2:24

3:49

3:17

An energetic female vocalist, with a punk rock-like sense of speed
4:15

An energetic female vocalist, with a punk rock-like sense of speed, female energetic punk vocal, speed rock, Melodic Hardcore, punk rock, garage rock, hard beat, emotional, energetic punk rock, fast tempo of around 180 BPM, It centers on E minor, power drum, Em-G-C-D, The distorted guitars, vocals are raw, Fast 4/4 rhythm with continuous 16th-note double bass drumming and strong snare on beats 2 and 4, No tempo drop, Constant drive from chorus to end, ‑, ‑heavey metal, ‑death voice
3:13

180 BPM, Fast-Paced Raw Japanese Garage Rock (Mid-90s Underground Style), Approx, 30-second instrumental intro, then full band enters: bass, drums, sharp rhythmic guitar, Flat, driving groove with minimal swing, Punchy garage punk drums: heavy snare, minimal fills, steady rhythm, Dirty tube amp guitar tone, lo-fi garage recording texture, raw live band energy, Jangly, percussive guitar strokes, mostly dry, minimal effects, Strong, driving bass groove at the center of the mix, Languid, husky female vocal, Detached, slightly tired attitude, Chopper-style rhythmic phrasing with loose timing, Minimal emotion, almost spoken, dry delivery, No reverb, very close and raw vocal texture, Minimalist arrangement, rhythm-focused, no unnecessary layers, Cold, dry, high-energy atmosphere, Approx, 8 minutes long, ‑shout, ‑death voice, ‑heavy meta
3:28

melodic hardcore, punk rock, 190 BPM, female belt vocals, urgent chorus hooks, minor key progressions, downstroke guitar chugs, harmonized guitar leads, root-led bass melody, punchy live drums, tight eighth-note hi-hats, sharp snare backbeat, raw balanced mix, verse lift chorus surge, longing defiance, emotional atmosphere
4:12

160–170 BPM, Fast-paced raw Japanese garage rock inspired by mid-90s underground bands, Cool detached atmosphere, 30-second instrumental intro, Minimalist rhythm-focused arrangement with bass, drums, and one jangly rhythmic guitar, Flat driving groove with hypnotic repetition and minimal swing, Punchy garage punk drums with heavy snare and minimal fills, Strong dry bass groove, Dirty tube amp guitar tone with aggressive muted cuts and ultra-fast brushing, Guitar works as rhythmic percussion more than melody, Minimal effects and lo-fi live-band texture, Languid husky female vocals with detached almost-spoken chopper-style phrasing, Dry close-mic vocals with no reverb, Cold raw high-energy mood, trance-like repetitive tension, Pure mid-90s Japanese underground garage rock, no polished production or atmospheric effects
3:29

矛盾だらけの世界00
v5.5
160 BPM
A Cool, Somewhat Detached Garage Rock Vibe, This Is Fast-Paced, Raw Japanese Garage Rock Influenced By Underground Rock Bands Of The Mid-90S, The Song Begins With An Approximately 30-Second Instrumental Intro, Followed By Bass, Drums, And Sharp, Rhythmic Guitar, A Minimalist, This Is Punchy Garage Punk Drumming Characterized By Powerful Snare Hits And Minimal Fills, Rhythm-Driven Arrangement, It Features A Dirty Tube Amp Tone, A Lo-Fi Garage Recording Feel, And The Raw Energy Of A Live Band, Approximately 3 Minutes Long, This Is Raw, Dry, High-Energy Japanese Rock From The Mid-90S, Characterized By A Powerful Bass Groove And Jangly Guitar Attack, Flat, Driving Garage Rock Groove With Minimal Swing, The Guitarist Alternates Between Ultra-Fast, Percussive Cuts And Loose, Minimal Effects, Mostly Dry Tonedirty, Rhythmic Strokes, A Languid, Husky Female Vocalist, Chopper Rap, A Listless Singing Style, A Lo-Fi Recording Texture, And No Reverb
2:23

運命なんて信じない
v5.5
Fast-tempo, 180BPM, Raw Garage Rock, 4-piece band, Japanese Punk Rock, Energetic Female Vocals, Straightforward arrangement, [Intro: Dry Punchy Drum Intro, Crunchy Rhythm Guitar, Simple Bass Line], [Verse: Raw Bass and Drum groove, Constant 8th note bass, Chugging palm-muted guitar], [Chorus: Gritty Guitar Chords, Open Hi-hats, melodic but simple], Garage Sound, Studio Live Recording, Minimal Production, Overdriven Electric Guitar, P-90 pickup tone, Solid Bass Guitar, High-tension Snare, Lo-fi warmth, No Synthesizers, Four-member band sound, Raw and Honest Mix
3:50

私は自由 remaster
v5.5
A Cool, Somewhat Detached Garage Rock Vibe, This Is Fast-Paced, Raw Japanese Garage Rock Influenced By Underground Rock Bands Of The Mid-90S, The Song Begins With An Approximately catchey Instrumental Intro, Followed By Bass, Drums, And Sharp, Rhythmic Guitar, A Minimalist, This Is Punchy Garage Punk Drumming Characterized By Powerful Snare Hits And Minimal Fills, Rhythm-Driven Arrangement, It Features A Dirty Tube Amp Tone, A Lo-Fi Garage Recording Feel, And The Raw Energy Of A Live Band, Approximately 6 Minutes Long, This Is Raw, Dry, High-Energy Japanese Rock From The Mid-90S, Characterized By A Powerful Bass Groove And Jangly Guitar Attack, Flat, Driving Garage Rock Groove With Minimal Swing, The Guitarist Alternates Between Ultra-Fast, Percussive Cuts And Loose, Minimal Effects, Mostly Dry Tone dirty, Rhythmic Strokes, A Languid, Husky Female Vocalist, A Listless Singing Style, A Lo-Fi Recording Texture, And No Reverb, ‑shout, ‑death voice, ‑metal atmosphere
3:13

知らなくてもいい世界04
v5.5
170 BPM
A Cool, Somewhat Detached Garage Rock Vibe, This Is Fast-Paced, Raw Japanese Garage Rock Influenced By Underground Rock Bands Of The Mid-90S, The Song Begins With An Approximately Catchy Instrumental Intro, Followed By Bass, Drums, And Sharp, Rhythmic Guitar, A Minimalist, This Is Punchy Garage Punk Drumming Characterized By Powerful Snare Hits And Minimal Fills, Rhythm-Driven Arrangement, It Features A Dirty Tube Amp Tone, A Lo-Fi Garage Recording Feel, And The Raw Energy Of A Live Band, Approximately 6 Minutes Long, This Is Raw, Dry, High-Energy Japanese Rock From The Mid-90S, Characterized By A Powerful Bass Groove And Jangly Guitar Attack, and slapping base riff, Flat, Driving Garage Rock Groove With Minimal Swing, The Guitarist Alternates Between Ultra-Fast, Percussive Cuts And Loose, Minimal Effects, Mostly Dry Tone dirty, Rhythmic Strokes, A Languid, Husky Female Vocalist, A Listless Singing Style, A Lo-Fi Recording Texture, And No Reverb
3:55

172 BPM
A Cool, Somewhat Detached Garage Rock Vibe, This Is Fast-Paced, Raw Japanese Garage Rock Influenced By Underground Rock Bands Of The Mid-90S, The Song Begins With An Approximately 30-Second Instrumental Intro, Followed By Bass, Drums, And Sharp, Rhythmic Guitar, A Minimalist, This Is Punchy Garage Punk Drumming Characterized By Powerful Snare Hits And Minimal Fills, Rhythm-Driven Arrangement, It Features A Dirty Tube Amp Tone, A Lo-Fi Garage Recording Feel, And The Raw Energy Of A Live Band, Approximately 8 Minutes Long, This Is Raw, Dry, High-Energy Japanese Rock From The Mid-90S, Characterized By A Powerful Bass Groove And Jangly Guitar Attack, Flat, Driving Garage Rock Groove With Minimal Swing, The Guitarist Alternates Between Ultra-Fast, Percussive Cuts And Loose, Minimal Effects, Mostly Dry Tone dirty, Rhythmic Strokes, A Languid, Husky Female Vocalist, Chopper Rap, A Listless Singing Style, A Lo-Fi Recording Texture, And No Reverb
Approx, 8 minutes long, ‑shout, ‑death voicee
3:14

全速少女
v5.5
90s Japanese alternative rock, post-punk, lo-fi garage rock, raw underground live-house energy, restless and anxious mood, 132~148 BPM, dry metallic single-coil guitar tone with sharp Strat-style high-end attack, bright and brittle treble-heavy cutting riffs, aggressive staccato upstroke/downstroke rhythm guitar, distorted overdriven amp buzz, noisy analog texture, slightly broken speaker feel, Relentless driving bass using repetitive downpicked eighth-note pulse, hypnotic and mechanical groove, urgent forward momentum, Fast explosive live drums with energetic snare crack, frantic cymbal wash, pushing slightly ahead of the beat, Chaotic guitar movement, feedback bursts, amp hiss, tape saturation, garage room reflections, rough clipping distortion, Male vocal with strained emotional shouting, half-sung half-yelled delivery, distant room-mic atmosphere, voice sitting slightly behind the instruments, echoing through rehearsal-space walls, Raw, imperfect, youthful tension, urban loneliness
3:19

まだ終われない remaster
v5.5
Fast, angular Japanese indie rock with explosive late-90s underground energy, Opens with drums alone for several bars: rapid snare-driven rhythms, rolling tom fills, tight hi-hat work, and restless cymbal accents building tension, Bass enters first, locking tightly to the kick drum before a metallic single-coil electric guitar crashes in with bright, cutting chords and jagged riffs, The full band suddenly surges forward with relentless momentum, Fast tempo around 180 BPM, Urgent female vocals delivered in a natural, breathless flow that rides the rhythm rather than overpowering it, Fragmented urban imagery, youthful anxiety, and fleeting memories, Raw live-band production, loud room ambience, sharp dynamics, interlocking bass and drums, ringing guitar overtones, controlled chaos, intense rhythmic propulsion, No synths, no orchestral elements, no modern pop polish, no EDM or trap influences, ‑Synth-pop, ‑EDM, ‑Metalcore, ‑Pop-punk gloss, ‑Modern radio-rock production, ‑Heavy vocal tuning, ‑Electronic textures, ‑Programmed drums

