Playlist cover art

ROCKABILLY

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12 songs
2:22Song Image
Modern Rockabilly, Psychobilly, male vocals with attitude, slap-back echo, driving upright bass, Gretsch guitar with Bigsby, swing drum beat, energetic, The Stray Cats's meet The Cramps's
2:32Song Image
Modern Rockabilly, Psychobilly, male vocals with attitude, slap-back echo, driving upright bass, Gretsch guitar with Bigsby, swing drum beat, energetic, The Stray Cats's meet The Cramps's
2:29Song Image
Modern Rockabilly, Psychobilly, male vocals with attitude, slap-back echo, driving upright bass, Gretsch guitar with Bigsby, swing drum beat, energetic, The Stray Cats's meet The Cramps's
2:54Song Image
Modern Rockabilly, Psychobilly, male vocals with attitude, slap-back echo, driving upright bass, Gretsch guitar with Bigsby, swing drum beat, energetic, The Stray Cats's meet The Cramps's
2:39Song Image
Dark Rockabilly, Hillbilly, Modern Rockabilly, male vocals
2:44Song Image
Rockabilly, upbeat rock 'n' roll from the '50s and '60s, Sound: Lively, energetic, with a distinct drum rhythm (shuffle beat), springy bass lines (slap bass), catchy electric guitar riffs, and light vocal reverb, Add a touch of piano or acoustic guitar for a rockabilly flavor, Vocals: Female vocals, feisty, with a slight rasp, in the style of Wanda Jackson or Brenda Lee, with a humorous, confident tone that becomes warmer and more collaborative towards the end, Tempo: Medium-fast (around 160-180 BPM), with a distinct, danceable rhythm, Mood: Happy, feisty, party-like, with a touch of irony and humor, transitioning into a positive, romantic twist at the end, Structure: Verse-Chorus-Verse-Chorus-Verse-Chorus-Verse-Bridge-Verse-Chorus, The ending is slightly faded out or accented on the last line of the chorus, emphasizing the happy twist, Extras: A short guitar solo after the third verse, emphasizing a rockabilly "twangy" sound, Possible vocal duet (male background choir)
3:03Song Image
Rockabilly, upbeat rock 'n' roll from the '50s and '60s, Sound: Lively, energetic, with a distinct drum rhythm (shuffle beat), springy bass lines (slap bass), catchy electric guitar riffs, and light vocal reverb, Add a touch of piano or acoustic guitar for a rockabilly flavor, Vocals: Masculine, edgy, with a slight rasp, in the style, with a humorous, confident tone that becomes more self-deprecating towards the end, Tempo: Medium-fast (around 160-180 BPM), with a distinct, danceable rhythm, Mood: Happy, edgy, party-friendly, with a touch of irony and humor, Structure: Verse-Chorus-Verse-Chorus-Verse-Chorus-Verse-Chorus-Verse-Chorus, Ending with a slight fade-out or accent on the last line of the chorus, emphasizing the humorous twist, Extras: A short guitar solo after the third verse, emphasizing a rockabilly "twangy" sound, Possible background cheering or laughter in the last verse to emphasize the humorous tone
3:59Song Image
Rockabilly, country, metal, male vocals, funny
2:14Song Image
Rockabilly, swing, balcan, funny, male vocals
2:59Song Image
Modern Rockabilly, Psychobilly, male vocals with attitude, slap-back echo, driving upright bass, Gretsch guitar with Bigsby, swing drum beat, energetic, movie quotes, The Stray Cats's style, - BPM: 150-170 (Fast, energetic, and perfect for dancing) - Key: E major (A classic, bright key for rockabilly) - Time signature: 4/4 with a strong swing/shuffle feel, - Duration: 2:30-3:00 minutes (Rockabilly songs are short, sharp, and to the point), The production should sound vintage but powerful, - The slap-back echo is the most important effect and should be used on both the guitar and the vocals, - The mix should be raw and energetic, capturing the feel of a live performance in a sweaty club, Upright Bass: The heart of the rhythm section, The sound should be the iconic, percussive "slap" of a stand-up bass, - Guitar: A semi-hollow body guitar (like a Gretsch) with a Bigsby vibrato arm is a must, The sound should be clean but twangy, with heavy use of slap-back echo/delay
2:54Song Image
rockabilly, male vocals, kontrabas, strong guitar and drums, Balkan character
2:54Song Image
Psychobilly, male vocals, fast tempo, horror-punk, slapping upright bass, twangy distorted guitar, dark humor, narrative, The Cramps's meets The Meteors's