
v4.5-all
The track opens with aggressive palm-muted electric guitars and pounding, tight drums, building raw tension, Verses feature rap delivery over syncopated riffs and half-time rhythms, Choruses explode with soaring lead vocals, harmonized guitars, dense drumming, The bridge adds emotive lead guitar, layered clean textures, dynamic bass, and open space, then surges into a climactic, high-energy final chorus
4:04

Skin & Teeth
v4.5-all
Relentless percussion underpins verses with sharp, syncopated rhythms and forceful rap cadences, Explosive choruses burst in with stacked vocals, thick guitars, and surging synths, Breakdowns feature jagged tempo changes, dissonant layers, abrupt drops, and electronic glitches, keeping energy volatile
4:24

TURTLE
v4.5-all
Opens with spacious, reverb-heavy synth pads and a pulsing dark bassline that anchors the mood, Gated snares and metallic percussion fade in under lush atmospheric layers, Heavy, downtuned guitars cut through the synths as double-kick drums drive dynamic metalcore choruses
5:13

SOMETHING LIVES INSIDE ME
v4.5-all
modern metalcore, post-hardcore inflection, low-tuned groove guitars, harmonized lead guitar, picked bass slides, analog drone bed, glitch percussion, granular static layers, reverbed tom hits, sidechained synth pulses, stereo chorus wash, tape saturation, parallel compression, half-time breakdown, syncopated chug pauses, brooding, psychological dread, 84 BPM, wide dynamic arc
3:54

SAY IT AGAIN
v4.5-all
modern metalcore, industrial deathcore, detuned baritone guitars, syncopated palm mutes, octave lead guitar, sub drop accents, punchy snare hits, gated room drums, parallel compression, gritty saturation, plate reverb, stereo delay, halftime breakdowns, hard stop pauses, hostile confrontational, controlled dynamic build, eerie synth motif, industrial noise hits, djent-leaning groove
3:09

The Hunt
v4.5-all
slam death metal, deathcore, 210 BPM, drop E guitars, palm-muted chugs, pinch harmonic squeals, bass-drum syncopation, blast beat bursts, half-time slam breakdowns, tremolo-picked riffs, guttural growls, fry scream accents, feedback drone intro, analog distortion, gated reverb snare, parallel compression, tight low-end mix, primal aggression, predatory tension
3:50

That's Why They Call It Work
v4.5-all
nu metal, rap metal, 92 BPM, tight rap cadence, layered gang shouts, low tuned groove riffs, palm-muted verse chugs, wide chorus chords, slow breakdown chugs, kick snare groove, double-kick chorus, deep sub bass, parallel distortion, transient heavy drums, stereo guitar spread, gated snare room, raw aggression, build drop structure
3:46

Life
v4.5-all
deathcore, industrial deathcore, 170 BPM, blast beat verses, half-time breakdowns, stop-start syncopation, down-tuned chug riffs, palm-muted tritones, pinch harmonic accents, distorted bass unison, clipped snare compression, analog saturation, cold industrial ambience, plate reverb, feral gang shouts, razor scream leads, spoken-word outro, violent catharsis, apocalyptic spite

