Mika & The Romans

HAPPY MAJOR KEY, pop, Sunny 70s soul with male vocals, dry punchy drums, rubbery bass, and bright clavinet pokes, Hand percussion and light congas keep it bouncy; horns slide in on the turnarounds, Big unison male backups on the hooks, lots of “doo doo doo” group parts and whistled riffs between lines, Tight, radio-style arrangement—short, repeatable chorus that crowds can chant, with playful ad-libs and cheeky call-and-response, uptempo, male vocals, soul, minimal

pop, Sunny 70s soul with male vocals, dry punchy drums, rubbery bass, and bright clavinet pokes, Hand percussion and light congas keep it bouncy; horns slide in on the turnarounds, Big unison male backups on the hooks, lots of “doo doo doo” group parts and whistled riffs between lines, Tight, radio-style arrangement—short, repeatable chorus that crowds can chant, with playful ad-libs and cheeky call-and-response, uptempo, male vocals, soul, minimal, lyrics come at a moderate pace, NOT FAST, EMPHASIZE "TOUCH GRASS" and "NEW COMPUTER", ‑electronic

Sunny 70s soul with male vocals, dry punchy drums, old school FENDER motown finger bass, Hand percussion and light congas keep it bouncy; horns slide in on the turnarounds, Big unison male backups on the hooks, horn riffs between lines, Super raw, organic, imperfect live studio recording quality like its from 1973—short, repeatable chorus that crowds can chant, with playful ad-libs and cheeky call-and-response, uptempo, imperfect male lead vocals with mixed backup singers, soul, minimal, arrangement should be exactly like a vintage soul ensemble, KEEP IT SIMPLE AND RAW, starts with a horn/hit! laid back, extremely raw imperfect recording quality, horn hits and guitar quick chords chorus, old school, NO CROWD SOUNDS, ‑crowd sounds

Sunny 70s soul with male vocals, dry punchy drums, old school FENDER motown finger bass, Hand percussion and light congas keep it bouncy; horns slide in on the turnarounds, Big unison male backups on the hooks, horn riffs between lines, whistling and doo doo doos, Super raw, organic, imperfect live studio recording quality like its from 1973—short, repeatable chorus that crowds can chant, with playful ad-libs and cheeky call-and-response, uptempo, imperfect male lead vocals with mixed backup singers, soul, minimal, arrangement should be exactly like a vintage soul ensemble, KEEP IT SIMPLE AND RAW, starts with a horn/hit! laid back, extremely raw imperfect recording quality, horn hits and guitar quick chords chorus, old school, NO CROWD SOUNDS

Sunny 70s soul with male vocals, dry punchy drums, old school FENDER motown finger bass, Hand percussion and light congas keep it bouncy; horns slide in on the turnarounds, Big unison male backups on the hooks, horn riffs between lines, Super raw, organic, imperfect live studio recording quality like its from 1973—short, repeatable chorus that crowds can chant, with playful ad-libs and cheeky call-and-response, uptempo, imperfect male lead vocals with mixed backup singers, soul, minimal, arrangement should be exactly like a vintage soul ensemble, KEEP IT SIMPLE AND RAW, starts with a horn/hit! laid back, extremely raw imperfect recording quality, horn hits and guitar quick chords chorus, old school, NO CROWD SOUNDS

Sunny 70s soul with male vocals, dry punchy drums, old school FENDER motown finger bass, Hand percussion and light congas keep it bouncy; horns slide in on the turnarounds, Big unison male backups on the hooks, horn riffs between lines, Super raw, organic, imperfect live studio recording quality like its from 1973—short, repeatable chorus that crowds can chant, with playful ad-libs and cheeky call-and-response, uptempo, imperfect male lead vocals with mixed backup singers, soul, minimal, arrangement should be exactly like a vintage soul ensemble, KEEP IT SIMPLE AND RAW, starts with a horn/hit! laid back, extremely raw imperfect recording quality, horn hits and guitar quick chords chorus, old school, NO CROWD SOUNDS

70s slow loving soul love song with male vocals, dry drums, old school FENDER motown finger bass, Hand percussion and light congas horns slide in on the turnarounds, Big unison male backups on the hooks, horn riffs between lines, Super raw, organic, imperfect live studio recording quality like its from 1973—short, repeatable chorus that crowds can chant, with playful ad-libs and cheeky call-and-response, imperfect male lead vocals with mixed backup singers, soul, minimal, arrangement should be exactly like a vintage soul ensemble, KEEP IT SIMPLE AND RAW, VERY CHILL AND LAID back, extremely raw imperfect recording quality, horn hits and guitar quick chords chorus, old school, NO CROWD SOUNDS

Vintage 1973 soul with male vocals, bright major-key bounce, raw studio grit, swung pocket, hand drums, horn stabs, tambourine snap, and gang vocals on the hook; verse rides a tight bassline and clipped guitar, pre-chorus opens with harmony lifts and handclaps, chorus hits with stacked call-and-response and brassy punches, bridge strips to voice and drums before the final lift, Close-mic lead with greasy ad-libs, short delay throws on key words, room-tone bleed, tape saturation, punchy and dusty mix, soul, male vocals, harmony, happy, raw

upbeat Major key soul song raw production quality like it was reported in a studio in 1973 male singer, classic soul arrangement Horne stabs unison, call and response backup vocals Ensure that the chords and style is exactly like a vintage soul song, catchy sing-along chorus, happy