Rock/Alternative Rock

Raw, minimal, lo-fi, Brooding 70’s British post-punk song in the style of Joy Division’s Closer, Peter Hook–style bass leads with mournful, melodic runs drenched in chorus, Bernard Sumner–style guitar rings out in cold, minimal patterns with reverb and delay, Stephen Morris–style drums pulse steady and distant, like a heartbeat in a concrete room, Production is raw, analog, and hollow — the air feels heavy and gray, Vocals in Ian Curtis’ baritone: weary, intimate, almost breaking, sung with haunting restraint and despair, Every phrase feels final, The sound is desolate, hypnotic, and painfully human

Dark, creepy, Loathing, Raw, Loud, minimal, lo-fi, Brooding 70’s British post-punk song in the style of Joy Division’s Shadowplay and Twenty Four Hours, Peter Hook–style bass carries the melody in a high, distorted register, Bernard Sumner–style guitars slash through with cold chorus, delay, and sharp minor arpeggios, Stephen Morris–style drums are relentless, mechanical, and echoing through reverb, Production is raw and analog with tension and space, Vocals in Ian Curtis’ deep baritone, haunted, desperate, and emotionally unraveling, Slight tremor, restrained fury, and aching detachment, Feels like a midnight breakdown set to motion, bleak, hypnotic, and human

Dark, creepy, Loathing, Raw, Loud, minimal, lo-fi, Brooding 70’s British post-punk song in the style of Joy Division’s Shadowplay and Twenty Four Hours, music for maniacs, Peter Hook–style bass carries the melody in a high, distorted register, Bernard Sumner–style guitars slash through with cold chorus, delay, and sharp minor arpeggios, Stephen Morris–style drums are relentless, mechanical, and echoing through reverb, Production is raw and analog with tension and space, Vocals in Ian Curtis’ deep baritone, haunted, desperate, and emotionally unraveling, Slight tremor, restrained fury, and aching detachment, Feels like a midnight breakdown set to motion, bleak, hypnotic, and human

Raw, minimal, Lo-fi, Dark post-punk song inspired by Joy Division’s Shadowplay and Twenty Four Hours, Peter Hook–style bass carries the melody in a high, distorted register, Bernard Sumner–style guitars slash through with cold chorus, delay, and sharp minor arpeggios, Stephen Morris–style drums are relentless, mechanical, and echoing through reverb, Production is raw and analog with tension and space, Vocals in Ian Curtis’ deep baritone — haunted, desperate, and emotionally unraveling, Slight tremor, restrained fury, and aching detachment, Feels like a midnight breakdown set to motion — bleak, hypnotic, and human

Raw, minimal, lo-fi, Upbeat new wave/post-punk song in the style of Kajagoogoo at energetic tempo, Nick Beggs style melodic bass drives the rhythm with bright, bouncy riffs, Steve Askew and Stuart Neale–style guitars shimmer with clean chorus and arpeggios, Light synths accent melodies and add texture, Jez Strode style drums are punchy, tight, snare-forward, and danceable, Vocals inspired by Limahl with a clear British accent: expressive, dynamic, slightly theatrical, playful yet emotional, human, with slight phrasing quirks for realism, Atmosphere is glossy, hook-driven, vibrant 1980s energy, Instrumental and vocal cues feel lively, danceable, and authentic

Raw, minimal, lo-fi, dark, moody ’90s grunge metal track in the style of Alice In Chains, Guitars thick, distorted, slightly muddy, with haunting melodic riffs and sustained feedback (Jerry Cantrell style), Bass warm, locked with drums (Mike Inez), drums loose but driving (Sean Kinney), natural room tone, Vocals tense, slightly strangled, high pitched nasally, layered haunting broken harmonies in the style of Layne Staley, raw and emotive, not polished, Song dynamics: eerie, soft verses → crushing heavy choruses → melancholic atmospheric bridges, Production raw, slightly lo-fi, dark, moody, natural reverb and sustain, claustrophobic and intense, Layne Staley, Layne Staley, Layne Staley, Layne Staley, Layne Staley, Layne Staley, Layne Staley

Raw, Minimal, Lo-fi, Thumping slap bass guitar rhythm, 1980s British UK punk-rock and post-punk in the style of Billy Idol (vocals), Steve Stevens (guitar), and Tony James (bass), Fast-paced, raw, and energetic, with driving, melodic basslines and sharp, overdriven guitars playing tight riffs, angular stabs, and flashy solos, Drums are tight, punchy, and snappy, with syncopated fills and hard kick-snare patterns, Verses lean on bass and drums for momentum, guitar restrained and edgy, Choruses explode with full-band intensity, anthemic and powerful, Vocals bold, snarling, and charismatic, with Billy Idol’s signature sneer, rasp, playful “hey!” shouts, and attitude-driven phrasing, Overall tone rebellious, urgent, raw, and streetwise, more punk edge than polish, live and human

Raw, grunge rock, early 90s Seattle sound, Fuzzy, distorted guitars, crunchy power chords, loose and dynamic drums, deep driving basslines, Quiet, intimate verses with muted guitar and low, muttered vocals; explosive, screamed choruses with heavy guitar feedback and aggressive drumming, Mid-tempo, jagged, lo-fi, unpolished, human, and angsty, Instrumentation in the style of Cobain (vocals/guitar), Krist Novoselic (bass), and Dave Grohl (drums), Include space for short instrumental riffs and fills between verses and choruses, gritty guitar solos, and chaotic outro feedback, Overall tone dark, raw, and emotional, evoking frustration, shame, and intensity, Tempo around 110 BPM, slightly loose and off-kilter to capture garage energy, Bass should be prominent, simple but powerful, with rhythmic drive, Guitar tone thick, overdriven, slightly muddy, Drums punchy, hard-hitting, sometimes sloppy for authenticity

Raw, minimal, UK post punk, lo-fi, British post punk, 1983-style sophisti-pop / new wave instrumental with lush synth pads, shimmering chorus guitars, tight Linn drum grooves, and a prominent melodic fretless bassline in the style of Nick Beggs (Kajagoogoo), Include spacey analog synth leads and funky percussive stabs, Mid-song breakdown features a dynamic solo section with bass, drums, and synths interacting in a slick, emotional interplay, Overall tone is bittersweet, romantic, and dramatic, Smooth tempo around 95–100 BPM, Clean, polished, and cinematic, Nick Beggs style bass, lyrical, fretless, expressive with a slight slap/pop bite, Thumping bass guitar rhythm, bass guitar rhythm flair

70’s, Raw, minimal, UK rock, lo-fi, British post rock, dark, heavy, loud, art rock, experimental rock, proto-punk, psychedelic rock, and avant-pop, 1970s glam rock instrumental in the style of Z Stardust and the Spiders from Mars, raw electric guitar tones, theatrical chord progressions, vintage tube amp grit, tight rhythm section, spacey background textures, emotional piano fills, slinky glam swagger, mid-tempo groove, Bowie-style glam ballad atmosphere, Mick Ronson-style glam rock guitar solo, melodic phrasing, expressive bends, vintage fuzz tones, soaring lead licks with blues-rock influence, dramatic and emotional, Spacey glam rock breakdown with haunting string-like Mellotron, atmospheric reverb, soulful guitar leads, slow build into a dramatic solo, in the vein of Bowie and Ronson’s Z Stardust era

Raw, minimal, lo-fi, create a punk rock instrumental inspired by Richard Hell & The Voidoids, Focus on jagged, angular guitar riffs, driving basslines, and aggressive, tight drumming, Keep the energy raw, chaotic, and unpolished, with a lo-fi, garage-punk feel, Include sudden tempo shifts, dissonant chords, and off-kilter rhythms to capture the restless, rebellious vibe of early 1970s NYC punk

70’s, Raw, minimal, UK rock, lo-fi, British post rock, dark, heavy, loud, art rock, experimental rock, proto-punk, psychedelic rock, and avant-pop, 1970s glam rock instrumental in the style of Z Stardust and the Spiders from Mars, raw electric guitar tones, theatrical chord progressions, vintage tube amp grit, tight rhythm section, spacey background textures, emotional piano fills, slinky glam swagger, mid-tempo groove, Bowie-style glam ballad atmosphere, Mick Ronson-style glam rock guitar solo, melodic phrasing, expressive bends, vintage fuzz tones, soaring lead licks with blues-rock influence, dramatic and emotional, Spacey glam rock breakdown with haunting string-like Mellotron, atmospheric reverb, soulful guitar leads, slow build into a dramatic solo, in the vein of Bowie and Ronson’s Z Stardust era

70’s, Raw, minimal, UK rock, lo-fi, British post rock, dark, heavy, loud, art rock, experimental rock, proto-punk, psychedelic rock, and avant-pop, 1970s glam rock instrumental in the style of Z Stardust and the Spiders from Mars, raw electric guitar tones, theatrical chord progressions, vintage tube amp grit, tight rhythm section, spacey background textures, emotional piano fills, slinky glam swagger, mid-tempo groove, Bowie-style glam ballad atmosphere, Mick Ronson-style glam rock guitar solo, melodic phrasing, expressive bends, vintage fuzz tones, soaring lead licks with blues-rock influence, dramatic and emotional, Spacey glam rock breakdown with haunting string-like Mellotron, atmospheric reverb, soulful guitar leads, slow build into a dramatic solo, in the vein of Bowie and Ronson’s Z Stardust era, Laid-back, introspective instrumental in the style of early 1970s Bowie specifically the tone and texture of “Soul Love”, The sound should blend classic rock with subtle jazz and blues

70’s British metal, raw, minimal, lo-fi, Male vocals in the style of early Ozzy from Sabbath’s 1970–1971 era, Vocal tone should be clean, slightly nasal, and haunting like a sorrowful chant, Avoid aggressive, gritty, The voice should sound hypnotized, spaced-out, and detached, like a ghost telling a doomed prophecy, Inspired by songs like ‘Iron Man, ’ and ‘Planet Caravan, Slow to mid-tempo doom-laden heavy metal instrumental in the style of early Metal (1970–1973), featuring downtuned guitars with fuzzy distortion, blues-influenced riffs in minor and diminished scales, thunderous Geezer-style basslines, haunting and dramatic Iommi-style guitar solos, and raw analog-style drums with big toms and heavy ride cymbals, Dark, occult atmosphere with a spooky and cinematic feel, inspired by songs ‘N, I, B, ’ and ‘War Pigs, ’ No modern effects or synths, just pure early Sabbath doom

1980s glam metal, gritty palm-muted guitar riffs, sharp harmonized leads, bluesy pentatonic solos, punchy drums with gated reverb, swagger-filled tempo around 120 BPM, sleazy Sunset Strip attitude, melodic hard rock energy, Warren DeMartini-inspired guitar solo in the style of 1980s glam metal, expressive bends, fast pentatonic runs, whammy bar action, harmonized licks over a bluesy hard rock backing, intense and melodic

70’s, Raw, minimal, UK rock, lo-fi, British post rock, dark, heavy, loud, art rock, experimental rock, proto-punk, psychedelic rock, and avant-pop, 1970s glam rock instrumental in the style of Z Stardust and the Spiders from Mars, raw electric guitar tones, theatrical chord progressions, vintage tube amp grit, tight rhythm section, spacey background textures, emotional piano fills, slinky glam swagger, mid-tempo groove, Bowie-style glam ballad atmosphere, Mick Ronson-style glam rock guitar solo, melodic phrasing, expressive bends, vintage fuzz tones, soaring lead licks with blues-rock influence, dramatic and emotional, Spacey glam rock breakdown with haunting string-like Mellotron, atmospheric reverb, soulful guitar leads, slow build into a dramatic solo, in the vein of Bowie and Ronson’s Z Stardust era, fast tempo, 140 bpm

70’s, Raw, minimal, UK rock, lo-fi, British post rock, dark, heavy, loud, art rock, experimental rock, proto-punk, psychedelic rock, and avant-pop, 1970s glam rock instrumental in the style of Z Stardust and the Spiders from Mars, raw electric guitar tones, theatrical chord progressions, vintage tube amp grit, tight rhythm section, spacey background textures, emotional piano fills, slinky glam swagger, mid-tempo groove, Bowie-style glam ballad atmosphere, Mick Ronson-style glam rock guitar solo, melodic phrasing, expressive bends, vintage fuzz tones, soaring lead licks with blues-rock influence, dramatic and emotional, Spacey glam rock breakdown with haunting string-like Mellotron, atmospheric reverb, soulful guitar leads, slow build into a dramatic solo, in the vein of Bowie and Ronson’s Z Stardust era, fast tempo

70’s, Raw, minimal, UK rock, lo-fi, British post rock, dark, heavy, loud, art rock, experimental rock, proto-punk, psychedelic rock, and avant-pop, 1970s glam rock instrumental in the style of Z Stardust and the Spiders from Mars, raw electric guitar tones, theatrical chord progressions, vintage tube amp grit, tight rhythm section, spacey background textures, emotional piano fills, slinky glam swagger, mid-tempo groove, Bowie-style glam ballad atmosphere, Mick Ronson-style glam rock guitar solo, melodic phrasing, expressive bends, vintage fuzz tones, soaring lead licks with blues-rock influence, dramatic and emotional, Spacey glam rock breakdown with haunting string-like Mellotron, atmospheric reverb, soulful guitar leads, slow build into a dramatic solo, in the vein of Bowie and Ronson’s Z Stardust era

Raw, minimal, British punk rock, Indie, lo-fi, dark, British post punk rock, thumping bass guitars, crunchy rhythm guitar

Raw, minimal, British punk rock, Indie, lo-fi, dark, British post punk rock