モラトリアム

Instrumental opener, Electro-pop main with math/post-rock nuance, Bright yet tender “youth moratorium” mood: hopeful forward motion vs gentle hesitation, 124–126 BPM, D Lydian core for sparkle; brief B Dorian detours for soft inner flutter; sus2/add9/#11 colors, Clean interlocking guitars (arpeggio + harmonics), micro-delay, light chorus, Subtle four-on-the-floor in lifts; verses with syncopated kick, closed hats, brushed rim, Soft sidechained synth-bass (not aggressive), airy Juno/Prophet pads, very quiet 16th sequencer, One tasteful 1-bar 7/8 “smile stutter, ” Break with tape hiss, distant morning ambience, single bell accent, Let dynamics breathe; use negative space, Bright glassy top, restrained low end, no distortion walls, End unresolved (fade on Dmaj9 add#11), No vocals

Title: "藍の導線 (Ai no Dōsen)" Style: Loop-driven Japanese dance-rock × electronic city pop, 122–124 BPM, 4/4, Build energy by repeating a 2-bar synth motif and adding layers every 8 bars: closed hats → arpeggio → delay guitar → wide pads, Tight four-on-the-floor kick, elastic side-chained synth bass, clean delay guitars, dreamy JP-style pads, Keep verses lean; open the filter and stereo image into the chorus, Hook: Chorus must start with the title phrase and repeat it in short, vowel-forward lines for instant recall, Form: Intro8 (filtered loop) → Verse16 → Pre8 (cutoff opening) → Chorus16 (full, wide) → Verse16 → Build8 → Bridge8 (very light Baile-funk low-percussion/claps only) → Final Chorus24 (add simple countermelody, extra hook repeat), Color: Optional subtle Amapiano essence (light swung 16th shaker, soft log-drum accents), always background, Key ≈ E major; Maj7/9 and occasional sus, Female vocal airy but grounded; doubles and simple 3rd/5th in the chorus, No heavy EDM drops;

A fast-paced and emotionally charged Japanese rock track featuring distorted guitar riffs, layered shoegaze textures, and intricate math rock-inspired drumming, The female vocals are delivered with a synthetic yet fragile tone, evoking the expressive nuance of VOCALOID style, The track builds tension through syncopated rhythms, ambient noise, and melodic dissonance, reflecting inner conflict and emotional restraint, The arrangement incorporates brief floating sections with dreamy chords and glitch elements before exploding into a dynamic, cathartic chorus, The mood is bittersweet, fast, and deeply expressive, capturing the feeling of unspoken words caught between pride and vulnerability, --genre Japanese emotional rock, shoegaze math pop, vocaloid, glitchy alternative

Title: 偏光メトロノーム VOCAL: FEMALE JAPANESE VOCAL ONLY, FEMALE ONLY, Bright, edgy mix-belt with controlled twang (A3–E5), minimal vibrato, Verses close/dry with faint whispers; chorus doubled (light 3rd/5th), No male, no duet, no choir, no vocoder — repeat: NO MALE, Style: Cold, edgy JP post-hardcore/math + minimal electronic, 152–158 BPM, mostly 4/4 with rare 7/8 pickup, Dark, dry, transient-forward; no pads, Hook: Signature 2-bar unison riff (twin staccato guitars + mono synth), REPEAT it every 8 bars and BUILD each repeat (density up, filter opens), Post-chorus = riff only, Chorus hook begins with the title; repeat short vowel-forward lines, Drums: crack snare, tight hats, brief double-kick bursts, sudden rests, Bass: pick + parallel distortion, pedal tones, Guitars: unison → short 3rd harmony, hard mutes, tritone slides, Synth: short mono lead, dotted-eighth delay, Form: Intro8 → V16 → Pre8 → C16 → V16 → Break8 → Final C24 → tight Outro, Language: Japanese only

A distorted, emotionally layered Japanese alternative rock track with a twisted, melodic progression and glitchy rhythm structure, The song opens with lo-fi textures and dark, poetic vocal phrasing, reflecting a digital isolation theme, The arrangement combines fragile, processed vocals reminiscent of vocaloid timbre with sharp guitar lines, pulsing electronic noise, and math-inspired drumming, The pre-chorus gradually builds into a cathartic metalcore-infused chorus with screaming backing vocals, heavy breakdowns, and layered distortion, The mood is tense, bitter, and emotionally unraveling—capturing a young girl's desperate grip on a simulated world, The track ends with a quiet collapse, fading into ambient static, --genre Japanese alt rock, vocaloid-inspired emotional noise pop, post-metalcore, glitchy emo-electro

A laid-back and fluffy Japanese pop song with a dreamy, cute, and catchy mood, The vocals should be soft and slightly breathy, but the melody must be memorable and easy to sing along, Think of a light, bouncy rhythm with relaxed energy—like skipping slowly under a cloudy sky, Use mellow synths, cozy textures, lo-fi drums, and playful chimes, Tempo is medium-slow (around 95–105 BPM) with a warm, floating groove, Lyrics are in Japanese, expressing quiet shyness and tiny feelings of wanting to get closer, Include a strong melodic hook that repeats, something that sticks in the listener’s mind even after the song ends, The overall tone is sweet, offbeat, and slightly nostalgic, like a pastel-colored daydream with a heartbeat

Dark pop, math pop, math rock, Japanese fast-paced electro-pop with VOCALOID rock, techcore, hyperflip, Tempo 165 BPM, Emotional Japanese female vocal, soft and airy in verses, powerful in choruses, Complex rhythm patterns, occasional 7/8 bars, syncopated drums, polyrhythmic hi-hats, Industrial metallic percussion, glitch fills, bitcrush, reverse cuts, stutter edits, Dissonant layered synths, FM bass sidechained to kick, hyper-saturated leads, Arrangement: Intro with atmospheric pads + glitchy chopped vocals; Verse 1 minimal bass + syncopated drums; Pre-chorus rising arps and harmonies; Chorus with full techcore drums, distorted bass, hyperflip vocal chops; Verse 2 adds math rock guitar riffs; Breakdown with silence, metallic bursts, FM bass drop; Last chorus key change, dense harmonies, tempo ramp to double speed for final bars, sudden stop ending

Title: Pure Around 160 BPM, major-key with minor inflections, blending dark-edged pop-rock and electronic elements, Energetic groove alternating four-on-the-floor and halftime, with heavy kick, deep bass, and syncopated snare to keep tension, Harmonic movement uses IV–I–vi–V with occasional minor substitutions for shade, Layer bright synths over crunch guitars, but avoid overly shiny tone—balance light with underlying darkness, Vocals: start low and restrained, grow into sharp, emotive highs, with crisp consonants and sustained vowels, dynamic shifts from fragile to fierce, Lyrics explore purity as both light and blade, self-worth eroded by others, the loss and reclaiming of pride, Use abstract imagery—glass, backlight, flowers, shadows—avoid direct wording, Short, repeated phrases in chorus for hook, “Pure” appears subtly in the bridge only, End with an intense, resolute closure

A poetic and emotionally-charged alternative J-pop track blending melancholic pop-rock with electronic textures and subtle math rock rhythms, The track is led by a hauntingly soft female vocal that expresses the emotional fragility of adolescence, layered over ambient guitar textures, syncopated clean drums, and fragmented glitchy synths, The atmosphere is bittersweet and introspective, with a dreamy, cinematic progression, Inspired by nighttime cityscapes, fleeting youth, and existential monologues, Complex chord progressions, irregular phrasing, and floating melodies that dissolve into emotional breakdowns, The tempo is mid-fast with moments of breathy stillness

152 BPM, 4/4 with a one-bar 7/8 breath before the bridge, Shoegaze × post-rock × math-rock, Drums: tight ghost-note snare, syncopated kick, tom swells, rim clicks; dynamic swells and brief dropouts, Guitars: two clean interlocking delay lines (arpeggios/tapping) that bloom into a wide fuzz/shoegaze wall in hooks; reverse swells and long tails, Bass: melodic counterlines with occasional octave jumps, Harmony: E major/minor blend, add9/sus2, IV→iv, bVII, Form: fade-in feedback → sparse verse → building pre → open, hopeful chorus → bridge with delay-guitar canon + 7/8 bar → final chorus with a small lift (+2 semitones or open ride) → long outro of feedback and filtered pads fading to black, Vocals: intimate Japanese female lead; breathy but clear; tight doubles and soft 3rd/6th harmonies, End each chorus with “グッドバイ・モラトリアム”, Mix: wide stereo, airy tails, punchy low end