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Lo-fi Post-Punk, Acoustic Minimalism, Early Soviet Underground, Production: Analog warmth, Tape compression on master, Light spring reverb, Subtle stereo chorus on guitars, Inspired by early Soviet post-punk aesthetic of Виктор Цой early period, Tempo 104–108 BPM, Straight 4/4 rhythm, dry and minimal groove, Drum pattern simple: snare on 2 and 4, light hi-hat pulse, Guitar is main driver, slightly raw overdrive, micro-detuned about ±5 cents for natural imperfect tuning; допускается лёгкая относительная перестройка одной струны между гитарами, Bass plays monotone supporting pulse with rare fills, Harmony keeps urban melancholic tension with mild modal minor/major mixture, avoiding cinematic, folk or dense orchestration, Arrangement is sparse: instruments enter and leave space for vocal line, Male baritone vocal, slightly rough timbre, clear forward diction, natural room reverb tail, no vocal doubling or choir layers, emotional expression through phrasing dynamics

[Style: Lo-fi Post-Punk, Acoustic Minimalism, Early Soviet Underground] [Key: Em] [Tempo: 104 BPM] [Time signature: 4/4] [Instruments: rhythm guitar, lead guitar, bass, drums] [Vocal Style: Male Baritone, Warm, Dramatic, Slight Vibrato, Emotionally Charged, Pronunciation Clear, Intonation in the style of Viktor Tsoi (deep, slightly raspy, expressive, with pauses and subtle overdrive)]

[Genre: Soviet Post-Punk / Minimal Rock (1988–1990 style)] [Key: C Major] [Time Signature: 4/4] [Tempo: 118 BPM — Stable, mechanical rhythm] [Instrumentation: Rhythm Guitar, Lead Guitar, Bass, Drum Machine, Vocals]

Post-Punk, Early Soviet Underground, Acoustic Minimalism, Analog warmth, light tape compression, subtle spring reverb, Tempo 112–116 BPM, Straight 4/4 with restrained pulse, Dry minimal groove, snare on 2 and 4, steady hi-hat, Electric guitar drives with light raw overdrive and slight micro-detune (±5 cents); possible subtle one-string relative retuning, Bass simple root movement with rare passing notes, Harmony in E minor with modal color shifts, emotional tension through repetition, Arrangement sparse, open space around vocal, Male baritone, slightly rough, intimate and restrained delivery, clear diction, short natural room reverb, expression through phrasing dynamics, ‑Cinematic orchestration, ‑folk instruments, ‑synth pads, ‑heavy distortion, ‑complex jazz harmony, ‑dense layering, ‑and polished pop production style

Post-Punk, Early Soviet Underground, Acoustic Minimalism, Analog warmth, light tape compression, subtle spring reverb, Tempo 112–116 BPM, Straight 4/4 with restrained pulse, Dry minimal groove, snare on 2 and 4, steady hi-hat, Electric guitar drives with light raw overdrive and slight micro-detune (±5 cents); possible subtle one-string relative retuning, Bass simple root movement with rare passing notes, Harmony in E minor with modal color shifts, emotional tension through repetition, Arrangement sparse, open space around vocal, Male baritone, slightly rough, intimate and restrained delivery, clear diction, short natural room reverb, expression through phrasing dynamics, ‑Cinematic orchestration, ‑folk instruments, ‑synth pads, ‑heavy distortion, ‑complex jazz harmony, ‑dense layering, ‑and polished pop production style

[Genre: Soviet Post-Punk / Minimal Rock (1988–1990 style)] [Key: G major with Em shading] [Time Signature: 4/4] [Tempo: 108 BPM — Stable, mechanical rhythm] [Instrumentation: Rhythm Guitar, Lead Guitar, Bass, Drum Machine, Vocals], ‑cinematic orchestral layering, ‑modern glossy mastering, ‑vocal doubling, ‑choir harmonies, ‑heavy reverb tail, ‑autotune correction, ‑complex jazz harmony, ‑electronic synthetic pop texture, ‑ambient wall soundscape, ‑virtuosic guitar solos, ‑aggressive distortion, ‑background vocal layers, ‑experimental sound design complexity, ‑futuristic production elements, ‑bright commercial rock polishing, ‑overcompressed mastering, ‑rhythmic chaos, ‑dramatic dynamic orchestral swelling

[Genre: Soviet Post-Punk / Minimal Rock (1988–1990 style)] [Key: Em – D – G – Bm modal rock progression, ]] [Time Signature: 4/4] [Tempo: 105 BPM — Stable, mechanical rhythm] [Instrumentation: Rhythm Guitar, Lead Guitar, Bass, Drum Machine, Vocals]

[Genre: Soviet Post-Punk / Minimal Rock (1988–1990 style)] [Tempo: 96 BPM] [Time Signature: 4/4] [Key: E minor modal rock, ] [Instrumentation: Rhythm Guitar, Lead Guitar, Bass, Drum Machine, Vocals], ‑cinematic orchestral layering, ‑commercial pop rock mastering, ‑autotune pitch correction, ‑ambient background soundscape, ‑electronic synth pads, ‑choir or choral harmonization, ‑complex jazz harmonic extensions, ‑aggressive heavy distortion, ‑experimental abstract sound design, ‑futuristic pop production effects, ‑overcompressed loudness processing, ‑vocal stacking layers, ‑virtuosic guitar solo passages

[Genre: Soviet Post-Punk / Minimal Rock (1988–1990 style)] [Tempo: 100 BPM] [Time Signature: 4/4] [Key: E minor modal rock, ] [Instrumentation: Rhythm Guitar, Lead Guitar, Bass, Drum Machine, Vocals], ‑cinematic orchestral layering, ‑commercial pop rock mastering, ‑autotune pitch correction, ‑ambient background soundscape, ‑electronic synth pads, ‑choir or choral harmonization, ‑complex jazz harmonic extensions, ‑aggressive heavy distortion, ‑experimental abstract sound design, ‑futuristic pop production effects, ‑overcompressed loudness processing, ‑vocal stacking layers, ‑virtuosic guitar solo passages

Post-Punk, Early Soviet Underground, Acoustic Minimalism, Analog warmth, light tape compression, subtle spring reverb, Tempo 112–116 BPM, Straight 4/4 with restrained pulse, Dry minimal groove, snare on 2 and 4, steady hi-hat, Electric guitar drives with light raw overdrive and slight micro-detune (±5 cents); possible subtle one-string relative retuning, Bass simple root movement with rare passing notes, Harmony in E minor with modal color shifts, emotional tension through repetition, Arrangement sparse, open space around vocal, Male baritone, slightly rough, intimate and restrained delivery, clear diction, short natural room reverb, expression through phrasing dynamics, ‑Cinematic orchestration, ‑folk instruments, ‑synth pads, ‑heavy distortion, ‑complex jazz harmony, ‑dense layering, ‑and polished pop production style

Lo-fi Post-Punk, Early Soviet Underground, Acoustic Minimalism, Analog warmth, light tape compression, subtle spring reverb, Tempo 102–106 BPM, Straight 4/4 with restrained pulse, Dry minimal groove, snare on 2 and 4, steady hi-hat, Electric guitar drives with light raw overdrive and slight micro-detune (±5 cents); possible subtle one-string relative retuning, Bass simple root movement with rare passing notes, Harmony in E minor with modal color shifts, emotional tension through repetition, Arrangement sparse, open space around vocal, Male baritone, slightly rough, intimate and restrained delivery, clear diction, short natural room reverb, expression through phrasing dynamics, ‑Cinematic elements, ‑folk instrumentation, ‑synth pads, ‑heavy distortion, ‑modern polished mixing, ‑vocal doubling, ‑choir stacks, ‑complex jazz harmony, ‑dense multilayer arrangements, ‑glossy production aesthetics

Lo-fi Post-Punk, Acoustic Minimalism, Early Soviet Underground, Analog warmth, light tape compression on master, subtle spring reverb, Inspired by early Soviet post-punk aesthetic of Виктор Цой early period, Tempo 104–108 BPM, Straight 4/4, dry minimal groove, Snare on 2 and 4, steady hi-hat pulse, Electric guitar drives with light raw overdrive and slight micro-detune (±5 cents); possible subtle one-string relative retuning between guitars, Bass simple root pulse with rare fills, Harmony restrained minor/major modal tension, Sparse arrangement with open space around vocal, Male baritone, slightly rough timbre, clear diction, short natural room reverb, emotional phrasing dynamics, ‑Cinematic elements, ‑folk instrumentation, ‑synth pads, ‑heavy distortion, ‑modern polished mixing, ‑vocal doubling, ‑choir stacks, ‑complex jazz harmony, ‑dense multilayer arrangements, ‑glossy production aesthetics

Late-period post-punk rock with tense forward motion and restrained vocal presence, Fast, motoric instrumental layer creates constant inner pressure, while vocals move at half-time, calm and declarative, forming a clear temporal contrast, Harmony is simple and weight-bearing, centered on A minor with strong root movement and minimal color tones, Bass functions as a structural driver, locking to downbeats and reinforcing inevitability rather than groove, Guitars are clean to lightly driven, repetitive and mechanical, built on short cyclic figures and chordal pulses without ornamentation, Drums are tight and disciplined, emphasizing precision and continuity over dynamics, Arrangement is sparse but purposeful: layers enter to increase density, not volume, Dramaturgy is based on motion versus stillness—instrumental urgency against vocal steadiness, Atmosphere tense, reflective, focused; sound dry, natural, slightly warm in low mids, preserving attack and clarity without polish, ‑acoustic bard style, ‑folk guitar, ‑singer-songwriter intimacy, ‑art rock complexity, ‑progressive rock structures, ‑tempo rubato, ‑slow instrumental pacing, ‑swing or shuffle rhythms, ‑funk bass movement, ‑jazz harmony, ‑blues phrasing, ‑pop hooks, ‑radio pop polish, ‑arena rock dynamics, ‑glam rock aesthetics, ‑heavy distortion, ‑shoegaze layers, ‑wall-of-sound production, ‑psychedelic effects, ‑ambient washes, ‑cinematic orchestration, ‑orchestral instruments, ‑EDM elements, ‑synthwave textures, ‑trap rhythms, ‑hip-hop beats, ‑trip-hop grooves, ‑vocal overacting, ‑dramatic vibrato, ‑melismatic singing, ‑syllable chopping, ‑stuttering delivery, ‑backing vocals, ‑vocal doubling, ‑choir harmonies, ‑flashy drum fills, ‑excessive compression, ‑glossy mastering, ‑lo-fi rehearsal sound, ‑nostalgic retro pastiche

Ukrainian lyrical rock ballad with emotional dynamic build, Moderate tempo around 92 BPM in a minor key, melancholic yet hopeful atmosphere, Light overdriven electric guitar intro evolving into a full arrangement with atmospheric pads, melodic bass and expressive but controlled drums, Vocal intimate, slightly husky, forward in the mix, natural phrasing, restrained vibrato, Chorus expands harmonically and dynamically, adding layered guitars and subtle ambient textures, Guitar solo melodic, singing tone with bends and slides, emotionally narrative rather than technical, Production warm with wide stereo image, analog character, gentle compression and natural reverb tail, ‑metal riffs, ‑heavy distortion walls, ‑aggressive screaming vocals, ‑trap hi hats, ‑electronic dance drops, ‑orchestral bombast, ‑cinematic trailer drums, ‑autotune artifacts, ‑robotic vocal processing, ‑extreme vibrato, ‑technical shred solos, ‑djent patterns, ‑punk speed energy, ‑funk slap bass, ‑reggae groove, ‑synthwave arpeggiators, ‑lo fi crackle texture, ‑glitch effects, ‑industrial noise layers, ‑choir chants, ‑rap verses

Ukrainian lyrical rock ballad with intimate, atmospheric, and reflective mood, Moderate tempo ~92 BPM, minor key, melancholic yet hopeful, Sparse electric guitar intro with light overdrive, melodic bass, minimal drums, Ambient keyboard pads add depth and emotional texture, subtly filling space without dominating, Vocal warm, slightly husky, intimate phrasing, restrained emotion, no heavy vibrato, Dynamic contrast between soft, introspective verses and expressive, layered choruses, Guitar solo lyrical and expressive, emphasizing emotional narrative, Production warm, natural stereo, subtle compression, soft reverb, preserving clarity, silence, and space, supporting reflective and melodic lines, Overall structure highlights tension → reflection → release, blending rock intimacy with ambient atmosphere, ‑heavy metal, ‑thrash, ‑punk aggression, ‑electronic dance beats, ‑autotune vocals, ‑synthwave, ‑trap hi-hats, ‑dubstep drops, ‑overcompressed drums, ‑screaming vocals, ‑excessive distortion, ‑glitched effects, ‑ambient drone only, ‑classical orchestra strings only, ‑techno arpeggios, ‑choir layers, ‑brass fanfares, ‑carnival sounds, ‑humoristic effects

Minimal British-inspired post-punk environment, Medium tempo 104 BPM, 4/4, E minor natural mode, Dry urban atmosphere, restrained tension, philosophical defiance without melodrama, Clean electric guitar with tight downstroke arpeggios in verses, open ringing chords in chorus, Subtle chorus shimmer and short spring reverb only, Bass steady root-driven pulse, slightly forward in mix, Dry acoustic drums: kick 1&3, snare 2&4, closed hi-hat steady eighths, No solos, No synth layers, No orchestral depth, Vocal: intimate male baritone, conversational, firm, no vibrato, no doubling, Preserve dynamics, Slight analog warmth and moderate parallel drum compression, Dark-neutral tonal balance, ‑cinematic orchestration, ‑symphonic strings, ‑choir harmonies, ‑layered backing vocals, ‑autotune correction, ‑pop vocal gloss, ‑commercial radio mastering, ‑loudness war compression, ‑ambient wall textures, ‑atmospheric pad beds, ‑electronic synth leads, ‑EDM elements, ‑trap hi-hats, ‑distorted guitar riffs, ‑heavy overdrive saturation, ‑virtuosic guitar solos, ‑progressive tempo shifts, ‑complex jazz harmony, ‑funk slap bass, ‑arena reverb tails, ‑stadium crowd effects, ‑experimental sound design, ‑glitch processing, ‑futuristic vocal effects, ‑psychedelic delay swells, ‑industrial noise layers, ‑metal aggression, ‑dramatic orchestral percussion, ‑epic trailer build-ups

Minimal Soviet post-punk of the mid-1980s, cold urban character and restrained emotional distance, Steady mid-tempo around 88–92 BPM, strict 4/4, cyclic chord structures mostly two to four chords, Minor tonal center (Am), hypnotic monotone bass carries the pulse, Guitars sparse, short accents, muted, arpeggiated, Drums dry, almost marching, no groove, Male vocal low, declarative, restrained, Arrangement evolves through repetition, Production flat, minimal reverb, emphasizing night-time urban solitude, ‑new wave naivety, ‑playful tone, ‑lo-fi rehearsal sound, ‑fast tempos, ‑melodic hooks, ‑pop structures, ‑psychedelic textures, ‑progressive development, ‑instrumental jams, ‑emotional crescendos, ‑lush reverb, ‑wide stereo effects, ‑dramatic vocals, ‑poetic mysticism, ‑stadium rock energy, ‑polished modern production

Minimal Soviet post-punk of the mid-1980s with cold urban character and restrained emotional distance, Steady mid-tempo around 88–92 BPM, strict 4/4, static repetitive structures built on short cyclic chord progressions, Mostly minor tonal centers, with occasional cold modal shifts, Bass guitar is hypnotic, carrying the core pulse, Guitars are sparse, clean, muted, short accents and arpeggiated figures, no riffs, Drums dry, straight, almost marching, no groove, Male vocal low, dry, declarative, no dramatization, Arrangement evolves through repetition, not development, Production flat, restrained, minimal reverb, emphasizing emptiness, night, urban solitude, ‑new wave naivety, ‑playful tone, ‑lo-fi rehearsal sound, ‑fast tempos, ‑melodic hooks, ‑pop structures, ‑psychedelic textures, ‑progressive development, ‑instrumental jams, ‑emotional crescendos, ‑lush reverb, ‑wide stereo effects, ‑dramatic vocals, ‑poetic mysticism, ‑stadium rock energy, ‑polished modern production

Minimal Soviet post-punk of the mid-1980s with a cold urban character and restrained emotional distance, Steady mid-tempo around 88–92 BPM, strict 4/4, static repetitive structures built on short cyclic progressions without resolution, Harmony centered on minor tonalities with cold modal color, Bass guitar is the leading element, monotonic and hypnotic, forming the core pulse, Guitars are sparse and economical, clean and muted, used for short accents and arpeggiated figures rather than riffs, Drums are dry, straight, almost marching, with no groove embellishment, Male vocal is low, dry, detached, delivered as calm factual statements, without expression or dramatization, Arrangement relies on repetition and distance, not development, Production is flat and restrained, minimal reverb, emphasizing emptiness, night, and urban isolation, ‑post-punk darkness, ‑melancholic mood, ‑deep male vocals, ‑existential philosophy, ‑emotional intensity, ‑slow tempo, ‑atmospheric reverb, ‑wide stereo image, ‑psychedelic effects, ‑progressive structures, ‑guitar solos, ‑polished production, ‑modern indie rock, ‑synth textures, ‑cinematic sound

[Style: Lo-fi Post-Punk, Acoustic Minimalism, Early Soviet Underground] [Key: G# minor] [Time Signature: 4/4] [Tempo: 96 BPM] [Production: Analog warmth, Tape compression on master, Light spring reverb, Subtle stereo chorus on guitars] [Vocal Style: Male Baritone, Dry, Slightly Husky, Speech-like Intonation, Controlled Vibrato, Dramatic Pause Emphasis]

Early Soviet new wave rock from the Leningrad underground of the early 1980s, focused on everyday realism and naive irony rather than emotional depth, Medium tempo around 100–105 BPM, strict 4/4 pulse, flat and repetitive arrangement without development, Harmony built on simple minor-based progressions with occasional borrowed chords, repeated cyclically, Clean dry electric guitar with minimal rhythmic strumming and simple voicings, bass following roots with little variation, primitive straight drums with mechanical feel, Male vocal light, youthful, slightly ironic and detached, spoken-sung delivery with plain articulation, Lo-fi rehearsal-room sound, narrow stereo image, no effects, no atmosphere, no dramatization, Lyrics depict communal life, boredom, alcohol, friendship, and routine without judgement or philosophy, ‑post-punk darkness, ‑melancholic mood, ‑deep male vocals, ‑existential philosophy, ‑emotional intensity, ‑slow tempo, ‑atmospheric reverb, ‑wide stereo image, ‑psychedelic effects, ‑progressive structures, ‑guitar solos, ‑polished production, ‑modern indie rock, ‑synth textures, ‑cinematic sound

Early Soviet new wave rock from the Leningrad underground of the early 1980s, raw and naive minimalism shaped by limited resources and DIY aesthetics, Medium tempo around 105 BPM, strict 4/4 pulse, flat static arrangement without dynamic development, Harmony based on simple Em–C alternation repeated throughout the song, Clean dry electric guitar with minimal melodic figures, bass following root motion, primitive straight drums with mechanical feel, Male vocal light, youthful, slightly tired and detached, almost spoken-sung, delivered plainly and without dramatization, Lo-fi rehearsal-room character, narrow stereo image, no effects, everyday narrative lyrics with understated irony, ‑post-punk darkness, ‑melancholic mood, ‑deep male vocals, ‑slow tempo, ‑atmospheric reverb, ‑wide stereo image, ‑emotional intensity, ‑philosophical symbolism, ‑existential themes, ‑psychedelic effects, ‑progressive structure, ‑guitar solos, ‑polished production, ‑modern indie rock, ‑synth textures

Early Soviet new wave rock from the Leningrad underground of the early 1980s, raw and naive minimalism shaped by limited resources and DIY aesthetics, Medium tempo around 105 BPM, strict 4/4 pulse, flat and static arrangement with no dynamic development, Simple harmonic loop C–Am–F–G repeated throughout the song, Clean dry electric guitar focused on rhythm, minimal bass following root notes, primitive straight drums with mechanical feel, Male vocal light, youthful, slightly detached, almost spoken-sung, delivered plainly with ironic tone, Lo-fi rehearsal-room character, narrow stereo image, no effects, no emotional dramatization, everyday absurdist lyrics, ‑post-punk darkness, ‑melancholic mood, ‑deep male vocals, ‑slow tempo, ‑atmospheric reverb, ‑wide stereo image, ‑emotional intensity, ‑philosophical symbolism, ‑existential themes, ‑psychedelic effects, ‑progressive structure, ‑guitar solos, ‑polished production, ‑modern indie rock, ‑synth textures

Early Soviet new wave rock from the Leningrad underground of the early 1980s, raw and naive minimalism shaped by limited resources and DIY aesthetics, Medium to fast steady tempo, simple 4/4 pulse, basic harmonic structures built on two or three chords, often major or ambiguous tonality, Flat, unpolished arrangements with little dynamic contrast, guitar-driven rhythm with clean dry tone, minimal bass lines closely following the root notes, primitive drum patterns with mechanical feel, Male vocal is light, youthful, slightly detached, almost spoken, without emotional dramatization, Lyrics delivered plainly, with irony and everyday observation rather than depth or symbolism, Narrow stereo image, lo-fi recording character, rehearsal-room intimacy, no sense of grandeur or atmosphere, ‑post-punk darkness, ‑melancholic mood, ‑deep male vocals, ‑atmospheric reverb, ‑wide stereo image, ‑emotional intensity, ‑dramatic dynamics, ‑complex harmony, ‑minor key dominance, ‑bass-driven hypnosis, ‑philosophical lyrics, ‑existential themes, ‑psychedelic effects, ‑guitar solos, ‑polished production, ‑slow tempos, ‑cinematic arrangements

Soviet Acoustic Post-Punk Ballad, Lo-fi Rock, Minimalistic New Wave, Low male baritone vocal, dry, gritty, speech-like, slightly nasal, calm, minimal inflection, Sparse instrumentation: fingerstyle acoustic guitar with arpeggiated picking, lo-fi electric bass, analog brush drums, subtle ambient pad synth, optional Mellotron, Dynamic and expressive in a natural, intimate way, Focus on harmonic clarity, space, and emotional phrasing, Tempo: ~122 BPM for instruments; vocal delivered at half tempo (~61 BPM) for expressive feel, Post-production includes soft tape-style compression, subtle harmonic saturation, spring and plate reverbs, gentle EQ to enhance vocals and instruments, mono-compatible output with retained lo-fi character

A melancholic, introspective rock track in the style of 1980s Soviet post-punk and new wave, The arrangement is minimal and analog-sounding, with clean electric guitar soaked in chorus and delay, deep melodic bass, dry snare-heavy drums, and subtle ambient synth textures, The vocals are cold, steady, and emotionally restrained, delivered in a deep male voice with little vibrato, The mood is reflective, urban, and quietly defiant

Lyrical Post-Punk, Punk-Rock, Alternative Rock, Indie Rock, New Wave, Garage Rock, Isochronic tones (852Hz), Binaural beats (60-75Hz)

[Music Style: Post-Punk Rock, Punk Rock, raw vintage electric guitar tone, minimalist arrangement, tight rhythm section, clean yet slightly overdriven guitar, ] [Vocal Style: Deep and dark male voice, straightforward and raw delivery, minimal vibrato, steady legato phrasing, midrange emphasis, slight huskiness conveying urban melancholy and quiet strength, ] [Key: D minor] [BPM: 115] [Time Signature: 4/4]

[Style: Post-punk / progressive minimal rock / new wave with philosophical urban themes, cold rhythmic drive and poetic intensity, ] [Rhythm: 4/4, strict and mechanical pulse, syncopated guitar accents, ] [Tempo: 116 BPM] [Key: A minor] [Vocal style: Deep and dark, straightforward and raw delivery, No excessive ornamentation, mostly steady and minimalistic legato phrasing, Emphasized midrange power and slight huskiness, conveying a sense of urban melancholy and quiet strength, Minimal reverb for an authentic, grounded sound, ]

lyrical post-punk, influences, Punk-rock, Alternative Rock, Indie Rock, New Wave, Garage Rock, ambient echoes, melodic bass line, atmospheric guitar, Isochronic tones, Binaural beats (60-75Hz)

lyrical post-punk, influences, new wave, darkwave, slow tempo, ambient echoes, melodic bass line, atmospheric guitar, Isochronic tones, Binaural beats (60-75Hz)

Melancholic indie rock with post-punk and dream pop influences, slow tempo, reverb-heavy guitar, soft ambient synth, echoing vocals, and steady, reflective bass

Atmospheric post-punk, melancholic new wave, deep basslines, echoing guitars, haunting ambiance, Male baritone vocals, emotional phrasing, subtle intensity, introspective tone, drum machin

Lo-fi Post-Punk, Early Soviet Underground, Acoustic Minimalism, Analog warmth, light tape compression, subtle spring reverb, Tempo 98 BPM, Straight 4/4 with restrained pulse, Dry minimal groove, snare on 2 and 4, steady hi-hat, Electric guitar drives with light raw overdrive and slight micro-detune (±5 cents); possible subtle one-string relative retuning, Bass simple root movement with rare passing notes, Harmony in E minor with modal color shifts, emotional tension through repetition, Arrangement sparse, open space around vocal, Male baritone, slightly rough, intimate and restrained delivery, clear diction, short natural room reverb, expression through phrasing dynamics, ‑Cinematic orchestration, ‑folk instruments, ‑synth pads, ‑heavy distortion, ‑complex jazz harmony, ‑dense layering, ‑and polished pop production style

Minimal post-punk, late-80s Soviet rock aesthetic, cold and detached urban atmosphere, steady instrumental pulse at 120–124 BPM with half-time vocal phrasing perceived at 60–62 BPM, minor/modal key center (A minor / C major, Dorian/Mixolydian color), harmony built on simple cyclical progressions (i–VII–VI, i–iv–V, I–IV–V) emphasizing repetition and unresolved suspension, bass-driven architecture with melodic walking lines anchoring harmony and pulse, dry minimal electric guitar with clean arpeggios and short melodic motifs, occasional sustained lead tones, restrained drum kit with mechanical, forward-motion groove and minimal fills, vocals low male baritone, dry, speech-like delivery, behind-the-beat phrasing, minimal vibrato, long sustained vowels, production raw and analog-minded, narrow verses and wider choruses, low reverb, no heavy compression, reflective unresolved outro, ‑edm, ‑trap, ‑hyperpop, ‑techno, ‑house, ‑deep house, ‑dubstep, ‑drum and bass, ‑jungle, ‑future bass, ‑hardstyle, ‑gabber, ‑psytrance, ‑trance, ‑eurodance, ‑synthwave, ‑vaporwave, ‑lo-fi, ‑chillhop, ‑reggaeton, ‑latin pop, ‑k-pop, ‑j-pop, ‑bubblegum pop, ‑metalcore, ‑deathcore, ‑black metal, ‑industrial metal, ‑screamo, ‑emo trap, ‑pop punk, ‑ska punk, ‑funk, ‑disco, ‑nu metal, ‑progressive metal, ‑jazz fusion, ‑gospel, ‑country, ‑folk pop, ‑bluegrass, ‑orchestral soundtrack, ‑cinematic trailer music, ‑ambient drone, ‑glitch, ‑glitch hop, ‑chiptune

Minimal post-punk, late-80s Soviet rock aesthetic, cold and detached urban atmosphere, steady instrumental pulse at 120–124 BPM with half-time vocal phrasing perceived at 60–62 BPM, minor/modal key center (A minor / C major, Dorian/Mixolydian color), harmony built on simple cyclical progressions (i–VII–VI, i–iv–V, I–IV–V) emphasizing repetition and unresolved suspension, bass-driven architecture with melodic walking lines anchoring harmony and pulse, dry minimal electric guitar with clean arpeggios and short melodic motifs, occasional sustained lead tones, restrained drum kit with mechanical, forward-motion groove and minimal fills, vocals low male baritone, dry, speech-like delivery, behind-the-beat phrasing, minimal vibrato, long sustained vowels, production raw and analog-minded, narrow verses and wider choruses, low reverb, no heavy compression, reflective unresolved outro, ‑edm, ‑trap, ‑hyperpop, ‑techno, ‑house, ‑deep house, ‑dubstep, ‑drum and bass, ‑jungle, ‑future bass, ‑hardstyle, ‑gabber, ‑psytrance, ‑trance, ‑eurodance, ‑synthwave, ‑vaporwave, ‑lo-fi, ‑chillhop, ‑reggaeton, ‑latin pop, ‑k-pop, ‑j-pop, ‑bubblegum pop, ‑metalcore, ‑deathcore, ‑black metal, ‑industrial metal, ‑screamo, ‑emo trap, ‑pop punk, ‑ska punk, ‑funk, ‑disco, ‑nu metal, ‑progressive metal, ‑jazz fusion, ‑gospel, ‑country, ‑folk pop, ‑bluegrass, ‑orchestral soundtrack, ‑cinematic trailer music, ‑ambient drone, ‑glitch, ‑glitch hop, ‑chiptune

[StylePrompt: Punk-Rock / Art-Rock / Cinematic Fusion with Psychedelic Elements; Raw, aggressive guitars with power chords and distorted rhythm; steady bass groove; punchy drums with syncopated accents; atmospheric layers of industrial drone and subtle synths; vocal style: male low baritone, articulate, post-grunge rasp à la Viktor Tsoi and Machete, each syllable clear and separated, emphasizing emotion and narrative; dynamics: verses soft-medium → choruses loud → bridge climactic → outro fading; intro sets mechanical tension with sparse instrumentation; post-production: tape saturation, plate reverb, stereo width, analog warmth, subtle compression on instruments and vocal to preserve articulation; tempo: 90 BPM; key: Am; time signature: 4/4]

[Key: Em] [Tempo: 118 BPM] [Time Signature: 4/4] [Style: Post-punk / New Wave, Cold and Driving] [Production: Vintage warmth with modern clarity, Tape saturation on master, analog-style EQ] [Vocal Style: Male Baritone, Warm, Dramatic, Slight Vibrato, Emotionally Charged, Pronunciation clear]

[Music Style: Ukrainian Rock Ballad with Soviet Post-Punk Influence][Key: F# minor][Tempo: 88 BPM][Time Signature: 4/4][Production: Vintage warmth with modern clarity, Tape saturation on master, analog-style EQ, ][Vocal Style: Male Baritone, Warm, Dramatic, Slight Vibrato, Emotionally Charged, Pronunciation clear]

[Music Style: Ukrainian Rock Ballad with Soviet Post-Punk Influence][Key: F# minor][Tempo: 96 BPM][Time Signature: 4/4][Production: Vintage warmth with modern clarity, Tape saturation on master, analog-style EQ, ][Vocal Style: Male Baritone, Warm, Dramatic, Slight Vibrato, Emotionally Charged, Pronunciation clear]

Alternative Rock, melancholic yet driving guitar melodies, deep emotional vocals, atmospheric reverb-drenched textures, introspective and poetic storytelling, steady mid-tempo drum groove

Ambient Jazz Ballad with Synthwave and Cinematic Texture, Tempo: variable 72–90 BPM, Key: A minor, modal interchange allowed, Time Signature: 4/4

Atmospheric post-punk, melancholic new wave, dark ambient layers, slow tempo, deep basslines, echo guitars, analog warmth, deep male voice, slow and deliberate, moody tone

Post-punk, new wave, emotional, rhythmic, minor key, cinematic atmosphere, slow melodic development, no loops, no repetition, clean electric guitar, analog synth pad, drum machine, male vocal